The list of candidates for the 2020 Academy of Motion Pictures Arts and Sciences’ Board of Governors election is now out, with the winner in each branch being chosen directly from these entries rather than whittling it down to four finalists in each, as has been done previously. The list of candidates is made up of qualified AMPAS members who actually submit themselves.
Also new this year in the streamlined timetable, as Deadline exclusively reported May 16. The winners for the 17 open slots on the 54-member board will be chosen by preferential balloting, just like Best Picture race at the Oscars. Voting begins Monday and ballots are due back June 5.
The actors branch is the largest in the Academy and it also has drawn the biggest field of contenders for the one spot that is up. Incumbent governor Whoopi Goldberg is running for re-election against past governor Ed Begley Jr. vying to return to the board.
Also new this year in the streamlined timetable, as Deadline exclusively reported May 16. The winners for the 17 open slots on the 54-member board will be chosen by preferential balloting, just like Best Picture race at the Oscars. Voting begins Monday and ballots are due back June 5.
The actors branch is the largest in the Academy and it also has drawn the biggest field of contenders for the one spot that is up. Incumbent governor Whoopi Goldberg is running for re-election against past governor Ed Begley Jr. vying to return to the board.
- 5/29/2020
- by Pete Hammond
- Deadline Film + TV
The list of candidates for the Academy of Motion Picture Arts and Sciences’ 2020-2021 Board of Governors has been unveiled to members.
Voting begins on June 1 and ends on June 5.
Candidates run for three-year terms with a maximum of three terms. Each branch has three seats on the board. Only one of those seats is open each year because terms are staggered.
The candidates were posted on the Academy members’ portal on Friday afternoon. Below is the complete list (divided by branch) of those running for spots on the board.
Actors
Michael Lee Aday
Ed Begley, Jr.
Robert Carradine
Nicolas Coster
Colman Domingo
Richard Dreyfuss
Spencer Garrett
Bruce Glover
Whoopi Goldberg (incumbent)
James Keach
Stacy Keach
Peter Wong
Jodi Long
Tim Matheson
Joe Pantoliano
Lou Diamond Phillips
Andrea Riseborough
Andrew Stevens
Rita Wilson
Casting Directors
Kerry Barden
Richard Hicks
Margery Simkin
Debra Zane
Cinematographers
Andrzej Bartkowiak
Richard P. Crudo
Svetlana Cvetko...
Voting begins on June 1 and ends on June 5.
Candidates run for three-year terms with a maximum of three terms. Each branch has three seats on the board. Only one of those seats is open each year because terms are staggered.
The candidates were posted on the Academy members’ portal on Friday afternoon. Below is the complete list (divided by branch) of those running for spots on the board.
Actors
Michael Lee Aday
Ed Begley, Jr.
Robert Carradine
Nicolas Coster
Colman Domingo
Richard Dreyfuss
Spencer Garrett
Bruce Glover
Whoopi Goldberg (incumbent)
James Keach
Stacy Keach
Peter Wong
Jodi Long
Tim Matheson
Joe Pantoliano
Lou Diamond Phillips
Andrea Riseborough
Andrew Stevens
Rita Wilson
Casting Directors
Kerry Barden
Richard Hicks
Margery Simkin
Debra Zane
Cinematographers
Andrzej Bartkowiak
Richard P. Crudo
Svetlana Cvetko...
- 5/29/2020
- by Marc Malkin
- Variety Film + TV
Coming off one of its most contentious years in history, the Academy of Motion Pictures Arts & Sciences has sent out its list of candidates for its Board of Governors elections late this month.
The Board of Governors directs the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.
Governors attend 6-8 board meetings annually (in person or by video conference when out of town). Each Governor also serves on one board oversight committee and their branch’s executive committee, and they are expected to represent their branch at numerous Academy events through the year.
Governors have fiduciary responsibilities imposed by state law to serve the Academy’s best interests, by acting with responsibility and care when approving annual goals presented by management, as well as major policies concerning governance.
CEO Dawn Hudson oversees a staff of more than 300 who conduct the Academy’s day-to-day business.
The Board of Governors directs the Academy’s strategic vision, preserves the organization’s financial health, and assures the fulfillment of its mission.
Governors attend 6-8 board meetings annually (in person or by video conference when out of town). Each Governor also serves on one board oversight committee and their branch’s executive committee, and they are expected to represent their branch at numerous Academy events through the year.
Governors have fiduciary responsibilities imposed by state law to serve the Academy’s best interests, by acting with responsibility and care when approving annual goals presented by management, as well as major policies concerning governance.
CEO Dawn Hudson oversees a staff of more than 300 who conduct the Academy’s day-to-day business.
- 5/10/2019
- by Michael Cieply and Bruce Haring
- Deadline Film + TV
See Trailer Link
Chopso is the ultimate streaming destination for English-language Asian content worldwide which includes movies, documentaries, short films, TV and digital series…
All Asian, all English, 24/7! For $4.95/month or $49.95/year, customers can stream Chopso’s library anytime via the app (on iOS — App Store Link & Android devices — Play Store Link) or website worldwide (www.Chopso.com).
The service will kick off the launch with exclusive content including two 20th Anniversary re-issuings of Chris Tashima’s Oscar winning short Visas and Virtues and the HD restorations of Quentin Lee and Justin Lin’s Shopping for Fangs.
“Asian Americans and English speaking Asian cultures globally are underserved and underrepresented in entertainment” says Chopso’s CEO, Koji Sakai. In 2016, Asian Americans were the biggest U.S. moviegoers of any ethnic group, dethroning Hispanics by seeing 1.5 more movies on average that year; and according to exhibition lobbying from the National Association of...
Chopso is the ultimate streaming destination for English-language Asian content worldwide which includes movies, documentaries, short films, TV and digital series…
All Asian, all English, 24/7! For $4.95/month or $49.95/year, customers can stream Chopso’s library anytime via the app (on iOS — App Store Link & Android devices — Play Store Link) or website worldwide (www.Chopso.com).
The service will kick off the launch with exclusive content including two 20th Anniversary re-issuings of Chris Tashima’s Oscar winning short Visas and Virtues and the HD restorations of Quentin Lee and Justin Lin’s Shopping for Fangs.
“Asian Americans and English speaking Asian cultures globally are underserved and underrepresented in entertainment” says Chopso’s CEO, Koji Sakai. In 2016, Asian Americans were the biggest U.S. moviegoers of any ethnic group, dethroning Hispanics by seeing 1.5 more movies on average that year; and according to exhibition lobbying from the National Association of...
- 11/21/2017
- by Sydney Levine
- Sydney's Buzz
After receiving over 3,000 submissions since December 2016, the 18th annual Fine Cut Festival of Films has selected its group of winners. This year’s finalists were selected from a juror made up of industry professionals, including critic Pete Hammond, Ida Executive Director Simon Kilmurry, actress Linda Cardellini, producer John Ptak, producer Effie T. Brown, IndieWire staff writer Steve Greene, director Javier Fuentes-Leon and filmmakers Corinne Marrinan and Chris Tashima.
The winners were as follows:
Student Filmmaker Award
“Door to Freedom”
Writer/Director: Jeremias Bayerl
Logline: What if the deepest issue of the refugee crisis is packed into the moral of a bedtime story? A drama, in which a boy has to escape from war and overcome several barriers in order to reach his goal, a wooden door, his only chance to freedom. A paradox world that is truly sad, finally revealing a bizarre surprise.
Viewers Choice Award
“The Outcast”
Director: Bucher Almzain
Writer: J. Scott Sibley,...
The winners were as follows:
Student Filmmaker Award
“Door to Freedom”
Writer/Director: Jeremias Bayerl
Logline: What if the deepest issue of the refugee crisis is packed into the moral of a bedtime story? A drama, in which a boy has to escape from war and overcome several barriers in order to reach his goal, a wooden door, his only chance to freedom. A paradox world that is truly sad, finally revealing a bizarre surprise.
Viewers Choice Award
“The Outcast”
Director: Bucher Almzain
Writer: J. Scott Sibley,...
- 5/16/2017
- by Zack Sharf
- Indiewire
Update: The Academy of Motion Picture Arts and Sciences has issued an apology for the two derogatory skits about Asians that aired during the Oscars. Per Variety, it reads: "The Academy appreciates the concerns stated, and regrets that any aspect of the Oscar telecast was offensive. We are committed to doing our best to ensure that material in future shows be more culturally sensitive."
Director Ang Lee, actress Sandra Oh and Star Trek star George Takei are among 25 members of the Academy of Motion Picture Arts and Sciences of Asian...
Director Ang Lee, actress Sandra Oh and Star Trek star George Takei are among 25 members of the Academy of Motion Picture Arts and Sciences of Asian...
- 3/15/2016
- Rollingstone.com
- Quick Links > Americanese > IFC First Take > Joan Chen IFC got lucky this weekend. It has just been announced that the indie company has scored the North American rights to AMERICANese, Eric Byler's follow up to Charlotte Sometimes. IFC picked up the feature for its IFC First Take label. It will be released in theaters and on-demand for Comcast/Cablevision simultaneously. Based on the novel by Shawn Wong, AMERICANese deals with issues of Asian-American identity, centering on the relationships of Chinese-American Raymond Ding (Chris Tashima). Also starring in the film is Joan Chen (The Last Emperor). Scheduled for release in 2007, AMERICANese already has a growing fan base. Byler and cast took home both the audience award for narrative feature and the jury prize for ensemble acting from the South by Southwest Film Festival. ...
- 10/23/2006
- IONCINEMA.com
San Francisco -- Despite its frank approach to the controversial issue of race, Americanese, writer-director Eric Byler's lethargic adaptation of Shawn Wong's novel, American Knees, limps along without a sense of narrative drive. A collection of scenes in search of a coherent story, the film's characters don't develop, and plot lines fail to coalesce by the movie's conclusion. In a word: it's dull.
The film may resonate with Asian-American audiences, too long deprived of seeing images of themselves onscreen, especially as romantic leads in a modern love story. It should have long a run on the festival circuit but has limited art house potential.
Perhaps stymied by the inherent difficulty of transforming the internal world of a novel into a movie, Byler, who demonstrated more storytelling finesse in his feature debut, Charlotte Sometimes, hasn't succeeded in opening up his story to cinematic or dramatic effect. However, he does convey the confusion that follows a breakup, how rapidly intimacy turns into estrangement. To be fair, Byler had his work cut out for him. Somehow, he had build an entertaining film around characters who are stuck and not particularly interesting to begin with.
The story begins after the protagonist, Ray (Chris Tashima), a middle-aged, divorced Chinese-American professor, and his considerably younger bi-racial girlfriend, Aurora (Allison Sie), have broken up. She wants to move on, he can't let go. Tashima, a classically handsome, photogenic actor, struggles to make a stiff, inexpressive character, short on charisma, psychologically interesting. Unfortunately, Ray remains opaque as he mopes his way through life and, sadly for the audience, the entire movie. It's hard to tell if the fault lies in the script's uninspired dialogue, ineffective direction, poor acting or a combination of all three.
Things heat up when Ray embarks on a troubled love affair with Betty (Joan Chen), who delivers a raw performance as a needy, neurotic co-worker with a mysterious past. Betty adds intrigue and a needed injection of adrenaline, but then she suddenly drops out of sight. Kelly Hu overacts as Allison's friend, Brenda -- a loud, nasty vixen and a misogynist stereotype.
Veteran actor Sab Shimono is marvelous as Ray's heartsick father, a man still deeply in love with his late wife. The film perks up whenever Shimono is onscreen. With his vitality and endearing goofiness, it's tempting to wish that the story centered on him rather than his self-absorbed son.
Americanese, with its focus on love, race and sexuality, is a departure from Asian-American films that have focused primarily on cross-generational conflict, the tension between traditional immigrant parents and their pop-culture-intoxicated American offspring. If only the film was good as its intentions.
AMERICANESE
American Knees Prods.
Credits:
Director: Eric Byler
Screenwriter: Eric Byler
Producer: Lisa Onodera
Executive producer: Allison Sie
Director of photography: Robert Humphreys, Stacy Toyama
Production designer: Ben Woolverton
Music: Michael Brook
Costume designer: Jeanette Fuller
Editor: Kenn Kashima.
Cast:
Raymond Ding: Chris Tashima
Aurora Crane: Allison Sie
Wood Ding: Sab Shimono
Brenda Nishitani: Kelly Hu
Jimmy Chan: Michael Paul Chan
Betty Nguyen: Joan Chen
Steve: Ben Shenkman
No MPAA rating
Running time -- 114 minutes...
The film may resonate with Asian-American audiences, too long deprived of seeing images of themselves onscreen, especially as romantic leads in a modern love story. It should have long a run on the festival circuit but has limited art house potential.
Perhaps stymied by the inherent difficulty of transforming the internal world of a novel into a movie, Byler, who demonstrated more storytelling finesse in his feature debut, Charlotte Sometimes, hasn't succeeded in opening up his story to cinematic or dramatic effect. However, he does convey the confusion that follows a breakup, how rapidly intimacy turns into estrangement. To be fair, Byler had his work cut out for him. Somehow, he had build an entertaining film around characters who are stuck and not particularly interesting to begin with.
The story begins after the protagonist, Ray (Chris Tashima), a middle-aged, divorced Chinese-American professor, and his considerably younger bi-racial girlfriend, Aurora (Allison Sie), have broken up. She wants to move on, he can't let go. Tashima, a classically handsome, photogenic actor, struggles to make a stiff, inexpressive character, short on charisma, psychologically interesting. Unfortunately, Ray remains opaque as he mopes his way through life and, sadly for the audience, the entire movie. It's hard to tell if the fault lies in the script's uninspired dialogue, ineffective direction, poor acting or a combination of all three.
Things heat up when Ray embarks on a troubled love affair with Betty (Joan Chen), who delivers a raw performance as a needy, neurotic co-worker with a mysterious past. Betty adds intrigue and a needed injection of adrenaline, but then she suddenly drops out of sight. Kelly Hu overacts as Allison's friend, Brenda -- a loud, nasty vixen and a misogynist stereotype.
Veteran actor Sab Shimono is marvelous as Ray's heartsick father, a man still deeply in love with his late wife. The film perks up whenever Shimono is onscreen. With his vitality and endearing goofiness, it's tempting to wish that the story centered on him rather than his self-absorbed son.
Americanese, with its focus on love, race and sexuality, is a departure from Asian-American films that have focused primarily on cross-generational conflict, the tension between traditional immigrant parents and their pop-culture-intoxicated American offspring. If only the film was good as its intentions.
AMERICANESE
American Knees Prods.
Credits:
Director: Eric Byler
Screenwriter: Eric Byler
Producer: Lisa Onodera
Executive producer: Allison Sie
Director of photography: Robert Humphreys, Stacy Toyama
Production designer: Ben Woolverton
Music: Michael Brook
Costume designer: Jeanette Fuller
Editor: Kenn Kashima.
Cast:
Raymond Ding: Chris Tashima
Aurora Crane: Allison Sie
Wood Ding: Sab Shimono
Brenda Nishitani: Kelly Hu
Jimmy Chan: Michael Paul Chan
Betty Nguyen: Joan Chen
Steve: Ben Shenkman
No MPAA rating
Running time -- 114 minutes...
- 4/27/2006
- The Hollywood Reporter - Movie News
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