The female-focused initiative is run by Birds Eye View Film and backed by Creative Skillset and the Fda.
The 2017 participants of Birds Eye View Film’s Future Leaders in Distribution scheme have been unveiled.
The course supports female distribution executives with seven-plus years’ of experience, offering mentoring from leading industry figures. Creative Skillset provide funds and the course is endorsed by the Film Distributors’ Association.
Mentors on the initiative include Robert Walak of Focus Features International and Sue Bruce Smith of Film4.
They are joined by: Kezia Williams of eOne, Nicola Pearcy of Lionsgate, Trish Long of Disney, Eve Gabereau of Soda, Jill Tandy of Inside Pictures, Alison Thompson of Cornerstone Films and Anna Godas of Dogwoof.
Future Leaders In Distribution 2017 participants:
Cathy Anderson, Head of Publicity, Twentieth Century Fox UKAna Santos, Freelance Acquisitions Business & Legal Affairs ConsultantSally Hodgson, Producer of Marketing & Distribution, Pipoca in NottinghamVicky Hine, Senior Marketing Manager, Theatrical, eOneTiina...
The 2017 participants of Birds Eye View Film’s Future Leaders in Distribution scheme have been unveiled.
The course supports female distribution executives with seven-plus years’ of experience, offering mentoring from leading industry figures. Creative Skillset provide funds and the course is endorsed by the Film Distributors’ Association.
Mentors on the initiative include Robert Walak of Focus Features International and Sue Bruce Smith of Film4.
They are joined by: Kezia Williams of eOne, Nicola Pearcy of Lionsgate, Trish Long of Disney, Eve Gabereau of Soda, Jill Tandy of Inside Pictures, Alison Thompson of Cornerstone Films and Anna Godas of Dogwoof.
Future Leaders In Distribution 2017 participants:
Cathy Anderson, Head of Publicity, Twentieth Century Fox UKAna Santos, Freelance Acquisitions Business & Legal Affairs ConsultantSally Hodgson, Producer of Marketing & Distribution, Pipoca in NottinghamVicky Hine, Senior Marketing Manager, Theatrical, eOneTiina...
- 11/25/2016
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
From counting f-words to examining hours of graphic gore, the British Board of Film Classification reveals the secrets of a century of rating, cutting and occasionally banning movies
The British Board of Film Classification (BBFC) denies extensive use of protractors. Rumours, fanned by newspaper articles, had long led me to imagine small, dedicated groups of BBFC examiners, in their Soho Square headquarters, pausing sex scenes at the judicious moment, reaching for a mathematical instrument, and assiduously checking "the angle of the dangle". Is the man on screen aroused? Are the examiners looking at a Sid Soft, Maurice Middling, or Harry Hard-on? Does the scene conform to the much-discussed Mull of Kintyre rule – that no male member can be allowed on screen at an elevation more pronounced than the southernmost tip of the Scottish peninsula?
Over lunch with three BBFC staff, I broach the protractor question. David Cooke, director of the board,...
The British Board of Film Classification (BBFC) denies extensive use of protractors. Rumours, fanned by newspaper articles, had long led me to imagine small, dedicated groups of BBFC examiners, in their Soho Square headquarters, pausing sex scenes at the judicious moment, reaching for a mathematical instrument, and assiduously checking "the angle of the dangle". Is the man on screen aroused? Are the examiners looking at a Sid Soft, Maurice Middling, or Harry Hard-on? Does the scene conform to the much-discussed Mull of Kintyre rule – that no male member can be allowed on screen at an elevation more pronounced than the southernmost tip of the Scottish peninsula?
Over lunch with three BBFC staff, I broach the protractor question. David Cooke, director of the board,...
- 7/26/2012
- by Kira Cochrane
- The Guardian - Film News
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