Constantin Television (We Children from Bahnhof Zoo) and UFA Fiction (Deutschland 83) are underway on new German-language drama series Eldorado KaDeWe (w/t), which will be directed by Julia von Heinz, director of Germany’s 2020 Oscar entry And Tomorrow the Entire World.
Made in co-production with Ard Degeto and Rbb, the series is set in Berlin during the Roaring Twenties. The city is dominated by political unrest, inflation and increasing political radicalization but is also a modern metropolis in whose vibrant nightlife emancipation, sexual diversity and social utopias blossom. The drama focuses on the famous luxury department store, KaDeWe at Wittenbergplatz, founded and successfully run by the Jewish entrepreneurial family Jandorf. It is here that the lives of Hedi, Fritzi, Harry and Georg cross paths.
The six-part high-end series is being filmed in Budapest and Berlin and above is a first-look image. Starring are Valerie Stoll, Lia von Blarer, Joel Basman and Damian Thüne.
Made in co-production with Ard Degeto and Rbb, the series is set in Berlin during the Roaring Twenties. The city is dominated by political unrest, inflation and increasing political radicalization but is also a modern metropolis in whose vibrant nightlife emancipation, sexual diversity and social utopias blossom. The drama focuses on the famous luxury department store, KaDeWe at Wittenbergplatz, founded and successfully run by the Jewish entrepreneurial family Jandorf. It is here that the lives of Hedi, Fritzi, Harry and Georg cross paths.
The six-part high-end series is being filmed in Budapest and Berlin and above is a first-look image. Starring are Valerie Stoll, Lia von Blarer, Joel Basman and Damian Thüne.
- 8/4/2021
- by Andreas Wiseman
- Deadline Film + TV
And Tomorrow The Entire World, the engaged latest film from writer-director Julia von Heinz, is something close to transfixing, as it zeroes in on the vital distinction between being a weekend radical and a truly committed game-changer. Germany’s Best International Feature Film Oscar entry made an impression at last year’s Venice Film Festival and should connect strongly with younger audiences in many parts of the world.
Although none the director’s previous four features (she’s also worked in television) have made a mark internationally, the sheer energy and sense of mission in this breathlessly-paced, intimate drama will pull audiences right along with it, as it intently addresses the extent of personal commitment necessary for those who might want to make a difference in implementing change and keeping authoritarianism at bay — issues on the rise in places around the globe.
Employing a fleet visual style that keeps things...
Although none the director’s previous four features (she’s also worked in television) have made a mark internationally, the sheer energy and sense of mission in this breathlessly-paced, intimate drama will pull audiences right along with it, as it intently addresses the extent of personal commitment necessary for those who might want to make a difference in implementing change and keeping authoritarianism at bay — issues on the rise in places around the globe.
Employing a fleet visual style that keeps things...
- 1/25/2021
- by Todd McCarthy
- Deadline Film + TV
“And Tomorrow the Entire World” is a taut, headlong dive into a student Antifa commune in Berlin, whose residents gradually splinter over how to fight a rising tide of white supremacy. It was, per its press notes, originally conceived as a period piece by director Julia von Heinz, before she concluded that there was no need to do so. That her film feels at once bristlingly current and easily tethered to other eras is its blunt power: It finds room for the perspective of both fervent Generation Z activists and their jaded elders, who may support the cause but are aggrieved that the fight hasn’t changed since their day, and fear it never will. Politically resonant but also solidly effective as straightforward youth-in-revolt drama, this Venice competition entry could make the international impression that von Heinz’s previous features have not.
Having never previously been in the official selection of a major festival,...
Having never previously been in the official selection of a major festival,...
- 9/10/2020
- by Guy Lodge
- Variety Film + TV
I love a good period drama. Show me one that has a tinge of creep factor and I’ve even more interested. And then there’s something like The Poll Diaries, Chris Kraus’ follow-up to 2006’s Four Minutes which introduces newcomer Paula Beer as Oda, a young girl who returns to Poll to live with her morbid scientist father just before the outbreak of world war one.
I was first struck by the sheer beauty of this trailer and how it seamlessly treads from lush, breathtaking scenery to images of a man removing a human brain. It’s a little shocking at first but the transition adds to the feeling of impending doom that lines this tale of self discovery. It's also worth mentioning that the film is shot by a woman - cinematographer Daniela Knapp; a rarity always worth noting.
This is one I’m very excited to see...
I was first struck by the sheer beauty of this trailer and how it seamlessly treads from lush, breathtaking scenery to images of a man removing a human brain. It’s a little shocking at first but the transition adds to the feeling of impending doom that lines this tale of self discovery. It's also worth mentioning that the film is shot by a woman - cinematographer Daniela Knapp; a rarity always worth noting.
This is one I’m very excited to see...
- 2/4/2011
- QuietEarth.us
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