Australian film and television is delivering less local cultural value to audiences, authentic dramas are fewer, and much of it now feels a lot less Australian – even unrecognisable as made in this country, according to veteran screen journalist Sandy George. In this extract from her New Platform Paper, she argues Screen Australia must proactively cultivate film and television that is Australian in look and feel.
The post “It’s time to be very clear that Screen Australia is there for culture”: Sandy George appeared first on If Magazine.
The post “It’s time to be very clear that Screen Australia is there for culture”: Sandy George appeared first on If Magazine.
- 6/19/2022
- by Sandy George
- IF.com.au
Some of Australian drama’s recent triumphs were used to examine the relationship between development processes and international success at Series Mania Melbourne on Thursday.
Clickbait and Fires co-creator Tony Ayres, ABC head of scripted production Sally Riley, Matchbox Pictures scripted development director Debbie Lee, and Fires co-creator Belinda Chayko joined journalist Sandy George for a discussion about how ideas are shaped from the writers’ room to production.
Fires, the ABC anthology series about the Black Summer bushfires, served as a key point of reference throughout the conversation, partly due to its relatively quick journey from the first writers’ room in March 2020 through to production in Melbourne and regional Victoria earlier this year.
Chayko said the “incredibly fast” development period required the full attention of people that knew what they were doing.
“In order to fit into that timeframe, we had to be really smart about how we did it,...
Clickbait and Fires co-creator Tony Ayres, ABC head of scripted production Sally Riley, Matchbox Pictures scripted development director Debbie Lee, and Fires co-creator Belinda Chayko joined journalist Sandy George for a discussion about how ideas are shaped from the writers’ room to production.
Fires, the ABC anthology series about the Black Summer bushfires, served as a key point of reference throughout the conversation, partly due to its relatively quick journey from the first writers’ room in March 2020 through to production in Melbourne and regional Victoria earlier this year.
Chayko said the “incredibly fast” development period required the full attention of people that knew what they were doing.
“In order to fit into that timeframe, we had to be really smart about how we did it,...
- 10/15/2021
- by Sean Slatter
- IF.com.au
The inaugural Australian Feature Film Summit has unveiled the line-up of sessions and speakers for its ‘stage one’ virtual event, taking place next month.
Convened by a working group across production, distribution and exhibition, the summit aims to break down industry silos to grow the success of the Australian feature film sector.
The first stage virtual event is designed to ‘set the stage’ for an in-person summit in February 2022, to coincide with the Australian International Movie Convention.
Speakers will include Roadshow Films CEO Joel Pearlman; Event Cinemas general manager content Claire Gandy; Sony Pictures Entertainment EVP Stephen Basil-Jones; Made Up Stories producer Jodi Matterson; Comscore MD Frank Perikleous; Cinema Nova CEO Kristian Connelly, and Compton School executive director David Court.
“The focus for stage one is to really drill down into what success looks like for Australian feature films and what we can learn from this,” says summit convenor Gino Munari.
Convened by a working group across production, distribution and exhibition, the summit aims to break down industry silos to grow the success of the Australian feature film sector.
The first stage virtual event is designed to ‘set the stage’ for an in-person summit in February 2022, to coincide with the Australian International Movie Convention.
Speakers will include Roadshow Films CEO Joel Pearlman; Event Cinemas general manager content Claire Gandy; Sony Pictures Entertainment EVP Stephen Basil-Jones; Made Up Stories producer Jodi Matterson; Comscore MD Frank Perikleous; Cinema Nova CEO Kristian Connelly, and Compton School executive director David Court.
“The focus for stage one is to really drill down into what success looks like for Australian feature films and what we can learn from this,” says summit convenor Gino Munari.
- 9/28/2021
- by Staff Writer
- IF.com.au
Why should you bring your project to Australia?
In our Australia 101, a basics guide to shooting ‘Down Under’, we attempt to answer that very question.
Thanks to many factors, including careful management of the pandemic, Australia has emerged as a safe shooting destination.
That, combined with talented crews, a low dollar, and a $400 million location incentive fund, means the country is facing an incredible upswing in international production.
In the 101, with words from Sandy George, we honestly break down Australia’s federal and state based incentives, talent pool, infrastructure, diverse locations and showcase businesses keen to collaborate. We talk to producers who’ve done it before, and get you familiar with the lay of the land. Read on below.
The post Want to make film and TV in Australia? Let If be your guide appeared first on If Magazine.
In our Australia 101, a basics guide to shooting ‘Down Under’, we attempt to answer that very question.
Thanks to many factors, including careful management of the pandemic, Australia has emerged as a safe shooting destination.
That, combined with talented crews, a low dollar, and a $400 million location incentive fund, means the country is facing an incredible upswing in international production.
In the 101, with words from Sandy George, we honestly break down Australia’s federal and state based incentives, talent pool, infrastructure, diverse locations and showcase businesses keen to collaborate. We talk to producers who’ve done it before, and get you familiar with the lay of the land. Read on below.
The post Want to make film and TV in Australia? Let If be your guide appeared first on If Magazine.
- 5/31/2021
- by The IF Team
- IF.com.au
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