Here’s the latest episode of the The Filmmakers Podcast, part of the ever-growing podcast roster here on Nerdly. If you haven’t heard the show yet, you can check out previous episodes on the official podcast site, whilst we’ll be featuring each and every new episode as it premieres.
For those unfamiliar with the series, The Filmmakers Podcast is a podcast about how to make films from micro budget indie films to bigger budget studio films and everything in-between. Our hosts Giles Alderson, Dan Richardson, Andrew Rodger and Cristian James talk how to get films made, how to actually make them and how to try not to f… it up in their very humble opinion. Guests will come on and chat about their film making experiences from directors, writers, producers, screenwriters, actors, cinematographers and distributors.
The Filmmaker’s Podcast #294: ‘Wolves of War’ Special – Part 1
Today, we have...
For those unfamiliar with the series, The Filmmakers Podcast is a podcast about how to make films from micro budget indie films to bigger budget studio films and everything in-between. Our hosts Giles Alderson, Dan Richardson, Andrew Rodger and Cristian James talk how to get films made, how to actually make them and how to try not to f… it up in their very humble opinion. Guests will come on and chat about their film making experiences from directors, writers, producers, screenwriters, actors, cinematographers and distributors.
The Filmmaker’s Podcast #294: ‘Wolves of War’ Special – Part 1
Today, we have...
- 9/19/2022
- by Phil Wheat
- Nerdly
Perhaps you know the feeling, the strange tingle of vertigo you get when you’re having an entirely normal conversation with an acquaintance, and you suddenly realize that for seemingly no reason — and often about the most inconsequential things — they are lying to you. Jöns Jönsson’s “Axiom,” a standout in this year’s Berlinale Encounters section, is physically set in a comfortably well-educated, middle-class Austrian environment. But its psychological terrain is discomfort. This is a fascinatingly perceptive film about casual falsehoods, compulsive fakery and crumbling facades.
Appropriately, then, it begins in an art gallery. Julius is a museum attendant, moving soundlessly from room to room, politely chiding visitors who take photos or drink from water bottles. What he doesn’t do, and what Johannes Louis’ deceptively anodyne camera never allows him to do, is fade into the background the way museum attendants should. You are always conscious of him there,...
Appropriately, then, it begins in an art gallery. Julius is a museum attendant, moving soundlessly from room to room, politely chiding visitors who take photos or drink from water bottles. What he doesn’t do, and what Johannes Louis’ deceptively anodyne camera never allows him to do, is fade into the background the way museum attendants should. You are always conscious of him there,...
- 2/17/2022
- by Jessica Kiang
- Variety Film + TV
Memories are filtered by opinion and worldview. How often is it allowed to wander into a new life? We all are accessing a sea of stories, as Salman Rushdie calls it, or are “dipping into the big cauldron of story,” as Maria Tatar said about the Brothers Grimm.
Julius, played by the marvelously versatile and uncanny Moritz von Treuenfels, works as a security guard in a museum. He gives tips to new hire Erik (Thomas Schubert) about the “horror” of having to stand by the video art installations, about tyranny and negotiation, and invites the newcomer from Lower Austria to join him and his friends, Jonas (Max Themak), Lizi (Ines Marie Westernströer), and Savo (Zejhun Demirov) on a sailing trip on his aristocratic family’s boat.
From the very start writer/director Jöns Jönsson has us pay attention to what is overheard. Be it a tour guide explaining a Mondrian.
Julius, played by the marvelously versatile and uncanny Moritz von Treuenfels, works as a security guard in a museum. He gives tips to new hire Erik (Thomas Schubert) about the “horror” of having to stand by the video art installations, about tyranny and negotiation, and invites the newcomer from Lower Austria to join him and his friends, Jonas (Max Themak), Lizi (Ines Marie Westernströer), and Savo (Zejhun Demirov) on a sailing trip on his aristocratic family’s boat.
From the very start writer/director Jöns Jönsson has us pay attention to what is overheard. Be it a tour guide explaining a Mondrian.
- 2/16/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.