Tinnitus Trailer — Gregorio Graziosi‘s Tinnitus (2022) movie trailer has been released by Screen International. The Tinnitus trailer stars Joana de Verona, Indira Nascimento, Alli Willow, and Antonio Pitanga. Crew The screenplay is written by Gregorio Graziosi, Marco Dutra, and Andres Julian Vera. Plot Synopsis Tinnitus‘s plot synopsis: “A sports drama and fanciful ‘body thriller’ in one, the [...]
Continue reading: Tinnitus (2022) Movie Trailer: A Former Synchronized Swimmer is Tormented by Amplified Senses in Gregorio Graziosi’s Film...
Continue reading: Tinnitus (2022) Movie Trailer: A Former Synchronized Swimmer is Tormented by Amplified Senses in Gregorio Graziosi’s Film...
- 7/9/2022
- by Rollo Tomasi
- Film-Book
"The monster is still slumbering." Screen Daily has unveiled an official trailer for a Brazilian body thriller titled Tinnitus, which recently premiered at the 2022 Karlovy Vary Film Festival in Czechia this month. Many will recognize the term "tinnitus" as it has been linked to some long-covid symptoms for those who caught the virus at some point in the last two years. Marina is a professional synchronized diver who is suffering from a terrible buzzing in her ears (an illness known as tinnitus). She has to trade her diving board for a job in a public aquarium where, dressed as a mermaid, she adds a bit of color for visitors to the exotic attraction. After an accident suffered in the last Olympics, she decides to go back to competing in hopes of winning an Olympic medal, by putting her life to risk... Joana de Verona stars as Marina, with Indira Nascimento,...
- 7/8/2022
- by Alex Billington
- firstshowing.net
The film will debut in the new Karlovy Vary Proxima section.
Paris-based sales firm Loco Films has boarded world sales rights on Gregorio Graziosi’s Tinnitus, a Brazilian thriller which has its world premiere in Karlovy Vary’s new Proxima strand this afternoon (July 7).
Screen can reveal a first trailer for the film, above.
Tinnitus follows a former diver suffering from the eponymous hearing condition, typically a ringing or buzzing coming from within the ears. After an accident in the last Olympics, she puts her life at risk by returning to competition.
It is a second feature from Brazilian filmmaker Graziosi,...
Paris-based sales firm Loco Films has boarded world sales rights on Gregorio Graziosi’s Tinnitus, a Brazilian thriller which has its world premiere in Karlovy Vary’s new Proxima strand this afternoon (July 7).
Screen can reveal a first trailer for the film, above.
Tinnitus follows a former diver suffering from the eponymous hearing condition, typically a ringing or buzzing coming from within the ears. After an accident in the last Olympics, she puts her life at risk by returning to competition.
It is a second feature from Brazilian filmmaker Graziosi,...
- 7/7/2022
- by Ben Dalton
- ScreenDaily
Violence — or, rather, the threat of violence — haunts every frame of João Paulo Miranda Maria’s debut feature film, “Memory House.” Set in an Austrian settlement in Southern Brazil, this discomfiting drama tells the story of a man so alienated by the world around him that the stench of death at work and the menacing environment outside it have hollowed him out. That is until his titular dwelling kicks off a transformation that turns Miranda Maria’s character study into a folk-infused fable for a country in crisis.
Cristovam spends his days listlessly working at a dairy factory. Displaced by the very company that now employs him, he’s resettled from the North and finds little in common with either his German-speaking employers or his fellow workers. At 81 years old, Pitanga is a towering presence on screen, bringing with him not just a wealth of cultural signifiers but his laconic...
Cristovam spends his days listlessly working at a dairy factory. Displaced by the very company that now employs him, he’s resettled from the North and finds little in common with either his German-speaking employers or his fellow workers. At 81 years old, Pitanga is a towering presence on screen, bringing with him not just a wealth of cultural signifiers but his laconic...
- 9/8/2021
- by Manuel Betancourt
- Variety Film + TV
João Paulo Miranda Maria’s feature debut also selected for TIFF, San Sebastian.
Film Movement has acquired North American rights from Celluloid Dreams to Memory House, the Brazilian fantasy drama that was the only Latin American film on Cannes Label 2020.
Feature debutant João Paulo Miranda Maria directed the story about Christovam, a native black man who encounters xenophobia when he moves to an Austrian colony in the South to work in a milk factory.
When he discovers an abandoned house filled with objects and memorabilia that remind him of his roots, Christovam undergoes a metamorphosis. Antonio Pitanga stars.
Memory House...
Film Movement has acquired North American rights from Celluloid Dreams to Memory House, the Brazilian fantasy drama that was the only Latin American film on Cannes Label 2020.
Feature debutant João Paulo Miranda Maria directed the story about Christovam, a native black man who encounters xenophobia when he moves to an Austrian colony in the South to work in a milk factory.
When he discovers an abandoned house filled with objects and memorabilia that remind him of his roots, Christovam undergoes a metamorphosis. Antonio Pitanga stars.
Memory House...
- 2/18/2021
- by Jeremy Kay
- ScreenDaily
Creative Artists Agency (CAA) has signed João Paulo Miranda Maria, writer-director of “Memory House,” the only Latin American feature chosen for this year’s Cannes Official Selection.
In further news, Miranda Maria is preparing two new feature films, one his English-language debut, with Rodrigo Teixeira’s Sao Paulo-based Rt Features, producer of Luca Guadagnino’s “Call Me By Your Name,” James Gray’s “Ad Astra” and Karim Aïnouz’s “The Invisible Life.”
Both announcements come as Miranda Maria readies the bow today at San Sebastian of “Memory House,” his first feature, which is sold by Celluloid Dreams and produced by Brazil’s Be Bossa Entertainment and France’s Maneki Films. “Memory House” screened at Toronto Film Festival as part of its Discovery program.
Miranda Maria’s signing by CAA continues the agency’s energetic push into international, driven in part by the conviction that some of the most profitable movies...
In further news, Miranda Maria is preparing two new feature films, one his English-language debut, with Rodrigo Teixeira’s Sao Paulo-based Rt Features, producer of Luca Guadagnino’s “Call Me By Your Name,” James Gray’s “Ad Astra” and Karim Aïnouz’s “The Invisible Life.”
Both announcements come as Miranda Maria readies the bow today at San Sebastian of “Memory House,” his first feature, which is sold by Celluloid Dreams and produced by Brazil’s Be Bossa Entertainment and France’s Maneki Films. “Memory House” screened at Toronto Film Festival as part of its Discovery program.
Miranda Maria’s signing by CAA continues the agency’s energetic push into international, driven in part by the conviction that some of the most profitable movies...
- 9/24/2020
- by John Hopewell
- Variety Film + TV
It doesn’t take long for Memory House to dive right into politics. Within minutes, dairy factory worker Cristovam (Antonio Pitanga) finds himself sitting across his boss in a large office, subject to a mostly expository meeting with necessary backstory. Christovam is Black, indigenous, and from the poor, rural northern half of Brazil where the factory used to operate. When the factory was sold to Austrians who moved it south within their own community, Christovam joined them to keep his job, making him an odd man out. His boss informs him that, despite dedication and years of service, they’ll be cutting his pay and any complaints will threaten his pension. It is the first of many humiliations to endure.
It’s through Christovam that director João Paulo Miranda Maria explores Brazil’s tumultuous present and how it stems from a colonialist past. Outside of work, Christovam finds nothing but...
It’s through Christovam that director João Paulo Miranda Maria explores Brazil’s tumultuous present and how it stems from a colonialist past. Outside of work, Christovam finds nothing but...
- 9/21/2020
- by C.J. Prince
- The Film Stage
A fervid supporter of new directors, Paris-based sales house Celluloid Dreams has dropped two clips and the poster of Brazilian João Paulo Miranda Maria’s “Memory House” (“La Casa de Antiguedades”), a first feature, but also the only Latin American title to be included in this year’s Cannes Official Selection.
“Memory House” will now world premiere in early September as one of 50 features at a slimmed-down Toronto. It was also confirmed on Tuesday for San Sebastian’s New Directors lineup, an influential new talent showcase.
Written by Miranda Maria, “Memory House” adds to Brazil’s fast-burgeoning canon of movies examining its urgent racial and social issues.
A first sequence catches Cristovam as he trudges down a lane taunted by local teens. An aged but still stout Black worker from Brazil’s often still dirt-poor rural North, Cristovam has relocated to Brazil’s rich South to work at a milk...
“Memory House” will now world premiere in early September as one of 50 features at a slimmed-down Toronto. It was also confirmed on Tuesday for San Sebastian’s New Directors lineup, an influential new talent showcase.
Written by Miranda Maria, “Memory House” adds to Brazil’s fast-burgeoning canon of movies examining its urgent racial and social issues.
A first sequence catches Cristovam as he trudges down a lane taunted by local teens. An aged but still stout Black worker from Brazil’s often still dirt-poor rural North, Cristovam has relocated to Brazil’s rich South to work at a milk...
- 8/5/2020
- by John Hopewell
- Variety Film + TV
Even before coronavirus, Brazil’s film sector was in extraordinary trouble, victim of a near 18-month freeze on government film funding under far-right Brazilian president Jair Bolsonaro.
Now, many executives fear a radical shake out. “We have the incentive freeze, coronavirus, economic crisis, need for a new audiovisual law,” says Fabiano Gullane, one of Brazil’s biggest film-tv producers. The shingle has drama “Paloma,” from Marcelo Gomes, on tap.
“I fear for the future of medium-sized and small companies in Brazil,” he says. “They are near 100% dependent on [federal film agency] Ancine, [and] may well not have the cash-flow to survive the crisis.”
Adds producer Rodrigo Teixeira: “If we don’t have access to subsidies, production will stop, not only because of the pandemic but also the way Brazilian film financing is structured.”
The double crisis will push Brazilian companies into producing for TV as well as Brazil’s digital platforms.
Last October,...
Now, many executives fear a radical shake out. “We have the incentive freeze, coronavirus, economic crisis, need for a new audiovisual law,” says Fabiano Gullane, one of Brazil’s biggest film-tv producers. The shingle has drama “Paloma,” from Marcelo Gomes, on tap.
“I fear for the future of medium-sized and small companies in Brazil,” he says. “They are near 100% dependent on [federal film agency] Ancine, [and] may well not have the cash-flow to survive the crisis.”
Adds producer Rodrigo Teixeira: “If we don’t have access to subsidies, production will stop, not only because of the pandemic but also the way Brazilian film financing is structured.”
The double crisis will push Brazilian companies into producing for TV as well as Brazil’s digital platforms.
Last October,...
- 5/11/2020
- by John Hopewell
- Variety Film + TV
La Casa de Antiguidades
Brazil’s João Paulo Miranda Maria seems primed for international success with his feature debut La Casa de Antiguidades (Memory House), produced by Didar Domehri and starring Antonio Pitanga, Ana Flavia Cavalcanti and Belgium’s Sam Louwyck. Sebastian Lelio Dp Benjamin Echazarreta (Gloria; A Fantastic Woman), who also worked on Flora Lua’s upcoming Luz, serves as cinematographer. Maria’s 2015 short Command Action premiered at Cannes and his 2016 short The Girl Who Danced with the Devil competed in the Cannes short program, winning a Special Mention.…...
Brazil’s João Paulo Miranda Maria seems primed for international success with his feature debut La Casa de Antiguidades (Memory House), produced by Didar Domehri and starring Antonio Pitanga, Ana Flavia Cavalcanti and Belgium’s Sam Louwyck. Sebastian Lelio Dp Benjamin Echazarreta (Gloria; A Fantastic Woman), who also worked on Flora Lua’s upcoming Luz, serves as cinematographer. Maria’s 2015 short Command Action premiered at Cannes and his 2016 short The Girl Who Danced with the Devil competed in the Cannes short program, winning a Special Mention.…...
- 12/30/2019
- by Nicholas Bell
- IONCINEMA.com
Didar Domehri’s Paris-based company, Maneki Films, is on board to produce “Memory House,” the feature debut of young Brazilian director João Paulo Miranda Maria, whose short films have played in Cannes and Venice.
The director started developing the script of “Memory House” in 2015 as part of the Next Step Program, a workshop created by Cannes’ Critics’ Week to help the directors of the 10 shorts playing in the sidebar to make their feature debut. Miranda Maria then took part in Cannes’ Cinéfondation program, and presented his project at the Paris Coproduction Village, an industry event organized by the team behind Les Arcs European Film Festival.
Miranda Maria has earned critical praise for his three shorts, “Command Action,” which played at Critics’ Week in 2015; “The Girl Who Danced With the Devil,” which won Special Mention at the Cannes Film Festival in 2016; and “Meninas Fomicida,” which played at Venice in 2017.
Lensed by Benjamín Echazarreta,...
The director started developing the script of “Memory House” in 2015 as part of the Next Step Program, a workshop created by Cannes’ Critics’ Week to help the directors of the 10 shorts playing in the sidebar to make their feature debut. Miranda Maria then took part in Cannes’ Cinéfondation program, and presented his project at the Paris Coproduction Village, an industry event organized by the team behind Les Arcs European Film Festival.
Miranda Maria has earned critical praise for his three shorts, “Command Action,” which played at Critics’ Week in 2015; “The Girl Who Danced With the Devil,” which won Special Mention at the Cannes Film Festival in 2016; and “Meninas Fomicida,” which played at Venice in 2017.
Lensed by Benjamín Echazarreta,...
- 8/2/2019
- by Elsa Keslassy
- Variety Film + TV
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