Lothringen!One of the more striking shots in Jean-Marie Straub and Danièle Huillet’s From the Clouds to the Resistance (1979) appears ever so briefly. A row of Italian anti-resistance villagers stand at a bar, peering over their shoulders at their more progressive-minded colleague sitting in a corner off-screen. It’s the first time in the scene that any of the characters are pictured all together within the space, an elegant mahogany interior resembling one of those saloons out of a John Ford western—both good reasons to linger on the shot; the mise en scène virtually demands it. Yet, against custom, Straub-Huillet spend no more than a scant, half-second on it, if that. This much is true, for cinema’s most uncompromising directorial duo, every shot counts. It’s in no small part thanks to their unwavering rebellious stance—from insisting on using direct sound recording to consistently paying...
- 5/11/2016
- MUBI
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