Here's something special, a Godard movie about people as much as concepts, and the dialogue doesn't sound as if it belongs in cartoon bubbles. Jean-Luc Godard turns his intellect to the subject of relationships and reveals a lot about himself. It's a beautiful show too -- with the incredible Macha Méril visually cut up for study piece by piece. A Married Woman Blu-ray Entertainment One / Cohen Film Collection 1964 / B&W / 1:37 full frame / 95 min. / Un Femme Marieacute;e / Street Date May 24, 2016 / 39.98 Starring Bernard Noël, Macha Méril, Philippe Leroy, Roger Leenhardt. Cinematography Raoul Coutard Film Editor Andrée Choty, Françoise Collin, Agnès Guillemot, Gérard Pollicand. Written and Directed by Jean-Luc Godard
Reviewed by Glenn Erickson
Imagine that -- a Jean-Luc Godard film not primarily organized around destructing film language. By 1964 Godard had taken apart the conventions of film editing and structure. He'd plumbed new depths in genre autopsies and blended moving pictures...
Reviewed by Glenn Erickson
Imagine that -- a Jean-Luc Godard film not primarily organized around destructing film language. By 1964 Godard had taken apart the conventions of film editing and structure. He'd plumbed new depths in genre autopsies and blended moving pictures...
- 5/10/2016
- by Glenn Erickson
- Trailers from Hell
The Eighth Annual Robert Classic French Film Festival — co-produced by Cinema St. Louis and the Webster University Film Series — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the early 1990s, offering a comprehensive overview of French cinema.
The fest is annually highlighted by significant restorations, and we’re especially pleased to present Jacques Rivette’s long-unavailable epic Out 1: Spectre Additional restoration highlights include Jean-Luc Godard’s A Married Woman and Max Ophüls’ too-little-seen From Mayerling To Sarajevo. Both Ophüls’ film and Louis Malle’s Elevator To The Gallows – with a jazz score by St. Louis-area native Miles Davis — screen from 35mm prints. All films will screen at Webster University’s Moore Auditorium (47- E. Lockwood)
Music fans will further delight in the Rats & People Motion Picture Orchestra’s accompaniment and original score for Carl Th. Dreyer’s...
The fest is annually highlighted by significant restorations, and we’re especially pleased to present Jacques Rivette’s long-unavailable epic Out 1: Spectre Additional restoration highlights include Jean-Luc Godard’s A Married Woman and Max Ophüls’ too-little-seen From Mayerling To Sarajevo. Both Ophüls’ film and Louis Malle’s Elevator To The Gallows – with a jazz score by St. Louis-area native Miles Davis — screen from 35mm prints. All films will screen at Webster University’s Moore Auditorium (47- E. Lockwood)
Music fans will further delight in the Rats & People Motion Picture Orchestra’s accompaniment and original score for Carl Th. Dreyer’s...
- 2/16/2016
- by Tom Stockman
- WeAreMovieGeeks.com
Simone Simon in 'La Bête Humaine' 1938: Jean Renoir's film noir (photo: Jean Gabin and Simone Simon in 'La Bête Humaine') (See previous post: "'Cat People' 1942 Actress Simone Simon Remembered.") In the late 1930s, with her Hollywood career stalled while facing competition at 20th Century-Fox from another French import, Annabella (later Tyrone Power's wife), Simone Simon returned to France. Once there, she reestablished herself as an actress to be reckoned with in Jean Renoir's La Bête Humaine. An updated version of Émile Zola's 1890 novel, La Bête Humaine is enveloped in a dark, brooding atmosphere not uncommon in pre-World War II French films. Known for their "poetic realism," examples from that era include Renoir's own The Lower Depths (1936), Julien Duvivier's La Belle Équipe (1936) and Pépé le Moko (1937), and particularly Marcel Carné's Port of Shadows (1938) and Daybreak (1939).[11] This thematic and...
- 2/6/2015
- by Andre Soares
- Alt Film Guide
Keep in mind, I went into Une Femme Mariée with very limited exposure to the actual films of Jean-Luc Godard despite having studied his techniques and style in various film school courses. Not even Breathless, which is infinitely quoted as the quintessential French New Wave classic, particularly interested me. Maybe Une Femme Mariée surprised me as much as it did because of my unfamiliarity with Godard’s oeuvre. Just to think, having studied someone in great detail had shaped my perspective beyond a reasonable doubt. Yet, Une Femme Mariée is a challenging film on its own, free from the cult of personality that is Godard and yet fully indulging in his stylistic fashion.
Une Femme Mariée lets us peek into the life of Charlotte and her relationship with her husband and her lover, respectively. Macha Méril, whose delicate features and lack of emotional expression quickly establish her as only mildly...
Une Femme Mariée lets us peek into the life of Charlotte and her relationship with her husband and her lover, respectively. Macha Méril, whose delicate features and lack of emotional expression quickly establish her as only mildly...
- 6/4/2009
- by Mark Zhuravsky
- JustPressPlay.net
DVD Playhouse—June 2009
By
Allen Gardner
The International (Sony) An Interpol agent (Clive Owen) joins forces with a Manhattan D.A. (Naomi Watts) to bring down an arms dealing ring and a corrupt global banking cartel that’s funding them. Superlative thriller was oddly ignored by critics and audiences alike, but expertly blends intelligence (courtesy screenwriter Eric Warren Singer’s masterfully-crafted script) and full-throttle action (director Tom Tykwer stages one of the great film shoot-outs in New York’s iconic Guggenheim Museum), making this dynamite thriller reminiscent of the best work from masters such as John Frankenheimer and Robert Aldrich. Armin Mueller-Stahl is wonderful as a world-weary covert op. Bonuses: Extended scene; Featurettes; Trailer. Widescreen. Dolby 5.1 surround.
The Jack Lemmon Film Collection(Sony) Five films from the two-time Oscar winning actor, focusing on his early career: Phfft! is a zippy comedy from 1954, one of Lemmon’s earliest films, in which...
By
Allen Gardner
The International (Sony) An Interpol agent (Clive Owen) joins forces with a Manhattan D.A. (Naomi Watts) to bring down an arms dealing ring and a corrupt global banking cartel that’s funding them. Superlative thriller was oddly ignored by critics and audiences alike, but expertly blends intelligence (courtesy screenwriter Eric Warren Singer’s masterfully-crafted script) and full-throttle action (director Tom Tykwer stages one of the great film shoot-outs in New York’s iconic Guggenheim Museum), making this dynamite thriller reminiscent of the best work from masters such as John Frankenheimer and Robert Aldrich. Armin Mueller-Stahl is wonderful as a world-weary covert op. Bonuses: Extended scene; Featurettes; Trailer. Widescreen. Dolby 5.1 surround.
The Jack Lemmon Film Collection(Sony) Five films from the two-time Oscar winning actor, focusing on his early career: Phfft! is a zippy comedy from 1954, one of Lemmon’s earliest films, in which...
- 6/3/2009
- by The Hollywood Interview.com
- The Hollywood Interview
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