Fresh off Beyoncé’s record-breaking, genre-defying new album, CNN is examining country music’s post-Cowboy Carter reckoning in a new documentary.
Produced by CNN FlashDocs, Call Me Country: Beyoncé and Nashville’s Renaissance is streaming today exclusively on Max. Per the logline, the 42-minute film “examines this reckoning in the genre straight from the country music capital of the world” through interviews with musicians and analyses by culture and country music experts. (Beyoncé was not involved with the CNN documentary.)
Stream 'Call Me Country' on Max
The Grammy-winning superstar became the first Black woman to top Billboard’s Hot Country Songs chart with the release of Act II: Cowboy Carter, which follows Renaissance as the second installment in a potential series of albums. She previously said she did not feel “welcomed” by the country music world when she first tried to enter the genre. Upon releasing her eighth studio album,...
Produced by CNN FlashDocs, Call Me Country: Beyoncé and Nashville’s Renaissance is streaming today exclusively on Max. Per the logline, the 42-minute film “examines this reckoning in the genre straight from the country music capital of the world” through interviews with musicians and analyses by culture and country music experts. (Beyoncé was not involved with the CNN documentary.)
Stream 'Call Me Country' on Max
The Grammy-winning superstar became the first Black woman to top Billboard’s Hot Country Songs chart with the release of Act II: Cowboy Carter, which follows Renaissance as the second installment in a potential series of albums. She previously said she did not feel “welcomed” by the country music world when she first tried to enter the genre. Upon releasing her eighth studio album,...
- 4/26/2024
- by Danielle Directo-Meston
- The Hollywood Reporter - Movie News
Beyoncé’s Cowboy Carter helped shine a light on the ongoing conversation surrounding country music in relation to Black musicians. Now, a new CNN FlashDoc called Call Me Country: Beyoncé and Nashville’s Renaissance, out April 26 on Max, will dive even deeper into the issues and hurdles Black artists have long faced in the genre.
The Call Me Country trailer, which dropped on Tuesday, teases analysis and conversations surrounding Queen Bey’s history-making LP and how it ignited a conversation surrounding the treatment of Black artists in a white-dominated music genre and industry.
The Call Me Country trailer, which dropped on Tuesday, teases analysis and conversations surrounding Queen Bey’s history-making LP and how it ignited a conversation surrounding the treatment of Black artists in a white-dominated music genre and industry.
- 4/23/2024
- by Tomás Mier
- Rollingstone.com
The domestic box office wasn’t the only thing saved by Barbenheimer last year. The odd coupling of Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer also stands poised to at least momentarily resuscitate the notion that the Academy Awards can and even should operate in the same astral plane as popular tastes—that it’s not an exercise in futility to satisfy audiences, tastemakers, and skeptics alike without embarrassing everyone vis-à-vis, oh, the new Golden Globes category for Cinematic and Box Office Achievement.
One imagines the typical AMPAS executive, and every Disney-abc suit, nodding furiously in agreement with Chris Molanphy’s latest “Hit Parade” podcast episode, about how the Grammys have always been at their best when not bending over backwards to seem cool but, rather, just embracing the best of what also happens to be popular. It’s within that very un-election year-like context of four-quadrant coalescence...
One imagines the typical AMPAS executive, and every Disney-abc suit, nodding furiously in agreement with Chris Molanphy’s latest “Hit Parade” podcast episode, about how the Grammys have always been at their best when not bending over backwards to seem cool but, rather, just embracing the best of what also happens to be popular. It’s within that very un-election year-like context of four-quadrant coalescence...
- 1/19/2024
- by Eric Henderson
- Slant Magazine
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