He became established as a director in the next years and he shot the movies "Das Schicksal der Maria Keith" (1919), "Blutige Spuren" (1921), "Robert und Bertram" (1928), "Der moderne Casanova" (1928) and "Grossstadtjugend" (1929). During this time he was also a producer for the company Aafa and he was the production supervisor for movies directed by other directors, among them many works by Max Obal.