Broadway’s A Beautiful Noise, The Neil Diamond Musical will play its final performance on Sunday, June 30, before launching a national tour this fall, producers announced today.
The musical, which began previews on November 2, 2022, at the Broadhurst Theatre and opened that year on December 4, will have played 35 preview performances and 657 regular performances when it closes.
The announcement was made today by producers Ken Davenport and Bob Gaudio, who said the production had grossed nearly $63M as of this week.
The musical, which charts the life and career of pop superstar Diamond and includes such hits as “Sweet Caroline,” “Cherry, Cherry” and “Solitary Man,” has seen up-and-down attendance in recent months, with figures for last week indicating that attendance was at just 65% of capacity. The show was one of only several that did not play to attendance of more than 90% capacity during the busy Presidents Day holiday week.
A North American...
The musical, which began previews on November 2, 2022, at the Broadhurst Theatre and opened that year on December 4, will have played 35 preview performances and 657 regular performances when it closes.
The announcement was made today by producers Ken Davenport and Bob Gaudio, who said the production had grossed nearly $63M as of this week.
The musical, which charts the life and career of pop superstar Diamond and includes such hits as “Sweet Caroline,” “Cherry, Cherry” and “Solitary Man,” has seen up-and-down attendance in recent months, with figures for last week indicating that attendance was at just 65% of capacity. The show was one of only several that did not play to attendance of more than 90% capacity during the busy Presidents Day holiday week.
A North American...
- 2/22/2024
- by Greg Evans
- Deadline Film + TV
Will Swenson will reprise his Boston performance in A Beautiful Noise, The Neil Diamond Musical when the production moves to Broadway this fall, producers confirmed today.
Swenson will be joined in New York by his Boston costars Mark Jacoby (Swenson and Jacoby play Diamond at different stages of the icon’s life), Robyn Hurder as Marcia, and Linda Powell as Doctor.
The castings were announced today by producers Ken Davenport and Bob Gaudio. A Beautiful Noise begins previews Wednesday, November 2 ahead of a Sunday, December 4 opening night at the Broadhurst Theatre.
Rounding out the cast will be Jessie Fisher, Michael McCormick, Tom Alan Robbins, and Bri Sudia as Ellie Greenwich and Rose Diamond.
Director Michael Mayer said in a statement, “I’m excited to bring our stunning company to the Broadhurst this fall to celebrate the music and life of Neil Diamond. His exceptional career speaks for itself, and I...
Swenson will be joined in New York by his Boston costars Mark Jacoby (Swenson and Jacoby play Diamond at different stages of the icon’s life), Robyn Hurder as Marcia, and Linda Powell as Doctor.
The castings were announced today by producers Ken Davenport and Bob Gaudio. A Beautiful Noise begins previews Wednesday, November 2 ahead of a Sunday, December 4 opening night at the Broadhurst Theatre.
Rounding out the cast will be Jessie Fisher, Michael McCormick, Tom Alan Robbins, and Bri Sudia as Ellie Greenwich and Rose Diamond.
Director Michael Mayer said in a statement, “I’m excited to bring our stunning company to the Broadhurst this fall to celebrate the music and life of Neil Diamond. His exceptional career speaks for itself, and I...
- 9/6/2022
- by Greg Evans
- Deadline Film + TV
Jeremy Jordan will take on the lead role of Seymour when Off Broadway’s Little Shop of Horrors returns to the stage on Sept. 21, joining original cast members Tammy Blanchard and Christian Borle under the direction of Michael Mayer.
Jordan had previously been set to join the company on March 17, 2020, before theater industry operations were suspended due to the Covid-19 pandemic. Jonathan Groff and, later, Gideon Glick played Seymour earlier in the acclaimed revival at the Westside Theatre. The musical opened with Groff in 2019.
Jordan’s stage credits include Waitress, American Son, Finding Neverland, and Bonnie & Clyde, among others. He was Tony-nominated for 2012’s Newsies.
Tickets are on sale now for performances from September 21 through January 2, 2022.
In addition to Blanchard and Borle, other returning cast members include Tom Alan Robbins, Aaron Arnell Harrington, Salome Smith, Joy Woods, Aveena Sawyer, Eric Wright, Teddy Yudain, Stephen Berger and Chelsea Turbin.
Jordan had previously been set to join the company on March 17, 2020, before theater industry operations were suspended due to the Covid-19 pandemic. Jonathan Groff and, later, Gideon Glick played Seymour earlier in the acclaimed revival at the Westside Theatre. The musical opened with Groff in 2019.
Jordan’s stage credits include Waitress, American Son, Finding Neverland, and Bonnie & Clyde, among others. He was Tony-nominated for 2012’s Newsies.
Tickets are on sale now for performances from September 21 through January 2, 2022.
In addition to Blanchard and Borle, other returning cast members include Tom Alan Robbins, Aaron Arnell Harrington, Salome Smith, Joy Woods, Aveena Sawyer, Eric Wright, Teddy Yudain, Stephen Berger and Chelsea Turbin.
- 5/14/2021
- by Greg Evans
- Deadline Film + TV
On March 16, 2020, Seth Rudetsky and James Wesley launched “Stars In The House” in response to what they knew would be an immediate need for funds in light of the Broadway shutdown.
Now, one year and over 375 episodes later, “Stars In The House” has raised over $715,000 for The Actors Fund, and an additional $200,000 for other charity organizations who have needed support throughout the pandemic.
“We can’t believe it has been a year! We continue to be overwhelmed by the generosity of our viewers, who send in donations from all over the world,” said Rudetsky and Wesley. “We thought that after the first few weeks, contributions would dwindle and the show would be more about bringing some joy and positivity during these dark times. But the fact that we have been able to do both – deliver fun and financial support – is beyond our wildest dreams. We are so grateful to our team behind the scenes,...
Now, one year and over 375 episodes later, “Stars In The House” has raised over $715,000 for The Actors Fund, and an additional $200,000 for other charity organizations who have needed support throughout the pandemic.
“We can’t believe it has been a year! We continue to be overwhelmed by the generosity of our viewers, who send in donations from all over the world,” said Rudetsky and Wesley. “We thought that after the first few weeks, contributions would dwindle and the show would be more about bringing some joy and positivity during these dark times. But the fact that we have been able to do both – deliver fun and financial support – is beyond our wildest dreams. We are so grateful to our team behind the scenes,...
- 3/15/2021
- Look to the Stars
To mark its one-year anniversary on March 16, the Actors Fund benefit YouTube series Stars in the House will feature a special all-new week-long series of its popular reunion episodes, bringing together the casts of The West Wing, thirtysomething, Little House on the Prairie, Broadway’s Head Over Heels and other surprises.
Since launched by Seth Rudetsky and James Wesley last year following Broadway’s Covid shutdown, more than 375 episodes of Stars In The House has raised over $715,000 for The Actors Fund, and an additional $200,000 for other charity organizations needing support throughout the pandemic.
In a statement, Rudetsky and Wesley said, “We thought that after the first few weeks, contributions would dwindle and the show would be more about bringing some joy and positivity during these dark times. But the fact that we have been able to do both – deliver fun and financial support – is beyond our wildest dreams.”
The anniversary week kicks off Tuesday,...
Since launched by Seth Rudetsky and James Wesley last year following Broadway’s Covid shutdown, more than 375 episodes of Stars In The House has raised over $715,000 for The Actors Fund, and an additional $200,000 for other charity organizations needing support throughout the pandemic.
In a statement, Rudetsky and Wesley said, “We thought that after the first few weeks, contributions would dwindle and the show would be more about bringing some joy and positivity during these dark times. But the fact that we have been able to do both – deliver fun and financial support – is beyond our wildest dreams.”
The anniversary week kicks off Tuesday,...
- 3/9/2021
- by Greg Evans
- Deadline Film + TV
The theater industry’s pandemic-shortened season seems to have opened up the Grammy playing field for cast albums, as only two of the six just-announced nominees for the 2021 awards represent the usually-dominant Broadway.
The two Broadway cast albums included in today’s nominations for Best Musical Theater Album are David Byrne’s American Utopia on Broadway and Jagged Little Pill, the musical consisting of Alanis Morissette songs. Two London cast albums were nominated, as were two from Off Broadway.
Last year, all five nominees in the category were Broadway productions (Hadestown won), while the year before Broadway accounted for four of the five nominees, with TV’s Jesus Christ Superstar Live in Concert filling out the category (Broadway’s The Band’s Visit won). Previous years show a similar pro-Broadway pattern.
A slew of highly anticipated 2020 Broadway musicals were...
The two Broadway cast albums included in today’s nominations for Best Musical Theater Album are David Byrne’s American Utopia on Broadway and Jagged Little Pill, the musical consisting of Alanis Morissette songs. Two London cast albums were nominated, as were two from Off Broadway.
Last year, all five nominees in the category were Broadway productions (Hadestown won), while the year before Broadway accounted for four of the five nominees, with TV’s Jesus Christ Superstar Live in Concert filling out the category (Broadway’s The Band’s Visit won). Previous years show a similar pro-Broadway pattern.
A slew of highly anticipated 2020 Broadway musicals were...
- 11/24/2020
- by Greg Evans
- Deadline Film + TV
The Off Broadway revival of Little Shop of Horrors, already sold out well before its first preview on Sept. 17, has released an additional eight weeks of tickets, producers announced today. Tickets for the landmark Howard Ashman & Alan Menken musical, set for the Westside Theatre and starring Jonathan Groff, Tammy Blanchard and Christian Borle, are now on sale through Sunday, January 19, 2020.
Directed by Tony winner Michael Mayer, Little Shop officially opens on Thursday, October 17. As previously announced, Tony nominee Gideon Glick (To Kill A Mockingbird) will join the production for a two-week (November 5 through November 17) as Seymour while Groff is on a scheduled leave.
Also in the cast: Tom Alan Robbins, Kingsley Leggs, Ari Groover, Salome Smith, Joy Woods, Stephen Berger, Chris Dwan, Kris Roberts, Chelsea Turbin, Eric Wright, and Teddy Yudain.
Described as “an intimate new production,” Mayer’s staging of Little Shop...
Directed by Tony winner Michael Mayer, Little Shop officially opens on Thursday, October 17. As previously announced, Tony nominee Gideon Glick (To Kill A Mockingbird) will join the production for a two-week (November 5 through November 17) as Seymour while Groff is on a scheduled leave.
Also in the cast: Tom Alan Robbins, Kingsley Leggs, Ari Groover, Salome Smith, Joy Woods, Stephen Berger, Chris Dwan, Kris Roberts, Chelsea Turbin, Eric Wright, and Teddy Yudain.
Described as “an intimate new production,” Mayer’s staging of Little Shop...
- 9/4/2019
- by Greg Evans
- Deadline Film + TV
Exclusive: Gideon Glick, To Kill a Mockingbird‘s Tony-nominated Dill Harris, will drop by the upcoming Little Shop of Horrors for a quick visit, filling in for star Jonathan Groff, star of Netflix’s Mindhunter, during the latter’s pre-scheduled two-week leave from the production.
The announcement was made by producers today.
The Little Shop of Horrors Off Broadway revival will begin previews Tuesday, September 17, at the Westside Theatre, with opening night set for Thursday, October 17. Glick will take the role of Seymour Tuesday, November 5 through Sunday, November 17. Groff returns on Tuesday, November 19.
Glick, who has moved Mockingbird‘s audience with his poignant and very funny portrayal of the young Truman Capote-based Dill since last year’s opening of the Aaron Sorkin adaptation of the Harper Lee novel. He’s also appeared in Broadway’s Significant Other in 2017 and Spring Awakening in 2006, among other stage credits. On TV he...
The announcement was made by producers today.
The Little Shop of Horrors Off Broadway revival will begin previews Tuesday, September 17, at the Westside Theatre, with opening night set for Thursday, October 17. Glick will take the role of Seymour Tuesday, November 5 through Sunday, November 17. Groff returns on Tuesday, November 19.
Glick, who has moved Mockingbird‘s audience with his poignant and very funny portrayal of the young Truman Capote-based Dill since last year’s opening of the Aaron Sorkin adaptation of the Harper Lee novel. He’s also appeared in Broadway’s Significant Other in 2017 and Spring Awakening in 2006, among other stage credits. On TV he...
- 8/21/2019
- by Greg Evans
- Deadline Film + TV
Head Over Heels, the Broadway musical featuring songs from The Go-Go’s including the title tune, “We Got The Beat” and “Our Lips Are Sealed” will play its final performance Sunday, Jan. 6, 2019, producers announced today.
The musical, which opened at the Hudson Theatre on July 26, will have played 188 regular performances and 37 previews by the time it closes next month. The production, greeted by mixed reviews, never caught fire at the box office, and has been struggling in recent weeks with grosses hovering around 20% of a
$883,552 box office potential. Even during weeks when 60% of seats were filled, modest average ticket prices of $61 kept box office far from reaching potential.
“Along with my partners, creative team and cast, it was our desire to create a piece of live theatre that celebrates love of all kinds and portrays a world of beauty in which joy and acceptance reign above all else,” said lead producer Christine Russell.
The musical, which opened at the Hudson Theatre on July 26, will have played 188 regular performances and 37 previews by the time it closes next month. The production, greeted by mixed reviews, never caught fire at the box office, and has been struggling in recent weeks with grosses hovering around 20% of a
$883,552 box office potential. Even during weeks when 60% of seats were filled, modest average ticket prices of $61 kept box office far from reaching potential.
“Along with my partners, creative team and cast, it was our desire to create a piece of live theatre that celebrates love of all kinds and portrays a world of beauty in which joy and acceptance reign above all else,” said lead producer Christine Russell.
- 11/26/2018
- by Greg Evans
- Deadline Film + TV
New York Times theater critic Ben Brantley apologized for his review of the broadway show “Head Over Heels,” featuring the first openly trans woman to play a leading role on Broadway.
“I feel horrible about having offended transgender and nonbinary communities,” he said in a statement posted to the New York Times Communications Twitter account on Friday.
“I was trying to reflect the light tone of the show, as well as a plot point in which one character learns to acknowledge another not as ‘she’ but as ‘they,'” he said. “This unfortunately read as more flippant than I would ever have intended, especially with regard to a performance that marks a historical first. I am deeply sorry.”
Also Read: The Nation Apologizes for Publishing 'Ableist' Poem About the 'Invisibility of Homelessness'
Here is Ben Brantley's response to the conversation surrounding his review of "Head Over Heels" https://t.co/48Xr2xgOjK.
“I feel horrible about having offended transgender and nonbinary communities,” he said in a statement posted to the New York Times Communications Twitter account on Friday.
“I was trying to reflect the light tone of the show, as well as a plot point in which one character learns to acknowledge another not as ‘she’ but as ‘they,'” he said. “This unfortunately read as more flippant than I would ever have intended, especially with regard to a performance that marks a historical first. I am deeply sorry.”
Also Read: The Nation Apologizes for Publishing 'Ableist' Poem About the 'Invisibility of Homelessness'
Here is Ben Brantley's response to the conversation surrounding his review of "Head Over Heels" https://t.co/48Xr2xgOjK.
- 7/30/2018
- by Jon Levine
- The Wrap
It’s really hard to laugh when somebody’s holding a gun to your head. That’s the way this Go-Go’s feels in “Head Over Heels,” an over-written, over-designed, and generally overdone production directed by Michael Mayer. From the sets and costumes to the performance style, the basic principle seems to be: Less is boring and more is never enough. Thanks, no doubt, to the Oracle of Delphi (played here by the impishly funny Peppermint), it’s a miracle that at least some of the wit in Jeff Whitty’s original book gets through.
The storyline is credited to Sir Philip Sidney, an Elizabethan sonneteer whose 180,000-word narrative poem, “The Arcadia,” inspired many other imitations. Not that there’s anything wrong with that. If Shakespeare could crib from this rom-com material (see “As You Like It”), so can Whitty and James Magruder, who did the adaptation for this Broadway production.
The storyline is credited to Sir Philip Sidney, an Elizabethan sonneteer whose 180,000-word narrative poem, “The Arcadia,” inspired many other imitations. Not that there’s anything wrong with that. If Shakespeare could crib from this rom-com material (see “As You Like It”), so can Whitty and James Magruder, who did the adaptation for this Broadway production.
- 7/27/2018
- by Marilyn Stasio
- Variety Film + TV
For better or worse, Broadway’s Head Over Heels is stuck with being known as “the Go-Go’s musical” – better because of the good will floating on stage with all those lighter-than-air hits by Belinda Carlisle, Jane Wiedlin, et.al., worse because the hard-working new production can’t seem to keep itself from popping those effervescence tune bubbles one by one.
With the Go-Go’s music shotgun-wedded to Sir Philip Sidney’s 16th century prose poem The Arcadia – a marriage conceived by Avenue Q‘s Jeff Whitty, who wrote the original book before splitting, reportedly in part over his inclination to rewrite some of the Go-Go’s lyrics – Head Over Heels is Elizabethan farce by way of ye olde MTV. The verse may be archaic, but the we’re here sentiment is as up to date as last week’s episode of RuPaul’s Drag Race.
Further adapted by James Magruder...
With the Go-Go’s music shotgun-wedded to Sir Philip Sidney’s 16th century prose poem The Arcadia – a marriage conceived by Avenue Q‘s Jeff Whitty, who wrote the original book before splitting, reportedly in part over his inclination to rewrite some of the Go-Go’s lyrics – Head Over Heels is Elizabethan farce by way of ye olde MTV. The verse may be archaic, but the we’re here sentiment is as up to date as last week’s episode of RuPaul’s Drag Race.
Further adapted by James Magruder...
- 7/27/2018
- by Greg Evans
- Deadline Film + TV
The area of intersection between fans of iambic pentameter and doers of the “Cool Jerk” may be a limited one, so you can imagine the initial chore in store for anyone charged with targeting the exact crossover audience that will most enjoy “Head Over Heels,” now and maybe forever to be popularly known as “that Go-Go’s musical produced by Gwyneth Paltrow.” Rather than being a “Jersey Boys”-style origin story about the pioneering all-female band, the story harks back to very olde England, with a cast of royal-court types offering intermittently Elizabethan-sounding dialogue between all the rocking out. Surely “Thy Lips are Sealed” popped up at some point on a list of discarded alternate titles.
The mix of ’80s music and 1680s setting is every bit as ridiculous as it sounds, and that’s a good thing, for the most part. Perhaps appropriately for a show whose themes end...
The mix of ’80s music and 1680s setting is every bit as ridiculous as it sounds, and that’s a good thing, for the most part. Perhaps appropriately for a show whose themes end...
- 4/23/2018
- by Chris Willman
- Variety Film + TV
On Broadway and beyond, a curtain can rise as quickly as it can fall; a star can be swapped as easily as Bernie Telsey can say, “That’s enough.” Theater is the beating heart of New York show business and, if you want to make it here, it’s crucial you’re up to date on incoming projects, latest castings, and other industry news. Don’t worry, Broadway baby, Backstage has your back. Every week, we’re rounding up the can’t-miss stories no thespian should live without, so you can focus on important matters like hitting your high F. Curtain up and light those lights! Broadway’s officially got the beat.Confirming speculation, The Go-Go’s musical “Head Over Heels” will take its Broadway bow this summer at the Hudson Theatre. Beginning performances June 23 with an official opening set for July 26, the jukebox tuner will star Peppermint of “RuPaul’s Drag Race,...
- 2/1/2018
- backstage.com
The house lights dim, the sun rises on its first performance, and a powerful voice belts out: “Nants ingonyama bagithi Baba,” the first lyrics of “Circle of Life.” Lindiwe Dlamini, a member of the ensemble dressed in a white dress, holding African bird puppets in either hand with another on her head, nervously waits in the wings as she readies to take the stage in the opening number of Disney’s Broadway adaptation of The Lion King, the 1994 animated hit film about a lion cub who overcomes adversity and accepts responsibility for his pride and land to become king of the jungle.
“You didn’t know how the audience was going to receive it, [but] the energy was beyond belief,” Dlamini recalls to Et. The actress was 29 years old when she was cast in The Lion King, which opened on Broadway at the New Amsterdam Theatre on Nov. 13, 1997. The show later transferred to the Minskoff Theatre in 2006, where...
“You didn’t know how the audience was going to receive it, [but] the energy was beyond belief,” Dlamini recalls to Et. The actress was 29 years old when she was cast in The Lion King, which opened on Broadway at the New Amsterdam Theatre on Nov. 13, 1997. The show later transferred to the Minskoff Theatre in 2006, where...
- 11/10/2017
- Entertainment Tonight
First up in Encores 2017 season is Big River The Adventures of Huckleberry Finn, the Tony Award-winning musical based onMark Twain's classic American novel. Big River will starNicholas Barasch,Patrice Covington,Andrew Cristi,Wayne Duvall,Mike Evariste,Charlie Franklin,Annie Golden, Katherine A. Guy,Megan Masako Haley,Adrianna Hicks,Zachary Infante,Gizel Jimenez,Andrew Kruep,John-Michael Lyles,Cass Morgan,Tom Nelis,David Pittu,Tom Alan Robbins,Horace V. Rogers,Kyle Scatliffe,Christopher Sieber, andLauren Worsham.
- 2/9/2017
- by Review Roundups
- BroadwayWorld.com
First up in Encores 2017 season is Big River The Adventures of Huckleberry Finn, the Tony Award-winning musical based on Mark Twain's classic American novel. Big River will star Nicholas Barasch, Patrice Covington, Andrew Cristi, Wayne Duvall, Mike Evariste, Charlie Franklin, Annie Golden, Katherine A. Guy, Megan Masako Haley, Adrianna Hicks, Zachary Infante, Gizel Jimenez, Andrew Kruep, John-Michael Lyles, Cass Morgan, Tom Nelis, David Pittu, Tom Alan Robbins, Horace V. Rogers, Kyle Scatliffe, Christopher Sieber, and Lauren Worsham.
- 2/9/2017
- by BWW News Desk
- BroadwayWorld.com
First up in Encores 2017 season is Big River The Adventures of Huckleberry Finn, the Tony Award-winning musical based onMark Twain's classic American novel. Big River will starNicholas Barasch,Patrice Covington,Andrew Cristi,Wayne Duvall,Mike Evariste,Charlie Franklin,Annie Golden, Katherine A. Guy,Megan Masako Haley,Adrianna Hicks,Zachary Infante,Gizel Jimenez,Andrew Kruep,John-Michael Lyles,Cass Morgan,Tom Nelis, David Pittu,Tom Alan Robbins,Horace V. Rogers,Kyle Scatliffe,Christopher Sieber, andLauren Worsham.
- 1/31/2017
- by TV - Press Previews
- BroadwayWorld.com
Encores Artistic Director Jack Viertel today announced casting for the Encores production of 1776, the classic Tony Award-winning musical about how the founding fathers drafted the Declaration of Independence and gave birth to a new nation. 1776 will star Terence Archie, John Behlmann, Larry Bull,Nikki Renee Daniels, Andre De Shields, Macintyre Dixon,Santino Fontana, Alexander Gemignani, John Hickok, John Hillner,John Larroquette, Kevin Ligon, John-Michael Lyles, Laird Mackintosh, Michael McCormick, Michael Medeiros, Christiane Noll, Bryce Pinkham, Wayne Pretlow, Tom Alan Robbins, Robert Sella, Ric Stoneback, Jubilant Sykes, Vishal Vaidya, Nicholas Ward, and Jacob Keith Watson.
- 2/29/2016
- by BWW News Desk
- BroadwayWorld.com
Recently, CBS served up the new,official synopsis/spoilers for their upcoming "The Good Wife" episode 2 of season 7. The episode is entitled, "Innocents," and it turns out that we're going to see some pretty interesting stuff go down as a complicated museum vandalism case becomes the main focus for Alicia. Cary has to deal with problems from partner Howard Lyman, and more. In the new, 2nd episode press release: Alicia Interviews Potential Investigators To Assist In A Complex Museum Vandalism Case, On "The Good Wife," Sunday, Oct. 11. Press release number 2: Alicia will argue a complex museum vandalism case that involves photographs a mother took of her son, and considers enlisting the help of investigator Jason Crouse (Jeffrey Dean Morgan). Also, Cary is going to have to have to deal with partner Howard Lyman's inappropriate conduct towards the younger associates at the offices of Lockhart, Agos & Lee. Amy Irving...
- 10/4/2015
- by Andre Braddox
- OnTheFlix
New York City Center Presents Encores! Music In The Air with tickes avaliable for as low as $20.00. Music in the Air, a rarely seen 1932 musical, will be directed by Gary Griffin with music direction by Rob Berman and choreography by Michael Lichtefeld. The production runs for five performances at City Center, West 55th Street (between 6th and 7th Avenues). In addition to Kristin Chenoweth, the cast includes Douglas Sills, Dick Latessa, Tom Alan Robbins, Sierra Boggess, Walter Charles, Anne L. Nathan, David Schramm, Ryan Silverman, Robert Sella and Sally Ann Howes. Music in the Air, with music by Jerome Kern, book and lyrics by Oscar Hammerstein II and orchestrations by Robert Russell Bennett, has been restored by the Rodgers & Hammerstein Organization and not been seen in New York in its original form since its premiere Broadway engagement at the Alvin Theatre in 1932. Opening on November 8th of that year, it...
- 1/22/2009
- BroadwayWorld.com
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