Love Productions USA (The Great American Baking Show) is set to produce Rhino Reboot, a series following the rebuilding of perennial underdog soccer team, The Rochester Rhinos, after sealing a deal with newly announced co-owners Jamie Vardy and David and Wendy Dworkin.
The Rhinos, a club that has struggled to find itself and establish a winning streak, last played professionally in the 2017 Usl season, but are anticipating a turnaround as they gear up for action in 2022.
The series will document the growth of the franchise as global football phenom Vardy and the Dworkins fill senior roles, including identifying a head coach and chief business officer, sourcing talented young local players who haven’t yet played at the competitive level, and trying to build a team both on and off the pitch. Rhino Reboot will have unfettered access to management, the coaching team, the owners, players and backroom staff. Vardy was...
The Rhinos, a club that has struggled to find itself and establish a winning streak, last played professionally in the 2017 Usl season, but are anticipating a turnaround as they gear up for action in 2022.
The series will document the growth of the franchise as global football phenom Vardy and the Dworkins fill senior roles, including identifying a head coach and chief business officer, sourcing talented young local players who haven’t yet played at the competitive level, and trying to build a team both on and off the pitch. Rhino Reboot will have unfettered access to management, the coaching team, the owners, players and backroom staff. Vardy was...
- 6/24/2021
- by Nancy Tartaglione
- Deadline Film + TV
Great British soccer star Jamie Vardy has teamed up with Love Productions USA on a new documentary series, “Rhino Reboot,” that will see him attempt to rebuild underdog soccer team The Rochester Rhinos.
Vardy, a Premier League soccer player who has also played for England, co-owns the Rhinos along with Sacramento Kings co-owners David and Wendy Dworkin. The series will offer exclusive access to the team’s management, coaching team, owners, players and staff as Vardy and his colleagues re-boot the Rhinos’ image and, hopefully, their performance as they make a bid for glory in 2022.
Among Vardy and the Dworkins’ first tasks will be finding a head coach and chief business officer, scouting for young players and building a team.
Love Productions USA is the U.S. arm of “Great British Bake-Off” producer Love Productions. Its co-presidents, Joe Labracio and Al Edgington, have worked on sports productions including “Last Chance U...
Vardy, a Premier League soccer player who has also played for England, co-owns the Rhinos along with Sacramento Kings co-owners David and Wendy Dworkin. The series will offer exclusive access to the team’s management, coaching team, owners, players and staff as Vardy and his colleagues re-boot the Rhinos’ image and, hopefully, their performance as they make a bid for glory in 2022.
Among Vardy and the Dworkins’ first tasks will be finding a head coach and chief business officer, scouting for young players and building a team.
Love Productions USA is the U.S. arm of “Great British Bake-Off” producer Love Productions. Its co-presidents, Joe Labracio and Al Edgington, have worked on sports productions including “Last Chance U...
- 6/24/2021
- by K.J. Yossman
- Variety Film + TV
Exclusive: Paul Tamasy and Eric Johnson, the Oscar-nominated screenwriters of The Fighter and who also penned the upcoming Boston Marathon bombing pic Patriots Day, have found a new project to kick around. The have been set to write a screenplay with Goal: The Dream Begins scribe Adrian Butchart about Leicester City, the club which despite 5000-to-1 odds won the English Premiere League title this year overcoming perennial monied powerhouses like Arsenal, Chelsea…...
- 7/27/2016
- Deadline
Bedlam joins Knightsbridge Films to produce biopic of Leicester City and England footballer.
The King’s Speech producer Bedlam Productions has joing Kinghtsbridge Films to produce a biopic of Leicester City and England footballer Jamie Vardy.
The as yet untitled project is being developed and produced by Adrian Butchart (Goal! The Dream Begins) for Knightsbridge with Simon Egan (The King’s Speech) and Gareth Ellis-Unwin (The King’s Speech, Zaytoun) for Bedlam.
The feature will chart Vardy’s remarkable journey from English football’s lower divisions to the heights of success with Leicester City, where last year he helped the Foxes win the Premier LEague and become a record-breaking goalscorer for the club.
Butchart said: “This film has already gathered so much attention from the public, the media, and the entertainment industry - some considerate it as the sport success story of the century - that there were multiple offers on the table. But when Simon...
The King’s Speech producer Bedlam Productions has joing Kinghtsbridge Films to produce a biopic of Leicester City and England footballer Jamie Vardy.
The as yet untitled project is being developed and produced by Adrian Butchart (Goal! The Dream Begins) for Knightsbridge with Simon Egan (The King’s Speech) and Gareth Ellis-Unwin (The King’s Speech, Zaytoun) for Bedlam.
The feature will chart Vardy’s remarkable journey from English football’s lower divisions to the heights of success with Leicester City, where last year he helped the Foxes win the Premier LEague and become a record-breaking goalscorer for the club.
Butchart said: “This film has already gathered so much attention from the public, the media, and the entertainment industry - some considerate it as the sport success story of the century - that there were multiple offers on the table. But when Simon...
- 6/27/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Tom Hanks tinkering with teamsheets as Ranieri, Idris Elba barking orders as captain Morgan, and Tom Hiddleston smashing in the goals … a surefire lineup to get them queuing at the turnstiles
Film producers like nothing more than a chest-burstingly uplifting, against-the-odds, underdog-come-good, overcoming-adversity story, and Leicester City’s tilt at the Premier League title is about as chestburstingly uplifting as they come. So just as football journalists have been sharpening their pens and documentary-makers loading up their editing suites over the past few weeks as the Foxes have been closing in on the championship, film production executives will have begun the unseemly jostle to get Leicester City: The Movie in the works.
But how to go about it? The first issue is where to pitch it. Notoriously, most films about football – about British football, at least – have been pretty bad: hamstrung between the need to appeal to the widest possible only-vaguely-interested audience (ie,...
Film producers like nothing more than a chest-burstingly uplifting, against-the-odds, underdog-come-good, overcoming-adversity story, and Leicester City’s tilt at the Premier League title is about as chestburstingly uplifting as they come. So just as football journalists have been sharpening their pens and documentary-makers loading up their editing suites over the past few weeks as the Foxes have been closing in on the championship, film production executives will have begun the unseemly jostle to get Leicester City: The Movie in the works.
But how to go about it? The first issue is where to pitch it. Notoriously, most films about football – about British football, at least – have been pretty bad: hamstrung between the need to appeal to the widest possible only-vaguely-interested audience (ie,...
- 5/3/2016
- by Andrew Pulver
- The Guardian - Film News
Tom Hanks tinkering with teamsheets as Ranieri, Idris Elba barking orders as captain Morgan, and Tom Hiddleston smashing in the goals … a surefire lineup to get them queuing at the turnstiles
Film producers like nothing more than a chest-burstingly uplifting, against-the-odds, underdog-come-good, overcoming-adversity story, and Leicester City’s tilt at the Premier League title is about as chestburstingly uplifting as they come. So just as football journalists have been sharpening their pens and documentary-makers loading up their editing suites over the past few weeks as the Foxes have been closing in on the championship, film production executives will have begun the unseemly jostle to get Leicester City: The Movie in the works.
But how to go about it? The first issue is where to pitch it. Notoriously, most films about football – about British football, at least – have been pretty bad: hamstrung between the need to appeal to the widest possible only-vaguely-interested audience (ie,...
Film producers like nothing more than a chest-burstingly uplifting, against-the-odds, underdog-come-good, overcoming-adversity story, and Leicester City’s tilt at the Premier League title is about as chestburstingly uplifting as they come. So just as football journalists have been sharpening their pens and documentary-makers loading up their editing suites over the past few weeks as the Foxes have been closing in on the championship, film production executives will have begun the unseemly jostle to get Leicester City: The Movie in the works.
But how to go about it? The first issue is where to pitch it. Notoriously, most films about football – about British football, at least – have been pretty bad: hamstrung between the need to appeal to the widest possible only-vaguely-interested audience (ie,...
- 5/3/2016
- by Andrew Pulver
- The Guardian - Film News
Phedon Papamichael's thriller "From Within" has been announced to be the latest horror film selection to be included in After Dark Horrorfest III's line-up of the "8 Films to Die for". Outed on Wednesday, September 3, by After Dark Films' CEO Courtney Solomon, it will be joining the other previously-selected movies, "The Broken", "Slaughter (2009)", "Perkins 14" and "The Butterfly Effect: Revelation".
Sharing his excitement upon knowing that the film starring Elizabeth Rice, Thomas Dekker, Kelly Blatz, Laura Allen, Adam Goldberg and Rumer Willis has become the fifth film on the list, producer Adrian Butchart stated, "We've been fans of the After Dark Horrorfest '8 Films to Die For' series since it blasted onto the scene two years ago. We feel that we are in great company this year since the films look to be the best yet. We are delighted to have 'From Within' take part in the latest installment."
Having been...
Sharing his excitement upon knowing that the film starring Elizabeth Rice, Thomas Dekker, Kelly Blatz, Laura Allen, Adam Goldberg and Rumer Willis has become the fifth film on the list, producer Adrian Butchart stated, "We've been fans of the After Dark Horrorfest '8 Films to Die For' series since it blasted onto the scene two years ago. We feel that we are in great company this year since the films look to be the best yet. We are delighted to have 'From Within' take part in the latest installment."
Having been...
- 9/5/2008
- by AceShowbiz.com
- Aceshowbiz
Screened
Toronto International Film Festival
TORONTO -- "I Love Your Work" is a movie directed and co-written by an actor, Adam Goldberg, that features many of his actor buddies. So what's it all about? It's about how awful it is to be an actor or, worse, a movie star and how an acting career can damage one's fragile psyche. Before you can even accuse the moviemaker and his pals of naval gazing, a "narcissism expert" appears on a TV talk show and turns to the movie's protagonist to lecture him about listening to other people and getting over his egocentricity. Of course, he doesn't listen to her.
However much this movie may speak to the current generation of actors, it has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters. Because Goldberg borrows -- or believes he is borrowing -- from the stylistic flourishes of filmmakers ranging from David Lynch and John Cassavetes to Martin Scorsese and the French New Wave, the movie may stimulate cineastes who look for "references" in movies rather than originality. Otherwise, "I Love Your Work" will have little life off the festival circuit.
Giovanni Ribisi plays Gray Evans, a movie star whose life and marriage to fellow movie star Mia (Franka Potente) is falling apart. As Mia accurately points out to Gray: "You hate the business. You hate the rags. And you hate being a celebrity." No one bothers to ask why Gray pursues a career guaranteed to bring him so much grief.
Goldberg and co-writer Adrian Butchart try to establish layers of reality in order to play peekaboo with the narrative structure. So there is a movie being made within the movie. Gray's obsessions and fantasies may or may not be real. And he suffers many mental mix-ups wherein his wife turns into his ex-lover Shana (Christina Ricci) and Shana gets confused with Jane (Marisa Coughlan), the young girlfriend of one of Gray's fans, John (Joshua Jackson). But since no level of reality is given any substance or plausibility, the movie feels void of narrative purpose.
Gray, who exists on a diet of booze and tobacco, apparently goes to a premiere nearly every night. Yet every time a photographer's flash goes off, his face has the startled, horrified look of a deer caught in the headlights of an on-rushing car. Gray sees stalkers everywhere, to the amusement of his security expert (Jared Harris), who pads his bank account nicely by following up on every obsession. And every time Elvis Costello leaves a message on the answering machine for Mia, Gray goes into a jealous rage.
Meanwhile, Gray and Mia live a strange movie-star existence as they inhabit a cool, sterile loft above an aging movie theater. The only real twist to this film comes when the movie star essentially stalks his own fan. Gray's spying on John and Jane allows him to fantasize about what a "normal" life would be like. Yet he gleams no wisdom from his intrusion into their lives. Instead, his continual delusions and flawed memories offer Goldberg the opportunity to wallow in an impressionistic style, courtesy of cinematographer Mark Putnam's crisp, gloomy lighting, designer Erin Smith's antiseptic decors and editors Zack Bell and John Valerio's jumble of images culled from Gray's confused mind.
Goldberg's actors work hard, but the overwrought melodrama betrays their efforts. Ribisi, who has never looked less like a movie star, is too weird and affected from the opening scene to pull you into his character's turmoil and troubles. Potente, who does look like a movie star, comes off with dignity at least as a women struggling to cope with a failing marriage. Jackson, Coughlan and Ricci, all playing quasi-figments of Gray's imagination, can do little more than pose and react.
I LOVE YOUR WORK
Fireworks presents a Muse production in association with Cyan Pictures, Departure Entertainment, Miracle Mile Films, Rice/Walter Prods. in association with In Association With Prods.
Credits:
Director: Adam Goldberg
Screenwriters: Adam Goldberg, Adrian Butchart
Producers: Chris Hanley, David Hillary, Tim Peternel, Joshua Newman, Adam Goldberg
Executive producers: Daniel Diamond, Jay Firestone, Damon Martin, Chad Troutwine, Boro Vukadinovic
Director of photography: Mark Putnam
Production designer: Erin Smith
Music: Adam Goldberg, Stephen Drozd
Costume designer: Dawn Weisberg
Editors: Zack Bell, John Valerio
Cast:
Gray: Giovanni Ribisi
Mia: Franka Potente
Shana: Christina Ricci
John: Joshua Jackson
Jane: Marisa Coughlan
Yehud: Jared Harris
Stalker: Jason Lee
Running time -- 111 minutes
No MPAA rating...
Toronto International Film Festival
TORONTO -- "I Love Your Work" is a movie directed and co-written by an actor, Adam Goldberg, that features many of his actor buddies. So what's it all about? It's about how awful it is to be an actor or, worse, a movie star and how an acting career can damage one's fragile psyche. Before you can even accuse the moviemaker and his pals of naval gazing, a "narcissism expert" appears on a TV talk show and turns to the movie's protagonist to lecture him about listening to other people and getting over his egocentricity. Of course, he doesn't listen to her.
However much this movie may speak to the current generation of actors, it has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters. Because Goldberg borrows -- or believes he is borrowing -- from the stylistic flourishes of filmmakers ranging from David Lynch and John Cassavetes to Martin Scorsese and the French New Wave, the movie may stimulate cineastes who look for "references" in movies rather than originality. Otherwise, "I Love Your Work" will have little life off the festival circuit.
Giovanni Ribisi plays Gray Evans, a movie star whose life and marriage to fellow movie star Mia (Franka Potente) is falling apart. As Mia accurately points out to Gray: "You hate the business. You hate the rags. And you hate being a celebrity." No one bothers to ask why Gray pursues a career guaranteed to bring him so much grief.
Goldberg and co-writer Adrian Butchart try to establish layers of reality in order to play peekaboo with the narrative structure. So there is a movie being made within the movie. Gray's obsessions and fantasies may or may not be real. And he suffers many mental mix-ups wherein his wife turns into his ex-lover Shana (Christina Ricci) and Shana gets confused with Jane (Marisa Coughlan), the young girlfriend of one of Gray's fans, John (Joshua Jackson). But since no level of reality is given any substance or plausibility, the movie feels void of narrative purpose.
Gray, who exists on a diet of booze and tobacco, apparently goes to a premiere nearly every night. Yet every time a photographer's flash goes off, his face has the startled, horrified look of a deer caught in the headlights of an on-rushing car. Gray sees stalkers everywhere, to the amusement of his security expert (Jared Harris), who pads his bank account nicely by following up on every obsession. And every time Elvis Costello leaves a message on the answering machine for Mia, Gray goes into a jealous rage.
Meanwhile, Gray and Mia live a strange movie-star existence as they inhabit a cool, sterile loft above an aging movie theater. The only real twist to this film comes when the movie star essentially stalks his own fan. Gray's spying on John and Jane allows him to fantasize about what a "normal" life would be like. Yet he gleams no wisdom from his intrusion into their lives. Instead, his continual delusions and flawed memories offer Goldberg the opportunity to wallow in an impressionistic style, courtesy of cinematographer Mark Putnam's crisp, gloomy lighting, designer Erin Smith's antiseptic decors and editors Zack Bell and John Valerio's jumble of images culled from Gray's confused mind.
Goldberg's actors work hard, but the overwrought melodrama betrays their efforts. Ribisi, who has never looked less like a movie star, is too weird and affected from the opening scene to pull you into his character's turmoil and troubles. Potente, who does look like a movie star, comes off with dignity at least as a women struggling to cope with a failing marriage. Jackson, Coughlan and Ricci, all playing quasi-figments of Gray's imagination, can do little more than pose and react.
I LOVE YOUR WORK
Fireworks presents a Muse production in association with Cyan Pictures, Departure Entertainment, Miracle Mile Films, Rice/Walter Prods. in association with In Association With Prods.
Credits:
Director: Adam Goldberg
Screenwriters: Adam Goldberg, Adrian Butchart
Producers: Chris Hanley, David Hillary, Tim Peternel, Joshua Newman, Adam Goldberg
Executive producers: Daniel Diamond, Jay Firestone, Damon Martin, Chad Troutwine, Boro Vukadinovic
Director of photography: Mark Putnam
Production designer: Erin Smith
Music: Adam Goldberg, Stephen Drozd
Costume designer: Dawn Weisberg
Editors: Zack Bell, John Valerio
Cast:
Gray: Giovanni Ribisi
Mia: Franka Potente
Shana: Christina Ricci
John: Joshua Jackson
Jane: Marisa Coughlan
Yehud: Jared Harris
Stalker: Jason Lee
Running time -- 111 minutes
No MPAA rating...
Screened
Toronto International Film Festival
TORONTO -- "I Love Your Work" is a movie directed and co-written by an actor, Adam Goldberg, that features many of his actor buddies. So what's it all about? It's about how awful it is to be an actor or, worse, a movie star and how an acting career can damage one's fragile psyche. Before you can even accuse the moviemaker and his pals of naval gazing, a "narcissism expert" appears on a TV talk show and turns to the movie's protagonist to lecture him about listening to other people and getting over his egocentricity. Of course, he doesn't listen to her.
However much this movie may speak to the current generation of actors, it has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters. Because Goldberg borrows -- or believes he is borrowing -- from the stylistic flourishes of filmmakers ranging from David Lynch and John Cassavetes to Martin Scorsese and the French New Wave, the movie may stimulate cineastes who look for "references" in movies rather than originality. Otherwise, "I Love Your Work" will have little life off the festival circuit.
Giovanni Ribisi plays Gray Evans, a movie star whose life and marriage to fellow movie star Mia (Franka Potente) is falling apart. As Mia accurately points out to Gray: "You hate the business. You hate the rags. And you hate being a celebrity." No one bothers to ask why Gray pursues a career guaranteed to bring him so much grief.
Goldberg and co-writer Adrian Butchart try to establish layers of reality in order to play peekaboo with the narrative structure. So there is a movie being made within the movie. Gray's obsessions and fantasies may or may not be real. And he suffers many mental mix-ups wherein his wife turns into his ex-lover Shana (Christina Ricci) and Shana gets confused with Jane (Marisa Coughlan), the young girlfriend of one of Gray's fans, John (Joshua Jackson). But since no level of reality is given any substance or plausibility, the movie feels void of narrative purpose.
Gray, who exists on a diet of booze and tobacco, apparently goes to a premiere nearly every night. Yet every time a photographer's flash goes off, his face has the startled, horrified look of a deer caught in the headlights of an on-rushing car. Gray sees stalkers everywhere, to the amusement of his security expert (Jared Harris), who pads his bank account nicely by following up on every obsession. And every time Elvis Costello leaves a message on the answering machine for Mia, Gray goes into a jealous rage.
Meanwhile, Gray and Mia live a strange movie-star existence as they inhabit a cool, sterile loft above an aging movie theater. The only real twist to this film comes when the movie star essentially stalks his own fan. Gray's spying on John and Jane allows him to fantasize about what a "normal" life would be like. Yet he gleams no wisdom from his intrusion into their lives. Instead, his continual delusions and flawed memories offer Goldberg the opportunity to wallow in an impressionistic style, courtesy of cinematographer Mark Putnam's crisp, gloomy lighting, designer Erin Smith's antiseptic decors and editors Zack Bell and John Valerio's jumble of images culled from Gray's confused mind.
Goldberg's actors work hard, but the overwrought melodrama betrays their efforts. Ribisi, who has never looked less like a movie star, is too weird and affected from the opening scene to pull you into his character's turmoil and troubles. Potente, who does look like a movie star, comes off with dignity at least as a women struggling to cope with a failing marriage. Jackson, Coughlan and Ricci, all playing quasi-figments of Gray's imagination, can do little more than pose and react.
I LOVE YOUR WORK
Fireworks presents a Muse production in association with Cyan Pictures, Departure Entertainment, Miracle Mile Films, Rice/Walter Prods. in association with In Association With Prods.
Credits:
Director: Adam Goldberg
Screenwriters: Adam Goldberg, Adrian Butchart
Producers: Chris Hanley, David Hillary, Tim Peternel, Joshua Newman, Adam Goldberg
Executive producers: Daniel Diamond, Jay Firestone, Damon Martin, Chad Troutwine, Boro Vukadinovic
Director of photography: Mark Putnam
Production designer: Erin Smith
Music: Adam Goldberg, Stephen Drozd
Costume designer: Dawn Weisberg
Editors: Zack Bell, John Valerio
Cast:
Gray: Giovanni Ribisi
Mia: Franka Potente
Shana: Christina Ricci
John: Joshua Jackson
Jane: Marisa Coughlan
Yehud: Jared Harris
Stalker: Jason Lee
Running time -- 111 minutes
No MPAA rating...
Toronto International Film Festival
TORONTO -- "I Love Your Work" is a movie directed and co-written by an actor, Adam Goldberg, that features many of his actor buddies. So what's it all about? It's about how awful it is to be an actor or, worse, a movie star and how an acting career can damage one's fragile psyche. Before you can even accuse the moviemaker and his pals of naval gazing, a "narcissism expert" appears on a TV talk show and turns to the movie's protagonist to lecture him about listening to other people and getting over his egocentricity. Of course, he doesn't listen to her.
However much this movie may speak to the current generation of actors, it has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters. Because Goldberg borrows -- or believes he is borrowing -- from the stylistic flourishes of filmmakers ranging from David Lynch and John Cassavetes to Martin Scorsese and the French New Wave, the movie may stimulate cineastes who look for "references" in movies rather than originality. Otherwise, "I Love Your Work" will have little life off the festival circuit.
Giovanni Ribisi plays Gray Evans, a movie star whose life and marriage to fellow movie star Mia (Franka Potente) is falling apart. As Mia accurately points out to Gray: "You hate the business. You hate the rags. And you hate being a celebrity." No one bothers to ask why Gray pursues a career guaranteed to bring him so much grief.
Goldberg and co-writer Adrian Butchart try to establish layers of reality in order to play peekaboo with the narrative structure. So there is a movie being made within the movie. Gray's obsessions and fantasies may or may not be real. And he suffers many mental mix-ups wherein his wife turns into his ex-lover Shana (Christina Ricci) and Shana gets confused with Jane (Marisa Coughlan), the young girlfriend of one of Gray's fans, John (Joshua Jackson). But since no level of reality is given any substance or plausibility, the movie feels void of narrative purpose.
Gray, who exists on a diet of booze and tobacco, apparently goes to a premiere nearly every night. Yet every time a photographer's flash goes off, his face has the startled, horrified look of a deer caught in the headlights of an on-rushing car. Gray sees stalkers everywhere, to the amusement of his security expert (Jared Harris), who pads his bank account nicely by following up on every obsession. And every time Elvis Costello leaves a message on the answering machine for Mia, Gray goes into a jealous rage.
Meanwhile, Gray and Mia live a strange movie-star existence as they inhabit a cool, sterile loft above an aging movie theater. The only real twist to this film comes when the movie star essentially stalks his own fan. Gray's spying on John and Jane allows him to fantasize about what a "normal" life would be like. Yet he gleams no wisdom from his intrusion into their lives. Instead, his continual delusions and flawed memories offer Goldberg the opportunity to wallow in an impressionistic style, courtesy of cinematographer Mark Putnam's crisp, gloomy lighting, designer Erin Smith's antiseptic decors and editors Zack Bell and John Valerio's jumble of images culled from Gray's confused mind.
Goldberg's actors work hard, but the overwrought melodrama betrays their efforts. Ribisi, who has never looked less like a movie star, is too weird and affected from the opening scene to pull you into his character's turmoil and troubles. Potente, who does look like a movie star, comes off with dignity at least as a women struggling to cope with a failing marriage. Jackson, Coughlan and Ricci, all playing quasi-figments of Gray's imagination, can do little more than pose and react.
I LOVE YOUR WORK
Fireworks presents a Muse production in association with Cyan Pictures, Departure Entertainment, Miracle Mile Films, Rice/Walter Prods. in association with In Association With Prods.
Credits:
Director: Adam Goldberg
Screenwriters: Adam Goldberg, Adrian Butchart
Producers: Chris Hanley, David Hillary, Tim Peternel, Joshua Newman, Adam Goldberg
Executive producers: Daniel Diamond, Jay Firestone, Damon Martin, Chad Troutwine, Boro Vukadinovic
Director of photography: Mark Putnam
Production designer: Erin Smith
Music: Adam Goldberg, Stephen Drozd
Costume designer: Dawn Weisberg
Editors: Zack Bell, John Valerio
Cast:
Gray: Giovanni Ribisi
Mia: Franka Potente
Shana: Christina Ricci
John: Joshua Jackson
Jane: Marisa Coughlan
Yehud: Jared Harris
Stalker: Jason Lee
Running time -- 111 minutes
No MPAA rating...
- 9/12/2003
- The Hollywood Reporter - Movie News
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