Some movies just don’t get the respect they deserve, which cues pushy reviewers to sing their praises. Forget everything you’ve read and give this Roman Polanski picture a chance — it’s the classiest Halloween treat ever, a lavish blend of Hammer horror, slapstick comedy and wistful romance — plus a vampire horde more balefully scary than a carload of zombies. It’s the beloved Sharon Tate’s best picture, and its vampire king is an original apart from Bela Lugosi and Chris Lee’s Draculas — an aristocratic one-percenter on a satanic mission to put all of humanity in a graveyard of the undead. Warners’ Panavision-Metrocolor restoration is drop-dead beautiful. And they’ve even revived Frank Frazetta’s original ‘jolly chase’ poster art.
The Fearless Vampire Killers or: Pardon Me, But Your Teeth Are in My Neck
Blu-ray
Warner Archive Collection
1967 / Color / 2:35 widescreen / 107 91 min. / Dance of the Vampires, Your...
The Fearless Vampire Killers or: Pardon Me, But Your Teeth Are in My Neck
Blu-ray
Warner Archive Collection
1967 / Color / 2:35 widescreen / 107 91 min. / Dance of the Vampires, Your...
- 10/8/2019
- by Glenn Erickson
- Trailers from Hell
This four part, eight hour miniseries turns the fate of a family of German Jews into a sprawling drama that covers all the bases of the holocaust horror. It was strong stuff and a big Emmy winner, boosting the careers of James Woods and Michael Moriarty. His warped charisma as a psychotic Nazi is so good that he’s consistently more interesting than the courageous victims. As for Meryl Streep, she became an instant star — everybody remembered her from this. Although it’s been called ‘The Holocaust for Dummies,’ it’s a quality show. Looking from today’s perspective, after forty years of Political Correctness adjustments, I’m not sure any two viewers will react in quite the same way.
Holocaust
Blu-ray
CBS Television Studio / Paramount
1978 / Color / 1:78 widescreen / 7 hours, 36 min. / Street Date September 24, 2019 / 43.19
Starring: James Woods, Meryl Streep, Michael Moriarty, Joseph Bottoms, Rosemary Harris, Fritz Weaver, Tovah Feldshuh, Deborah Norton,...
Holocaust
Blu-ray
CBS Television Studio / Paramount
1978 / Color / 1:78 widescreen / 7 hours, 36 min. / Street Date September 24, 2019 / 43.19
Starring: James Woods, Meryl Streep, Michael Moriarty, Joseph Bottoms, Rosemary Harris, Fritz Weaver, Tovah Feldshuh, Deborah Norton,...
- 10/5/2019
- by Glenn Erickson
- Trailers from Hell
The chase is on: a mix of icy ruthlessness and warm romanticism enliven Ken Follett's novel of pre-invasion esponage intrigue. Kate Nelligan heats up the screen with Donald Sutherland, the 'seventies most unlikely sex star. Plus a lush and wondrous music score by Miklos Rozsa. Eye of the Needle Blu-ray Twilight Time 1981 / Color / 1:85 widescreen / 112 min. / Street Date September 13, 2016 / Available from the Twilight Time Movies Store29.95 Starring Donald Sutherland, Kate Nelligan, Christopher Cazenove, Ian Bannen, Philip Martin Brown, Bill Nighy, Stephen MacKenna, Sam Kydd. Cinematography Alan Hume Original Music Miklos Rozsa Written by Stanley Mann based on the novel by Ken Follett Produced by Stephen Friedman Directed by Richard Marquand
Reviewed by Glenn Erickson
We're all familiar with this kind of thriller -- over shots of fresh-faced troops moving off to war, a portentous scrolling text tells us about the desperate situation of London -- and the Free World -- as Hitler's Luftwaffe threatens.
Reviewed by Glenn Erickson
We're all familiar with this kind of thriller -- over shots of fresh-faced troops moving off to war, a portentous scrolling text tells us about the desperate situation of London -- and the Free World -- as Hitler's Luftwaffe threatens.
- 10/25/2016
- by Glenn Erickson
- Trailers from Hell
Macbeth
Written by Roman Polanski and Kenneth Tynan
Directed by Roman Polanski
UK, 1971
Following the success of Rosemary’s Baby in 1968, and prior to what is arguably still his greatest film, Chinatown (1974), Roman Polanski made three curious filmmaking choices. One was the international coproduction and rarely discussed What? (1972), one was the racing documentary Weekend of a Champion (1972), and the third, which actually came before these two, was Macbeth (1971). It is obviously not that a Shakespearean adaptation in itself is unusual, but rather that it so seemingly diverted from the films that were garnering the young Polanski his worldwide acclaim: taut thrillers like The Knife in the Water (1962), Repulsion (1965), Cul-De-Sac (1966), and Rosemary’s Baby. Yet in Macbeth, there are a number of characteristic Polanski touches — in story and style — harkening back to these previous works and in many ways pointing toward those to come.
Don’t be fooled by the Playboy...
Written by Roman Polanski and Kenneth Tynan
Directed by Roman Polanski
UK, 1971
Following the success of Rosemary’s Baby in 1968, and prior to what is arguably still his greatest film, Chinatown (1974), Roman Polanski made three curious filmmaking choices. One was the international coproduction and rarely discussed What? (1972), one was the racing documentary Weekend of a Champion (1972), and the third, which actually came before these two, was Macbeth (1971). It is obviously not that a Shakespearean adaptation in itself is unusual, but rather that it so seemingly diverted from the films that were garnering the young Polanski his worldwide acclaim: taut thrillers like The Knife in the Water (1962), Repulsion (1965), Cul-De-Sac (1966), and Rosemary’s Baby. Yet in Macbeth, there are a number of characteristic Polanski touches — in story and style — harkening back to these previous works and in many ways pointing toward those to come.
Don’t be fooled by the Playboy...
- 9/30/2014
- by Jeremy Carr
- SoundOnSight
Normal 0 false false false En-us X-none X-none
A Ghost Story For Adults
By Raymond Benson
Under appreciated upon its original release in 1961, The Innocents is today considered one of the great film ghost stories. After all, it’s based on Henry James’ creepy The Turn of the Screw, a truly scary masterwork published in 1898. In the capable hands of Jack Clayton (fresh off his success with Room at the Top, which had been nominated for Best Picture and Best Director in 1959), the picture delivers a classic Gothic punch that is strange, beautiful, and, ultimately, powerfully disturbing. Faithful to the source material, the story is set in the Victorian era. The gorgeous and inimitable Deborah Kerr stars as a naive and, as it turns out, sexually repressed governess who is hired by an eccentric and secretive man (“The Uncle,” played by Michael Redgrave). She is to be a governess to his...
A Ghost Story For Adults
By Raymond Benson
Under appreciated upon its original release in 1961, The Innocents is today considered one of the great film ghost stories. After all, it’s based on Henry James’ creepy The Turn of the Screw, a truly scary masterwork published in 1898. In the capable hands of Jack Clayton (fresh off his success with Room at the Top, which had been nominated for Best Picture and Best Director in 1959), the picture delivers a classic Gothic punch that is strange, beautiful, and, ultimately, powerfully disturbing. Faithful to the source material, the story is set in the Victorian era. The gorgeous and inimitable Deborah Kerr stars as a naive and, as it turns out, sexually repressed governess who is hired by an eccentric and secretive man (“The Uncle,” played by Michael Redgrave). She is to be a governess to his...
- 9/22/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Christmas has a hell of a PR agent. A good PR maximises the audience for their client, always looking for lateral markets beyond the core appeal of the product. So if Christmas is fundamentally about giving, goodwill and forgiveness, there's no harm - from a PR's point of view - if it can also be made to be about sex, death and loneliness too. We seem to have had our traditional - and always sad - fusillade of pre-Christmas celebrity deaths this year, and if we're lucky, the period between now and new year will bring no new and nasty surprises in that line.
In the meantime our TV screens have filled up customarily with ads for perfume and booze which remind us that Christmas is also a Pagan-style locus for celebrations of the carnal and sensory. And with campaigns targeted at those who have no invite to the celebrations...
In the meantime our TV screens have filled up customarily with ads for perfume and booze which remind us that Christmas is also a Pagan-style locus for celebrations of the carnal and sensory. And with campaigns targeted at those who have no invite to the celebrations...
- 12/23/2010
- Shadowlocked
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