Aside from their Berlinale Panel on the Perspectives of Young Filmmakers, Dffb had one of the most fun parties of the festival as the school’s director Ben Gibson and the staff mingled with film students and young filmmakers from around the world.
Berlinale Panel on the perspectives of young filmmakers covered such issues as:
What are the possibilities for up-and-coming producers to establish themselves independently on the market beyond the first and second films? What are the biggest obstacles? What do the young people’s promotion strategies of the different actors do? Which changes are necessary? And last but not least: How important is the offspring for the future of the German film industry and for German film?
The panel engaged in dialogue about the current status quo and exchanged perspectives, and also developed ideas that could give young talent the opportunities to shape the industry in the future creatively.
Berlinale Panel on the perspectives of young filmmakers covered such issues as:
What are the possibilities for up-and-coming producers to establish themselves independently on the market beyond the first and second films? What are the biggest obstacles? What do the young people’s promotion strategies of the different actors do? Which changes are necessary? And last but not least: How important is the offspring for the future of the German film industry and for German film?
The panel engaged in dialogue about the current status quo and exchanged perspectives, and also developed ideas that could give young talent the opportunities to shape the industry in the future creatively.
- 2/18/2019
- by Sydney Levine
- Sydney's Buzz
Redmayne lauded for his portrayal of Stephen Hawking in The Theory of Everything.
Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.
This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.
Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.
The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for Best Director to Kyrgyzstan’s Marat Sarulu for Move...
Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.
This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.
Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.
The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for Best Director to Kyrgyzstan’s Marat Sarulu for Move...
- 12/1/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Other prizes included a Best Actor prize for Eddie Redmayne for his portrayal of Stephen Hawking in The Theory of Everything.
Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.
This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.
Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.
The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for...
Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.
This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.
Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.
The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for...
- 12/1/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The German film industry is mourning the passing of film-maker Helma Sanders-Brahms, one of the leading women directors of the New German Cinema with a broad international following, at the age of 73 after a long illness.
Over the course of a 40 year career, Sanders-Brahms wrote and directed 16 fiction films and seven documentaries, including Beneath The Paving Stones is the Beach (1975), Shirin’s Wedding (1976), Heinrich (1976/77), Germany, Pale Mother (1980), The Future Of Emily (1984), and more recently Geliebte Clara (2008).
“She was like not other a committed and passionate film-maker, active in documentaries as well in fiction films,” said Ulrich Gregor, former head of the Berlinale’s Forum. “Her film Germany, Pale Mother is a milestone in German film history. Her death opens a painful rift in the film landscape.“
It was only this February that Germany, Pale Mother - voted in the Us as one of the “Classics of Cinema” - was presented in a reconstructed and digitally restored original...
Over the course of a 40 year career, Sanders-Brahms wrote and directed 16 fiction films and seven documentaries, including Beneath The Paving Stones is the Beach (1975), Shirin’s Wedding (1976), Heinrich (1976/77), Germany, Pale Mother (1980), The Future Of Emily (1984), and more recently Geliebte Clara (2008).
“She was like not other a committed and passionate film-maker, active in documentaries as well in fiction films,” said Ulrich Gregor, former head of the Berlinale’s Forum. “Her film Germany, Pale Mother is a milestone in German film history. Her death opens a painful rift in the film landscape.“
It was only this February that Germany, Pale Mother - voted in the Us as one of the “Classics of Cinema” - was presented in a reconstructed and digitally restored original...
- 5/28/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The 17th edition of Rendez-Vous with French Cinema, presented by the Film Society of Lincoln Center and Unifrance Films, will open on March 1 with Olivier Nakache and Eric Toledano's The Intouchables (Intouchables), "an unprecedented box-office phenomenon in France, where it shattered records to become the second most successful French film of all time." Back in November, John Lichfield and Agnès Poirier floated theories as to why in the Independent and Guardian, respectively. The festival closes on March 11 with David and Stéphane Foenkinos's Delicacy, featuring Audrey Tautou, and in between, there'll be over two dozen New York premieres, new work by André Téchiné, Benoît Jacquot and Alain Cavalier, and the Centerpiece: Pathé's newly restored version of Marcel Carné's Children of Paradise (1945). I posted a roundup in November when the restoration hit London.
Reading. Abel Ferrara screened 4:44 Last Day on Earth at Emir Kusturica's Küstendorf Film and Music Festival last month and,...
Reading. Abel Ferrara screened 4:44 Last Day on Earth at Emir Kusturica's Küstendorf Film and Music Festival last month and,...
- 2/7/2012
- MUBI
Another day, another trio of announcements from the Berlin International Film Festival (February 9 through 19). First off, this year's Berlinale Camera has been presented to Haro Senft, "one of the pioneers of New German Cinema as well as a tireless advocate of German children films... He was the initiator of Doc 59, a group based in Munich at the end of the 1950s; many of its members went on to sign the Oberhausen Manifesto in 1962." His 1961 documentary short Kahl was nominated for an Oscar and Bruno Ganz gave his first performance in a major role in Senft's first narrative feature, Der sanfte Lauf (1967).
"In 1971 he resigned from all his positions related to film policy and devoted himself unlike anyone else to developing a culture of children's films. With his films Ein Tag mit dem Wind (1978) and Jacob hinter der blauen Tür (1987) he set the standard for the genre." Because Senft can no longer travel,...
"In 1971 he resigned from all his positions related to film policy and devoted himself unlike anyone else to developing a culture of children's films. With his films Ein Tag mit dem Wind (1978) and Jacob hinter der blauen Tür (1987) he set the standard for the genre." Because Senft can no longer travel,...
- 1/18/2012
- MUBI
Above: From left to right, Tokyo FilmEx festival directors Kanako Hayashi and Shozo Ichiyama; and Nobuteru Uchida's prize-winning film, Love Addition.
Last November, I had a conversation with Tokyo FilmEx Festival directors Shozo Ichiyama and Kanako Hayashi. For more than a decade, this duo has helmed Japan’s most serious festival, one dedicated to independent cinema from Asia. Office Kitano, Takeshi Kitano’s production company, has remained its key partner over the years, and helped Japan’s support of Iranian directors as well as groundbreaking figures from China, most notably Jia Zhangke, a regular at FilmEx from the beginning. The festival also revealed the fragile state of art cinema in and from Japan and how a very small, centralized community that has been determining what fits into this category, and what is not allowed in; a community that’s aged while being unable to neither find nor form new heirs.
Last November, I had a conversation with Tokyo FilmEx Festival directors Shozo Ichiyama and Kanako Hayashi. For more than a decade, this duo has helmed Japan’s most serious festival, one dedicated to independent cinema from Asia. Office Kitano, Takeshi Kitano’s production company, has remained its key partner over the years, and helped Japan’s support of Iranian directors as well as groundbreaking figures from China, most notably Jia Zhangke, a regular at FilmEx from the beginning. The festival also revealed the fragile state of art cinema in and from Japan and how a very small, centralized community that has been determining what fits into this category, and what is not allowed in; a community that’s aged while being unable to neither find nor form new heirs.
- 3/9/2011
- MUBI
Above: Alexandre Trauner's sketch for Canal Saint-Martin and Hotel (second building from right).
Besides classical Hollywood, one of the other periods of film history in which studio production design has been so highly noted is the French poetic realist cinema of the 1930s. That period was the peak of creativity and influence of set designers in French film industry since the magical two-dimensional background paintings of Georges Méliès. The achievements of the era saw the making and consolidation of the reputations of designers in France, and growing critical and public interest in the nature of film design. Collaborations between director René Clair and art director Lazare Meerson had been widely seen in Europe and in even North America, where factory’s sets from À nous la liberté (1931) became a source of inspiration for Chaplin’s Modern Times (1936).
Among the architects of poetic realist cinema, one of the most skillful,...
Besides classical Hollywood, one of the other periods of film history in which studio production design has been so highly noted is the French poetic realist cinema of the 1930s. That period was the peak of creativity and influence of set designers in French film industry since the magical two-dimensional background paintings of Georges Méliès. The achievements of the era saw the making and consolidation of the reputations of designers in France, and growing critical and public interest in the nature of film design. Collaborations between director René Clair and art director Lazare Meerson had been widely seen in Europe and in even North America, where factory’s sets from À nous la liberté (1931) became a source of inspiration for Chaplin’s Modern Times (1936).
Among the architects of poetic realist cinema, one of the most skillful,...
- 10/10/2010
- MUBI
Cologne, Germany -- The Berlin International Film Festival will mark its 60th anniversary with a best-of retrospective of 40 films cherrypicked from Berlin festivals of the past six decades.
The retrospective, titled "Play it Again ...!" was compiled by British film critic David Thomson and will include classics such as Jean-Luc Godard's "Breathless," Michael Cimino's "The Deer Hunter" and "Red Sorghum" from Zhang Yimou.
Thomson has also picked lesser-known films that caused a ruckus at the original Berlin debut, such as "The Forbidden Christ" (1950-51) from Italian director Curzio Malaparte or Nagisa Oshima's "In the Realm of the Senses," whose screening in 1976 was such a scandal that authorities confiscated the film print and Ulrich Gregor, director of Berlin's Forum sidebar, was charge with disseminating pornography.
The films will be screened at the CinemaxX theater in Potsdamer Platz in Berlin and at the Zeughauskino. The complete retrospective program will be available at www.
The retrospective, titled "Play it Again ...!" was compiled by British film critic David Thomson and will include classics such as Jean-Luc Godard's "Breathless," Michael Cimino's "The Deer Hunter" and "Red Sorghum" from Zhang Yimou.
Thomson has also picked lesser-known films that caused a ruckus at the original Berlin debut, such as "The Forbidden Christ" (1950-51) from Italian director Curzio Malaparte or Nagisa Oshima's "In the Realm of the Senses," whose screening in 1976 was such a scandal that authorities confiscated the film print and Ulrich Gregor, director of Berlin's Forum sidebar, was charge with disseminating pornography.
The films will be screened at the CinemaxX theater in Potsdamer Platz in Berlin and at the Zeughauskino. The complete retrospective program will be available at www.
- 11/11/2009
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
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