The Locarno Film Festival’s Locarno Pro initiative dedicated to pics in post is set to look at German films that are in their final stage of production for its upcoming edition.
The fest, located in the Italian-speaking region of Switzerland, in a statement said that the initiative, now in its tenth edition, will celebrate the up-and-coming cinema of a country that has been “crucial to the history” of the fest. Locarno Pro is now looking closer to home after being a springboard for pics from Colombia, Mexico, Chile, Brazil, Israel, Poland, the Baltic Countries, Portugal, Serbia and Switzerland itself.
“German filmmakers and producers and the work they have given us has been at the heart of so many memorable editions of the Locarno Film Festival, the fest said in a statement.
Locarno organizers noted that German cinema was the subject of an expansive retro titled “Beloved and Rejected” in...
The fest, located in the Italian-speaking region of Switzerland, in a statement said that the initiative, now in its tenth edition, will celebrate the up-and-coming cinema of a country that has been “crucial to the history” of the fest. Locarno Pro is now looking closer to home after being a springboard for pics from Colombia, Mexico, Chile, Brazil, Israel, Poland, the Baltic Countries, Portugal, Serbia and Switzerland itself.
“German filmmakers and producers and the work they have given us has been at the heart of so many memorable editions of the Locarno Film Festival, the fest said in a statement.
Locarno organizers noted that German cinema was the subject of an expansive retro titled “Beloved and Rejected” in...
- 2/17/2022
- by Nick Vivarelli
- Variety Film + TV
One of the enduring peculiarities about the so-called Berlin School of contemporary German filmmaking is that, among the various filmmakers who have been associated with the group, the work they produce exhibits great stylistic variety. What seems to unite them, apart from a few biographical particularities, is an intellectual orientation toward filmmaking, an attitude toward structure and representation that nevertheless yields vastly divergent results. For instance, Christophe Hochhäusler and Nicolas Wackerbarth have both been involved in the foundational film magazine Revolver, a publication that displays a specific orientation toward both German and international art cinema—a throughline that runs between the historical materialism of Harun Farocki and Romuald Karmakur and the somewhat more abstract lyricism of Apichatpong Weerasethakul. But a comparison of Hochhäusler and Wackerbarth’s films reveals radically different formal approaches.A Voluntary Year, the recent film collaboration between directors Ulrich Köhler and Henner Winckler, provides a unique case...
- 2/14/2020
- MUBI
A single father and an only child who just graduated try to navigate her increasing independence in The Voluntary Year (Das freiwillige Jahr), from German filmmakers Ulrich Koehler and Henner Winckler, co-directing here for the first time. What’s fascinating about this domestic coming-of-age story, a heady mix of quotidian comedy and familial drama, is that the daughter’s desire to emancipate herself results in her wanting to stay in the village where she grew up; her father is the one trying to push her to go do volunteer work abroad during a gap year — hence the title.
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- 8/15/2019
- The Hollywood Reporter - Film + TV
A single father and an only child who just graduated try to navigate her increasing independence in The Voluntary Year (Das freiwillige Jahr), from German filmmakers Ulrich Koehler and Henner Winckler, co-directing here for the first time. What’s fascinating about this domestic coming-of-age story, a heady mix of quotidian comedy and familial drama, is that the daughter’s desire to emancipate herself results in her wanting to stay in the village where she grew up; her father is the one trying to push her to go do volunteer work abroad during a gap year — hence the title.
After ...
After ...
- 8/15/2019
- The Hollywood Reporter - Movie News
A Voluntary YearAn easy bet to win is to wager that the first reel is any given movie is more interesting than its remaining minutes. This is because the field is open: the story frequently has yet to settle, the plot to develop, or the formal and aesthetic approach to be determined. The possibilities, for the audience, are seemingly endless: Where will this film go, what will it do, what shall I see and how shall I see it? As more minutes pass, the probabilities shrink, more things become less likely to happen; we begin to detect patterns, conventions, likelihoods. One sees boundaries around the imagination, and what can and can’t happen becomes palpable. Suddenly, without really being able to pinpoint when the transition occurs, something full of promise becomes a picture like any other—and possibly worse. Rarer are the films that through a kind of narrative permeability...
- 8/13/2019
- MUBI
In Ulrich Köhler’s 2018 film In My Room a man escapes–and thus finds catharsis–from his floundering, grown-up city life only after waking up to find that he, for all the movie’s intents and purposes, is the last man on earth. Köhler’s latest, titled A Voluntary Year and co-directed by fellow Berlin School alum Henner Winckler, takes a botched attempt at escape as its background but finds little of that same catharsis. It does, however, pick at the same nagging little wounds: the idea that people are, by nature, liable to break the further they bend to society’s expectations and the sanest option might be to jump ship and chill.
This has been the great theme of Köhler’s work as it has been of many of his contemporaries: we saw it in Grisebach’s Western in 2017 and Schanelec’s I Was at Home, But… earlier this year,...
This has been the great theme of Köhler’s work as it has been of many of his contemporaries: we saw it in Grisebach’s Western in 2017 and Schanelec’s I Was at Home, But… earlier this year,...
- 8/12/2019
- by Rory O'Connor
- The Film Stage
Celebrating its 72nd edition this year, the Locarno Film Festival has been the birthplace for the finest in international arthouse cinema and this year’s lineup looks to continue the tradition. Ahead of the festival, running August 7-17, the full slate has been announced.
Top highlights include the world premieres of Pedro Costa’s Vitalina Varela (pictured above), Kiyoshi Kurosawa’s To the Ends of the Earth, Ben Rivers & Anocha Suwichakornpong’s Krabi, 2562, Ben Russell’s Color-blind, Denis Côté’s Wilcox, Fabrice Du Welz’s Adoration, as well as a new 12-minute short film from Yorgos Lanthimos titled Nimic and starring Matt Dillon. Other titles that have caught out eye are Echo, from Sparrows director Rúnar Rúnarsson, and A Girl Missing, from Harmonium director Koji Fukada.
The festival will also kick off with some star power as Patrick Vollrath’s 7500, starring Joseph Gordon-Levitt, will premiere. Check out the lineup below,...
Top highlights include the world premieres of Pedro Costa’s Vitalina Varela (pictured above), Kiyoshi Kurosawa’s To the Ends of the Earth, Ben Rivers & Anocha Suwichakornpong’s Krabi, 2562, Ben Russell’s Color-blind, Denis Côté’s Wilcox, Fabrice Du Welz’s Adoration, as well as a new 12-minute short film from Yorgos Lanthimos titled Nimic and starring Matt Dillon. Other titles that have caught out eye are Echo, from Sparrows director Rúnar Rúnarsson, and A Girl Missing, from Harmonium director Koji Fukada.
The festival will also kick off with some star power as Patrick Vollrath’s 7500, starring Joseph Gordon-Levitt, will premiere. Check out the lineup below,...
- 7/17/2019
- by Jordan Raup
- The Film Stage
This year’s Locarno Film Festival (Aug 7 -17) lineup includes Quentin Tarantino’s Once Upon A Time In Hollywood and Joseph Gordon-Levitt plane thriller 7500, which gets its world premiere at the Swiss showcase. Scroll down for major category lineups.
The 72nd edition of the festival marks the first for incoming artistic director Lili Hinstein who has taken over from Carlo Chatrian. As ever, there is a strong contingent of European and Asian arthouse movies and the Piazza Grande section includes a handful of titles with more mainstream appeal, such as Tarantino’s Cannes pic Once Upon A Time In Hollywood, which rolls out globally in August.
Alongside Once Upon A Time In Hollywood, the open air Piazza Grande screenings will include the world premieres of German-produced hijack thriller-drama 7500, Carice Van Houten starrer Instinct, UK comedy actor Simon Bird’s directorial debut Days Of The Bagnold Summer, French director Stéphane Demoustier...
The 72nd edition of the festival marks the first for incoming artistic director Lili Hinstein who has taken over from Carlo Chatrian. As ever, there is a strong contingent of European and Asian arthouse movies and the Piazza Grande section includes a handful of titles with more mainstream appeal, such as Tarantino’s Cannes pic Once Upon A Time In Hollywood, which rolls out globally in August.
Alongside Once Upon A Time In Hollywood, the open air Piazza Grande screenings will include the world premieres of German-produced hijack thriller-drama 7500, Carice Van Houten starrer Instinct, UK comedy actor Simon Bird’s directorial debut Days Of The Bagnold Summer, French director Stéphane Demoustier...
- 7/17/2019
- by Andreas Wiseman
- Deadline Film + TV
Above: Henner Winckler's School Trip.
Compiling a top ten European films of the decade is a tricky business—what do we mean by "European", by "film", or even by "decade"? My personal run-down of the truly outstanding feature-length, made-for-tv, world-premiered after 1st January 2000 comes to eleven titles, an awkward number in any sphere except the football pitch. For what it's worth, my "first XI" of favourites, in alphabetical order, reads as follows:
Control (2007; Anton Corbijn; UK)
Dancer in the Dark (2000; Lars Von Trier; Denmark)
Dead Man's Shoes (2004; Shane Meadows; UK)
Gunnar Goes Comfortable (2003; Gunnar Hall Jensen; Norway)
The Intruder (L'Intrus; 2004; Claire Denis; France)
Last Resort (2000; Pawel Pawlikowski, UK)
René (2008, Helena Třeštíková, Czech Republic)
Satan (aka Sheitan; 2006; Kim Chapiron, France)
The State In Am In (Die innere Sicherheit; 2000; Christian Petzold; Germany)
United 93 (2006; Paul Greengrass; UK)
Volver (2006; Pedro Almodovar; Spain)
Many of the above will be familiar to most The...
Compiling a top ten European films of the decade is a tricky business—what do we mean by "European", by "film", or even by "decade"? My personal run-down of the truly outstanding feature-length, made-for-tv, world-premiered after 1st January 2000 comes to eleven titles, an awkward number in any sphere except the football pitch. For what it's worth, my "first XI" of favourites, in alphabetical order, reads as follows:
Control (2007; Anton Corbijn; UK)
Dancer in the Dark (2000; Lars Von Trier; Denmark)
Dead Man's Shoes (2004; Shane Meadows; UK)
Gunnar Goes Comfortable (2003; Gunnar Hall Jensen; Norway)
The Intruder (L'Intrus; 2004; Claire Denis; France)
Last Resort (2000; Pawel Pawlikowski, UK)
René (2008, Helena Třeštíková, Czech Republic)
Satan (aka Sheitan; 2006; Kim Chapiron, France)
The State In Am In (Die innere Sicherheit; 2000; Christian Petzold; Germany)
United 93 (2006; Paul Greengrass; UK)
Volver (2006; Pedro Almodovar; Spain)
Many of the above will be familiar to most The...
- 12/24/2009
- MUBI
- Ioncinema.com presents: Best of Fests Tromsø International Film Festival When: January 16th to 21st, 2007 Counting Down: updateCountdownClock('January 16, 2007'); Where: Location: Tromsø, NorwayOfficial Website: http://www.tiff.no/What: Tiff is a popular film festival for our audience, and at the same time an important meeting point for Norwegian and international film industry. TIFF07 will be Tromsø's 17th international film festival. Tromsø International Film Festival had in 2006 a total admission of 44 804. This makes Tiff Norway' largest festival.Accredited: No Film Line Up:Opening NightSPANDEXMAN - Bobbie Peers, 2007Winterland - Hisham Zaman, 2006Closing NightONCE In A Lifetime - John Dower, Paul Crowder, 2005Competition ProgramBORDERPOST - Rajko Grlic , 2006Born And Bred - Pablo Trapero , 2006Chronicle Of An Escape - Isreal Adrián Caetano, 2006Colossal Youth - Pedro Costa, 2006Family Ties - Kim Tae-Yong, 2006Glue - Alexis Dos Santos, 2005Gypo - Jan Dunn, 2005Longing - Valeska Grisebach, 2006Lucy - Henner Winckler, 2006Requiem -
- 1/13/2007
- IONCINEMA.com
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