France TV Distribution has closed several territory deals for Sylvain Desclous’ “The Victoria System,” starring Damien Bonnard and Jeanne Balibar.
The film has been acquired by Spentzos in Greece, Divisa Red in Spain, Arna Media in the Cis, Nk Content in South Korea, Avjet in Taïwan and Mars in Turkey.
The film centers on David Kolski, who is overseeing the construction of the highest tower ever built in France. The developer’s constant pressure, crushing delivery delays, overworked employees… David lives in a hurry.
One night, while returning home for dinner, he meets a woman of astonishing beauty who captivates him. He is mesmerized. This woman is Victoria. Ambitious and intelligent, beautiful and independent, the human resources director for a multinational company, she runs her life as the ones of her employees, with an iron hand. Immediately, David also finds himself trapped in this fascinating system.
The film is written by Sylvain Desclous,...
The film has been acquired by Spentzos in Greece, Divisa Red in Spain, Arna Media in the Cis, Nk Content in South Korea, Avjet in Taïwan and Mars in Turkey.
The film centers on David Kolski, who is overseeing the construction of the highest tower ever built in France. The developer’s constant pressure, crushing delivery delays, overworked employees… David lives in a hurry.
One night, while returning home for dinner, he meets a woman of astonishing beauty who captivates him. He is mesmerized. This woman is Victoria. Ambitious and intelligent, beautiful and independent, the human resources director for a multinational company, she runs her life as the ones of her employees, with an iron hand. Immediately, David also finds himself trapped in this fascinating system.
The film is written by Sylvain Desclous,...
- 5/14/2024
- by Leo Barraclough
- Variety Film + TV
This year’s ceremony was uncharacteristically devoid of controversy after politically-charged editions in 2020 and 2021.
Xavier Giannoli’s costume drama Lost Illusions was the big winner at the 47th Cesar awards of France’s Academy of Cinema and Arts and Sciences on Friday evening (25), winning best film, adapted screenplay, costume and supporting actor among others.
The adaptation of Honoré de Balzac’s19th-century novel premiered in competition at Venice last year. It was the frontrunner at the nomination stage, making it into 15 of the 24 César categories.
The other big winner of the evening was Leos Carax’s English-language musical Annette. Carax won best director,...
Xavier Giannoli’s costume drama Lost Illusions was the big winner at the 47th Cesar awards of France’s Academy of Cinema and Arts and Sciences on Friday evening (25), winning best film, adapted screenplay, costume and supporting actor among others.
The adaptation of Honoré de Balzac’s19th-century novel premiered in competition at Venice last year. It was the frontrunner at the nomination stage, making it into 15 of the 24 César categories.
The other big winner of the evening was Leos Carax’s English-language musical Annette. Carax won best director,...
- 2/25/2022
- by Melanie Goodfellow
- ScreenDaily
Ceremony for awards voted on by 4,363 members of the César academy will take place on February 25.
Xavier Giannoli’s literary adaptation Lost Illusions is the frontrunner in the nomination stage of the 47th edition of France’s César awards, followed by Leos Carax’s Annette and Valérie Lemercier’s Aline.
France’s Academy of Cinema and Arts and Sciences unveiled the nomination list online on Wednesday morning (January 26), ahead of the ceremony scheduled to take place on February 25.
Giannoli’s adaptation of Honoré de Balzac’s eponymous 19th-century novel, which premiered in competition at Venice last year, was nominated in...
Xavier Giannoli’s literary adaptation Lost Illusions is the frontrunner in the nomination stage of the 47th edition of France’s César awards, followed by Leos Carax’s Annette and Valérie Lemercier’s Aline.
France’s Academy of Cinema and Arts and Sciences unveiled the nomination list online on Wednesday morning (January 26), ahead of the ceremony scheduled to take place on February 25.
Giannoli’s adaptation of Honoré de Balzac’s eponymous 19th-century novel, which premiered in competition at Venice last year, was nominated in...
- 1/26/2022
- by Melanie Goodfellow
- ScreenDaily
Update: Xavier Giannoli’s Illusions Perdues (Lost Illusions) leads nominations for the 2022 César Awards, France’s equivalent to the Oscar. The Venice premiere scored 15 mentions, followed by Leos Carax’s Annette, which opened the Cannes Film Festival last year and has 11 nominations. They are followed by Valérie Lemercier’s Aline, the musical dramedy inspired by the life of Céline Dion which also debuted in Cannes and has 10 nods. (Scroll down for the full list of nominations.)
Interestingly, the three films that France shortlisted for the International Feature Academy Award race came in on the lower end. Cédric Jiminez’s Bac Nord (The Stronghold) took seven nominations, while Audrey Diwan’s Venice Golden Lion winner Happening settles for four, tying Cannes Palme d’Or winner Titane.
The latter was France’s eventual entry to the Oscars, but did not make the shortlist. It was also shut out of the Best Film category at the Césars today.
Interestingly, the three films that France shortlisted for the International Feature Academy Award race came in on the lower end. Cédric Jiminez’s Bac Nord (The Stronghold) took seven nominations, while Audrey Diwan’s Venice Golden Lion winner Happening settles for four, tying Cannes Palme d’Or winner Titane.
The latter was France’s eventual entry to the Oscars, but did not make the shortlist. It was also shut out of the Best Film category at the Césars today.
- 1/26/2022
- by Nancy Tartaglione
- Deadline Film + TV
Anybody who thinks writers who use subtext are cowards will find plenty to admire in The Divide. Taking place over the course of one night, Catherine Corsini’s film charts the messy disintegration of a relationship amidst an overcrowded hospital emergency room, where staff are struggling to tend to the needs of the growing number of patients. If this sounds too subtle as a state-of-the-nation address, fear not––Corsini doesn’t want to leave anything even slightly ambiguous. This narrative is complemented by an overt political commentary consisting almost entirely of shouting matches between social classes (mostly arguments about Emmanuel Macron and Marine Le Pen), and is set at the height of the 2018 Yellow Jackets protests, with clashes between police and protesters moving ever closer to hospital grounds.
Even those with the slightest knowledge of recent French history may find themselves rolling their eyes at the glaringly obvious points The Divide is trying to make.
Even those with the slightest knowledge of recent French history may find themselves rolling their eyes at the glaringly obvious points The Divide is trying to make.
- 7/26/2021
- by Alistair Ryder
- The Film Stage
Lesbian couple Julie and Raphaëlle are on the brink of breaking up when the latter slips and smashes her elbow in “The Divide,” but if you zoom out, all of France seems to be at similar risk of shattering. The French title for “Replay” director Catherine Corsini’s 14th feature (her first to compete at Cannes since 2001), “La fracture,” does a better job of suggesting all the ways the country and her characters can’t be put back together again. But neither conveys the sheer exhaustion of spending a few hours in the emergency room of an overtaxed French public hospital.
If this were an episode of “Grey’s Anatomy” or “ER,” we’d know all the doctors, care about the patients and feel relatively certain that everything would reach some semblance of order by the end of the shift. But Corsini sets out to capture the pure chaos of a specific moment in time,...
If this were an episode of “Grey’s Anatomy” or “ER,” we’d know all the doctors, care about the patients and feel relatively certain that everything would reach some semblance of order by the end of the shift. But Corsini sets out to capture the pure chaos of a specific moment in time,...
- 7/10/2021
- by Peter Debruge
- Variety Film + TV
Domestic violence drama earns four prizes in Paris.
Xavier Legrand’s domestic violence drama Custody (Jusqu’à La Garde) was named best film at the 44th Cesar Awards in Paris on Friday (23).
Legrand’s feature directorial debut and Venice 2017 Silver Lion winner began the night on a field-leading 10 nominations alongside Gilles Lellouche’s comedy Sink Or Swim (Le Grand Bain), and also won awards for Legrand’s original screenplay, best actress Lea Drucker, and editor Yorgos Lamprinos.
Jacques Audiard was named best director for The Sisters Brothers at the ceremony in the Salle Pleyel, presided over by Kristin Scott Thomas.
Xavier Legrand’s domestic violence drama Custody (Jusqu’à La Garde) was named best film at the 44th Cesar Awards in Paris on Friday (23).
Legrand’s feature directorial debut and Venice 2017 Silver Lion winner began the night on a field-leading 10 nominations alongside Gilles Lellouche’s comedy Sink Or Swim (Le Grand Bain), and also won awards for Legrand’s original screenplay, best actress Lea Drucker, and editor Yorgos Lamprinos.
Jacques Audiard was named best director for The Sisters Brothers at the ceremony in the Salle Pleyel, presided over by Kristin Scott Thomas.
- 2/23/2019
- by Melanie Goodfellow
- ScreenDaily
France’s Académie des Arts et Techniques du Cinéma unveiled its nominations for the César Awards this morning in Paris. The races for the country’s Oscar equivalent are led by Xavier Legrand’s feature debut Jusqu’à La Garde (Custody) and Gilles Lellouche’s Le Grand Bain (Sink Or Swim) with 10 mentions each. They are followed by Jacques Audiard’s English-language western, The Sisters Brothers, and Pierre Salvadori’s En Liberté! (The Trouble With You) with nine a piece. All four are in the Best Picture and Director categories.
There’s a noticeably lighter edge to the nominations this year with Le Grand Bain a sort of Full Monty à la française that sees a group of middle-aged men form a synchronized swimming team. The movie debuted out of competition in Cannes and became the 3rd highest grossing local title of 2018 with over 5M tickets sold.
Also out of Cannes,...
There’s a noticeably lighter edge to the nominations this year with Le Grand Bain a sort of Full Monty à la française that sees a group of middle-aged men form a synchronized swimming team. The movie debuted out of competition in Cannes and became the 3rd highest grossing local title of 2018 with over 5M tickets sold.
Also out of Cannes,...
- 1/23/2019
- by Nancy Tartaglione
- Deadline Film + TV
While a romance on its surface, Catherine Corsini‘s Summertime is really about freedom. The central relationship between Delphine (Izïa Higelin) and Carole (Cécile De France) pushes them to discover their personal identities removed from any union. The former is a farm girl yearning to break from the conservative mentality a future in the country dictates while the latter’s anti-bourgeois feminist Parisian cohabits with a long-term boyfriend equally political and militantly idealistic as she. They’ve each cut trails through the rigid social norms of the environments where they reside, crossing paths during the summer of 1971 by destiny’s hand. This collision ultimately evolves who they are and forces them to acknowledge how far they’re willing to go towards becoming the women they were meant to be.
Delphine is the main character despite Higelin’s second billing and ultimately the one Corsini admits is most like herself. She...
Delphine is the main character despite Higelin’s second billing and ultimately the one Corsini admits is most like herself. She...
- 7/20/2016
- by Jared Mobarak
- The Film Stage
Quite early on in Catherine Corsini's embraceable French import Summertime, a group of young Parisian women run through the streets, laughing aloud while pinching male asses. Viva, Simone de Beauvoir! The buttocks-ravished men are both startled and outraged. How dare they be made into sexual objects. One gent even starts attacking a lass, but to her rescue comes farm-girl/tractor-driver/physically strapping Delphine (Izïa Higelin).
Please note the year is 1971 and feminism is a-brewing, pleasantly knocking the closeted, recent rural-escapee for a loop. Suddenly, she's not in a field with gaseous bovines but in a bus encircled by attractive, long-haired, rowdy, activist Amazons, who care not a whit whether one is into scissoring or the missionary position. All sex is good. All male subordination of the "fairer" gender is bad. They even sing, "Arise, enslaved woman."
Suddenly, our enthralled heroine is attending political conscious-raising groups, helping to cause havoc at anti-abortion lectures,...
Please note the year is 1971 and feminism is a-brewing, pleasantly knocking the closeted, recent rural-escapee for a loop. Suddenly, she's not in a field with gaseous bovines but in a bus encircled by attractive, long-haired, rowdy, activist Amazons, who care not a whit whether one is into scissoring or the missionary position. All sex is good. All male subordination of the "fairer" gender is bad. They even sing, "Arise, enslaved woman."
Suddenly, our enthralled heroine is attending political conscious-raising groups, helping to cause havoc at anti-abortion lectures,...
- 7/18/2016
- by Brandon Judell
- www.culturecatch.com
The latest film from Catherine Corsini is set to premiere at the Toronto International Film Festival with the first trailer premiering alongside the festival announcement.
Summertime is directed by Corsini from a script by her and Laurette Polmanss. The film stars Cécile De France, Izia Higelin, Noémie Lvovsky, and Kévin Azaïs.
The film takes place in 1971 France where a young girl (Higelin) from a rural family moves to Paris and begins a life-changing affair with a feminist activist (De France). The French-language film is set to premiere as part of the special presentations at the festival.
This is Corsini’s first film since 2012’s Two Worlds and the premiere at Tiff will mark the North American debut of the movie. The full line-up for the Toronto International Film Festival was revealed on Tuesday.
The post Tiff ’15: ‘Summertime’ covers the love affair of two women appeared first on Sound On Sight.
Summertime is directed by Corsini from a script by her and Laurette Polmanss. The film stars Cécile De France, Izia Higelin, Noémie Lvovsky, and Kévin Azaïs.
The film takes place in 1971 France where a young girl (Higelin) from a rural family moves to Paris and begins a life-changing affair with a feminist activist (De France). The French-language film is set to premiere as part of the special presentations at the festival.
This is Corsini’s first film since 2012’s Two Worlds and the premiere at Tiff will mark the North American debut of the movie. The full line-up for the Toronto International Film Festival was revealed on Tuesday.
The post Tiff ’15: ‘Summertime’ covers the love affair of two women appeared first on Sound On Sight.
- 7/28/2015
- by Zach Dennis
- SoundOnSight
La belle saison
Director: Catherine Corsini // Writers: Catherine Corsini, Laurette Polmanss
French director Catherine Corsini isn’t very well known in the Us, though many should be familiar with her 2009 title Leaving, which headlined Kristin Scott Thomas. She’s premiered at Cannes on four occasions, last in 2012 in Un Certain Regard with Three Worlds (which happens to be one of her weaker efforts—Corsini played in the Main Comp in 2001 with La Repetition). Her latest, La belle saison (The Beautiful Summer), is set in 1971, and concerns the budding relationship between two women from very different walks of life, something which throws both their lives into turmoil (which sounds an awful lot like post-war Diane Kurys material). Corsini (who often features striking actresses in her work, including Catherine Frot, Scott Thomas, and Clotilde Hesme) snags Cecile de France as one part of this duo, not to mention the always engaging Noemie Lvovsky.
Director: Catherine Corsini // Writers: Catherine Corsini, Laurette Polmanss
French director Catherine Corsini isn’t very well known in the Us, though many should be familiar with her 2009 title Leaving, which headlined Kristin Scott Thomas. She’s premiered at Cannes on four occasions, last in 2012 in Un Certain Regard with Three Worlds (which happens to be one of her weaker efforts—Corsini played in the Main Comp in 2001 with La Repetition). Her latest, La belle saison (The Beautiful Summer), is set in 1971, and concerns the budding relationship between two women from very different walks of life, something which throws both their lives into turmoil (which sounds an awful lot like post-war Diane Kurys material). Corsini (who often features striking actresses in her work, including Catherine Frot, Scott Thomas, and Clotilde Hesme) snags Cecile de France as one part of this duo, not to mention the always engaging Noemie Lvovsky.
- 1/6/2015
- by Nicholas Bell
- IONCINEMA.com
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