Exclusive: Rain has brought in talent/lit manager and producer Barney Slobodin. He will start in July. Slobodin joins Rain from Cavalry Media, where he helped launch a management division.
On the lit side, he represents Mitchell Lafortune (Kandahar), Benjamin Klein (Winning Time), David Schickler (Banshee), directors Miguel Ortega/Tran Ma (The Ningyo), Tiffanie Hsu (Waterschool) and second unit director, Tim Connolly (Old Man). His acting clients include Ryder McLaughlin (North Hollywood), Mikayla Bartholomew (King Richard), Oliver Cooper (Project X) and Nadiv Molcho (Transatlantic).
Slobodin produced New York Emmy-winning documentary 62,000:1 Three Teams, One City, One Year, about the historic stretch in 1969 when the New York Mets, Jets and Knicks all won championships, for Basil Iwanyk’s sports division, Game1 and SportsNet New York.
Prior to expanding into management, Slobodin worked at Iwanyk’s Thunder Road. He started as an assistant and rose over six years to become VP of Production & Development.
On the lit side, he represents Mitchell Lafortune (Kandahar), Benjamin Klein (Winning Time), David Schickler (Banshee), directors Miguel Ortega/Tran Ma (The Ningyo), Tiffanie Hsu (Waterschool) and second unit director, Tim Connolly (Old Man). His acting clients include Ryder McLaughlin (North Hollywood), Mikayla Bartholomew (King Richard), Oliver Cooper (Project X) and Nadiv Molcho (Transatlantic).
Slobodin produced New York Emmy-winning documentary 62,000:1 Three Teams, One City, One Year, about the historic stretch in 1969 when the New York Mets, Jets and Knicks all won championships, for Basil Iwanyk’s sports division, Game1 and SportsNet New York.
Prior to expanding into management, Slobodin worked at Iwanyk’s Thunder Road. He started as an assistant and rose over six years to become VP of Production & Development.
- 6/21/2023
- by Nellie Andreeva
- Deadline Film + TV
Transatlantic is a series created by Anna Winger starring Gillian Jacobs, Cory Michael Smith and Yoli Fuller. It is based on the novel by Julie Orringer.
Without dramatisms, with a wide range of complex secondary plots, aesthetically cared for, with meticulous production and, yes, a light comedy tone from the 30’s that might put some viewers off.
That hasn’t been the case with us, because we find it to be a delightful series.
About the Series
It is easy to watch and to savor in every shot. A series that aesthetically looks like a movie, that shows the loving care put into the production and, finally, the desire to make “a great series”. Of course, this “great series” does not receive this treatment with respect to the script and does not want to become the neo-noir epic that some will surely ask for. It has a touch more Wes Anderson...
Without dramatisms, with a wide range of complex secondary plots, aesthetically cared for, with meticulous production and, yes, a light comedy tone from the 30’s that might put some viewers off.
That hasn’t been the case with us, because we find it to be a delightful series.
About the Series
It is easy to watch and to savor in every shot. A series that aesthetically looks like a movie, that shows the loving care put into the production and, finally, the desire to make “a great series”. Of course, this “great series” does not receive this treatment with respect to the script and does not want to become the neo-noir epic that some will surely ask for. It has a touch more Wes Anderson...
- 4/7/2023
- by TV Shows Martin Cid Magazine
- Martin Cid - TV
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