Acclaimed writer/director David Lowery joins Josh and Joe to discuss the films that inspired The Green Knight.
Show Notes: Movies Referenced In This Episode
The Green Knight (2021)
Peter Pan & Wendy (2022)
Lawrence Of Arabia (1962)
The Old Man And The Gun (2018)
A Ghost Story (2017)
Pete’s Dragon (1977)
Pete’s Dragon (2016) – Glenn Erickson’s review
Ain’t Them Bodies Saints (2013)
Ghost Story (1974)
Sword of the Valiant (1984)
Gawain and the Green Knight (1973)
Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014)
Masters of the Universe (1987) – Josh Olson’s trailer commentary
Andrei Rublev (1966) – Glenn Erickson’s Criterion Blu-ray review, Dennis Cozzalio’s Muriel Awards blurb
War And Peace (1966) – Glenn Erickson’s Blu-ray review
Heaven’s Gate (1980)
The Passion Of Joan Of Arc (1928) – Charlie Largent’s Criterion Blu-ray review
The Devils (1971)
Space Jam: A New Legacy (2021)
A Clockwork Orange (1971)
The Conjuring (2013)
Jubilee (1978)
Benedetta (2021)
Dune (1984)
Dune (2021)
Hard To Be A God (2013)
Jodorowsky’s Dune (2013)
Moby Dick (1956) – Ernest Dickerson’s trailer commentary,...
Show Notes: Movies Referenced In This Episode
The Green Knight (2021)
Peter Pan & Wendy (2022)
Lawrence Of Arabia (1962)
The Old Man And The Gun (2018)
A Ghost Story (2017)
Pete’s Dragon (1977)
Pete’s Dragon (2016) – Glenn Erickson’s review
Ain’t Them Bodies Saints (2013)
Ghost Story (1974)
Sword of the Valiant (1984)
Gawain and the Green Knight (1973)
Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014)
Masters of the Universe (1987) – Josh Olson’s trailer commentary
Andrei Rublev (1966) – Glenn Erickson’s Criterion Blu-ray review, Dennis Cozzalio’s Muriel Awards blurb
War And Peace (1966) – Glenn Erickson’s Blu-ray review
Heaven’s Gate (1980)
The Passion Of Joan Of Arc (1928) – Charlie Largent’s Criterion Blu-ray review
The Devils (1971)
Space Jam: A New Legacy (2021)
A Clockwork Orange (1971)
The Conjuring (2013)
Jubilee (1978)
Benedetta (2021)
Dune (1984)
Dune (2021)
Hard To Be A God (2013)
Jodorowsky’s Dune (2013)
Moby Dick (1956) – Ernest Dickerson’s trailer commentary,...
- 8/31/2021
- by Kris Millsap
- Trailers from Hell
"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...
Sally Potter’s Orlando is a work of otherworldly character. It does not take place in a fantasy land or on a distant planet, but all the same it does not really seem to take place in our own reality. This might seem an obvious thing to say about a movie whose protagonist is an Elizabethan nobleman (Tilda Swinton) who lives for centuries and abruptly becomes a woman midway through the story, but there’s more to it than that. Its mood is one of near-anachronistic magic, built with a narrative logic that resists the strict signposts of linear storytelling, and lit by a shimmering queer sensibility.
Each of the film’s changing atmospheres has something quite specific to say. The central Istanbul section, filmed in the ancient walled city of Khiva, Uzbekistan, uses architecture to isolate...
Sally Potter’s Orlando is a work of otherworldly character. It does not take place in a fantasy land or on a distant planet, but all the same it does not really seem to take place in our own reality. This might seem an obvious thing to say about a movie whose protagonist is an Elizabethan nobleman (Tilda Swinton) who lives for centuries and abruptly becomes a woman midway through the story, but there’s more to it than that. Its mood is one of near-anachronistic magic, built with a narrative logic that resists the strict signposts of linear storytelling, and lit by a shimmering queer sensibility.
Each of the film’s changing atmospheres has something quite specific to say. The central Istanbul section, filmed in the ancient walled city of Khiva, Uzbekistan, uses architecture to isolate...
- 6/20/2016
- by Daniel Walber
- FilmExperience
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.