CineSavant reaches back one year to pick up a notable low-key horror from the team of Levy-Gardner-Laven and good old United Artists. They have a respected actor, a workable concept and a horror screenplay from an unusual source for the 1950s . . . a (gasp) woman. More civilized monster movies just aren’t out there, although this one could have used a more creative title.
The Vampire
Blu-ray
Scream Factory
1957 / B&W / 1:78 widescreen / 75 min. / Street Date April 11, 2017 / 27.99
Starring: John Beal, Coleen Gray, Kenneth Tobey, Lydia Reed, Dabbs Greer, Herb Vigran, Paul Brinegar, Ann Staunton, James Griffith.
Cinematography: Jack MacKenzie
Film Editor: John Faure
Original Music: Gerald Fried
Written and story by Pat Fielder
Produced by Arthur Gardner, Arnold Laven, Jules V. Levy
Directed by Paul Landres
I long ago gave up keeping track of all the aberrant vampire movies that were produced after horror became a direct-to-video staple and finally a streaming staple.
The Vampire
Blu-ray
Scream Factory
1957 / B&W / 1:78 widescreen / 75 min. / Street Date April 11, 2017 / 27.99
Starring: John Beal, Coleen Gray, Kenneth Tobey, Lydia Reed, Dabbs Greer, Herb Vigran, Paul Brinegar, Ann Staunton, James Griffith.
Cinematography: Jack MacKenzie
Film Editor: John Faure
Original Music: Gerald Fried
Written and story by Pat Fielder
Produced by Arthur Gardner, Arnold Laven, Jules V. Levy
Directed by Paul Landres
I long ago gave up keeping track of all the aberrant vampire movies that were produced after horror became a direct-to-video staple and finally a streaming staple.
- 4/17/2018
- by Glenn Erickson
- Trailers from Hell
Horror in the ‘50s tended to lean towards the sci-fi end of the spectrum. And why wouldn’t it? This was the atomic age, and hiding under your school desk during a bomb drill (the safest place to be!) was scarier than any monster Hollywood could muster. So as a form of social moralizing (or an excuse to display giant, mutated lizards on screen), filmmakers merged the fear of nuclear annihilation with the need for entertainment. Most filmmakers, that is. Paul Landres’ The Vampire (1957) is a deliberate ride through the (mostly) human condition, small in scope but surprisingly big on emotion. Just don’t expect any vampires, radioactive, sparkly, or otherwise.
What you do get is a story much closer to Stevenson than Stoker, a simple riff on Jekyll and Hyde shot through a cautionary tale about America’s then growing concern with pill poppin’. The Vampire is more concerned...
What you do get is a story much closer to Stevenson than Stoker, a simple riff on Jekyll and Hyde shot through a cautionary tale about America’s then growing concern with pill poppin’. The Vampire is more concerned...
- 6/25/2016
- by Scott Drebit
- DailyDead
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