Tove director Zaida Bergroth: “We had a wonderful production designer [Catharina Nyqvist Ehrnrooth] who studied every little detail and she was able to build this wonderful place for us.” Photo: Sami Kuokkanen
Zaida Bergroth’s Tove (Finland’s 2021 Oscar submission), screenplay by Eeva Putro, stars Alma Pöysti (Xavier Picard and Hanna Hemilä’s Moomins On The Riviera) as Tove Jansson, the creator of Moomins and Krista Kosonen (in Denis Villeneuve’s Blade Runner 2049 with Carla Juri and in Bergroth’s Miami) as theatre director Vivica Bandler with Shanti Roney, Joanna Haartti, Robert Enckell, Kajsa Ernst, Jakob Öhrman, Eeva Putro, Liisi Tandefelt, Wilhelm Enckell.
During our conversation Zaida brings up a scene in Tove that she calls Aki Kaurismaki’s Paris, I remark that Lars von Trier’s Melancholia may have been influenced by the Moomins, and Alma Pöysti is quoted as saying “we are Moomin-marinated children.” We also...
Zaida Bergroth’s Tove (Finland’s 2021 Oscar submission), screenplay by Eeva Putro, stars Alma Pöysti (Xavier Picard and Hanna Hemilä’s Moomins On The Riviera) as Tove Jansson, the creator of Moomins and Krista Kosonen (in Denis Villeneuve’s Blade Runner 2049 with Carla Juri and in Bergroth’s Miami) as theatre director Vivica Bandler with Shanti Roney, Joanna Haartti, Robert Enckell, Kajsa Ernst, Jakob Öhrman, Eeva Putro, Liisi Tandefelt, Wilhelm Enckell.
During our conversation Zaida brings up a scene in Tove that she calls Aki Kaurismaki’s Paris, I remark that Lars von Trier’s Melancholia may have been influenced by the Moomins, and Alma Pöysti is quoted as saying “we are Moomin-marinated children.” We also...
- 6/10/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Prize-winning European animated feature film “The Prince’s Voyage” has been picked up for U.S. release by Shout! Studios. The film will be released stateside across multiple media at an unspecified future date.
The film (aka “Le Voyage de Prince”) was directed by French animator Jean-François Laguionie and Xavier Picard (“King Arthur and the Knight of Justice”). It was produced by Blue Spirit Productions (“My Life as a Zucchini”) and Melusine Productions (“Wolfwalkers”). International rights are represented by French sales agency Urban Distribution International.
Adapted from the 1999 film “A Monkey’s Tale,” also by Laguione, “Voyage” is the story of an old monkey prince who runs aground on an unknown shore and is taken in by a family that includes a couple of scientists who were banished from their community because they believe in the existence of other monkey civilizations. Together they expand their knowledge.
The film had its...
The film (aka “Le Voyage de Prince”) was directed by French animator Jean-François Laguionie and Xavier Picard (“King Arthur and the Knight of Justice”). It was produced by Blue Spirit Productions (“My Life as a Zucchini”) and Melusine Productions (“Wolfwalkers”). International rights are represented by French sales agency Urban Distribution International.
Adapted from the 1999 film “A Monkey’s Tale,” also by Laguione, “Voyage” is the story of an old monkey prince who runs aground on an unknown shore and is taken in by a family that includes a couple of scientists who were banished from their community because they believe in the existence of other monkey civilizations. Together they expand their knowledge.
The film had its...
- 2/10/2021
- by Patrick Frater
- Variety Film + TV
The festival will run from September 17-27.
Finland’s Helsinki International Film Festival (Hiff) has confirmed September 17-27 as dates for its 2020 edition, which it confirmed will take place as a physical event for both the festival and industry section.
The event is sticking with its original dates, with cinemas in Finland having been able to reopen since June 1. New safety guidelines will be introduced in the 11 cinemas used by the festival, which has a full title of Hiff – Love & Anarchy.Finnish Film Affair (Ffa), the industry strand, will run from September 23-25, with all of its content also available...
Finland’s Helsinki International Film Festival (Hiff) has confirmed September 17-27 as dates for its 2020 edition, which it confirmed will take place as a physical event for both the festival and industry section.
The event is sticking with its original dates, with cinemas in Finland having been able to reopen since June 1. New safety guidelines will be introduced in the 11 cinemas used by the festival, which has a full title of Hiff – Love & Anarchy.Finnish Film Affair (Ffa), the industry strand, will run from September 23-25, with all of its content also available...
- 6/17/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Cold Case Hammarskjöld (Mads Brügger)
In 1961, Secretary-General of the United Nations Dag Hammarskjöld was killed in a plane crash in Africa under mysterious circumstances. Beginning as an investigation into his still-unsolved death, the trail that Mads Brügger follows in Cold Case Hammarskjöld is one that expands to implicate some of the world’s most powerful governments in unfathomably heinous crimes. Without revealing the specifics of the jaw-dropping revelations in this thoroughly engrossing documentary, if there’s any justice, what is brought to light will cause global attention and a demand for some kind of retribution. – Jordan R. (full review)
Where to Stream: Amazon, iTunes, Google
The...
Cold Case Hammarskjöld (Mads Brügger)
In 1961, Secretary-General of the United Nations Dag Hammarskjöld was killed in a plane crash in Africa under mysterious circumstances. Beginning as an investigation into his still-unsolved death, the trail that Mads Brügger follows in Cold Case Hammarskjöld is one that expands to implicate some of the world’s most powerful governments in unfathomably heinous crimes. Without revealing the specifics of the jaw-dropping revelations in this thoroughly engrossing documentary, if there’s any justice, what is brought to light will cause global attention and a demand for some kind of retribution. – Jordan R. (full review)
Where to Stream: Amazon, iTunes, Google
The...
- 8/16/2019
- by Jordan Raup
- The Film Stage
Celebrating its 72nd edition this year, the Locarno Film Festival has been the birthplace for the finest in international arthouse cinema and this year’s lineup looks to continue the tradition. Ahead of the festival, running August 7-17, the full slate has been announced.
Top highlights include the world premieres of Pedro Costa’s Vitalina Varela (pictured above), Kiyoshi Kurosawa’s To the Ends of the Earth, Ben Rivers & Anocha Suwichakornpong’s Krabi, 2562, Ben Russell’s Color-blind, Denis Côté’s Wilcox, Fabrice Du Welz’s Adoration, as well as a new 12-minute short film from Yorgos Lanthimos titled Nimic and starring Matt Dillon. Other titles that have caught out eye are Echo, from Sparrows director Rúnar Rúnarsson, and A Girl Missing, from Harmonium director Koji Fukada.
The festival will also kick off with some star power as Patrick Vollrath’s 7500, starring Joseph Gordon-Levitt, will premiere. Check out the lineup below,...
Top highlights include the world premieres of Pedro Costa’s Vitalina Varela (pictured above), Kiyoshi Kurosawa’s To the Ends of the Earth, Ben Rivers & Anocha Suwichakornpong’s Krabi, 2562, Ben Russell’s Color-blind, Denis Côté’s Wilcox, Fabrice Du Welz’s Adoration, as well as a new 12-minute short film from Yorgos Lanthimos titled Nimic and starring Matt Dillon. Other titles that have caught out eye are Echo, from Sparrows director Rúnar Rúnarsson, and A Girl Missing, from Harmonium director Koji Fukada.
The festival will also kick off with some star power as Patrick Vollrath’s 7500, starring Joseph Gordon-Levitt, will premiere. Check out the lineup below,...
- 7/17/2019
- by Jordan Raup
- The Film Stage
Following in the footsteps of previous honorees Brad Bird and Isao Takahata, French filmmaker Jean-François Laguionie will receive the 2019 Honorary Cristal at the Annecy Intl. Animation Film Festival, which runs June 10-15.
The venerable filmmaker will also be on hand to present his latest offering, “Le Voyage du Prince (The Prince’s Journey),” in a special preview screening on June 11. The film finds him returning to the world he explored with his 1999 feature “A Monkey’s Tale,” this time joined by co-director Xavier Picard.
Taking the form of a travelogue, the sequel finds the previous film’s Prince shipwrecked in an unfamiliar land and wounded from the voyage; once rescued by the sympathetic young chimp Tom and tended back to health by the latter’s researcher parents, the grey Prince and his young friend set off to explore this strange new society.
A so-called “philosophical fable,” the film marries textured...
The venerable filmmaker will also be on hand to present his latest offering, “Le Voyage du Prince (The Prince’s Journey),” in a special preview screening on June 11. The film finds him returning to the world he explored with his 1999 feature “A Monkey’s Tale,” this time joined by co-director Xavier Picard.
Taking the form of a travelogue, the sequel finds the previous film’s Prince shipwrecked in an unfamiliar land and wounded from the voyage; once rescued by the sympathetic young chimp Tom and tended back to health by the latter’s researcher parents, the grey Prince and his young friend set off to explore this strange new society.
A so-called “philosophical fable,” the film marries textured...
- 6/10/2019
- by Ben Croll
- Variety Film + TV
Exclusive: UK outfit Sc Films has boarded international sales rights to animation My Father’s Secrets, which is being produced by the art director of Oscar-nominee Persepolis.
The hand-drawn animation is based on the graphic novel by Israeli author Michel Kichka and documents his father’s experience both during and after the Holocaust. It ends with father and son making a highly emotional visit to Auschwitz.
The English and French-language film, formerly known as Second Generation, is a France-Belgium-Luxembourg co-production with Je Suis Bien Content (April And The Extraordinary World), Left Field Ventures (Madame Bovery) and Bidibul (White Fang) producing. Marc Jousset of Je Suis Bien Content was artistic director on Persopolis, winner of the Jury Prize at Cannes.
Kichka is adapting his original material. Directors are Véra Belmont (Red Kiss) and Xavier Picard (Moomins On The Riviera). Delivery is expected by Q2, 2020. Le Pacte will distribute in France.
Animation specialist Sc Films,...
The hand-drawn animation is based on the graphic novel by Israeli author Michel Kichka and documents his father’s experience both during and after the Holocaust. It ends with father and son making a highly emotional visit to Auschwitz.
The English and French-language film, formerly known as Second Generation, is a France-Belgium-Luxembourg co-production with Je Suis Bien Content (April And The Extraordinary World), Left Field Ventures (Madame Bovery) and Bidibul (White Fang) producing. Marc Jousset of Je Suis Bien Content was artistic director on Persopolis, winner of the Jury Prize at Cannes.
Kichka is adapting his original material. Directors are Véra Belmont (Red Kiss) and Xavier Picard (Moomins On The Riviera). Delivery is expected by Q2, 2020. Le Pacte will distribute in France.
Animation specialist Sc Films,...
- 8/29/2018
- by Andreas Wiseman
- Deadline Film + TV
A total of 16 films were submitted for consideration in the Best Animated Feature category at the 88th Oscars. After being absent from the race last year, powerhouse Pixar returns with two films, “Inside Out” and "The Good Dinosaur," of which the former is the clear front-runner. Stop-motion animation is represented by two contenders, Charlie Kaufman and Duke Johnson’s critical hit “Anomalisa” and the equally celebrated, though less contemplative, “Shaun the Sheep Movie” from Oscar-winning Aardman. Of the other major studios the only serious film in competition is Blue Sky’s “The Peanuts Movie.” CG animated films such as “Minions,” “Home,” “Hotel Transylvania 2,” "The SpongeBob Movie: Sponge Out of Water," performed well at the box-office but will likely fail to break in.
Thankfully the Academy has been very good at noticing, while not yet awarding, the work of independent artists working in the animation medium. Since 2010, when Gkids garnered its first nomination for Tomm Moore’s gorgeous “The Secret of Kells,” the New York-based distributor‘s films have been present among the five nominees every year. Last year two masterworks from their impeccable repertoire were included, Moore’s “Song of the Sea” and Isao Takahata’s “The Tale of the Princess Kaguya,” leaving out Warner’s “The Lego Movie,” which was considered a lock for most of the season. This year Gkids has three films vying for recognition, all of which received Annie nominations in the Best Independent Animated Feature category, but there also a few other internationally produced, independently made, traditionally animated works on the list that deserve the attention.
There is no doubt that some of the most unconventional and stunning animated films come from outside the mechanized mainstream, and we hope this year, once again, some of them make it to the Dolby Theater so that such exposure helps them reach a larger global audience.
Note: The only 2D-animated feature not included here is “Regular Show: The Movie,” which, despite having a limited release as most independent films, is an American production by a major studio
"The Boy and the Beast"
Dir.Mamoru Hosoda
Having worked in some of the most beloved anime series of all time before transitioning into greater artistic heights with singular animated features such as “The Girl Who Leapt Through Time,” “Summer Wars,” and “Wolf Children,” Mamoru Hosoda is one of the most important figures in Japanese animation today and his work has a loyal following around the world. “The Boy and the Beast,” his most recent film, is a martial arts saga ruled by its very own mythology, yet grounded on universal thematic elements. Following his mother’s death, Ren runs away from home and accidentally finds his way into Jutengai, an alternate reality inhabited by beasts. Reluctantly, young Ren is taken in by Kumatetsu, a bear-like brute desperate to train a disciple in order to be selected as the realm’s new leader. Despite countless arguments and numerous rough patches, a profound bond that transcends the divide between their worlds forms between the two lonely fighters. Fantastical creatures, epic battles, and amusing banter, spice up an endearing story that analyzes parent-children relationship from a highly inventive vantage point.
"Boy and the World"
Dir. Alê Abreu
Read More:Review: Why Alê Abreu's Sublime 'Boy and the World' is the Best Animated Film of the Year
The most awarded animated feature to open in U.S. theaters this year is a Brazilian wonder that ditches dialogue entirely for a storytelling approach that’s purely visual, whimsical, and even heartbreaking. Through the eyes of a playful young boy searching for his father, Alê Abreu’s musical odyssey conveys sophisticated notions about social justice, the voracious appetite of capitalism, and the yoke of oppression. Color pencils, pastels, watercolors, cut outs, and multiple other techniques are blended with an eclectic soundtrack molding a fascinating and gorgeous cinematic experience. Abreu’s animated masterpiece should certainly become the first Latin American animated feature to be nominated in the category (while “Chico and Rita” is set in Cuba, it's actually a European production helmed by Spanish filmmakers), as it would be an unforgivable mistake if the Academy fails to acknowledge dazzlingly craftsmanship on display.
Read More: How "Boy and the World" Director Alê Abreu Handcrafted His Heartfelt & Dazzling Animated Masterpiece
"Kahlil Gibran's The Prophet"
Dir. Roger Allers
Read More: Why 'Kahlil Gibran's The Prophet' is a Cinematic Out-Of-Body Experience Brimming with Animated Wisdom
Realizing her long-awaited passion project, Mexican-born star Salma Hayek produced this mesmerizing reimagining of Lebanese poet Kahil Gibran’s timeless classic with the help of some of the most important names currently working in the medium. Hayek, who also voices one of the lead characters, recruited Roger Allers, the man behind Disney’s “The Lion King,” to craft a linear canvas upon which eight artists could weave in their visual interpretations of Gibran’s poems on specific subjects. Acclaimed animators such as Tomm Moore, Bill Plympton, Nina Paley, and Joan C. Gratz , had complete freedom, both regarding technique and storytelling, to create these breathtaking and distinct segments. Aller’s frame narrative follows Mustafa (voiced by Liam Neeson ), a wise poet, as he is being escorted out of town by the repressive Ottoman authorities that consider his writings and paintings as subversive materials that threaten their tyrannical grip. While each individual vignette offers a lyrical rendition of Gibran’s universal lessons, Moore’s “On Love” is an awe-inspiring standout. “Hypnosis,” the tune written and performed by Damien Rice, is also in contention for the Best Original Song Academy Award.
Read More: Salma Hayek on 'Kahlil Gibran's The Prophet': 'His Poetry Talks About the Simple Things in Life That Unite Us All'
"The Laws of the Universe - Part 0"
Dir. Isamu Imakake
Eleven Arts, a small distributor dedicated to bringing Asian cinema stateside, has entered the Best Animated Feature race with an action-packed contender that will appeal to anime fans fond of intricate plots. Directed by Isamu Imakake, this Japanese sci-fi film centers on five high school friends who are forced to become heroes when they discover an alien conspiracy that endangers the Earth and life as we know it. Teen drama collides with intergalactic standoffs in an exciting and large-scale adventure. It’s luminously stylized character design and the epically orchestrated action sequences elevate the film beyond the conventions and aesthetics associated with anime series produced for TV. Imakake’s previous efforts, "The Mystical Laws” and “The Laws of Eternity," also dealt with adult-oriented and otherworldly duels between powerful evildoers and courageous youths.
"Moomins on the Riviera"
Dir. Xavier Picard
Read More: Review: In 'Moomins on the Riviera' the Beloved Finnish Icons Remain Timeless and Wise
Created in the 1940s by author and illustrator Tove Jansson, these Finnish superstars have an incredibly devout following across Europe and Asia, and though they are still not household names this side of the Atlantic, their humble wisdom cuts across geographical boundaries with ease once one gives in to their charm. In their first big screen appearance in over a decade, the Moomins decide to leave the comfort of rural life in the valley for the extravagant pleasure of the Côte d'Azur. Soon after their arrival, the roundish and unpretentious family realizes that opulence and material wealth are far from what they consider happiness. Elegantly drawn to resemble a nostalgic storybook and drenched in pastel hues, Xavier Picards take on the beloved characters is sure to add new fans to the Moomin legion and to satisfy those that throughout the decades have been enchanted by their innocent humor and surprisingly philosophical observations on the things that really matters.
"When Marnie Was There"
Dir. Hiromasa Yonebayashi
Read More: Review: Wondrous 'When Marnie Was There' is One of Ghibli's Most Profoundly Moving Works
Following Miyazaki’s “The Wind Rises” and Takahata’s “The Tale of the Princess Kaguya,” another Ghibli gem (and as of now their final one) of much more intimate qualities was released to eager U.S. audiences this spring. Hiromasa Yonebayashi's adaption of Joan G. Robinson’s 1967 switches England for a Hokkaido but preserves the moving bond between the protagonist and what seems to be a vision from another time intact. Introvert Anna (voiced by Hailee Steinfeld in the English-language dub) is a young girl that struggles to connect with her foster mother, thus feels alienated. When Anna meets Marnie, a gracious blond girl, while exploring the marshes that surround the town, a secret friendship quickly develops. As their individual histories are slowly revealed through expertly paced twists, it becomes apparent that their initial encounter was not merely serendipitous. Magical realism, instead of more fantastic elements as in most of Ghibli’s films, dictates the narrative, while the artistry that is expected from the legendary studio is as captivating as usual and never disappoints. The way Yonebayashi channels the original material to create a delicate coming-of-age story that accepts its characters flaws and troubling emotional journeys without simplifying them is truly remarkable. Priscilla Ahn’s heartbreaking ballad “Fine on the Outside” is also in the running for the Best Original Song Oscar.
Thankfully the Academy has been very good at noticing, while not yet awarding, the work of independent artists working in the animation medium. Since 2010, when Gkids garnered its first nomination for Tomm Moore’s gorgeous “The Secret of Kells,” the New York-based distributor‘s films have been present among the five nominees every year. Last year two masterworks from their impeccable repertoire were included, Moore’s “Song of the Sea” and Isao Takahata’s “The Tale of the Princess Kaguya,” leaving out Warner’s “The Lego Movie,” which was considered a lock for most of the season. This year Gkids has three films vying for recognition, all of which received Annie nominations in the Best Independent Animated Feature category, but there also a few other internationally produced, independently made, traditionally animated works on the list that deserve the attention.
There is no doubt that some of the most unconventional and stunning animated films come from outside the mechanized mainstream, and we hope this year, once again, some of them make it to the Dolby Theater so that such exposure helps them reach a larger global audience.
Note: The only 2D-animated feature not included here is “Regular Show: The Movie,” which, despite having a limited release as most independent films, is an American production by a major studio
"The Boy and the Beast"
Dir.Mamoru Hosoda
Having worked in some of the most beloved anime series of all time before transitioning into greater artistic heights with singular animated features such as “The Girl Who Leapt Through Time,” “Summer Wars,” and “Wolf Children,” Mamoru Hosoda is one of the most important figures in Japanese animation today and his work has a loyal following around the world. “The Boy and the Beast,” his most recent film, is a martial arts saga ruled by its very own mythology, yet grounded on universal thematic elements. Following his mother’s death, Ren runs away from home and accidentally finds his way into Jutengai, an alternate reality inhabited by beasts. Reluctantly, young Ren is taken in by Kumatetsu, a bear-like brute desperate to train a disciple in order to be selected as the realm’s new leader. Despite countless arguments and numerous rough patches, a profound bond that transcends the divide between their worlds forms between the two lonely fighters. Fantastical creatures, epic battles, and amusing banter, spice up an endearing story that analyzes parent-children relationship from a highly inventive vantage point.
"Boy and the World"
Dir. Alê Abreu
Read More:Review: Why Alê Abreu's Sublime 'Boy and the World' is the Best Animated Film of the Year
The most awarded animated feature to open in U.S. theaters this year is a Brazilian wonder that ditches dialogue entirely for a storytelling approach that’s purely visual, whimsical, and even heartbreaking. Through the eyes of a playful young boy searching for his father, Alê Abreu’s musical odyssey conveys sophisticated notions about social justice, the voracious appetite of capitalism, and the yoke of oppression. Color pencils, pastels, watercolors, cut outs, and multiple other techniques are blended with an eclectic soundtrack molding a fascinating and gorgeous cinematic experience. Abreu’s animated masterpiece should certainly become the first Latin American animated feature to be nominated in the category (while “Chico and Rita” is set in Cuba, it's actually a European production helmed by Spanish filmmakers), as it would be an unforgivable mistake if the Academy fails to acknowledge dazzlingly craftsmanship on display.
Read More: How "Boy and the World" Director Alê Abreu Handcrafted His Heartfelt & Dazzling Animated Masterpiece
"Kahlil Gibran's The Prophet"
Dir. Roger Allers
Read More: Why 'Kahlil Gibran's The Prophet' is a Cinematic Out-Of-Body Experience Brimming with Animated Wisdom
Realizing her long-awaited passion project, Mexican-born star Salma Hayek produced this mesmerizing reimagining of Lebanese poet Kahil Gibran’s timeless classic with the help of some of the most important names currently working in the medium. Hayek, who also voices one of the lead characters, recruited Roger Allers, the man behind Disney’s “The Lion King,” to craft a linear canvas upon which eight artists could weave in their visual interpretations of Gibran’s poems on specific subjects. Acclaimed animators such as Tomm Moore, Bill Plympton, Nina Paley, and Joan C. Gratz , had complete freedom, both regarding technique and storytelling, to create these breathtaking and distinct segments. Aller’s frame narrative follows Mustafa (voiced by Liam Neeson ), a wise poet, as he is being escorted out of town by the repressive Ottoman authorities that consider his writings and paintings as subversive materials that threaten their tyrannical grip. While each individual vignette offers a lyrical rendition of Gibran’s universal lessons, Moore’s “On Love” is an awe-inspiring standout. “Hypnosis,” the tune written and performed by Damien Rice, is also in contention for the Best Original Song Academy Award.
Read More: Salma Hayek on 'Kahlil Gibran's The Prophet': 'His Poetry Talks About the Simple Things in Life That Unite Us All'
"The Laws of the Universe - Part 0"
Dir. Isamu Imakake
Eleven Arts, a small distributor dedicated to bringing Asian cinema stateside, has entered the Best Animated Feature race with an action-packed contender that will appeal to anime fans fond of intricate plots. Directed by Isamu Imakake, this Japanese sci-fi film centers on five high school friends who are forced to become heroes when they discover an alien conspiracy that endangers the Earth and life as we know it. Teen drama collides with intergalactic standoffs in an exciting and large-scale adventure. It’s luminously stylized character design and the epically orchestrated action sequences elevate the film beyond the conventions and aesthetics associated with anime series produced for TV. Imakake’s previous efforts, "The Mystical Laws” and “The Laws of Eternity," also dealt with adult-oriented and otherworldly duels between powerful evildoers and courageous youths.
"Moomins on the Riviera"
Dir. Xavier Picard
Read More: Review: In 'Moomins on the Riviera' the Beloved Finnish Icons Remain Timeless and Wise
Created in the 1940s by author and illustrator Tove Jansson, these Finnish superstars have an incredibly devout following across Europe and Asia, and though they are still not household names this side of the Atlantic, their humble wisdom cuts across geographical boundaries with ease once one gives in to their charm. In their first big screen appearance in over a decade, the Moomins decide to leave the comfort of rural life in the valley for the extravagant pleasure of the Côte d'Azur. Soon after their arrival, the roundish and unpretentious family realizes that opulence and material wealth are far from what they consider happiness. Elegantly drawn to resemble a nostalgic storybook and drenched in pastel hues, Xavier Picards take on the beloved characters is sure to add new fans to the Moomin legion and to satisfy those that throughout the decades have been enchanted by their innocent humor and surprisingly philosophical observations on the things that really matters.
"When Marnie Was There"
Dir. Hiromasa Yonebayashi
Read More: Review: Wondrous 'When Marnie Was There' is One of Ghibli's Most Profoundly Moving Works
Following Miyazaki’s “The Wind Rises” and Takahata’s “The Tale of the Princess Kaguya,” another Ghibli gem (and as of now their final one) of much more intimate qualities was released to eager U.S. audiences this spring. Hiromasa Yonebayashi's adaption of Joan G. Robinson’s 1967 switches England for a Hokkaido but preserves the moving bond between the protagonist and what seems to be a vision from another time intact. Introvert Anna (voiced by Hailee Steinfeld in the English-language dub) is a young girl that struggles to connect with her foster mother, thus feels alienated. When Anna meets Marnie, a gracious blond girl, while exploring the marshes that surround the town, a secret friendship quickly develops. As their individual histories are slowly revealed through expertly paced twists, it becomes apparent that their initial encounter was not merely serendipitous. Magical realism, instead of more fantastic elements as in most of Ghibli’s films, dictates the narrative, while the artistry that is expected from the legendary studio is as captivating as usual and never disappoints. The way Yonebayashi channels the original material to create a delicate coming-of-age story that accepts its characters flaws and troubling emotional journeys without simplifying them is truly remarkable. Priscilla Ahn’s heartbreaking ballad “Fine on the Outside” is also in the running for the Best Original Song Oscar.
- 12/17/2015
- by Carlos Aguilar
- Sydney's Buzz
Tim here. Every December, Tim's Toons preps for the upcoming Oscar nominations in January by looking at some of the smaller and more easily overlooked films that have thrown their hat in the ring for the Best Animated Feature Oscar. It's a slim list of 16 titles this year, which means that if even one of them fails to meet the eligibility requirements (they don't all appear to have had their qualifying theatrical run yet), we wouldn’t have a year with five nominees. Something to think about as you all work on your nomination predictions.
Let’s turn now to one of those films that almost certainly won't make the cut no matter how many nominees end up happening, through absolutely no fault of its own. Moomins on the Riviera is a slight, charming, and deeply silly comedy adapting an iconic Finnish comic strip and children’s book series, quite obscure in America,...
Let’s turn now to one of those films that almost certainly won't make the cut no matter how many nominees end up happening, through absolutely no fault of its own. Moomins on the Riviera is a slight, charming, and deeply silly comedy adapting an iconic Finnish comic strip and children’s book series, quite obscure in America,...
- 12/5/2015
- by Tim Brayton
- FilmExperience
Fervently adored in their homeland, most of Europe, and, Japan, the Moomins might be less of a household name for American audiences, but the lack of familiarity should in no way hinder their enjoyment. The characters created by Finnish author and illustrator Tove Jansson originally appeared in 1945 when the first book on their adventures was published. Since then, the Moomins have endured over 60 years of a fast-changing world and countless iterations including a long-running comic strip, stage productions, animated series in various technique from traditional to stop-motion and 3D/CGI, and even a live-action broadcast with suit actors.
The love for these endearing charmers is such that entire shops a la Disney Store dedicated to all things Moomins exist across Europe and a themed park, appropriately named Moomin World, is one of the main attractions in the town of Naantali, Finland. Not surprisingly when Xavier Picard and Hanna Hemilä’s "Moomins on the Riviera" opened across the pond late last year fans of all ages were delighted. Since the hand-drawn animated film is the Moomins first appearance on any audiovisual medium in over a decade,is evident that the need for some Moomin warmth had to be quenched.
Those unacquainted with the plump, huggable, and hippopotamus-like characters (although Moominpappa assures us scientists have proven there is no relationship between Moomins and hippopotami), are sure to be enchanted by their kindness and disarmingly positive attitude. But regardless of how savvy or not one is about them, “Moomins on the Riviera” can either be a terrific introduction to their unpretentiously magical world or a heartwarming reminder of why we’ve fallen heads over heels for their picturesque exploits.
Picard’s tight 78-minute film encounters the protagonists in a colorful natural environment avidly baptized Moomin Valley, a place where they peacefully coexist with other fairytale and forest creatures. Tender and lovable as can be, the family includes the nonchalant top hat-wearing patriarch Moominpappa (Nathaniel Parker), the caring Moominmamma (Tracy-Ann Oberman) who is a gardener at heart, their brave but apprehensive son Moomin (Russell Tovey), and his romance-obsessed girlfriend Snorkmaiden (Stephanie Winiecki). Their existence is humble as they find pleasure in the simple things their fertile land provides and each other’s company.
If one thing is true about the Moomins is that they are joyful folks without a hint of malice in their heart, so when a pirate ship crashes near the shore they only way they know how to deal with is by welcoming them with open arms. This is when we meets one of the property’s most memorable characters, Little My (Ruth Gibson), an energetic little human girl with an acid sense of humor. She steals every scene with humorous comments that often veer into the darkest shades of comedy, which swiftly contrast with the Moomins ever-present friendliness.
As a result of their meeting with the group of clumsy pirates and persuasive magazine article, the Moomins embark on a trip to the sun-drenched Côte d'Azur. Dangerous storms and a barren island aren’t enough to defeat the tight-knit clan’s resolve. Once on the lavish Riviera the Moomins check into a fabulous hotel as the “De Moomins,” which prompts the staff to believe they are royals from a far away land. They cater to their every need under the assumption that money is not a problem, unaware that the concept of currency is foreign to the eccentric new arrivals. Inspired by a famous socialite named Audrey Glamour (Shelley Blond), Snorkmaiden rapidly becomes accustomed to the wealthy lifestyle and fits right in with the other glamorous guests. For the rest of the family the transition is not as smooth and tensions rise as a sophisticated fellow tries to steal Snorkmaiden’s heart and Moominpappa’s new friend, an aristocrat who wishes to be an artist, get them in more than a little trouble with the authorities.
Elegantly executed like a delicate storybook, the hand-drawn frames employ pastel hues, peculiar backgrounds, and seemingly modest character design that maintain the timeless quality of the Moomin universe. There are no frantic displays of high-stakes action or an epic journey to save the world from its destruction, yet the Moomins might have better lessons teach us in order to save humanity from its destruction than a score of rugged superheroes. While everyone around them treats them differently based on their presumed status, the Moomins remain easygoing and uniquely themselves. In fact, is such the divide between the pastoral fellows and the outlandish patrons, that their innate compassion becomes alluring to those who treasure financial wealth above all.
The Moomins every action reflects Jansson ‘s thoughtful intention, channeled now by Picard, to create characters that embody the best in mankind and who aim to preserve the shared beauty of the world. When everything in the Riviera bears a sign that reads “Private,” Moominmamma builds an open garden free for everyone to enjoy. Indeed sharing is caring. When the shipwreck happens, what the Moomins save is not the gold and jewels but the tropical seeds, the books, and the fireworks. These are things with more value than shiny coins. And then the pirates ask why they keep their dirty dishes under a couch; their immediate response is to explain they must wait for the rain to wash them. “Moomins on the Riviera” is not the blockbuster animated film of the year, but one with some of the wisest characters with lots of down-to-earth philosophy to share. It’s a tiny marvel. If more of us would follow the Moomins’ teachings, who knows what our own valley could be.
"Moomins on the Riviera" opens today in Los Angeles at the Laemmle Royal...
The love for these endearing charmers is such that entire shops a la Disney Store dedicated to all things Moomins exist across Europe and a themed park, appropriately named Moomin World, is one of the main attractions in the town of Naantali, Finland. Not surprisingly when Xavier Picard and Hanna Hemilä’s "Moomins on the Riviera" opened across the pond late last year fans of all ages were delighted. Since the hand-drawn animated film is the Moomins first appearance on any audiovisual medium in over a decade,is evident that the need for some Moomin warmth had to be quenched.
Those unacquainted with the plump, huggable, and hippopotamus-like characters (although Moominpappa assures us scientists have proven there is no relationship between Moomins and hippopotami), are sure to be enchanted by their kindness and disarmingly positive attitude. But regardless of how savvy or not one is about them, “Moomins on the Riviera” can either be a terrific introduction to their unpretentiously magical world or a heartwarming reminder of why we’ve fallen heads over heels for their picturesque exploits.
Picard’s tight 78-minute film encounters the protagonists in a colorful natural environment avidly baptized Moomin Valley, a place where they peacefully coexist with other fairytale and forest creatures. Tender and lovable as can be, the family includes the nonchalant top hat-wearing patriarch Moominpappa (Nathaniel Parker), the caring Moominmamma (Tracy-Ann Oberman) who is a gardener at heart, their brave but apprehensive son Moomin (Russell Tovey), and his romance-obsessed girlfriend Snorkmaiden (Stephanie Winiecki). Their existence is humble as they find pleasure in the simple things their fertile land provides and each other’s company.
If one thing is true about the Moomins is that they are joyful folks without a hint of malice in their heart, so when a pirate ship crashes near the shore they only way they know how to deal with is by welcoming them with open arms. This is when we meets one of the property’s most memorable characters, Little My (Ruth Gibson), an energetic little human girl with an acid sense of humor. She steals every scene with humorous comments that often veer into the darkest shades of comedy, which swiftly contrast with the Moomins ever-present friendliness.
As a result of their meeting with the group of clumsy pirates and persuasive magazine article, the Moomins embark on a trip to the sun-drenched Côte d'Azur. Dangerous storms and a barren island aren’t enough to defeat the tight-knit clan’s resolve. Once on the lavish Riviera the Moomins check into a fabulous hotel as the “De Moomins,” which prompts the staff to believe they are royals from a far away land. They cater to their every need under the assumption that money is not a problem, unaware that the concept of currency is foreign to the eccentric new arrivals. Inspired by a famous socialite named Audrey Glamour (Shelley Blond), Snorkmaiden rapidly becomes accustomed to the wealthy lifestyle and fits right in with the other glamorous guests. For the rest of the family the transition is not as smooth and tensions rise as a sophisticated fellow tries to steal Snorkmaiden’s heart and Moominpappa’s new friend, an aristocrat who wishes to be an artist, get them in more than a little trouble with the authorities.
Elegantly executed like a delicate storybook, the hand-drawn frames employ pastel hues, peculiar backgrounds, and seemingly modest character design that maintain the timeless quality of the Moomin universe. There are no frantic displays of high-stakes action or an epic journey to save the world from its destruction, yet the Moomins might have better lessons teach us in order to save humanity from its destruction than a score of rugged superheroes. While everyone around them treats them differently based on their presumed status, the Moomins remain easygoing and uniquely themselves. In fact, is such the divide between the pastoral fellows and the outlandish patrons, that their innate compassion becomes alluring to those who treasure financial wealth above all.
The Moomins every action reflects Jansson ‘s thoughtful intention, channeled now by Picard, to create characters that embody the best in mankind and who aim to preserve the shared beauty of the world. When everything in the Riviera bears a sign that reads “Private,” Moominmamma builds an open garden free for everyone to enjoy. Indeed sharing is caring. When the shipwreck happens, what the Moomins save is not the gold and jewels but the tropical seeds, the books, and the fireworks. These are things with more value than shiny coins. And then the pirates ask why they keep their dirty dishes under a couch; their immediate response is to explain they must wait for the rain to wash them. “Moomins on the Riviera” is not the blockbuster animated film of the year, but one with some of the wisest characters with lots of down-to-earth philosophy to share. It’s a tiny marvel. If more of us would follow the Moomins’ teachings, who knows what our own valley could be.
"Moomins on the Riviera" opens today in Los Angeles at the Laemmle Royal...
- 12/4/2015
- by Carlos Aguilar
- Sydney's Buzz
Birthed on screen in 1959, the Moomins are as old as Barbie and Ben-Hur (the Charlton Heston one) and with a movie in the pipeline, almost as enduring. The cute hippo-like critters are starring in their own movie, Moomins On The Riviera, and have a new trailer full of Moomin-y antics. brightcove.createExperiences();Runs the synopsis (because it’s way beyond our understanding): "In search of adventures, the Moomins, Snorkmaiden and Little My set sail for the French Riviera. After a perilous journey, they reach their dream destination where Snorkmaiden is dazzled by the attentions of a playboy leaving Moomin consumed by jealousy. When Moominpappa befriends an aristocrat and adopts the name ‘de Moomin’, an exasperated Moominmamma retreats to the calm of their trusty old boat, to wait for her family to come to their senses and to remember their motto: 'Live in peace, plant potatoes and dream.’"The Moomins...
- 3/26/2015
- EmpireOnline
Xavier Picard on Moomins’ universal appeal: “Jansson has created complete eccentrics who have a lot of humour yet live a simple life in harmony with Nature and with respect for others." Based on the hand-drawn work of Finnish comic strip guru Tove Jansson The Moomins have become a global phenomenon. They head for the Riviera for assorted holiday misadventures in a new extravaganza directed by Xavier Picard, a French filmmaker who had been fan for many years. I met him in Paris at the Unifrance Rendez-vous with French Cinema ahead of the film’s Scottish premiere at the Glasgow Film Festival and before its UK release later in the year.
Ricahrd Mowe: Were the Finns slightly suspicion about a Frenchman hijacking one of their national treasures?
Xavier Picard: I was a bit wary about it but now I can give you an answer with a bit more confidence than...
Ricahrd Mowe: Were the Finns slightly suspicion about a Frenchman hijacking one of their national treasures?
Xavier Picard: I was a bit wary about it but now I can give you an answer with a bit more confidence than...
- 2/20/2015
- by Richard Mowe
- eyeforfilm.co.uk
Youngsters and oldsters alike…here is the reel deal: The New York International Children’s Film Festival (Nyicff) will be making its presence known in the upcoming days. On tap for the 18th annual event will be a noted variety of creative animated films and shorts for all ages to enjoy and relish. The New York International Children’s Film Festival promises to serve up an array of animated showcases that boasts all styles and formats that should prove imaginative and appealing to our past and present childhood memories.
Please note that the Nyicff will run its operation from February 27, 2015 to March 22, 2015. Additionally, the majority of these impressive feature-length and short films have experienced critical acclaim overseas. Therefore, the impact of the Nyicff’s cinematic selections should be rewarding for ardent fans of animated film fodder designed to capture the spirit of its enthusiastic viewers.
Among the films being displayed...
Please note that the Nyicff will run its operation from February 27, 2015 to March 22, 2015. Additionally, the majority of these impressive feature-length and short films have experienced critical acclaim overseas. Therefore, the impact of the Nyicff’s cinematic selections should be rewarding for ardent fans of animated film fodder designed to capture the spirit of its enthusiastic viewers.
Among the films being displayed...
- 2/11/2015
- by Frank Ochieng
- SoundOnSight
Looking for a handy guide to 2015's biggest animated movies, from Shaun The Sheep to Minions and Peanuts? Then step this way...
There have been far better years for family entertainment, and for animated films, than 2014. Whilst there have been highlights - Paddington, The Wind Rises, How To Train Your Dragon 2, The Boxtrolls - the mix of material on offer hasn't particularly sparkled.
A quick glance at the 2015 release schedule suggests, to a degree, the same, with some notably absentees from the year's releases. And yet as we dug deeper for our traditional look ahead at the year's animated films, there might just be some real treats here. Starting with this one...
Strange Magic
Let's start with one of the wildcards. A film that only recently arrived on the 2015 release schedules is Strange Magic, which belatedly marks the feature directing debut for Gary Rydstrom.
Rydstrom, a hugely acclaimed sound designer,...
There have been far better years for family entertainment, and for animated films, than 2014. Whilst there have been highlights - Paddington, The Wind Rises, How To Train Your Dragon 2, The Boxtrolls - the mix of material on offer hasn't particularly sparkled.
A quick glance at the 2015 release schedule suggests, to a degree, the same, with some notably absentees from the year's releases. And yet as we dug deeper for our traditional look ahead at the year's animated films, there might just be some real treats here. Starting with this one...
Strange Magic
Let's start with one of the wildcards. A film that only recently arrived on the 2015 release schedules is Strange Magic, which belatedly marks the feature directing debut for Gary Rydstrom.
Rydstrom, a hugely acclaimed sound designer,...
- 12/15/2014
- by ryanlambie
- Den of Geek
Exclusive: Madman Entertainment has acquired Australia/New Zealand rights to Moomins on the Riviera from Indie Sales.
Madman plans a September 2015 release. “I’m more than happy to be part of the extended Moomin family,” said Paul Wiegard, the managing director of Madman Entertainment.
The hand-drawn animated feature has now been sold to almost 40 territories, including Vertigo in the UK, Gebeka Films in France, Phantom in Japan, Praesens in Switzerland and Victory in Benelux.
The Finnish-French co-production, which is a huge hit in Finland already, is directed by Xavier Picard and produced by Hanna Hemila.
The story, based on the original comic strips by Tove Jansson, takes the Moomin family from their comfortable Moominvalley to the glamorous Riviera, where they meet a host of interesting characters.
Madman plans a September 2015 release. “I’m more than happy to be part of the extended Moomin family,” said Paul Wiegard, the managing director of Madman Entertainment.
The hand-drawn animated feature has now been sold to almost 40 territories, including Vertigo in the UK, Gebeka Films in France, Phantom in Japan, Praesens in Switzerland and Victory in Benelux.
The Finnish-French co-production, which is a huge hit in Finland already, is directed by Xavier Picard and produced by Hanna Hemila.
The story, based on the original comic strips by Tove Jansson, takes the Moomin family from their comfortable Moominvalley to the glamorous Riviera, where they meet a host of interesting characters.
- 11/20/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: Indie Sales handles rights to Moomins On The Riviera; UK release planned for May 2015.
Vertigo has acquired UK rights to Moomins On The Riviera from Paris-based sales company Indie Sales.
The hand-drawn 2D animation feature, directed by Xavier Picard, recently played at the BFI London Film Festival and is already a huge box-office hit in its local Finland.
The film is adapted from Tove Jansson’s original comic strips, and tells the story of the Moomin clan on a journey to the glamorous Riviera where they meet a world of new people including would-be artists, film stars and playboys.
The creative team behind the movie includes Sophia Jansson, Tove’s niece, along with Finnish producer Hanna Hemila (Le Havre).
The voice cast for the English-language version of the film includes Russell Tovey as Moomin and Nathaniel Parker as Moominpappa.
Vertigo’s Rupert Preston and Nicolas Eschbach of Indie Sales negotiated the deal.
Eschbach said, “Moomins...
Vertigo has acquired UK rights to Moomins On The Riviera from Paris-based sales company Indie Sales.
The hand-drawn 2D animation feature, directed by Xavier Picard, recently played at the BFI London Film Festival and is already a huge box-office hit in its local Finland.
The film is adapted from Tove Jansson’s original comic strips, and tells the story of the Moomin clan on a journey to the glamorous Riviera where they meet a world of new people including would-be artists, film stars and playboys.
The creative team behind the movie includes Sophia Jansson, Tove’s niece, along with Finnish producer Hanna Hemila (Le Havre).
The voice cast for the English-language version of the film includes Russell Tovey as Moomin and Nathaniel Parker as Moominpappa.
Vertigo’s Rupert Preston and Nicolas Eschbach of Indie Sales negotiated the deal.
Eschbach said, “Moomins...
- 10/31/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Helsinki International Film Festival scores new audience record.
Pawel Pawlikowski’s Ida has won the audience award at the 27th Helsinki International Film Festival - Love & Anarchy (Sept 18-28).
The film centres on a young novitiate nun in 1960s Poland who is on the verge of taking her vows when she discovers a dark family secret dating back to the years of the Nazi occupation.
It has proved a festival favourite since its debut at Telluride and Gdynia in 2013, picking up more than 25 awards around the world, and is Poland’s submission for the Best Foreign-Language Oscar.
The latest win means Ida will receive a further four screenings at Helsinki’s Orion Theatre in November.
Other films to win praise from the audience included opening film Whiplash and the closer Boyhood as well as 20 000 Days on Earth, The Zero Theorem, Of Horses and Men, The Mafia Only Kills in Summer, The Tribe, The Quiet Roar...
Pawel Pawlikowski’s Ida has won the audience award at the 27th Helsinki International Film Festival - Love & Anarchy (Sept 18-28).
The film centres on a young novitiate nun in 1960s Poland who is on the verge of taking her vows when she discovers a dark family secret dating back to the years of the Nazi occupation.
It has proved a festival favourite since its debut at Telluride and Gdynia in 2013, picking up more than 25 awards around the world, and is Poland’s submission for the Best Foreign-Language Oscar.
The latest win means Ida will receive a further four screenings at Helsinki’s Orion Theatre in November.
Other films to win praise from the audience included opening film Whiplash and the closer Boyhood as well as 20 000 Days on Earth, The Zero Theorem, Of Horses and Men, The Mafia Only Kills in Summer, The Tribe, The Quiet Roar...
- 9/28/2014
- by jornrossing@aol.com (Jorn Rossing Jensen)
- ScreenDaily
Fury (David Ayer)
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
- 9/3/2014
- by John
- SoundOnSight
Exclusive: World sales company also offers new titles by Jean-Pierre Améris, Xavier Picard, Quentin Dupieux.
Indie Sales has picked up the international rights for the Cannes Special Screenings title The Bridges Of Sarajevo.
The omnibus feature which marks the centenary of the outbreak of the First World War comprises 13 short films of eight minutes each, directed by Aida Begic, Leonardo di Costanzo, Jean-Luc Godard, Kamen Kalev, Isild Le Besco, Sergei Loznitsa, Vincenzo Marra, Ursula Meier, Vladimir Perisic, Cristi Puiu, Marc Recha, Angela Schanelec, and Teresa Villaverde.
Jean-Michel Frodon is the artistic director of the project produced by Fabienne Servan Schreiber for Cinétévé and Mirsad Purivatra for Sarajevo’s Obala Art Center, and co-produced by Bande à part films, Mir Cinematografica, Unafilm, Ukbar filmes and France 2 Cinéma, Orange Studio, Rai Cinema, Rts Radio Télévision Suisseand the First World War Centenary Mission.
“We are thrilled to renew our fruitful collaboration with Orange Studio and come on board this ambitious...
Indie Sales has picked up the international rights for the Cannes Special Screenings title The Bridges Of Sarajevo.
The omnibus feature which marks the centenary of the outbreak of the First World War comprises 13 short films of eight minutes each, directed by Aida Begic, Leonardo di Costanzo, Jean-Luc Godard, Kamen Kalev, Isild Le Besco, Sergei Loznitsa, Vincenzo Marra, Ursula Meier, Vladimir Perisic, Cristi Puiu, Marc Recha, Angela Schanelec, and Teresa Villaverde.
Jean-Michel Frodon is the artistic director of the project produced by Fabienne Servan Schreiber for Cinétévé and Mirsad Purivatra for Sarajevo’s Obala Art Center, and co-produced by Bande à part films, Mir Cinematografica, Unafilm, Ukbar filmes and France 2 Cinéma, Orange Studio, Rai Cinema, Rts Radio Télévision Suisseand the First World War Centenary Mission.
“We are thrilled to renew our fruitful collaboration with Orange Studio and come on board this ambitious...
- 5/17/2014
- ScreenDaily
Decades after their creation, beloved book and comic strip characters The Moomins are getting their first feature film.
Swedish-Finn illustrator and writer Tove Jansson created the family of white hippopotamus-esque fairy tale characters who live a carefree and adventurous life.
Nine books and five picture books were created for the series between 1945 and 1993. They were also turned into a Polish animated series in the 1980s, and a Japanese anime series in the 1990s.
Now, the film "Moomins" is being shopped around in Toronto which will draw inspiration from one of the lighter and more fun early comic strips rather than the darker and often strange later stories.
In the original story, the Moomins are holidaying in the French Riviera where they meet an Audrey Hepburn-style character. Meanwhile, the staff at the hotel mistake them for eccentric millionaires.
Hanna Hemulen Hemila and Xavier Picard will direct the project which is aiming for a mid-2014 release.
Swedish-Finn illustrator and writer Tove Jansson created the family of white hippopotamus-esque fairy tale characters who live a carefree and adventurous life.
Nine books and five picture books were created for the series between 1945 and 1993. They were also turned into a Polish animated series in the 1980s, and a Japanese anime series in the 1990s.
Now, the film "Moomins" is being shopped around in Toronto which will draw inspiration from one of the lighter and more fun early comic strips rather than the darker and often strange later stories.
In the original story, the Moomins are holidaying in the French Riviera where they meet an Audrey Hepburn-style character. Meanwhile, the staff at the hotel mistake them for eccentric millionaires.
Hanna Hemulen Hemila and Xavier Picard will direct the project which is aiming for a mid-2014 release.
- 9/6/2013
- by Garth Franklin
- Dark Horizons
The second edition of the Finnish Film Affair, scheduled for Sept 24-26 in Helsinki, will again showcase hot local titles and works in progress.
This year’s event boasts an expanded guest list of sales agents, buyers and festival programmers, including representatives from Zdf/Arte, Celluloid Dreams, Wild Bunch, Hanway, Tribeca, Palm Springs, Rotterdam and Locarno. About 200 industry experts will attend.
“The first edition introduced the Finnish Film Affair to international decision makers,” said Sara Norberg, executive director of the Helsinki International Film Festival – Love & Anarchy, which launched the event. “We’re very proud that the success of last year’s works-in-progress and the positive buzz around the event has attracted even more interest from the international industry.”
The new films to be screened include Toronto-bound titles Concrete Night by Pirjo Honkasalo and Heart of Lion by Dome Karukoski, in addition to other festival selections such as Finnish Blood, Swedish Heart by Mika Ronkainen and Alcan Highway by Aleksi...
This year’s event boasts an expanded guest list of sales agents, buyers and festival programmers, including representatives from Zdf/Arte, Celluloid Dreams, Wild Bunch, Hanway, Tribeca, Palm Springs, Rotterdam and Locarno. About 200 industry experts will attend.
“The first edition introduced the Finnish Film Affair to international decision makers,” said Sara Norberg, executive director of the Helsinki International Film Festival – Love & Anarchy, which launched the event. “We’re very proud that the success of last year’s works-in-progress and the positive buzz around the event has attracted even more interest from the international industry.”
The new films to be screened include Toronto-bound titles Concrete Night by Pirjo Honkasalo and Heart of Lion by Dome Karukoski, in addition to other festival selections such as Finnish Blood, Swedish Heart by Mika Ronkainen and Alcan Highway by Aleksi...
- 8/21/2013
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
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