The BFI’s annual statistics reveal a slight market-share increase for UK independent films.
UK and Ireland box-office takings for films released in 2020 were down 81% year-on-year as local titles failed to replicate the strong showing seen elsewhere across Europe, according to the BFI’s annual official statistics report.
The box office total for all 2020 film releases was £247m, down from the £1.25bn figure in 2019. Overall cinema admissions were also down by 75%, dropping to 44 million from 176 million in 2019.
The overall market share of UK films was down 1.3% from 2019’s all-time peak of 47.7% to 46.4% – a £114.5m total. This was the second-highest market...
UK and Ireland box-office takings for films released in 2020 were down 81% year-on-year as local titles failed to replicate the strong showing seen elsewhere across Europe, according to the BFI’s annual official statistics report.
The box office total for all 2020 film releases was £247m, down from the £1.25bn figure in 2019. Overall cinema admissions were also down by 75%, dropping to 44 million from 176 million in 2019.
The overall market share of UK films was down 1.3% from 2019’s all-time peak of 47.7% to 46.4% – a £114.5m total. This was the second-highest market...
- 2/4/2021
- by Ben Dalton
- ScreenDaily
The BFI’s annual statistics reveal a slight market-share increase for UK independent films.
UK and Ireland box-office takings in 2020 were down 81% year-on-year as local titles failed to replicate the strong showing seen elsewhere across Europe, according to the BFI’s annual official statistics report.
The box office total for all 2020 film releases was £247m, down from the £1.25bn figure in 2019. Overall cinema admissions were also down by 75%, dropping to 44 million from 176 million in 2019.
The overall market share of UK films was down 1.3% from 2019’s all-time peak of 47.7% to 46.4% – a £114.5m total. This was the second-highest market share for UK...
UK and Ireland box-office takings in 2020 were down 81% year-on-year as local titles failed to replicate the strong showing seen elsewhere across Europe, according to the BFI’s annual official statistics report.
The box office total for all 2020 film releases was £247m, down from the £1.25bn figure in 2019. Overall cinema admissions were also down by 75%, dropping to 44 million from 176 million in 2019.
The overall market share of UK films was down 1.3% from 2019’s all-time peak of 47.7% to 46.4% – a £114.5m total. This was the second-highest market share for UK...
- 2/4/2021
- by Ben Dalton
- ScreenDaily
Clemenger Bbdo Melbourne was named agency of the year at the Melbourne Advertising & Design Club Awards tonight.
The agency won top honours for the second year running. However, rival Gpy&R Melbourne – which won more lions at Cannes this year than any Australian agency – did not enter for the second consecutive year. Last year, Patts Ecd Ben Coulson cited cost reasons for not supporting the event, which is Melbourne’s top awards show.
The awards list in full:
The Adstream Award for Agency of the Year
Winner
Clemenger Bbdo Melbourne
The Madc Award for Best in Show
Winner
Guilt Trips V/Line Agency McCann
The Madc Award for Lifetime Achievement
Winner
Scott Whybin, Whybin Tbwa
The Blackley Award for Creative Leader of the Year
Winner
Jason Williams, Leo Burnett
The Madc Award for Client of the Year
Winner
Carlton United Brewers
The Exit Films Award for Best Junior
Winners
Jono...
The agency won top honours for the second year running. However, rival Gpy&R Melbourne – which won more lions at Cannes this year than any Australian agency – did not enter for the second consecutive year. Last year, Patts Ecd Ben Coulson cited cost reasons for not supporting the event, which is Melbourne’s top awards show.
The awards list in full:
The Adstream Award for Agency of the Year
Winner
Clemenger Bbdo Melbourne
The Madc Award for Best in Show
Winner
Guilt Trips V/Line Agency McCann
The Madc Award for Lifetime Achievement
Winner
Scott Whybin, Whybin Tbwa
The Blackley Award for Creative Leader of the Year
Winner
Jason Williams, Leo Burnett
The Madc Award for Client of the Year
Winner
Carlton United Brewers
The Exit Films Award for Best Junior
Winners
Jono...
- 10/4/2012
- by Robin Hicks
- Encore Magazine
More versions of the new brand campaign for Woolworths from Droga 5 go to air tonight featuring employees and suppliers.
There are 12 different commercials, which seek to emphasise that most Woolworths fresh produce is Australian grown.
As Mumbrella reported yesterday, the campaign is the first major work since Droga5 won the Woolworths account.
The staff come after a casting call featuring 400 people which was eventually whittled down to 55 call-backs and eventually cast nine people.
Among those featuring was truckie Harold Haigh, who travelled to South Australia for the shoot, his first time on a plane despite 20 years on the road.
The production featured four crews shooting simultaneously across the country, on formats including 16mm, digital, VHS and iPhone. The entire project was overseen by Exit director Amy Gebhardt .
David Nobay, Droga5 Creative Chairman added; “A lot of people scratched their heads when they saw Droga5 and Woolworths together in the same sentence,...
There are 12 different commercials, which seek to emphasise that most Woolworths fresh produce is Australian grown.
As Mumbrella reported yesterday, the campaign is the first major work since Droga5 won the Woolworths account.
The staff come after a casting call featuring 400 people which was eventually whittled down to 55 call-backs and eventually cast nine people.
Among those featuring was truckie Harold Haigh, who travelled to South Australia for the shoot, his first time on a plane despite 20 years on the road.
The production featured four crews shooting simultaneously across the country, on formats including 16mm, digital, VHS and iPhone. The entire project was overseen by Exit director Amy Gebhardt .
David Nobay, Droga5 Creative Chairman added; “A lot of people scratched their heads when they saw Droga5 and Woolworths together in the same sentence,...
- 6/18/2012
- by mumbrella
- Encore Magazine
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