2024 marks 40 years since experimental filmmaker Lynne Sachs took her first video class at Dctv, and in celebration, Dctv’s Firehouse Cinema in NYC will be presenting an extensive retrospective. Taking place June 7-11, the series features 24 of her films plus a sound-collage world premiere associated with her latest film, Contractions, which was a selection at True/False, Prismatic Ground, and DC/Dox 2024). The upcoming New York Times Op-Docs release, which takes us to Memphis, Tennessee where we contemplate the discontinuation of abortion services at a women’s health clinic, will premiere at the Nyt timed to the 2nd anniversary of Roe v Wade being overturned.
Titled Lynne Sachs: From the Outside In, the retrospective traverses Sachs’ documentary films, defiant of traditional genre or style. The program notes continue, “From peering out, collecting others’ experiences and world events, to looking inward, reflecting on familial histories and entanglements, Sachs weaves the political with the personal.
Titled Lynne Sachs: From the Outside In, the retrospective traverses Sachs’ documentary films, defiant of traditional genre or style. The program notes continue, “From peering out, collecting others’ experiences and world events, to looking inward, reflecting on familial histories and entanglements, Sachs weaves the political with the personal.
- 5/6/2024
- by Jordan Raup
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.Newsi ran from it and was still in it.The Filmmaker Magazine editorial staff shared their annual roster of 25 New Faces of Independent Film, including Antonio Marziale, Darol Olu Kae, Lucy Kerr, and more.John Waters will return to directing with Liarmouth, an adaptation of his own novel of the same name. It will be his first film since 2004’s A Dirty Shame. The Edinburgh International Film Festival has been shut down after the charity that runs it, the Centre for the Moving Image (Cmi), announced it has called in administrators and made 102 out of the 107 current staff redundant. Mark Cousins wrote about the closure of the “feminist, unbridled, Nonconformist Scottish and passionately international” festival in the Guardian. The legendary actress Angela Lansbury died this week at age 96. "She moved so easily between film,...
- 10/11/2022
- MUBI
Following her feature documentary Film About a Father Who, director Lynne Sachs has set her sights on a market and playground in Elmhurst, Queens with her new short Swerve, inspired by former poet laureate of Queens, Paolo Javier, and his Original Brown Boy poems, and fittingly world-premiering at NYC’s BAMcinemaFest later this month. We’re pleased to exclusively premiere the first trailer.
Wearing the tell-tale masks of our daunting now, five New York City performers (Emmy Catedral, ray ferriera, Paolo Javier, Jeff Preiss, Inney Prakash, and Juliana Sass) search for a meal at the Hong Kong Food Court while speaking in verse. The film itself transforms into an ars poetica/ cinematica, a meditation on writing and making images in the liminal space between a global pandemic and what might come next.
The film was inspired by Sachs’ reading of Paolo Javier’s sonnets in his new 2021 book O.B.
Wearing the tell-tale masks of our daunting now, five New York City performers (Emmy Catedral, ray ferriera, Paolo Javier, Jeff Preiss, Inney Prakash, and Juliana Sass) search for a meal at the Hong Kong Food Court while speaking in verse. The film itself transforms into an ars poetica/ cinematica, a meditation on writing and making images in the liminal space between a global pandemic and what might come next.
The film was inspired by Sachs’ reading of Paolo Javier’s sonnets in his new 2021 book O.B.
- 6/2/2022
- by Jordan Raup
- The Film Stage
Dreams Under Confinement.This year marks the second installment of Prismatic Ground (May 4 – May 8), a new festival focusing on experimental documentary and avant-garde film and video. Last year’s inaugural edition was a completely virtual affair, but this year the festival returns in a hybrid version with in-person screenings and online viewing available for most of the films in its impressive 14 programs. Co-presented by the Maysles Documentary Center and Screen Slate, Prismatic Ground brings festival-goers a wide range of politically engaged, formally challenging new work by up-and-coming artists alongside established ones like Bill Morrison, Jodie Mack, and this year’s Ground Glass Award recipient, Christopher Harris. In the world of experimental film where visibility and opportunities to premiere new work can be hard to come by, the festival is poised to make a significant splash.Founded by Inney Prakash in 2021, last year’s edition consisted of four programs of films,...
- 5/6/2022
- MUBI
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repertory offerings. While many theaters are still focused on a selection of new releases, there’s a handful of worthwhile repertory screenings taking place.
Metrograph
“Lost Histories” offers the rarely screened On the Silver Globe and Southland Tales, among others, while films by Tarkovsky, Wenders, and more play in “The Russians Love Their Children Too,” ; a Lynne Sachs retro is underway.
Museum of the Moving Image
“See It Big: Extravaganzas!” offers films by Wes Anderson, Guy Maddin, and Francis Ford Coppola; a kung-fu retro is are underway.
Japan Society
A fantastic 4K restoration of Tange Sazen and the Pot Worth a Million Ryo, by one of Japanese cinema’s great figures, Sadao Yamanaka, plays on Saturday, while films by Naomi Kawase,...
Metrograph
“Lost Histories” offers the rarely screened On the Silver Globe and Southland Tales, among others, while films by Tarkovsky, Wenders, and more play in “The Russians Love Their Children Too,” ; a Lynne Sachs retro is underway.
Museum of the Moving Image
“See It Big: Extravaganzas!” offers films by Wes Anderson, Guy Maddin, and Francis Ford Coppola; a kung-fu retro is are underway.
Japan Society
A fantastic 4K restoration of Tange Sazen and the Pot Worth a Million Ryo, by one of Japanese cinema’s great figures, Sadao Yamanaka, plays on Saturday, while films by Naomi Kawase,...
- 12/9/2021
- by Nick Newman
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Censor (Prano Bailey-Bond)
It is hard to think of a recent horror film––or a film of any genre, really––in which the main character is tasked with a job as original and ingenious as Enid Baines, the protagonist of Prano Bailey-Bond’s riveting Censor. She is, yes, the titular censor. It is 1980s England, the time of “video nasties” that drew parental consternation and tabloid outrage. These were the low-budget, ultra-violent VHS cassettes that earned their own category in the collective consciousness. Not all were UK productions––I Spit On Your Grave and Abel Ferrara’s Driller Killer made the list. In Censor, however, the nasties are homegrown, in more ways than one. – Chris S. (full review)
Where to Stream: Hulu...
Censor (Prano Bailey-Bond)
It is hard to think of a recent horror film––or a film of any genre, really––in which the main character is tasked with a job as original and ingenious as Enid Baines, the protagonist of Prano Bailey-Bond’s riveting Censor. She is, yes, the titular censor. It is 1980s England, the time of “video nasties” that drew parental consternation and tabloid outrage. These were the low-budget, ultra-violent VHS cassettes that earned their own category in the collective consciousness. Not all were UK productions––I Spit On Your Grave and Abel Ferrara’s Driller Killer made the list. In Censor, however, the nasties are homegrown, in more ways than one. – Chris S. (full review)
Where to Stream: Hulu...
- 10/15/2021
- by Jordan Raup
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Memoria (2021)Distributor Neon has announced its release plans for Apichatpong Weerasethakul's Memoria: Playing only in theaters, Memoria will be “moving from city to city, theater to theater, week by week, playing in front of only one solitary audience at any given time.”Tilda Swinton and George Mackay will be starring in the next film by Joshua Oppenheimer (The Act of Killing and The Look of Silence). Titled The End, the film has been described as a "a Golden Age musical about the last human family." Co-programmed by James Hansen & Eric Souther, Light Matter Festival is a new "moving-image art festival dedicated to experimental film and media arts." Taking place in Alfred, New York, the festival will be screening films by Simon Liu, Mary Helena Clark, Lynne Sachs, and more. Sylvester Stallone's...
- 10/6/2021
- MUBI
October’s here and it’s time to get spooked. After last year’s superb “’70s Horror” lineup, the Criterion Channel commemorates October with a couple series: “Universal Horror,” which does what it says on the tin (with special notice to the Spanish-language Dracula), and “Home Invasion,” which runs the gamut from Romero to Oshima with Polanski and Haneke in the mix. Lest we disregard the programming of Cindy Sherman’s one feature, Office Killer, and Jennifer’s Body, whose lifespan has gone from gimmick to forgotten to Criterion Channel. And if you want to stretch ideas of genre just a hair, their “True Crime” selection gets at darker shades of human nature.
It’s not all chills and thrills, mind. October also boasts a Kirk Douglas repertoire, movies by Doris Wishman and Wayne Wang, plus Manoel de Oliveira’s rarely screened Porto of My Childhood. And Edgar Wright gets the “Adventures in Moviegoing” treatment,...
It’s not all chills and thrills, mind. October also boasts a Kirk Douglas repertoire, movies by Doris Wishman and Wayne Wang, plus Manoel de Oliveira’s rarely screened Porto of My Childhood. And Edgar Wright gets the “Adventures in Moviegoing” treatment,...
- 9/24/2021
- by Leonard Pearce
- The Film Stage
The U.S. lineup at Mubi next month has been unveiled, featuring films by Claude Chabrol, Paulo Rocha, Ulrich Köhler, and more. Notable new releases include Pedro Costa’s striking Locarno winner Vitalina Varela as well as the Julia Fox-led Pvt Chat (check out our extensive interview with director Ben Hozie here.).
As part of their series Thrills, Chills, and Exquisite Horrors, the Martin Scorsese favorite Wake in Fright joins Mubi, along with Fabrice Du Welz’s Alleluia, Nicolas Winding Refn’s underseen Fear X, and Ben Wheatley’s trippy A Field in England.
Check out the lineup below and get 30 days free here.
October 1 | Alléluia | Fabrice Du Welz | Thrills, Chills, and Exquisite Horrors
October 2 | Styx | Wolfgang Fischer
October 3 | The Green Years | Paulo Rocha | Double Bill: Paulo Rocha
October 4 | Change of Life | Paulo Rocha | Double Bill: Paulo Rocha
October 5 | Your Day Is My Night | Lynne Sachs
October 6 | Hey, You!
As part of their series Thrills, Chills, and Exquisite Horrors, the Martin Scorsese favorite Wake in Fright joins Mubi, along with Fabrice Du Welz’s Alleluia, Nicolas Winding Refn’s underseen Fear X, and Ben Wheatley’s trippy A Field in England.
Check out the lineup below and get 30 days free here.
October 1 | Alléluia | Fabrice Du Welz | Thrills, Chills, and Exquisite Horrors
October 2 | Styx | Wolfgang Fischer
October 3 | The Green Years | Paulo Rocha | Double Bill: Paulo Rocha
October 4 | Change of Life | Paulo Rocha | Double Bill: Paulo Rocha
October 5 | Your Day Is My Night | Lynne Sachs
October 6 | Hey, You!
- 9/21/2021
- by Jordan Raup
- The Film Stage
Exclusive: A collection of documentaries from acclaimed filmmaker Lynne Sachs is coming to the Criterion Channel in October.
The streaming platform will showcase seven Sachs films beginning October 1, ranging from the 1994 short Which Way Is East to her most recent work, including E•pis•to•lar•y: Letter to Jean Vigo, an exploration of the French director’s classic 1933 film Zero for Conduct (Zéro de Conduite).
On October 13, the Criterion Channel will exclusively stream her latest feature documentary, Film About a Father Who, which examines Sachs’ relationship with her unorthodox father, Ira Sachs Sr, whose children include Lynne and fellow filmmaker Ira Sachs Jr.
“Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings,” the director has written. “With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous,...
The streaming platform will showcase seven Sachs films beginning October 1, ranging from the 1994 short Which Way Is East to her most recent work, including E•pis•to•lar•y: Letter to Jean Vigo, an exploration of the French director’s classic 1933 film Zero for Conduct (Zéro de Conduite).
On October 13, the Criterion Channel will exclusively stream her latest feature documentary, Film About a Father Who, which examines Sachs’ relationship with her unorthodox father, Ira Sachs Sr, whose children include Lynne and fellow filmmaker Ira Sachs Jr.
“Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings,” the director has written. “With a nod to the Cubist renderings of a face, Sachs’ cinematic exploration of her father offers simultaneous,...
- 8/14/2021
- by Matthew Carey
- Deadline Film + TV
The Sheffield DocFest has unveiled its line-up for its 2021 programme that includes the World Premiere of the first instalment of Academy Award winner Steve McQueen’s new series for the BBC, ‘Uprising’.
For the first time, Sheffield DocFest goes nationwide with five premiere screenings showing in up to 16 partner cinemas in cities around the UK, and online, followed by pre-recorded Q&As. It also includes the previously announced Retrospective: Films belong to those who need them – fragments from the history of Black British Cinema.
The celebration of Black British screen culture – curated by guest curators including David Olusoga. Films of all lengths will all be presented as part of the retrospective including titles such as ‘Burning An Illusion’ by Menelik Shabazz, ‘It Ain’t Half Racist’, ‘Mum’ by Stuart Hall, ‘Looking for Langston’ by Isaac Julien, ‘Second Coming’ by Debbie Tucker Green, ‘The Black Safari’ by Colin Luke, ‘Baby Mother...
For the first time, Sheffield DocFest goes nationwide with five premiere screenings showing in up to 16 partner cinemas in cities around the UK, and online, followed by pre-recorded Q&As. It also includes the previously announced Retrospective: Films belong to those who need them – fragments from the history of Black British Cinema.
The celebration of Black British screen culture – curated by guest curators including David Olusoga. Films of all lengths will all be presented as part of the retrospective including titles such as ‘Burning An Illusion’ by Menelik Shabazz, ‘It Ain’t Half Racist’, ‘Mum’ by Stuart Hall, ‘Looking for Langston’ by Isaac Julien, ‘Second Coming’ by Debbie Tucker Green, ‘The Black Safari’ by Colin Luke, ‘Baby Mother...
- 5/17/2021
- by Zehra Phelan
- HeyUGuys.co.uk
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: The Cinerama Dome in Quentin Tarantino's Once Upon a Time in Hollywood (2019). Decurion has announced that it won't be reopening its Arclight Cinemas and Pacific Theatres locations. The theater chain's most famous location is its Hollywood Arclight multiplex on Sunset Boulevard, home to the Cinerama Dome. Arte France Cinéma will be co-producing three new features: Valeria Bruni Tedeschi's Les amandiers (starring Louis Garrel), Arnaud Desplechin's Brother and Sister (which stars Marion Cotillard and Melvil Poupaud), and Pietro Marcello's L'envol (the filmmaker's first feature in France). The Workers of the Cinemateca Brasileira have released a manifesto calling attention to the many risks facing the Cinemateca's unattended collection, equipment, and facilities due to its "current state of abandonment" by the Ministry of Tourism. Backed by TCM, documentarian Josh Grossberg and his...
- 4/14/2021
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: David Fincher and Gary Oldman on the set of Mank (2020). David Fincher's Mank leads this year's nominations for the Academy Awards. A complete list of all nominations can be found here.Legendary actor Yaphet Kotto, best known for his charismatic presence in films like Alien, Blue Collar, and Live and Let Die has died.Spike Lee will be leading the 2021 Cannes Film Festival Jury, promising to return after the cancellation of last year's festival: "Book my flight now, my wife and I are coming!" After a months-long hiatus, Film Comment has announced its return, marked by a new weekly letter and two new episodes of the Film Comment podcast. Recommended VIEWINGAbove: Mark Rappaport's The Stendhal Syndrome or My Dinner with Turhan Bey. Today's the last day to watch two new essay films...
- 3/17/2021
- MUBI
The series Ways of Seeing with Barbara Hammer starts on Mubi on March 8, 2021 in many countries.Best known for unabashedly erotic and trailblazing portrayals of lesbian sexuality, the pioneering queer experimental filmmaker Barbara Hammer passed away in 2019 of ovarian cancer, leaving behind an extraordinary, generous legacy of love. There’s the annual Barbara Hammer Lesbian Experimental Filmmaking Grant, the profuse and expansive filmic representations of queer love and life that have paved the way for lovers (and future filmmakers) everywhere, and the many, many collaborations and endowments that Hammer has granted other artists. These include the unfinished films that became a key component in Hammer’s residency at the Wexner Center for the Arts. Revisiting her personal archive, Hammer pulled out footage from incomplete or abandoned films; projects that for reasons relating to money, or time, or a muddy mix of both, fell by the wayside. As her health worsened,...
- 3/15/2021
- MUBI
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Acasă, My Home (Radu Ciorniciuc)
When encountering the societal and economic structures of everyday life, it’s not a rare dream for many to wonder what life may look like off the grid and out of the hands of a bureaucratic entity that doesn’t have your best interests in mind. For one family living in the vast water reservoir of the Bucharest Delta, they have made this their reality for the last eighteen years. The Enache family and their nine children call this abandoned area their home, sleeping in their homemade hut, fishing for food, and taking gentle care of this slice of nature directly outside the hectic Romanian capital.
Acasă, My Home (Radu Ciorniciuc)
When encountering the societal and economic structures of everyday life, it’s not a rare dream for many to wonder what life may look like off the grid and out of the hands of a bureaucratic entity that doesn’t have your best interests in mind. For one family living in the vast water reservoir of the Bucharest Delta, they have made this their reality for the last eighteen years. The Enache family and their nine children call this abandoned area their home, sleeping in their homemade hut, fishing for food, and taking gentle care of this slice of nature directly outside the hectic Romanian capital.
- 1/15/2021
- by Jordan Raup
- The Film Stage
Above: Still Life with Woman and Four Objects (1986)Someone introduced themselves to me at a film festival where one of Lynne Sachs’s films was screening. I introduced myself in return, and their eyes lit up. “Are you Lynne Sachs?” they asked, having apparently heard only my last name.No, I am not Lynne Sachs (obviously), nor am I related to her. But I enjoy relaying this anecdote, in part because it’s so flattering to have been momentarily mistaken for the experimental filmmaker, writer, and artist whose work I greatly admire. While I have no direct connection to Sachs, after recently watching so many of her films in such a brief period of time—on the occasion of the Museum of the Moving Image’s inspired retrospective, “Lynne Sachs: Between Thought and Expression,” organized by assistant curator Edo Choi and available to stream online here between January 13 – 31, 2021—I do...
- 1/14/2021
- MUBI
A documentary as fragmentary and frustrating as memory itself, Lynne Sachs’ “Film About a Father Who” is the second film in the last year in which a nonfiction filmmaker has constructed an elusive look at her own father. But where the twists in Kirsten Johnson’s “Dick Johnson Is Dead” are playfully morbid, Sachs’ film is darker and more disconcerting; Johnson may entertain us by staging her father’s death, but Sachs disturbs us by delving into her dad’s life.
The result is another challenging piece of work from a filmmaker who has never been particularly interested in conventional narrative. “This is not a portrait,” she says at one point in the film. “This is not a self portrait. This is my reckoning with the conundrum of our asymmetry.”
“Film About a Father Who,” which opens in virtual cinemas on Jan. 15 to coincide with a retrospective of Sachs’ work...
The result is another challenging piece of work from a filmmaker who has never been particularly interested in conventional narrative. “This is not a portrait,” she says at one point in the film. “This is not a self portrait. This is my reckoning with the conundrum of our asymmetry.”
“Film About a Father Who,” which opens in virtual cinemas on Jan. 15 to coincide with a retrospective of Sachs’ work...
- 1/14/2021
- by Steve Pond
- The Wrap
By Glenn Dunks
You can keep your MCU. You can have your… whatever DC’s is. For me, the only cinematic universe that matters right now is the Sachs and Johnson Cinematic Universe. What’s that you ask? Well, it’s the films of brother and sister pair Ira and Lynne Sachs as well as Kristen Johnson with whom the brother Sachs has children, all of whom seem to make movies about and/or featuring one another. I feel like I know these people in very intimate ways because of the way their works reflects each other’s. It’s a curious little enclave of filmmaking that only enriches each additional film that I see.
I lead off with this somewhat facetious observation because the latest film, Lynne Sachs’ Film About a Father Who is about her father, which only seeks to expand and enlighten the story of this fascinating bunch of New York filmmakers.
You can keep your MCU. You can have your… whatever DC’s is. For me, the only cinematic universe that matters right now is the Sachs and Johnson Cinematic Universe. What’s that you ask? Well, it’s the films of brother and sister pair Ira and Lynne Sachs as well as Kristen Johnson with whom the brother Sachs has children, all of whom seem to make movies about and/or featuring one another. I feel like I know these people in very intimate ways because of the way their works reflects each other’s. It’s a curious little enclave of filmmaking that only enriches each additional film that I see.
I lead off with this somewhat facetious observation because the latest film, Lynne Sachs’ Film About a Father Who is about her father, which only seeks to expand and enlighten the story of this fascinating bunch of New York filmmakers.
- 1/13/2021
- by Glenn Dunks
- FilmExperience
The open-ended nature of the title of Lynne Sachs intensely personal documentary reflects its content, which was shot by the filmmaker over 35 years. It's a film which, as you might expect for something with such a long gestation, is more about it's rumination on life - more specifically, the life of her father - than something that has been shot with a clear end point in sight.
Lynne's father Ira has represented an enigma to her for her entire life. A bon vivant businessman who, we quickly learn, was a definite player with the, mostly much younger, ladies, he owned a business in Park City, Utah, which explains the film's world premiere at last year's Slamdance. His life emerges in a sort of collage of footage - shot by the director and also by her fellow director brother Ira and their father - while, in between times, Lynne attempts to dig away.
Lynne's father Ira has represented an enigma to her for her entire life. A bon vivant businessman who, we quickly learn, was a definite player with the, mostly much younger, ladies, he owned a business in Park City, Utah, which explains the film's world premiere at last year's Slamdance. His life emerges in a sort of collage of footage - shot by the director and also by her fellow director brother Ira and their father - while, in between times, Lynne attempts to dig away.
- 1/12/2021
- by Amber Wilkinson
- eyeforfilm.co.uk
We’ve now entered a new year, and one that will hopefully go better than the prior one. As we look towards the cinematic offerings of 2021, we’ll soon be publishing our comprehensive previews of the best films we’ve already seen on the festival circuit as well as most-anticipated new films, but first today brings a look at January.
While some high-profile December theatrical releases will make their digital debuts, such as Promising Young Woman, News of the World, One Night in Miami…, Pieces of a Woman, and more, this month also brings notable festival favorites finally arriving. Check out our roundup below.
11. Identifying Features (Fernanda Valadez; Jan. 22)
The winner of the Audience Award and Best Screenplay in the World Cinema (Dramatic) section at Sundance Film Festival last year, we recently caught up with Identifying Features at New Directors/New Films last month. Mark Asch said in our review,...
While some high-profile December theatrical releases will make their digital debuts, such as Promising Young Woman, News of the World, One Night in Miami…, Pieces of a Woman, and more, this month also brings notable festival favorites finally arriving. Check out our roundup below.
11. Identifying Features (Fernanda Valadez; Jan. 22)
The winner of the Audience Award and Best Screenplay in the World Cinema (Dramatic) section at Sundance Film Festival last year, we recently caught up with Identifying Features at New Directors/New Films last month. Mark Asch said in our review,...
- 1/4/2021
- by Jordan Raup
- The Film Stage
From The Father to Dick Johnson Is Dead to Falling to Minari, 2020 has been an exemplary year for films exploring all facets of fatherhood. Premiering at Slamdance Film Festival earlier this year and now arriving in Virtual Cinemas next month, another poignant entry in this category is Lynne Sachs’ documentary Film About a Father Who. Featuring materials shot over a period of 35 years between 1984 and 2019 by Sachs herself, the film explores her father Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah, which leads to many unexpected discoveries. Set for a nationwide Virtual Cinema release beginning on January 15, Museum of Moving Image will also hold a a director retrospective that features five programs in their Virtual Cinema, from January 13-31.
Jared Mobarak said in his Slamdance Film Festival review earlier this year, “While director Lynne Sachs admits her latest documentary Film About a Father Who could...
Jared Mobarak said in his Slamdance Film Festival review earlier this year, “While director Lynne Sachs admits her latest documentary Film About a Father Who could...
- 12/23/2020
- by Jordan Raup
- The Film Stage
Exclusive: Cinema Guild has acquired all U.S. distribution rights to the Lynne Sachs-directed documentary Film About a Father Who, which made its world premiere in January as the opening night film at the Slamdance Film Festival. The film is set to open at New York’s Museum of the Moving Image on January 15, 2021, alongside a retrospective of Sachs’ work. It will also be available in virtual cinemas across the country.
Over a period of 35 years between 1984 and 2019, filmmaker Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings.
“We’ve long been fans of Lynne Sachs’ films and are very excited to work with her on Film About a Father Who,...
Over a period of 35 years between 1984 and 2019, filmmaker Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings.
“We’ve long been fans of Lynne Sachs’ films and are very excited to work with her on Film About a Father Who,...
- 12/3/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe great maestro Ennio Morricone died on Monday at the age of 91. Morricone was best known for his acclaimed compositions in films like The Good, the Bad and the Ugly, The Untouchables, The Battle of Algiers, and so many more. His self-written obituary begins: “I, Ennio Morricone, am dead.”The 2020 invitees of the Academy of Motion Picture Arts and Sciences include a wide range of international artists, from Garrett Bradley and Terence Davies to Elle-Máijá Tailfeathers and Zhao Tao.Recommended Viewing This year, Japan Cuts, the annual festival organized by the Japan Society of New York City, is commemorating the life and work of the late Nobuhiko Obayashi. An exclusive video tribute to Obayashi by Shinya Tsukamoto, who describes seeing Obayashi's films for the first time as a student, can be found for free at the festival's online platform.
- 7/8/2020
- MUBI
Sheffield Doc/Fest, the U.K.’s leading documentary festival, has unveiled its 2020 selection, with a line-up of 115 films, including 31 world premieres.
Due to coronavirus, this year’s festival is largely taking place online. The June event is also extending its activities throughout the rest of the year both in Sheffield and virtually.
The festival is launching a VOD platform, Sheffield Doc/Fest Selects, on June 10 with pay-per-view and subscription options for U.K.-based public audiences including Q&As with filmmakers.
The Doc/Player, a film industry-oriented video library, is also being made available to festival passholders globally from today to August 31.
The festival is also organising weekend screenings in Sheffield cinemas in October – November.
In addition, Doc/Fest has partnered with BFI Player, Doc Alliance Films, The Guardian, and Mubi which will host its curated programmes at various points between July and November.
As announced previously, Sheffield Doc...
Due to coronavirus, this year’s festival is largely taking place online. The June event is also extending its activities throughout the rest of the year both in Sheffield and virtually.
The festival is launching a VOD platform, Sheffield Doc/Fest Selects, on June 10 with pay-per-view and subscription options for U.K.-based public audiences including Q&As with filmmakers.
The Doc/Player, a film industry-oriented video library, is also being made available to festival passholders globally from today to August 31.
The festival is also organising weekend screenings in Sheffield cinemas in October – November.
In addition, Doc/Fest has partnered with BFI Player, Doc Alliance Films, The Guardian, and Mubi which will host its curated programmes at various points between July and November.
As announced previously, Sheffield Doc...
- 6/8/2020
- by Tim Dams
- Variety Film + TV
While director Lynne Sachs admits her latest documentary Film About a Father Who could be superficially construed as a portrait (the title alludes to and the content revolves around her father Ira), she labels it a reckoning instead. With thirty-five years of footage shot across varied formats and devices to cull through and piece together, the result becomes less about providing a clear picture of who this man is and more about understanding the cost of his actions. Whether it began that way or not, however, it surely didn’t take long to realize how deep a drop the rabbit hole of his life would prove. Sachs jumped in to discover truths surrounding her childhood only to fall through numerous false bottoms that revealed truths she couldn’t even imagine.
What shouldn’t be lost amidst Ira’s growing list of transgressions is the fact Lynne loves him regardless. Each...
What shouldn’t be lost amidst Ira’s growing list of transgressions is the fact Lynne loves him regardless. Each...
- 1/25/2020
- by Jared Mobarak
- The Film Stage
Lynne Sachs’s Film About a Father Who opens Slamdance tonight, and we’re pleased to share an apposite exclusive clip from it—archival footage of Ira Sachs Sr. talking about the development of the Yarrow Hotel (now the DoubleTree), one of his first ventures in Park City, and a mainstay gathering site for Sun-/Slam-dance attendees. Take a look, and click here to read Daniel Eagan’s interview with Lynne Sachs.
- 1/24/2020
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Lynne Sachs’s Film About a Father Who opens Slamdance tonight, and we’re pleased to share an apposite exclusive clip from it—archival footage of Ira Sachs Sr. talking about the development of the Yarrow Hotel (now the DoubleTree), one of his first ventures in Park City, and a mainstay gathering site for Sun-/Slam-dance attendees. Take a look, and click here to read Daniel Eagan’s interview with Lynne Sachs.
- 1/24/2020
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Lynne Sachs has been making films since Drawn and Quartered in 1986. Her latest, the documentary Film About a Father Who, screens January 24, the opening night of Slamdance. Her father, Ira Sachs, Sr., helped turn Park City, Utah, into a destination resort. In documenting his life, Sachs uncovers a web of secrets. Film About a Father Who will also screen at Doc Fortnight 2020, MoMA’s Festival of International Nonfiction Film and Media on February 11 and 14. Sachs’ 2019 tribute A Month of Single Frames (for Barbara Hammer) will screen in the series on February 8. Filmmaker spoke with […]...
- 1/24/2020
- by Daniel Eagan
- Filmmaker Magazine - Blog
Lynne Sachs has been making films since Drawn and Quartered in 1986. Her latest, the documentary Film About a Father Who, screens January 24, the opening night of Slamdance. Her father, Ira Sachs, Sr., helped turn Park City, Utah, into a destination resort. In documenting his life, Sachs uncovers a web of secrets. Film About a Father Who will also screen at Doc Fortnight 2020, MoMA’s Festival of International Nonfiction Film and Media on February 11 and 14. Sachs’ 2019 tribute A Month of Single Frames (for Barbara Hammer) will screen in the series on February 8. Filmmaker spoke with […]...
- 1/24/2020
- by Daniel Eagan
- Filmmaker Magazine-Director Interviews
The Museum of Modern Art has unveiled its full festival lineup of 28 features and shorts for Doc Fortnight 2020, its annual showcase of the best of nonfiction film, on Monday. The list includes the latest works from the likes of Michael Almereyda, Terrence Nance, Denis Côté, Sky Hopinka, Lucretia Martel, Akosua Adoma Owusu, Ben Rivers, Lynn Sachs, Kazuhiro Soda, Roger Ross Williams, Maya Khoury and the Abounaddara Collective.
Now in its 19th year, Doc Fortnight will run from February 5 to 19, 2020, and will include 12 world premieres, 17 North American premieres, and 14 Us premieres from 38 countries. Doc Fortnight 2020 opens with the New York premiere of “Crip Camp,” a portrait of Camp Jened—a camp for disabled teenagers near Woodstock, New York, that thrived in the late 1960s and ’70s—which established a close-knit community of campers who would become pioneering disability advocates. The film is co-directed and produced by Nicole Newnham and James Lebrecht,...
Now in its 19th year, Doc Fortnight will run from February 5 to 19, 2020, and will include 12 world premieres, 17 North American premieres, and 14 Us premieres from 38 countries. Doc Fortnight 2020 opens with the New York premiere of “Crip Camp,” a portrait of Camp Jened—a camp for disabled teenagers near Woodstock, New York, that thrived in the late 1960s and ’70s—which established a close-knit community of campers who would become pioneering disability advocates. The film is co-directed and produced by Nicole Newnham and James Lebrecht,...
- 1/6/2020
- by Variety Staff
- Variety Film + TV
In today’s film news roundup, the Santa Barbara Film Festival announces its final slate of virtuosos award winners, Slamdance reveals its opening night films and Elton John’s Oscar viewing party names “Queer Eye” stars as hosts of its annual festivities.
Honors
Cynthia Erivo (“Harriet”), Beanie Feldstein (“Booksmart”), Aldis Hodge (“Clemency”) and George MacKay (“1917”) will receive virtuosos awards from the Santa Barbara International Film Festival. They join previously announced honorees Awkwafina (“The Farewell”), Taron Egerton (“Rocketman”), Florence Pugh (“Midsommar”) and Taylor Russell (“Waves”). They will be recognized during the fest on Jan. 18 during a tribute moderated by Turner Classic Movies host and IMDb special correspondent host Dave Karger.
“Our final four virtuosos range from comedies to dramas, from the U.S. to the U.K., and from lead to supporting roles. But what they all have in common is that they shined in their respective films this year. They...
Honors
Cynthia Erivo (“Harriet”), Beanie Feldstein (“Booksmart”), Aldis Hodge (“Clemency”) and George MacKay (“1917”) will receive virtuosos awards from the Santa Barbara International Film Festival. They join previously announced honorees Awkwafina (“The Farewell”), Taron Egerton (“Rocketman”), Florence Pugh (“Midsommar”) and Taylor Russell (“Waves”). They will be recognized during the fest on Jan. 18 during a tribute moderated by Turner Classic Movies host and IMDb special correspondent host Dave Karger.
“Our final four virtuosos range from comedies to dramas, from the U.S. to the U.K., and from lead to supporting roles. But what they all have in common is that they shined in their respective films this year. They...
- 12/18/2019
- by Marc Malkin
- Variety Film + TV
Lynne Sachs’ documentary Film About a Father Who has been tapped as the opening-night film of the Slamdance Film Festival, whose 26th edition is set for January 24-30 in Park City.
Sachs shot footage of her father, a pioneering Park City businessman, over a 35-year period from 1984-2019, seeking to attempt to understand the web that connects a child to her parent, and a sister to her siblings. The cinematic exploration of her father offers simultaneous, sometimes contradictory views of one seemingly unknowable man who is publicly the uninhibited center of the frame, yet privately ensconced in secrets. As facts mount, she discovers more about her father than she had hoped to reveal.
“It takes undeniable courage to discover and reveal shocking truths about one’s family,” said Slamdance festival manager Alina Solodnikova on Wednesday. “Lynne Sachs has done it with unique style, a dry sense of humor and honesty that captivates our programmers.
Sachs shot footage of her father, a pioneering Park City businessman, over a 35-year period from 1984-2019, seeking to attempt to understand the web that connects a child to her parent, and a sister to her siblings. The cinematic exploration of her father offers simultaneous, sometimes contradictory views of one seemingly unknowable man who is publicly the uninhibited center of the frame, yet privately ensconced in secrets. As facts mount, she discovers more about her father than she had hoped to reveal.
“It takes undeniable courage to discover and reveal shocking truths about one’s family,” said Slamdance festival manager Alina Solodnikova on Wednesday. “Lynne Sachs has done it with unique style, a dry sense of humor and honesty that captivates our programmers.
- 12/18/2019
- by Patrick Hipes
- Deadline Film + TV
Animation Outlaws, Lillian join Special Screenings roster.
Lynne Sachs’ Film About A Father Who will open Slamdance 2020, set to run in Park City, Utah, from January 24-30, 2020.
Sachs shot her film about Ira Sachs Sr., a bon vivant and pioneering businessman from Utah, over 35 years from 1984 to 2019 using 8 and 16mm film, videotape and digital.
“It takes undeniable courage to discover and reveal shocking truths about one’s family,” said Slamdance festival manager Alina Solodnikova. “Lynne Sachs has done it with unique style, a dry sense of humour and honesty that captivates our programmers. A generation in the making, Film About...
Lynne Sachs’ Film About A Father Who will open Slamdance 2020, set to run in Park City, Utah, from January 24-30, 2020.
Sachs shot her film about Ira Sachs Sr., a bon vivant and pioneering businessman from Utah, over 35 years from 1984 to 2019 using 8 and 16mm film, videotape and digital.
“It takes undeniable courage to discover and reveal shocking truths about one’s family,” said Slamdance festival manager Alina Solodnikova. “Lynne Sachs has done it with unique style, a dry sense of humour and honesty that captivates our programmers. A generation in the making, Film About...
- 12/18/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
NEWSCarolee Schneemann by Lynne SachsThe great Carolee Schneemann has died, gifting us with an inimitable legacy as a trailblazing avant-garde feminist filmmaker, painter, cat lover, performance artist, and much more. Lynne Sachs's 2017 documentary, Carolee, Barbara and Gunvor, previously screened on Mubi in partnership with the International Short Film Festival Oberhausen. Read Sachs's introduction of the short film, and recollection of a life's friendship with Schneemann, here.The master film editor Thelma Schoonmaker has announced plans to publish the diaries of her late husband, filmmaker Michael Powell (The Red Shoes). "I want people to be able to read about all the great movies we lost," she states. "The ones he had hoped to make.” Recommended VIEWINGOlivier Assayas's satirical comedy on book publishing, the changing media landscape, and, of course, romantic coupling get a U.S. trailer.In the event of its new restoration, the controversial British dancehall cult-classic Babylon has a shining new trailer.
- 3/14/2019
- MUBI
In collaboration with the International Short Film Festival Oberhausen, Lynne Sachs' Carolee, Barbara, Gunvor (2017) is showing exclusively on Mubi from July 3 - August 2, 2018 as part of the series Competing at Oberhausen.There are so many different reasons that I start to make a film. With Carolee, Barbara and Gunvor, I never really started to make “a film,” but rather the film began to make itself, in a very different and somehow extraordinary kind of way. Beginning around 2015, I decided that I wanted, dare I say needed, to spend more time with a few dear friends who had had a profound impact on me as a filmmaker. I had never thought of Carolee Schneemann, Barbara Hammer and Gunvor Nelson as mentors per se, but they had each taught me, over the course of three decades, something about the nature of living as an artist in a deep and meaningful way,...
- 7/12/2018
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSClaude Lanzmann, Simone de Beauvoir, Jean-Paul Satre, 1967. Photo via Rithy Panh.Shoah director and singular cinematic chronicler of the Holocaust, Claude Lanzmann has sadly left us. Daniel Lewis provides a comprehensive remembrance for The New York Times. Last year, we wrote on his last five films films, Napalm and The Four Sisters, a quartet of documentaries.Recommended VIEWINGEven through his perhaps more artistically compromised mainland blockbusters, we remain dedicated fans of Tsui Hark's daring, punk cinematic vision. We especially highly regard his Detective Dee films, and thus are very excited for the forthcoming Detective Dee: The Four Heavenly Kings, which has received this ecstatic new trailer.An oddly modern trailer showcasing the new gorgeous restoration of Jacques Rivette's first masterpiece (starring Anna Karina!), The Nun (1966). In a qualitative sense, Yorgos Lanthimos' films...
- 7/11/2018
- MUBI
On the eve of its 20th anniversary, the Indie Memphis Film Festival, presented by Duncan-Williams, has announced its 2017 selection, which spans world premieres, a recut indie gem and a special salute to Abel Ferrara. Oliver Butler and Will Eno’s adaptation of Eno’s Pulitzer Prize finalist, Thom Pain, kicks off Opening Night. Starring Rainn Wilson, it’s a film version of Eno’s monologue filmed at the Los Angeles’s Geffen Playhouse. Lynne Sachs’s Tip of My Tongue, which collects the reflections of a group of the filmmaker’s contemporaries on the occasion of her 50th birthday, is the closing night film. As for […]...
- 9/27/2017
- by Scott Macaulay
- Filmmaker Magazine - Blog
The second annual Chicago Underground Film Festival was held in 1995, at multiple locations in the city, from Thursday, July 20 to Sunday, July 23.
The festival opened on July 20th at the International Cinema Museum with the film What About Me?, directed by Rachel Amodeo. Other highlights included a retrospective of the work of Kenneth Anger, who attended the fest and screened Fireworks (1947), Scorpio Rising (1963) and Kkk (Kustom Kar Kommandos) (1965) at the Congress Hotel, 520 S. Michigan, on Friday, July 21. Winnipeg filmmaker Guy Maddin also attended and screened films on July 23; while the Reverend Ivan Stang of the Church of Subgenius screened films on July 22.
Also, Charles Pinion screened the world premiere of his feature film Red Spirit Lake, which was preceded by the short film The Operation, directed by Jacob Pander and Marne Lucas. Other short films that screened were Desktop and a preview of Monday 9:02 am, both directed by Tyler Hubby.
The festival opened on July 20th at the International Cinema Museum with the film What About Me?, directed by Rachel Amodeo. Other highlights included a retrospective of the work of Kenneth Anger, who attended the fest and screened Fireworks (1947), Scorpio Rising (1963) and Kkk (Kustom Kar Kommandos) (1965) at the Congress Hotel, 520 S. Michigan, on Friday, July 21. Winnipeg filmmaker Guy Maddin also attended and screened films on July 23; while the Reverend Ivan Stang of the Church of Subgenius screened films on July 22.
Also, Charles Pinion screened the world premiere of his feature film Red Spirit Lake, which was preceded by the short film The Operation, directed by Jacob Pander and Marne Lucas. Other short films that screened were Desktop and a preview of Monday 9:02 am, both directed by Tyler Hubby.
- 7/23/2017
- by Mike Everleth
- Underground Film Journal
The Museum of Modern Art (MoMA) kicks off its 16th annual Doc Fortnight on Thursday, a 10-day festival that includes 20 feature-length non-fiction films and 10 documentary shorts. This year’s lineup includes four world premieres and a number of North American and U.S. premieres.
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy,...
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy,...
- 2/15/2017
- by Chris O'Falt and Graham Winfrey
- Indiewire
"What's most remarkable about Chocolat (1988), Claire Denis's first feature, is the degree to which her superb command of the sensuous is already apparent," writes Melissa Anderson in the Voice. More goings on rounded up today: Retrospectives of work by Curtis Harrington, Maurice Pialat, Lynne Sachs, Stephen Quay and Timothy Quay, an exhibition built around Matthew Barney's epic River of Fundament, "Scintillating 16mm" in San Francisco and capsule reviews of Josef von Sternberg's Underworld, Alexander Mackendrick's The Sweet Smell of Success, Vittorio De Sica's Umberto D. and Mary Lambert's Pet Sematary. » - David Hudson...
- 9/17/2015
- Keyframe
"What's most remarkable about Chocolat (1988), Claire Denis's first feature, is the degree to which her superb command of the sensuous is already apparent," writes Melissa Anderson in the Voice. More goings on rounded up today: Retrospectives of work by Curtis Harrington, Maurice Pialat, Lynne Sachs, Stephen Quay and Timothy Quay, an exhibition built around Matthew Barney's epic River of Fundament, "Scintillating 16mm" in San Francisco and capsule reviews of Josef von Sternberg's Underworld, Alexander Mackendrick's The Sweet Smell of Success, Vittorio De Sica's Umberto D. and Mary Lambert's Pet Sematary. » - David Hudson...
- 9/17/2015
- Fandor: Keyframe
Fandor is partnering with Kickstarter to launch production of four new short films: Daniel Stuyck's The Eternal, Lynne Sachs and Lizzie Olesker's Every Fold Matters, Ani Simon Kennedy's Hench and Josh Gibson's Pig/Pork. What's more, with Alex Cox joining our Fix Filmmakers Initiative, we'll be premiering a short from his new film, Tombstone Rashomon, currently raising funds with an Indiegogo campaign. "After the immensely successful launch of FIXshorts in March, it was essential to roll-out another quartet of projects as those films near completion," says our co-founder and Chief Content Officer, Jonathan Marlow. » - David Hudson...
- 9/15/2015
- Keyframe
Fandor is partnering with Kickstarter to launch production of four new short films: Daniel Stuyck's The Eternal, Lynne Sachs and Lizzie Olesker's Every Fold Matters, Ani Simon Kennedy's Hench and Josh Gibson's Pig/Pork. What's more, with Alex Cox joining our Fix Filmmakers Initiative, we'll be premiering a short from his new film, Tombstone Rashomon, currently raising funds with an Indiegogo campaign. "After the immensely successful launch of FIXshorts in March, it was essential to roll-out another quartet of projects as those films near completion," says our co-founder and Chief Content Officer, Jonathan Marlow. » - David Hudson...
- 9/15/2015
- Fandor: Keyframe
“Anything that happens in front of the camera is some kind of performance,” said experimental filmmaker Lynne Sachs at the top of Tuesday’s “The Line Blurs: Shifting Narratives in Filmmaking” panel. Sachs, along with Caveh Zahedi, Josephine Decker, Keith Miller and moderator Nathan Silver, spent an hour debating the division between narrative and documentary forms at Dctv. The evening was chockfull of quotable quotes as the participants reflected on their own work with equal doses of humor and candor. Zahedi, for starters, admitted that he initially considered documentaries to be “the autistic younger brother of cinema,” and only labels his […]...
- 12/12/2013
- by Sarah Salovaara
- Filmmaker Magazine - Blog
“Anything that happens in front of the camera is some kind of performance,” said experimental filmmaker Lynne Sachs at the top of Tuesday’s “The Line Blurs: Shifting Narratives in Filmmaking” panel. Sachs, along with Caveh Zahedi, Josephine Decker, Keith Miller and moderator Nathan Silver, spent an hour debating the division between narrative and documentary forms at Dctv. The evening was chockfull of quotable quotes as the participants reflected on their own work with equal doses of humor and candor. Zahedi, for starters, admitted that he initially considered documentaries to be “the autistic younger brother of cinema,” and only labels his […]...
- 12/12/2013
- by Sarah Salovaara
- Filmmaker Magazine-Director Interviews
Tomorrow evening at 7:30 pm, Dctv will be hosting “The Line Blurs: Shifting Narratives in Filmmaking,” a panel on the increasingly ambiguous division between fiction and nonfiction in filmmaking. It is a timely discussion, one that will probe questions as to whether or not a delineation between the two forms has ever existed, and why viewers and critics alike are bent on categorization. The panel will feature filmmakers Josephine Decker, Keith Miller, Lynne Sachs and Caveh Zahedi, with Nathan Silver in the moderator’s chair. Silver, director of Soft In The Head and Exit Elena, shoots without a script, mining the people […]...
- 12/9/2013
- by Sarah Salovaara
- Filmmaker Magazine - Blog
Tomorrow evening at 7:30 pm, Dctv will be hosting “The Line Blurs: Shifting Narratives in Filmmaking,” a panel on the increasingly ambiguous division between fiction and nonfiction in filmmaking. It is a timely discussion, one that will probe questions as to whether or not a delineation between the two forms has ever existed, and why viewers and critics alike are bent on categorization. The panel will feature filmmakers Josephine Decker, Keith Miller, Lynne Sachs and Caveh Zahedi, with Nathan Silver in the moderator’s chair. Silver, director of Soft In The Head and Exit Elena, shoots without a script, mining the people […]...
- 12/9/2013
- by Sarah Salovaara
- Filmmaker Magazine-Director Interviews
The ground rules were set early on in the Ifp Film Week panel "Neorealist Features & Hybrid Documentaries." There was to be no talk about "business." We were here to talk about art -- the art of cinema and how to transcend categorization. Moderated by David Wilson, co-conspirator, True/False Film Fest, the discussion involved ways in which filmmakers can defy categorization with films that are not quite documentary and not quite traditional narrative features. "I've submitted my film to various festivals and I've won awards in the documentary category, the narrative category and the experimental category," said Lynne Sachs, director, "Your Day is My Night." The audience laughed at the notion of a film that is able to straddle all of those categories, but the filmmakers on the panel nodded because they understood the situation all too well. As Tim Sutton, director of "Pavilion" put it, "I'm not a documentary filmmaker.
- 9/20/2013
- by Paula Bernstein
- Indiewire
The 26th annual Images Festival will be taking over Toronto on April 11-20 with an epic series of experimental film screenings, media installations, expanded cinema performances, workshops, artist talks and tons more. With so much going on, the Underground Film Journal is just listing all the screening events below. For everything Images has to offer, please visit their official website.
Before the screenings list, here are some of the highlights:
Opening Night: Accompanying the documentary imagery of prolific filmmaker Robert Todd will be live music performed by electronic music deconstructionist Tim Hecker. Plus, there will be a new audiovisual work by SlowPitch called Emoralis, which pairs images of snails with crackly and droning rhythms.
Closing Night: Corredor will be a live performance piece combining South American imagery by artist Alexandra Gelis, accompanied by live music by drummer Hamid Drake and saxophonist David Mott.
Live Performances: Jodie Mack will provide live...
Before the screenings list, here are some of the highlights:
Opening Night: Accompanying the documentary imagery of prolific filmmaker Robert Todd will be live music performed by electronic music deconstructionist Tim Hecker. Plus, there will be a new audiovisual work by SlowPitch called Emoralis, which pairs images of snails with crackly and droning rhythms.
Closing Night: Corredor will be a live performance piece combining South American imagery by artist Alexandra Gelis, accompanied by live music by drummer Hamid Drake and saxophonist David Mott.
Live Performances: Jodie Mack will provide live...
- 4/11/2013
- by Mike Everleth
- Underground Film Journal
The Ann Arbor Film Festival, having survived their half-a-century blowout in 2012, is back with another rip-roarin’ 51st edition in 2013, which will run from March 19-24, screening a mind-boggling amount of experimental short films and a few features.
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
- 3/19/2013
- by Mike Everleth
- Underground Film Journal
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