Directors who plug their favorite songs into films is nothing new, but Wes Anderson is one of the few -- along with Martin Scorsese, Quentin Tarantino, Paul Thomas Anderson and Cameron Crowe -- who have turned the movie soundtrack into an art form.
From the underappreciated Rolling Stones song "2000 Man" in Anderson's debut feature "Bottle Rocket" to a Brazilian acoustic guitarist playing David Bowie tunes in the oceanography adventure movie "The Life Aquatic with Steve Zissou," Anderson's musical choices for his films are as patiently awaited by his fans as the films themselves.
Though the tweed-stylin' director has stated that his new movie, "Moonrise Kingdom" (which opens May 25), "has a big musical element, but there are not really songs in it," his previous films are a master class in how to use songs in movies. Here are 11 of our favorites.
'2000 Man,' The Rolling Stones ('Bottle Rocket,'...
From the underappreciated Rolling Stones song "2000 Man" in Anderson's debut feature "Bottle Rocket" to a Brazilian acoustic guitarist playing David Bowie tunes in the oceanography adventure movie "The Life Aquatic with Steve Zissou," Anderson's musical choices for his films are as patiently awaited by his fans as the films themselves.
Though the tweed-stylin' director has stated that his new movie, "Moonrise Kingdom" (which opens May 25), "has a big musical element, but there are not really songs in it," his previous films are a master class in how to use songs in movies. Here are 11 of our favorites.
'2000 Man,' The Rolling Stones ('Bottle Rocket,'...
- 5/24/2012
- by Jason Guerrasio
- NextMovie
This week we’ve delving into the dusty depths of our music collections to muse on how movies have affected them. Music is an integral and downright essential ingredient in the cinematic recipe, whether it be a haunting score or a pulsing soundtrack crammed full of recognizable chart-toppers, and as such we’re doffing our cap to these tuneful treasures by asking everyone at Team Boxwish: “Have you ever been inspired by a movie to buy an artist’s music?”
Tim: “Definitely, I’m a soundtrack obsessive. I became a big fan of Hans Zimmer because of his tracks on Gladiator and Black Hawk Down, and the whole soundtrack he did for The Last Samurai was amazing. I got introduced to Eddie Vedder because of Into the Wild (I was online buying the soundtrack before I’d even finished watching the movie!) Last, but certainly not least, I know I...
Tim: “Definitely, I’m a soundtrack obsessive. I became a big fan of Hans Zimmer because of his tracks on Gladiator and Black Hawk Down, and the whole soundtrack he did for The Last Samurai was amazing. I got introduced to Eddie Vedder because of Into the Wild (I was online buying the soundtrack before I’d even finished watching the movie!) Last, but certainly not least, I know I...
- 9/8/2009
- Boxwish.com
This review was written for the festival screening of "The Darjeeling Limited".Venice International Film Festival
VENICE, Italy-- The whimsical and insightful charm that Wes Anderson and his filmmaking pals have displayed in such films as "Rushmore" and "The Royal Tenenbaums" curdles ruinously in the Indian sun that shines so brightly in their smug and self-satisfied new film "The Darjeeling Limited".
Owen Wilson, Adrien Brody and Jason Schwartzman star as brothers on what is supposedly a spiritual journey to the sub-continent. Their father has been dead for a year and their mother (a cameo from Anjelica Huston), who has found religion in the sub-continent, discourages a visit and warns of a man-eating tiger in the vicinity, although it is never seen.
The eldest brother, Francis (Wilson) has planned a detailed itinerary, however, that will allow them to see their mother and on the way hit all the key Indian sources of spiritual renewal on brief railway stops aboard the titular train. If it's Rajasthan, it must be enlightenment.
What ensues is like a third-rate Hope and Crosby picture with no big laughs and nothing to say as the completely self-involved threesome ride the rails in a circle back to their dull and uninteresting lives.
"The Darjeeling Limited" will need all the help it can get to find audiences beyond the stars' committed fans.
The pretensions surrounding this production begin with a 13-minute short film titled "Hotel Chavalier" that was screened ahead of the main feature at the Venice International Film Festival. It will be shown at other festivals and on the Internet, and be included on the eventual DVD, but it will not play in theaters when the picture is released.
Set in a hotel in Paris, the short film shows a brief encounter between the youngest brother, Jack Schwartzman) and his on-and-off girlfriend (Natalie Portman). It has no significance though except as a platform for the great 1960s anthem "Where Do You Go to My Lovely?" by Peter Sarstedt.
The feature begins with middle brother Peter (Brody) catching the train at the last minute and joining his siblings in their first-class carriage. Childhood rivalries and irksome personality ticks immediately surface, although they all agree on the need for cigarettes and the best of India's over-the-counter medications.
The Darjeeling Limited is a train especially mocked up for the film, a hybrid of the old U.S. 20th Century Limited and the Orient Express with regional patterns and colors, and not remotely like the air-conditioned models of modern India. The boys jump off and on quite a bit and run up small hills trying to communicate with ancient spirits.
While Francis and Peter needle each other, Jack has sex with the train's attractive Indian stewardess (Amara Karan), no doubt because Schwartzman had a hand in the screenplay. They visit bazaars and temples, and in one excruciating sequence are involved in an incident on a swift-moving river in which a little boy is killed.
They stay for the funeral but appear oddly unmarked by the experience, being keen to get on with their search for mom. Huston shows up late in the picture as a kind of nun to explain why she didn't go to their father's funeral, the circumstances of which are revealed in a stilted flashback.
There's an interesting soundtrack with lots of excerpts from the scores to films by Satyajit Ray and Merchant Ivory along with some Kinks and Rolling Stones tracks. The colors are beautiful and well captured by cinematographer Robert Yeoman.
But when current affairs are in such a parlous state, it's almost unforgivable to make a film about stupid American men traveling abroad with not the slightest awareness of or reference to anything that's going on in the world. The film is overly pleased with itself and the characters are way too self-absorbed. There's never a man-eating tiger around when you need one.
THE DARJEELING LIMITED
Fox Searchlight
American Empirical Pictures
Director: Wes Anderson
Writers: Wes Anderson & Roman Coppola & Jason Schwartzman
Producers: Wes Anderson, Scott Rudin, Roman Coppola, Lydia Dean Pilcher
Executive producer: Steven Rales
Director of photography: Robert Yeoman
Production designer: Mark Friedberg
Music: From the films of Satyajit Ray and Merchant Ivory
Costume designer: Milena Canonero
Editor: Andrew Weisblum
Cast:
Francis: Owen Wilson
Peter: Adrien Brody
Jack: Jason Schwartzman
Rita: Amara Karan
Brendan: Wally Wolodarsky
Chief Steward: Waris Ahluwalia
Father: Irrfan Khan
Mechanic: Barbet Schroeder
Alice: Camilla Rutherford
Businessman: Bill Murray
Patricia: Anjelica Huston
No MPAA rating, running time 91 minutes...
VENICE, Italy-- The whimsical and insightful charm that Wes Anderson and his filmmaking pals have displayed in such films as "Rushmore" and "The Royal Tenenbaums" curdles ruinously in the Indian sun that shines so brightly in their smug and self-satisfied new film "The Darjeeling Limited".
Owen Wilson, Adrien Brody and Jason Schwartzman star as brothers on what is supposedly a spiritual journey to the sub-continent. Their father has been dead for a year and their mother (a cameo from Anjelica Huston), who has found religion in the sub-continent, discourages a visit and warns of a man-eating tiger in the vicinity, although it is never seen.
The eldest brother, Francis (Wilson) has planned a detailed itinerary, however, that will allow them to see their mother and on the way hit all the key Indian sources of spiritual renewal on brief railway stops aboard the titular train. If it's Rajasthan, it must be enlightenment.
What ensues is like a third-rate Hope and Crosby picture with no big laughs and nothing to say as the completely self-involved threesome ride the rails in a circle back to their dull and uninteresting lives.
"The Darjeeling Limited" will need all the help it can get to find audiences beyond the stars' committed fans.
The pretensions surrounding this production begin with a 13-minute short film titled "Hotel Chavalier" that was screened ahead of the main feature at the Venice International Film Festival. It will be shown at other festivals and on the Internet, and be included on the eventual DVD, but it will not play in theaters when the picture is released.
Set in a hotel in Paris, the short film shows a brief encounter between the youngest brother, Jack Schwartzman) and his on-and-off girlfriend (Natalie Portman). It has no significance though except as a platform for the great 1960s anthem "Where Do You Go to My Lovely?" by Peter Sarstedt.
The feature begins with middle brother Peter (Brody) catching the train at the last minute and joining his siblings in their first-class carriage. Childhood rivalries and irksome personality ticks immediately surface, although they all agree on the need for cigarettes and the best of India's over-the-counter medications.
The Darjeeling Limited is a train especially mocked up for the film, a hybrid of the old U.S. 20th Century Limited and the Orient Express with regional patterns and colors, and not remotely like the air-conditioned models of modern India. The boys jump off and on quite a bit and run up small hills trying to communicate with ancient spirits.
While Francis and Peter needle each other, Jack has sex with the train's attractive Indian stewardess (Amara Karan), no doubt because Schwartzman had a hand in the screenplay. They visit bazaars and temples, and in one excruciating sequence are involved in an incident on a swift-moving river in which a little boy is killed.
They stay for the funeral but appear oddly unmarked by the experience, being keen to get on with their search for mom. Huston shows up late in the picture as a kind of nun to explain why she didn't go to their father's funeral, the circumstances of which are revealed in a stilted flashback.
There's an interesting soundtrack with lots of excerpts from the scores to films by Satyajit Ray and Merchant Ivory along with some Kinks and Rolling Stones tracks. The colors are beautiful and well captured by cinematographer Robert Yeoman.
But when current affairs are in such a parlous state, it's almost unforgivable to make a film about stupid American men traveling abroad with not the slightest awareness of or reference to anything that's going on in the world. The film is overly pleased with itself and the characters are way too self-absorbed. There's never a man-eating tiger around when you need one.
THE DARJEELING LIMITED
Fox Searchlight
American Empirical Pictures
Director: Wes Anderson
Writers: Wes Anderson & Roman Coppola & Jason Schwartzman
Producers: Wes Anderson, Scott Rudin, Roman Coppola, Lydia Dean Pilcher
Executive producer: Steven Rales
Director of photography: Robert Yeoman
Production designer: Mark Friedberg
Music: From the films of Satyajit Ray and Merchant Ivory
Costume designer: Milena Canonero
Editor: Andrew Weisblum
Cast:
Francis: Owen Wilson
Peter: Adrien Brody
Jack: Jason Schwartzman
Rita: Amara Karan
Brendan: Wally Wolodarsky
Chief Steward: Waris Ahluwalia
Father: Irrfan Khan
Mechanic: Barbet Schroeder
Alice: Camilla Rutherford
Businessman: Bill Murray
Patricia: Anjelica Huston
No MPAA rating, running time 91 minutes...
Venice International Film Festival
VENICE, Italy-- The whimsical and insightful charm that Wes Anderson and his filmmaking pals have displayed in such films as "Rushmore" and "The Royal Tenenbaums" curdles ruinously in the Indian sun that shines so brightly in their smug and self-satisfied new film "The Darjeeling Limited".
Owen Wilson, Adrien Brody and Jason Schwartzman star as brothers on what is supposedly a spiritual journey to the sub-continent. Their father has been dead for a year and their mother (a cameo from Anjelica Huston), who has found religion in the sub-continent, discourages a visit and warns of a man-eating tiger in the vicinity, although it is never seen.
The eldest brother, Francis (Wilson) has planned a detailed itinerary, however, that will allow them to see their mother and on the way hit all the key Indian sources of spiritual renewal on brief railway stops aboard the titular train. If it's Rajasthan, it must be enlightenment.
What ensues is like a third-rate Hope and Crosby picture with no big laughs and nothing to say as the completely self-involved threesome ride the rails in a circle back to their dull and uninteresting lives.
"The Darjeeling Limited" will need all the help it can get to find audiences beyond the stars' committed fans.
The pretensions surrounding this production begin with a 13-minute short film titled "Hotel Chavalier" that was screened ahead of the main feature at the Venice International Film Festival. It will be shown at other festivals and on the Internet, and be included on the eventual DVD, but it will not play in theaters when the picture is released.
Set in a hotel in Paris, the short film shows a brief encounter between the youngest brother, Jack Schwartzman) and his on-and-off girlfriend (Natalie Portman). It has no significance though except as a platform for the great 1960s anthem "Where Do You Go to My Lovely?" by Peter Sarstedt.
The feature begins with middle brother Peter (Brody) catching the train at the last minute and joining his siblings in their first-class carriage. Childhood rivalries and irksome personality ticks immediately surface, although they all agree on the need for cigarettes and the best of India's over-the-counter medications.
The Darjeeling Limited is a train especially mocked up for the film, a hybrid of the old U.S. 20th Century Limited and the Orient Express with regional patterns and colors, and not remotely like the air-conditioned models of modern India. The boys jump off and on quite a bit and run up small hills trying to communicate with ancient spirits.
While Francis and Peter needle each other, Jack has sex with the train's attractive Indian stewardess (Amara Karan), no doubt because Schwartzman had a hand in the screenplay. They visit bazaars and temples, and in one excruciating sequence are involved in an incident on a swift-moving river in which a little boy is killed.
They stay for the funeral but appear oddly unmarked by the experience, being keen to get on with their search for mom. Huston shows up late in the picture as a kind of nun to explain why she didn't go to their father's funeral, the circumstances of which are revealed in a stilted flashback.
There's an interesting soundtrack with lots of excerpts from the scores to films by Satyajit Ray and Merchant Ivory along with some Kinks and Rolling Stones tracks. The colors are beautiful and well captured by cinematographer Robert Yeoman.
But when current affairs are in such a parlous state, it's almost unforgivable to make a film about stupid American men traveling abroad with not the slightest awareness of or reference to anything that's going on in the world. The film is overly pleased with itself and the characters are way too self-absorbed. There's never a man-eating tiger around when you need one.
THE DARJEELING LIMITED
Fox Searchlight
American Empirical Pictures
Director: Wes Anderson
Writers: Wes Anderson & Roman Coppola & Jason Schwartzman
Producers: Wes Anderson, Scott Rudin, Roman Coppola, Lydia Dean Pilcher
Executive producer: Steven Rales
Director of photography: Robert Yeoman
Production designer: Mark Friedberg
Music: From the films of Satyajit Ray and Merchant Ivory
Costume designer: Milena Canonero
Editor: Andrew Weisblum
Cast:
Francis: Owen Wilson
Peter: Adrien Brody
Jack: Jason Schwartzman
Rita: Amara Karan
Brendan: Wally Wolodarsky
Chief Steward: Waris Ahluwalia
Father: Irrfan Khan
Mechanic: Barbet Schroeder
Alice: Camilla Rutherford
Businessman: Bill Murray
Patricia: Anjelica Huston
No MPAA rating, running time 91 minutes...
VENICE, Italy-- The whimsical and insightful charm that Wes Anderson and his filmmaking pals have displayed in such films as "Rushmore" and "The Royal Tenenbaums" curdles ruinously in the Indian sun that shines so brightly in their smug and self-satisfied new film "The Darjeeling Limited".
Owen Wilson, Adrien Brody and Jason Schwartzman star as brothers on what is supposedly a spiritual journey to the sub-continent. Their father has been dead for a year and their mother (a cameo from Anjelica Huston), who has found religion in the sub-continent, discourages a visit and warns of a man-eating tiger in the vicinity, although it is never seen.
The eldest brother, Francis (Wilson) has planned a detailed itinerary, however, that will allow them to see their mother and on the way hit all the key Indian sources of spiritual renewal on brief railway stops aboard the titular train. If it's Rajasthan, it must be enlightenment.
What ensues is like a third-rate Hope and Crosby picture with no big laughs and nothing to say as the completely self-involved threesome ride the rails in a circle back to their dull and uninteresting lives.
"The Darjeeling Limited" will need all the help it can get to find audiences beyond the stars' committed fans.
The pretensions surrounding this production begin with a 13-minute short film titled "Hotel Chavalier" that was screened ahead of the main feature at the Venice International Film Festival. It will be shown at other festivals and on the Internet, and be included on the eventual DVD, but it will not play in theaters when the picture is released.
Set in a hotel in Paris, the short film shows a brief encounter between the youngest brother, Jack Schwartzman) and his on-and-off girlfriend (Natalie Portman). It has no significance though except as a platform for the great 1960s anthem "Where Do You Go to My Lovely?" by Peter Sarstedt.
The feature begins with middle brother Peter (Brody) catching the train at the last minute and joining his siblings in their first-class carriage. Childhood rivalries and irksome personality ticks immediately surface, although they all agree on the need for cigarettes and the best of India's over-the-counter medications.
The Darjeeling Limited is a train especially mocked up for the film, a hybrid of the old U.S. 20th Century Limited and the Orient Express with regional patterns and colors, and not remotely like the air-conditioned models of modern India. The boys jump off and on quite a bit and run up small hills trying to communicate with ancient spirits.
While Francis and Peter needle each other, Jack has sex with the train's attractive Indian stewardess (Amara Karan), no doubt because Schwartzman had a hand in the screenplay. They visit bazaars and temples, and in one excruciating sequence are involved in an incident on a swift-moving river in which a little boy is killed.
They stay for the funeral but appear oddly unmarked by the experience, being keen to get on with their search for mom. Huston shows up late in the picture as a kind of nun to explain why she didn't go to their father's funeral, the circumstances of which are revealed in a stilted flashback.
There's an interesting soundtrack with lots of excerpts from the scores to films by Satyajit Ray and Merchant Ivory along with some Kinks and Rolling Stones tracks. The colors are beautiful and well captured by cinematographer Robert Yeoman.
But when current affairs are in such a parlous state, it's almost unforgivable to make a film about stupid American men traveling abroad with not the slightest awareness of or reference to anything that's going on in the world. The film is overly pleased with itself and the characters are way too self-absorbed. There's never a man-eating tiger around when you need one.
THE DARJEELING LIMITED
Fox Searchlight
American Empirical Pictures
Director: Wes Anderson
Writers: Wes Anderson & Roman Coppola & Jason Schwartzman
Producers: Wes Anderson, Scott Rudin, Roman Coppola, Lydia Dean Pilcher
Executive producer: Steven Rales
Director of photography: Robert Yeoman
Production designer: Mark Friedberg
Music: From the films of Satyajit Ray and Merchant Ivory
Costume designer: Milena Canonero
Editor: Andrew Weisblum
Cast:
Francis: Owen Wilson
Peter: Adrien Brody
Jack: Jason Schwartzman
Rita: Amara Karan
Brendan: Wally Wolodarsky
Chief Steward: Waris Ahluwalia
Father: Irrfan Khan
Mechanic: Barbet Schroeder
Alice: Camilla Rutherford
Businessman: Bill Murray
Patricia: Anjelica Huston
No MPAA rating, running time 91 minutes...
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