Dire Straits called it quits as a band in 1995. But in 2019, the back-catalog of the British rock band is reeling in more money than ever — thanks to an investment scheme that may help take the oft-in-turmoil music industry into a smooth financial future.
The band’s longtime manager, Ed Bicknell, took a gamble last year by selling his share of Dire Straits’ royalties through Royalty Exchange, an online marketplace that lets investors buy chunks of music royalties. Royalty Exchange’s premise is similar to the Bowie bonds of the Nineties,...
The band’s longtime manager, Ed Bicknell, took a gamble last year by selling his share of Dire Straits’ royalties through Royalty Exchange, an online marketplace that lets investors buy chunks of music royalties. Royalty Exchange’s premise is similar to the Bowie bonds of the Nineties,...
- 9/30/2019
- by Amy X. Wang
- Rollingstone.com
When the music documentary Scott Walker: 30 Century Man made its North American premiere in Austin in 2007, I interviewed its out filmmaker Stephen Kijak (Cinemania). As a full-fledged proselytizing Scott Walker freak, I would have liked the fact that Stephen has the gay to be enough to get our readers to give it a click, but let's get real. The audience for documentary films about obscure ex-pat musical geniuses is neither large nor disproportionately well-represented on our site.
I found a way to get around that little problem when the publicist for the film sent out a note that one of its associate producers was also available for press events in Austin: actor and AfterElton.com hot 100 listee Gale Harold (Queer as Folk, Desperate Housewives). I interviewed him; the article did well, so my editor was happy; I got to write about one of my musical obsessions, so I was,...
I found a way to get around that little problem when the publicist for the film sent out a note that one of its associate producers was also available for press events in Austin: actor and AfterElton.com hot 100 listee Gale Harold (Queer as Folk, Desperate Housewives). I interviewed him; the article did well, so my editor was happy; I got to write about one of my musical obsessions, so I was,...
- 1/24/2009
- by christiekeith
- The Backlot
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