Twyla Tharp on Zoom with Herman Cornejo and Misty Copeland in Steven Cantor’s Twyla Moves Photo: Zoom Stick Figure Films
Steven Cantor’s intimate and fierce Twyla Moves showcases the legendary Twyla Tharp working on a Zoom dance from New York during the height of the pandemic with Misty Copeland, Benjamin Buza, Herman Cornejo, Maria Khoreva, Kaitlyn Gilliland, and Charlie Neshyba-Hodges in other locations. She invites the great production designer Santo Loquasto to have a look. Twyla has collaborated with composers Philip Glass, David Byrne, David Van Tieghem, and Glenn Branca, won the Tony Award for Best Choreography for Movin’ Out, featuring the songs of Billy Joel, staged dances for Miloš Forman’s Hair, Ragtime, and Amadeus, and Mikhail Baryshnikov and Gregory Hines in Taylor Hackford’s White Nights.
Dancer, featuring Sergei Polunin, and Tyler Peck’s Ballet Now round out Steven’s trilogy of dance films.
From New York,...
Steven Cantor’s intimate and fierce Twyla Moves showcases the legendary Twyla Tharp working on a Zoom dance from New York during the height of the pandemic with Misty Copeland, Benjamin Buza, Herman Cornejo, Maria Khoreva, Kaitlyn Gilliland, and Charlie Neshyba-Hodges in other locations. She invites the great production designer Santo Loquasto to have a look. Twyla has collaborated with composers Philip Glass, David Byrne, David Van Tieghem, and Glenn Branca, won the Tony Award for Best Choreography for Movin’ Out, featuring the songs of Billy Joel, staged dances for Miloš Forman’s Hair, Ragtime, and Amadeus, and Mikhail Baryshnikov and Gregory Hines in Taylor Hackford’s White Nights.
Dancer, featuring Sergei Polunin, and Tyler Peck’s Ballet Now round out Steven’s trilogy of dance films.
From New York,...
- 6/1/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Scream Factory and IFC Midnight have paired up to present an inspired disc set for The Larry Fessenden Collection, an assortment of four of the director’s most notable genre films. Migrating between a number of notable projects as a character actor (he usually appears as some peripheral, grizzled weirdo, showing up in titles by Scorsese, Neil Jordan, and Kelly Reichardt, amongst others), he’s also a noted producer, editor, screenwriter, and cinematographer. But Fessenden’s made his most striking impression with a growing body of genre oriented independent directorial efforts. Usually prizing strong characterization amidst situations of mounting dread, Fessenden seems fascinated with testing the strengths and inherent weaknesses of mankind, and it’s probably easiest to label his filmography as environmental horror.
Out of Fessenden’s own production company Glass Eye Pix, 1991’s No Telling (or the Frankenstein Complex) melds motifs of Mary Shelley’s famed mad scientist with modern animal experimentation.
Out of Fessenden’s own production company Glass Eye Pix, 1991’s No Telling (or the Frankenstein Complex) melds motifs of Mary Shelley’s famed mad scientist with modern animal experimentation.
- 10/27/2015
- by Nicholas Bell
- IONCINEMA.com
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