The talk turned to following the money at TheGrill, TheWrap‘s fifth annual Media Leadership Conference Tuesday at the Montage in Beverly Hills. CAA's Brian Weinstein moderated a panel in which he, Evolution Media Capital founder and co-managing partner Rick Hess, Shamrock Capital Advisors partner Andy Howard and Greycroft founding partner Dana Settle discussed what they're financing these days. “We invest across all categories of sports and entertainment, consumer product and technology,” Hess said. “Our motto is we invest where we're strategic. We are your strategic partner. If you're a CEO, you tell us what you need. It's a fun dynamic process.
- 10/8/2014
- by Jethro Nededog
- The Wrap
The taped appearance on Jimmy Kimmel Live was Michelle Obama‘s debut on the late night show. But it was not the first time the First Lady has shared a stage with Kimmel. The late night host was the host of this year’s White House Correspondent’s Dinner. Michelle Obama’s appearance and interview on the ABC show wil air later tonight. The Kimmel appearance this evening came on the heels of a sold out fundraiser at Will Smith’s house earlier in the day. The $2,500 to $40,000 a ticket event this afternoon at Smith and his wife Jada Pinkett Smith‘s Calabasas home attracted about 300 guests. It was co-hosted by Salma Hayek, Smith’s business partner James Lassiter and his wife Mai. Roc Nation president Jay Brown and his wife Kawanna, head of Magic Johnson Enterprises and Lady Gaga’s manager Troy Carter and his wife Rebecca were also co-hosts.
- 10/26/2012
- by DOMINIC PATTEN
- Deadline TV
Chrysalis – a charity dedicated to helping economically disadvantaged and homeless individuals become self-sufficient through employment opportunities – will hold its ninth annual Butterfly Ball this weekend.
The event will honor last year’s host, Family Guy creator Seth MacFarlane, as well as Glee creator Ryan Murphy and Rush Hour director Brett Ratner. It was through Ratner that the organization connected with various celebrities, including Salma Hayek, Ice Cube, Nicolas Cage and action star Jackie Chan. Chan gave $100,000 to the charity, the largest single donation Chrysalis has ever received.
This year’s event will feature a special performance by the stars of Glee, and will be hosted by Randy Jackson and Mila Kunis. Rebecca Gayheart-Dane, Rick Hess and Dana Walden are co-chairs for the event.
Read more...
The event will honor last year’s host, Family Guy creator Seth MacFarlane, as well as Glee creator Ryan Murphy and Rush Hour director Brett Ratner. It was through Ratner that the organization connected with various celebrities, including Salma Hayek, Ice Cube, Nicolas Cage and action star Jackie Chan. Chan gave $100,000 to the charity, the largest single donation Chrysalis has ever received.
This year’s event will feature a special performance by the stars of Glee, and will be hosted by Randy Jackson and Mila Kunis. Rebecca Gayheart-Dane, Rick Hess and Dana Walden are co-chairs for the event.
Read more...
- 6/3/2010
- Look to the Stars
While we know Ashton Kutcher for his wacky stunts on Punk’d and That ‘70s Show and his brainchild, Beauty and the Geek, more recently, the actor has tended to some serious matters, including last week’s exclusive Butterfly Ball benefiting Chrysalis, a Los Angeles-based organization which aims to help homeless men and women find jobs and homes as well. Joining Kutcher at the event was Demi Moore, and newly-weds Charlie Sheen and Brooke Mueller.
“We love it, and we really believe in it,” Moore said before the event, the Associated Press reports.
At the purple carpet entrance before the event, Sheen and Mueller caught the attention of the media as it was the couple’s first appearance as husband and wife. In fact, the Two and a Half Men star and the Mueller, a real estate agent, began dating last summer after meeting at the Chrysalis event of 2006. However,...
“We love it, and we really believe in it,” Moore said before the event, the Associated Press reports.
At the purple carpet entrance before the event, Sheen and Mueller caught the attention of the media as it was the couple’s first appearance as husband and wife. In fact, the Two and a Half Men star and the Mueller, a real estate agent, began dating last summer after meeting at the Chrysalis event of 2006. However,...
- 6/5/2008
- by BuddyTV
- buddytv.com
Auto Focus continues filmmaker Paul Schrader's fascination with how the male personality can disintegrate. It joins a number of films he has written or directed in which some mutant gene, some strange quirk in the emotional fabric, condemns a man to obsessive behavior he can neither fix nor abandon.
This time it's the story of actor and radio personality Bob Crane, whose hidden gene caused him to become addicted to sex and pornography, leading him into a murky world that ended with his murder in 1978.
Despite all of Schrader's films delving into this theme, the director's focus on this troubled character remains peculiarly fuzzy. Schrader seemingly has no point of view about Crane. We watch a life fall apart as one could observe an organism under a microscope -- with neither passion nor compassion. It comes awfully close to an exercise in morbidity.
Sony Pictures Classics will need all of Schrader's marquee power along with that of stars Greg Kinnear and Willem Dafoe to draw the curious to such downbeat fare. Crane's story does fascinate in a train-wreck sort of way. But the picture leaves one with a slightly sick, unclean feeling -- a feeling that Taxi Driver and his underrated, brilliant Affliction never did.
Crane first came to public attention with a morning drive-time radio show in Los Angeles in the late '50s, on which he played drums, goofed around with sound effects and conducted celebrity interviews. My own memory of that show includes an occasional editorial swipe at "risque" Hollywood movies. Hard to believe what followed.
Kinnear's Crane adopts an eager-to-please personality as a means to win friends and influence the right people to advance in show business. He lands the lead in the TV series Hogan's Heroes in 1965, quickly becoming a household name. The movie, written by Michael Gerbosi from Robert Graysmith's book "The Murder of Bob Crane," insists that fame doesn't go to his head; rather he develops an unhealthy palship with an electronic and photography whiz named John Carpenter (Dafoe).
John is on the cutting edge of early videography. Soon Crane not only has prototypical video equipment in his living room, he accompanies his new friend to Hollywood strip clubs to play the drums. Slowly but inexorably Crane gets drawn into the pre-AIDS netherworld of strippers, promiscuous sex and the kinkiness of recording his own sexual escapades. Not even divorce from his first wife (Rita Wilson) and marriage to a second (Maria Bello) slows him down. These obsessions rule his life and damage his career until he decides to go cold turkey -- which means breaking off his friendship with John. The next morning he is found bludgeoned to death in a motel room. Most evidence points to John as the killer, but he is never convicted.
Schrader and cinematographer Fred Murphy visually depict this downward spiral by opening the film with bright, cheery, saturated colors, then gradually shifting to monochromatic, desaturated tones that mirror the home videos Crane so loves. But Crane's emotional breakdown is not so easily charted.
Crane's is an unexamined life. When he does put the brakes to his obsessions, t his stems not from any moral or spiritual epiphany but simply a wise career move. He is forever Hogan, a smart, snappy guy with a crooked smile that makes sexual conquest easy.
Schrader never examines the two men's relationship in any fundamental way -- not their sexual identity, their emotional makeup nor the factors that bind them together.
The period details do work well. They remind us of an era when the Playboy philosophy was taken seriously and a life of sexual pursuit was seen as a kind of freedom rather than a kind of enslavement. It is here the cautionary tale works best, as an example of what happens when one realizes the wrong dream.
AUTO FOCUS
Sony Pictures Classics
Focus Puller Inc.
Credits:
Director: Paul Schrader
Writer: Michael Gerbosi
Based on the book "The Murder of Bob Crane" by: Robert Graysmith
Producers: Scott Alexander, Larry Karaszewski, Todd Rosken, Pat Dollard
Executive producers: Trevor Macy, Rick Hess, James Schamus
Director of photography: Fred Murphy
Production designer: James Chinlund
Music: Angelo Badalamenti
Costume designer: Julie Weiss
Editor: Kristina Boden
Cast:
Bob Crane: Greg Kinnear
John Carpenter: Willem Dafoe
Anne Crane: Rita Wilson
Patricia Crane: Maria Bello
Lenny: Rob Leibman
Running time -- 104 minutes
No MPAA rating...
This time it's the story of actor and radio personality Bob Crane, whose hidden gene caused him to become addicted to sex and pornography, leading him into a murky world that ended with his murder in 1978.
Despite all of Schrader's films delving into this theme, the director's focus on this troubled character remains peculiarly fuzzy. Schrader seemingly has no point of view about Crane. We watch a life fall apart as one could observe an organism under a microscope -- with neither passion nor compassion. It comes awfully close to an exercise in morbidity.
Sony Pictures Classics will need all of Schrader's marquee power along with that of stars Greg Kinnear and Willem Dafoe to draw the curious to such downbeat fare. Crane's story does fascinate in a train-wreck sort of way. But the picture leaves one with a slightly sick, unclean feeling -- a feeling that Taxi Driver and his underrated, brilliant Affliction never did.
Crane first came to public attention with a morning drive-time radio show in Los Angeles in the late '50s, on which he played drums, goofed around with sound effects and conducted celebrity interviews. My own memory of that show includes an occasional editorial swipe at "risque" Hollywood movies. Hard to believe what followed.
Kinnear's Crane adopts an eager-to-please personality as a means to win friends and influence the right people to advance in show business. He lands the lead in the TV series Hogan's Heroes in 1965, quickly becoming a household name. The movie, written by Michael Gerbosi from Robert Graysmith's book "The Murder of Bob Crane," insists that fame doesn't go to his head; rather he develops an unhealthy palship with an electronic and photography whiz named John Carpenter (Dafoe).
John is on the cutting edge of early videography. Soon Crane not only has prototypical video equipment in his living room, he accompanies his new friend to Hollywood strip clubs to play the drums. Slowly but inexorably Crane gets drawn into the pre-AIDS netherworld of strippers, promiscuous sex and the kinkiness of recording his own sexual escapades. Not even divorce from his first wife (Rita Wilson) and marriage to a second (Maria Bello) slows him down. These obsessions rule his life and damage his career until he decides to go cold turkey -- which means breaking off his friendship with John. The next morning he is found bludgeoned to death in a motel room. Most evidence points to John as the killer, but he is never convicted.
Schrader and cinematographer Fred Murphy visually depict this downward spiral by opening the film with bright, cheery, saturated colors, then gradually shifting to monochromatic, desaturated tones that mirror the home videos Crane so loves. But Crane's emotional breakdown is not so easily charted.
Crane's is an unexamined life. When he does put the brakes to his obsessions, t his stems not from any moral or spiritual epiphany but simply a wise career move. He is forever Hogan, a smart, snappy guy with a crooked smile that makes sexual conquest easy.
Schrader never examines the two men's relationship in any fundamental way -- not their sexual identity, their emotional makeup nor the factors that bind them together.
The period details do work well. They remind us of an era when the Playboy philosophy was taken seriously and a life of sexual pursuit was seen as a kind of freedom rather than a kind of enslavement. It is here the cautionary tale works best, as an example of what happens when one realizes the wrong dream.
AUTO FOCUS
Sony Pictures Classics
Focus Puller Inc.
Credits:
Director: Paul Schrader
Writer: Michael Gerbosi
Based on the book "The Murder of Bob Crane" by: Robert Graysmith
Producers: Scott Alexander, Larry Karaszewski, Todd Rosken, Pat Dollard
Executive producers: Trevor Macy, Rick Hess, James Schamus
Director of photography: Fred Murphy
Production designer: James Chinlund
Music: Angelo Badalamenti
Costume designer: Julie Weiss
Editor: Kristina Boden
Cast:
Bob Crane: Greg Kinnear
John Carpenter: Willem Dafoe
Anne Crane: Rita Wilson
Patricia Crane: Maria Bello
Lenny: Rob Leibman
Running time -- 104 minutes
No MPAA rating...
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