From November to December, it's time for what's next at Plex! Prepare for your "Killers of the Flower Moon" screening by catching one of Martin Scorcese and Leonardo DiCaprio's collaborations, "The Aviator," taking flight on the free streamer on Dec. 1.
The platform will also add romantic dramas and thrillers such as “Two Lovers” starring Joaquin Phoenix and Gwyneth Paltrow and double the dosage for A24 heads with “It Comes At Night” and “The Last Black Man in San Francisco.”
Check out The Streamable’s top picks for Plex’s December additions and see everything getting added to the library throughout the month!
Watch Now Tba plex.tv What are the 5 Best Shows and Movies Coming to Plex in December 2023? “Barking Dogs Never Bite” | Friday, Dec. 1
“Parasite” filmmaker and Oscar winner Bong Joon-ho makes his directorial debut with the 2000 black comedy that follows Yun-ju (played by Lee Sung-jae), a part-time...
The platform will also add romantic dramas and thrillers such as “Two Lovers” starring Joaquin Phoenix and Gwyneth Paltrow and double the dosage for A24 heads with “It Comes At Night” and “The Last Black Man in San Francisco.”
Check out The Streamable’s top picks for Plex’s December additions and see everything getting added to the library throughout the month!
Watch Now Tba plex.tv What are the 5 Best Shows and Movies Coming to Plex in December 2023? “Barking Dogs Never Bite” | Friday, Dec. 1
“Parasite” filmmaker and Oscar winner Bong Joon-ho makes his directorial debut with the 2000 black comedy that follows Yun-ju (played by Lee Sung-jae), a part-time...
- 11/30/2023
- by Ashley Steves
- The Streamable
With It Comes at Night, writer-director Trey Edward Shults has created a compelling family story set to the backdrop of an apocalypse.
The film centers on a family living in a secluded home in the woods. They are led by family patriarch Paul (Joel Edgerton), with the film opening as Paul's father-in-law Bud (David Pendleton) is in his final moments, dying of a mysterious disease. Bud's breathing is labored, and he's clearly not long for this Earth. Paul's wife Sarah (Carmen Ejogo), tells her father it's okay, that he can let go. It's a very human moment that signals the film...
The film centers on a family living in a secluded home in the woods. They are led by family patriarch Paul (Joel Edgerton), with the film opening as Paul's father-in-law Bud (David Pendleton) is in his final moments, dying of a mysterious disease. Bud's breathing is labored, and he's clearly not long for this Earth. Paul's wife Sarah (Carmen Ejogo), tells her father it's okay, that he can let go. It's a very human moment that signals the film...
- 6/9/2017
- by Aaron Couch
- The Hollywood Reporter - Movie News
Independent horror has been having a bit of a resurgence these days, as I’ve spoken of over the past couple of years. Auteur driven scares are on the rise, even if studios are largely still trying to bank on reboots, remakes, and sequels. This week, an original outing comes our way when It Comes At Night hits theaters, hoping to scare not just indie audiences, but the moviegoing populace at large. The recent tradition started by the likes of The Babadook, It Follows, and The Witch, to name three, will likely continue here. This flick is going to develop quite the following. The film is a chamber piece, set in the aftermath of some sort of apocalyptic event. Paul (Joel Edgerton) keeps himself and his family alive using a very strict set of rules. These rules apply to everyone, even said family. It has protected his wife Sarah (Carmen Ejogo...
- 6/8/2017
- by Joey Magidson
- Hollywoodnews.com
Trey Edward Shults, you bleak harbinger of the inevitable. What a death grip It Comes At Night is. Constantly barebones, yet tense and suffocating. You’ve seen movies about man’s demise and societal breakdown before, but Shults asserts command through macabre manipulation. Questions will surely arise – and most likely go unanswered – but these teases are intended. Mere breaks from muttered conversations that so hopefully delay the thing that will always come. “Scares” are rarely of the conventional sense, as end-of-days banter opts to explore a collectively unknown. That discomfort you’ll feel post-credits is wholly human, and more than expected. These are common after-effects when your deepest fears have been laid in plain sight.
Joel Edgerton stars as Paul, a modern-day survivalist whose current mission is to protect his family. From what? A deadly virus that rots from the inside. We meet Paul, son Travis (Kelvin Harrison Jr.) and...
Joel Edgerton stars as Paul, a modern-day survivalist whose current mission is to protect his family. From what? A deadly virus that rots from the inside. We meet Paul, son Travis (Kelvin Harrison Jr.) and...
- 6/5/2017
- by Matt Donato
- We Got This Covered
It Comes At Night Trailer 3 Trey Edward Shults‘ It Comes At Night (2017) movie trailer 3 stars Joel Edgerton, Riley Keough, Carmen Ejogo, David Pendleton, and Christopher Abbott. It Comes At Night‘s plot synopsis: “It Comes At Night, a horror film following a man (Joel Edgerton) [...]
Continue reading: It Comes At Night (2017) Movie Trailer 3: Joel Edgerton Protects His Family From World Threat...
Continue reading: It Comes At Night (2017) Movie Trailer 3: Joel Edgerton Protects His Family From World Threat...
- 6/1/2017
- by Rollo Tomasi
- Film-Book
Above: Le film à venir (1997).
Notebook is unfurling a series of tributes to Raúl Ruiz entitled Blind Man's Bluff: along with some previously published articles, here in English for the first time, the bulk a compilation of new, shorter pieces from a few generous critics and Ruizians on favorite moments from a vast, subterranean filmography. For more from Raúl Ruiz: Blind Man's Bluff see the Table of Contents.
The Golden Boat (1990)
A man follows a trail of beat-up shoes left discarded along a New York sidewalk. They lead him to an older man, who sits crouched on the street, crying. “This, my son, is not my place,” the older man proclaims—and then stabs himself. So begins The Golden Boat—“a game between soap opera and reality,” as Ruiz called it—his first film in America, made in exile over a few long weekends during a teaching stint at Harvard.
Notebook is unfurling a series of tributes to Raúl Ruiz entitled Blind Man's Bluff: along with some previously published articles, here in English for the first time, the bulk a compilation of new, shorter pieces from a few generous critics and Ruizians on favorite moments from a vast, subterranean filmography. For more from Raúl Ruiz: Blind Man's Bluff see the Table of Contents.
The Golden Boat (1990)
A man follows a trail of beat-up shoes left discarded along a New York sidewalk. They lead him to an older man, who sits crouched on the street, crying. “This, my son, is not my place,” the older man proclaims—and then stabs himself. So begins The Golden Boat—“a game between soap opera and reality,” as Ruiz called it—his first film in America, made in exile over a few long weekends during a teaching stint at Harvard.
- 10/14/2011
- MUBI
Above: La chouette aveugle (The Blind Owl, 1987)
Over the next couple weeks, Notebook will be unfurling a series of tributes to Raúl Ruiz: along with some previously published articles, here in English for the first time, the bulk a compilation of new, shorter pieces from a few generous critics and Ruizians on favorite moments from a vast, subterranean filmography. This small, mock-filmography shouldn’t be taken as anything like a comprehensive grip on Ruiz’s films or even incomprehensive grip: the Rouge annotated filmography remains the essential, critical card catalogue. Instead, something like this collection of close-readings can probably only show the ways Ruiz eludes chronology and anything but a kaleidoscopic perspective onto his work. Hopefully it can hint at the many phantom Ruizes unconsidered here while pin-pointing some pivotal moments in a pivoting career.
As we publish the pieces in batches by decade, the links below will be...
Over the next couple weeks, Notebook will be unfurling a series of tributes to Raúl Ruiz: along with some previously published articles, here in English for the first time, the bulk a compilation of new, shorter pieces from a few generous critics and Ruizians on favorite moments from a vast, subterranean filmography. This small, mock-filmography shouldn’t be taken as anything like a comprehensive grip on Ruiz’s films or even incomprehensive grip: the Rouge annotated filmography remains the essential, critical card catalogue. Instead, something like this collection of close-readings can probably only show the ways Ruiz eludes chronology and anything but a kaleidoscopic perspective onto his work. Hopefully it can hint at the many phantom Ruizes unconsidered here while pin-pointing some pivotal moments in a pivoting career.
As we publish the pieces in batches by decade, the links below will be...
- 9/28/2011
- MUBI
SYDNEY -- In a senior management restructure at pubcaster Australian Broadcasting Corp., the executive staff has been reduced from 12 to seven, with two new positions created covering operational areas and strategy. Director of business services David Pendleton has been appointed chief operating officer to oversee and coordinate operational support areas. Director of corporate affairs Geoff Crawford has been appointed director of strategy and communications. "This restructure will reposition ABC management to focus on its primary objective, the creation and broadcast of programs, and to ensure that those programs are supported in an efficient and cost-effective manner," ABC managing director Russell Balding said in a statement Tuesday.
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