- (1965) She was costume designer for Arthur Miller's play, "The Crucible," in the inaugural theatre production at the Long Wharf Theater in New Haven, Connecticut. Jon Jory was director. David Hager was set designer. David Hager was lighting designer.
- (1965) She was costume designer for Brendan Behan's play, "The Hostage," at the Long Wharf Theater in New Haven, Connecticut. Jon Jory was director. David Hager was set and lighting designer.
- (1965) She was costume designer for the musical, "Little Mary Sunshine," at the Long Wharf Theater in New Haven, Connecticut. Rick Besoyan was writer, composer and lyricist. Jon Jory and F. Wicks were directors. David Hager was set and lighting designer. Donna Brunsma was conductor.
- (1965) She was costume designer for Peter Shaffer's play, "The Private Ear and The Public Eye," at the Long Wharf Theater in New Haven, Connecticut. David Hager was director. Allen D. Cook was set designer. Sean Kernan was lighting designer.
- (1965-1966 season) She was costume designer for Sean O'Casey's play, "The Plough and the Stars," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set and lighting designer.
- (1965-1966 season) She was costume designer for Stefan Zweig's adaptation of Ben Jonson's play, "Volpone," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set and lighting designer.
- (1965-1966 season) She was costume designer for Edith Hamilton's adaptation of Euripedes' play, "The Trojan Women," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. Grady Larkins was set designer. David Hager was lighting designer. Gordon Emerson was composer and conductor.
- (1965-1966 season) She was costume designer for Noel Coward's play, "Hay Fever," at the Long Wharf Theatre in New Haven, Connecticut. David Hager was director and set designer. Ronald Wallace was lighting designer.
- (1965 - 1966) She was costume designer for Robert Snook's adaptation of Anton Chekhov's play, "Uncle Vanya," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set designer. Ronald Wallace and Ron Abbott were lighting designers.
- (1965-1966 season) She was costume designer for Richard Brinsley Sheridan's play, "The Rivals," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set designer. Ron Abbott was lighting designer.
- (1965-1966 season) She was costume designer for Eugene O'Neill's play, "Long Day's Journey Into Night," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. David Hager was set designer. Ronald Wallace was lighting designer.
- (1966) She was costume designer for David Kranes' play, "One Right after the Other," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set designer. Ronald Wallace was lighting designer.
- (1966) She was costume designer for J. Gladden Schrock's play, "The Green Lute," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set designer. Ronald Wallace was lighting designer.
- (1966) She was costume designer for the musical, "Thumby," at the Long Wharf Theatre in New Haven, Connecticut. Jerry Blatt wrote the book, lyrics and music. Jon Jory was director. Karl Eigsti was set designer. Ronald Wallace was lighting designer. Paul Alan Levi was conductor.
- (1966) She was costume designer for John Arden's play, "The Happy Haven," at the Long Wharf Theatre in New Haven, Connecticut. Douglas Seale was director. David Hager was set designer. Ronald Wallace was lighting designer. Paul Alan Levi was composer.
- (1966-1967 season) She was costume designer for Joan Littlewood's Theatre Workshop musical, "Oh! What a Lovely War," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set designer. Ronald Wallace was lighting designer. Paul Alan Levi was conductor.
- (1966-1967 season) She was costume designer for Eric Bentley's adaptation of Bertolt Brecht's play, "Mother Courage," at the Long Wharf Theatre in New Haven, Connecticut. Michael Youngfellow was director. Ronald Wallace was lighting designer. Gordon Emerson was conductor.
- (1966-1967 Season) She and Alec Sutherland were costume designers for George M. Cohan's play, "The Tavern," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set designer. Ronald Wallace was lighting designer.
- (1966-1967 season) She was costume designer for Tennessee Williams' play, "The Night of the Iguana," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. David Hager was set designer. Ronald Wallace was lighting designer.
- (1967-1968 season) She was costume designer for Tennessee Williams' play, "The Glass Menagerie," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. James Gohl was set and lighting designer. Gordon Emerson was composer and conductor.
- (1967-1968 season) She was costume designer for Jean Anouilh's play, "The Rehearsal," at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. James Gohl was set and lighting designer.
- (1967-1968 season) She and Alec Sutherland were costume designers for John Murray and Allen Boretz's play, "Room Service," at the Long Wharf Theatre in New Haven, Connecticut. Jon Jory was director. Richard Klein was set designer. Therald Todd was lighting designer.
- (1965 to 1966) She was costume designer for the Trinity Repertory Company Theatre in Providence, Rhode Island.
- (1965-1966 season) She was costume designer for Arthur Miller's play, "The Crucible," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. David Christian was set designer. Michael Tschudin was lighting designer. Larry Fortin was sound designer.
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