England is viewed by the wider world as a nation of eccentrics. This is considered a genetic characteristic, and something to be celebrated. Like most assumptions, the truth lies somewhat wide of the remark. Quentin Crisp, one such "National Treasure," is now rightly revered as one, but his journey from pariah nuisance to that of sage-like venerability was a long and winding affair. He migrated to New York, remaining vital till the end, an amalgam of defiance and disappointment worn as wit.
Some considered him a latter-day Oscar Wilde, a comparison he didn't much value, remarking that he'd known many who'd been sent to prison for crimes of the flesh like Wilde's, without being broken or penning such bad verse.
Unkind maybe, but Wilde had it all and lost it largely because of his own arrogance. He could have fled to Paris, had the chance to but didn't take it.
Some considered him a latter-day Oscar Wilde, a comparison he didn't much value, remarking that he'd known many who'd been sent to prison for crimes of the flesh like Wilde's, without being broken or penning such bad verse.
Unkind maybe, but Wilde had it all and lost it largely because of his own arrogance. He could have fled to Paris, had the chance to but didn't take it.
- 12/25/2016
- by robert cochrane
- www.culturecatch.com
All the Warwick Davis Leprechaun movies are coming out in a new Blu Ray combo pack. The commentary tracks offer some memories of my two contributions to the guilty pleasure franchise. Here are a few more.
I grew up enjoying the absurdist humor of the Monty Python’s Flying Circus TV series. So why not Absurdist Cinema? I loved the 1941 Hellzapoppin’, an early iconic example. The concept of the mid ’90’s Leprechaun franchise was proudly ludicrous – pint sized Jason/Freddy/Chucky amalgam with an Irish twist terrorizes and kills most of the supporting cast. But he was never really scary. I decided to embrace the absurd and make it as much fun as the formula allowed.
Blue Rider Pictures, for whom I had made Night Of The Demons 2, were asked by Trimark to produce the third and, at that stage, the intended last in the series. Send the little guy to Vegas,...
I grew up enjoying the absurdist humor of the Monty Python’s Flying Circus TV series. So why not Absurdist Cinema? I loved the 1941 Hellzapoppin’, an early iconic example. The concept of the mid ’90’s Leprechaun franchise was proudly ludicrous – pint sized Jason/Freddy/Chucky amalgam with an Irish twist terrorizes and kills most of the supporting cast. But he was never really scary. I decided to embrace the absurd and make it as much fun as the formula allowed.
Blue Rider Pictures, for whom I had made Night Of The Demons 2, were asked by Trimark to produce the third and, at that stage, the intended last in the series. Send the little guy to Vegas,...
- 9/27/2014
- by Brian Trenchard-Smith
- Trailers from Hell
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