"Why not accept that it is the distanced and yet intimate relationship between reverie and reality, art and life, chance and determinism, that constitutes the most dynamic way of recalibrating bodies and minds? Sure, it takes time and a particular kind of concentration to follow oblique and winding paths, to reorient and refurbish our minds. But the particular gift contained in disengaged engagement, that particular mode of experiencing reviewed in these page, is that it drives us to shed some of our herdlike mental habits."—Marina van Zuylen, "The Plentitude of Distraction""...I came unwilling, a stranger to you. Sick and weary. Bitter and tired. All hope dissolved. Heart despairing. But when hearing music I opened tear-soden eyes and beauty and color rushed to embrace me, to warm me, to heal me, to make me whole again."—"Polynesian Rhapsody" from Hell's Half Acre******Somewhat inexplicably, the dog days of summer are around the corner.
- 8/8/2018
- MUBI
Among Martin Scorsese’s directing projects-in-progress are a new television show (“The Caesars”), plus films based on an Oklahoma murder mystery (“Killers of the Flower Moon”) and the life of the 26th U.S. president (“Teddy”). He will also soon reunite with actors who delivered their most-acclaimed performances opposite his lens: “Casino” veteran Sharon Stone will star in a Scorsese film that’s still under wraps, while Robert De Niro’s ninth collaboration with the director — Netflix’s “The Irishman” — will be the priciest film of Scorsese’s career (reported budget: $140 million).
Still, the Oscar winner (“The Departed”) has set aside spare time for his signature cause: film preservation.
In his hometown next month, MoMA will host the second-half of its exhibition, “Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures.” The defunct studio Republic Pictures churned out 3,000 films and series, all of which are now property of Paramount.
Still, the Oscar winner (“The Departed”) has set aside spare time for his signature cause: film preservation.
In his hometown next month, MoMA will host the second-half of its exhibition, “Martin Scorsese Presents Republic Rediscovered: New Restorations from Paramount Pictures.” The defunct studio Republic Pictures churned out 3,000 films and series, all of which are now property of Paramount.
- 7/10/2018
- by Jenna Marotta
- Indiewire
Above: 20,000 Years in Sing Sing (Michael Curtiz, USA, 1932).
When I wrote about the posters of 1933 last week this was one poster I deliberately held back (though 20,000 Years in Sing Sing was released on Christmas Eve 1932, it is included in Film Forum’s retrospective). The early 1930s, no less than today—though the execution was a lot more interesting— was an era of big floating heads in movie posters. While 1920s movies had the occasional floating head poster for their biggest stars, artists and studios still favored the look of early silent posters with their head-to-toe portraits and snippets of narrative. Though Norma Desmond said famously of the silent era “We didn’t need dialogue...we had faces!” it was ironically with the coming of sound that faces started to dominate movie posters and, until Saul Bass, minimalism in American movie posters was almost non-existent.
All that makes the 20,000 Years poster,...
When I wrote about the posters of 1933 last week this was one poster I deliberately held back (though 20,000 Years in Sing Sing was released on Christmas Eve 1932, it is included in Film Forum’s retrospective). The early 1930s, no less than today—though the execution was a lot more interesting— was an era of big floating heads in movie posters. While 1920s movies had the occasional floating head poster for their biggest stars, artists and studios still favored the look of early silent posters with their head-to-toe portraits and snippets of narrative. Though Norma Desmond said famously of the silent era “We didn’t need dialogue...we had faces!” it was ironically with the coming of sound that faces started to dominate movie posters and, until Saul Bass, minimalism in American movie posters was almost non-existent.
All that makes the 20,000 Years poster,...
- 2/22/2013
- by Adrian Curry
- MUBI
Toby Jones/Sienna Miller = Alfred Hitchcock/Tippi Hedren? [Photo: Tippi Hedren / The Birds publicity shot.] Tippi Hedren once told The Times of London that Alfred Hitchcock — for whom she starred in The Birds (1963) and Marnie (1964), and with whom she had an exclusive contract — "kept me under contract, kept paying me every week for almost two years to do nothing" after she refused his sexual advances. "I admired Hitch tremendously for his great talent and still do," Hedren told London's Daily Mail. "Yet, at the same time, I loathed him for his off-set behavior and the way he came on to me sexually. He was a great director – and he destroyed it all by his behavior when he got me alone." Hedren had no luck after she rid herself of her Hitchcock ties. She had a small supporting role in Charles Chaplin's box-office and critical flop A Countess from Hong Kong (1967), starring Marlon Brando and Sophia Loren,...
- 3/21/2012
- by Andre Soares
- Alt Film Guide
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