Spanish cinema is expanding, opening up attractive film avenues to reach the worldwide market, driven by upscale commercial projects, blending of genres and a new generation of emerging female directors.
The country’s filmmakers landed three Oscar nominations: Juan A. Bayona with “Society of the Snow” (inter- national feature and makeup and hair styling); and Pablo Berger with “Robot Dreams” (animated feature). Also, four of Netflix’s top five most-popular non-English films ever are from Spain.
“The boom in talent is making for a unique and very diverse cinema,” says Guillermo Farré, Movistar Plus+ head of original films and Spanish cinema.
“The great foreign perception of Spanish cinema is driven by the productions’ quality and their international diffusion,” says Elástica Films’ María Zamora, producer of Carla Simón’s Berlinale Golden Bear winner “Alcarrás.”
“Spanish cinema is evolving with the appearance of new voices especially female and new ways of narrating,...
The country’s filmmakers landed three Oscar nominations: Juan A. Bayona with “Society of the Snow” (inter- national feature and makeup and hair styling); and Pablo Berger with “Robot Dreams” (animated feature). Also, four of Netflix’s top five most-popular non-English films ever are from Spain.
“The boom in talent is making for a unique and very diverse cinema,” says Guillermo Farré, Movistar Plus+ head of original films and Spanish cinema.
“The great foreign perception of Spanish cinema is driven by the productions’ quality and their international diffusion,” says Elástica Films’ María Zamora, producer of Carla Simón’s Berlinale Golden Bear winner “Alcarrás.”
“Spanish cinema is evolving with the appearance of new voices especially female and new ways of narrating,...
- 5/15/2024
- by Emiliano De Pablos
- Variety Film + TV
Malaga, Spain — Traditionally, until a few years back, a Spanish film industry debate led to a “Wall of Laments” which ended up as a call for increased governmental support.
That was then. €70 million ($76.8 million) in 2023, €100 million ($109 million) last year, Spain’s Icaa film institute budget could add another €30 million ($32.7 million) with a little luck this year, said Rocío Juanas de Toledo, its secretary general at a panel, Spanish Cinema Models Examined, one of the key industry debates at this week’s Malaga Festival.
Panelists represented Spain’s three biggest content investors – Movistar Plus+, Atresmedia and Rtve – and two top producers: Morena Films and Elástica Films.
It took speakers less than two minutes to zero in on Spain’s biggest immediate challenge: Its still underperforming box office, down 24% on pre-pandemic levels.
“Our major concern is how to recuperate the cinema theater audiences we had before the pandemic,” said Jaime Ortiz, Atresmedia Cine director general.
That was then. €70 million ($76.8 million) in 2023, €100 million ($109 million) last year, Spain’s Icaa film institute budget could add another €30 million ($32.7 million) with a little luck this year, said Rocío Juanas de Toledo, its secretary general at a panel, Spanish Cinema Models Examined, one of the key industry debates at this week’s Malaga Festival.
Panelists represented Spain’s three biggest content investors – Movistar Plus+, Atresmedia and Rtve – and two top producers: Morena Films and Elástica Films.
It took speakers less than two minutes to zero in on Spain’s biggest immediate challenge: Its still underperforming box office, down 24% on pre-pandemic levels.
“Our major concern is how to recuperate the cinema theater audiences we had before the pandemic,” said Jaime Ortiz, Atresmedia Cine director general.
- 3/6/2024
- by John Hopewell
- Variety Film + TV
Spanish distributors will present their international titles to exhibitors, broadcasters and platforms st the Merci market.
Seminci, the Valladolid International Film Week, will host an expanded third edition of Spain’s Independent Film Market for the first time from October 25-27.
Known as Merci Valladolid, the market is jointly organised by Seminci and the Association of Independent Film Distributors (Adicine).
The market used to be held at the Seville European Film Festival, which was previously run by Seminici’s new director José Luis Cienfuegos.
Sixteen Spanish independent distributors will present their international titles to exhibitors, television networks and platforms at Merci Valladolid.
Seminci, the Valladolid International Film Week, will host an expanded third edition of Spain’s Independent Film Market for the first time from October 25-27.
Known as Merci Valladolid, the market is jointly organised by Seminci and the Association of Independent Film Distributors (Adicine).
The market used to be held at the Seville European Film Festival, which was previously run by Seminici’s new director José Luis Cienfuegos.
Sixteen Spanish independent distributors will present their international titles to exhibitors, television networks and platforms at Merci Valladolid.
- 10/24/2023
- by Emilio Mayorga
- ScreenDaily
Andrey Zvyagintsev, the two-time Oscar-nominated Russian filmmaker of “Loveless” and “Leviathan,” will next direct “Jupiter,” a politically-minded movie set to shoot in Spain and France next spring.
The movie will tell the story of a Russian oligarch’s reckoning with the harsh reality of his family’s future.
Anonymous Content and Lorem Ipsum Entertainment (“War on Everyone”) are producing “Jupiter” alongside Les Films du Losange (“A Silence”) in France and Elastica Films (“Anatomy of a Fall”) in Spain. Zvyagintsev will reteam with his regular crew, including cinemtographer Mikhail Krichman and production designer Andrey Ponkratov, who worked “Loveless” and “Leviathan.”
“Jupiter” is set in the seemingly impenetrable world of the ultra-wealthy and is being described by the producers as an “unrelenting exploration of power and corruption.”
Zvyagintsev said “Jupiter” will be a “very modern story” which “goes beyond today’s political context.” “The nature of absolute power is a universal theme,...
The movie will tell the story of a Russian oligarch’s reckoning with the harsh reality of his family’s future.
Anonymous Content and Lorem Ipsum Entertainment (“War on Everyone”) are producing “Jupiter” alongside Les Films du Losange (“A Silence”) in France and Elastica Films (“Anatomy of a Fall”) in Spain. Zvyagintsev will reteam with his regular crew, including cinemtographer Mikhail Krichman and production designer Andrey Ponkratov, who worked “Loveless” and “Leviathan.”
“Jupiter” is set in the seemingly impenetrable world of the ultra-wealthy and is being described by the producers as an “unrelenting exploration of power and corruption.”
Zvyagintsev said “Jupiter” will be a “very modern story” which “goes beyond today’s political context.” “The nature of absolute power is a universal theme,...
- 9/28/2023
- by Elsa Keslassy
- Variety Film + TV
In what marks a departure in her filmmaking, Carla Simon, director of Berlin Golden Bear winner “Alcarràs,” is preparing a flamenco musical for her fourth feature.
Like “Alcarràs,” the project is set to be produced by María Zamora at her Valencia-based production-distribution house Elastica Films.
“Romería,” the third part of Simón’s trilogy begun by 2017’s “Summer 1993,” is still set to shoot in Summer 2024, Zamora told Variety.
“But we can’t wait to start shaping this fascinating proposal that excites me as a producer,”she added.
Simón describes the new film as a “neorealist flamenco musical in the neighbourhood of La Mina, Barcelona.”
“Since I discovered that my biological mother was passionate about flamenco, a great curiosity began to grow in me for this genre, because of its history and its exceptional capacity to connect directly with emotion,” she explained to Variety.
“This time music and dance will become the...
Like “Alcarràs,” the project is set to be produced by María Zamora at her Valencia-based production-distribution house Elastica Films.
“Romería,” the third part of Simón’s trilogy begun by 2017’s “Summer 1993,” is still set to shoot in Summer 2024, Zamora told Variety.
“But we can’t wait to start shaping this fascinating proposal that excites me as a producer,”she added.
Simón describes the new film as a “neorealist flamenco musical in the neighbourhood of La Mina, Barcelona.”
“Since I discovered that my biological mother was passionate about flamenco, a great curiosity began to grow in me for this genre, because of its history and its exceptional capacity to connect directly with emotion,” she explained to Variety.
“This time music and dance will become the...
- 9/22/2023
- by Pablo Sandoval and John Hopewell
- Variety Film + TV
Spanish cinema has undoubtedly been making a strong imprint on the international film festival circuit throughout the last few years and, crucially, there’s a new wave of female filmmakers that are driving this charge.
Carla Simon’s Alcarràs took the Golden Bear in Berlin last year, while Elena Lopez Riera and Clara Roquet debuted their respective films The Water and Libertad in Cannes as well as Elena Martin’s feature debut Creatura, which played in the festival’s Directors Fortnight section this year.
So at this year’s San Sebastian International Film Festival, it’s unsurprising that the trend is continuing as three Spanish films in official competition this year are directed and produced by women: Isabel Coixet’s Un Amor, based on a bestselling novel by Sara Mesa, which is produced by Marisa Fernández Armenteros and Sandra Hermida; Sultana’s Dream, the debut feature from Isabel Herguera which...
Carla Simon’s Alcarràs took the Golden Bear in Berlin last year, while Elena Lopez Riera and Clara Roquet debuted their respective films The Water and Libertad in Cannes as well as Elena Martin’s feature debut Creatura, which played in the festival’s Directors Fortnight section this year.
So at this year’s San Sebastian International Film Festival, it’s unsurprising that the trend is continuing as three Spanish films in official competition this year are directed and produced by women: Isabel Coixet’s Un Amor, based on a bestselling novel by Sara Mesa, which is produced by Marisa Fernández Armenteros and Sandra Hermida; Sultana’s Dream, the debut feature from Isabel Herguera which...
- 9/19/2023
- by Diana Lodderhose
- Deadline Film + TV
San Sebastian Festival’s 2nd Creative Investors’ Conference (Cic), co-organized once more with CAA Media Finance, has lured some of the most prominent names in the international entertainment business, led by CAA Media Finance’s Roeg Sutherland, Goodfellas’ Vincent Maraval and Cinetic Media’s John Sloss.
Sutherland, Nick Ogiony and Sarah Schweitzman from CAA Media Finance will participate in the Conference, held on Sept. 26 and 27 at the Tabakalera, and moderate some of the activities, as will Wendy Mitchell, delegate and advisor of the San Sebastian Festival.
Variety has learned that the VIP international guests will hold private networking lunches/meetings with about 25 leading Spanish producers, includING Mariela Besuievsky of Tornasol Media; Eduardo Carneros, Euskadi Movie Aie; Valérie Delpierre, Inicia Films; Ignasi Estapé, Arcadia; Belén Atienza, Perdición Films; Fernando Bovaira, Mod Prods; Morena Films’ Juan Gordon and Elastica Films’ María Zamora.
Another added bonus is a podcast, jointly produced/hosted by...
Sutherland, Nick Ogiony and Sarah Schweitzman from CAA Media Finance will participate in the Conference, held on Sept. 26 and 27 at the Tabakalera, and moderate some of the activities, as will Wendy Mitchell, delegate and advisor of the San Sebastian Festival.
Variety has learned that the VIP international guests will hold private networking lunches/meetings with about 25 leading Spanish producers, includING Mariela Besuievsky of Tornasol Media; Eduardo Carneros, Euskadi Movie Aie; Valérie Delpierre, Inicia Films; Ignasi Estapé, Arcadia; Belén Atienza, Perdición Films; Fernando Bovaira, Mod Prods; Morena Films’ Juan Gordon and Elastica Films’ María Zamora.
Another added bonus is a podcast, jointly produced/hosted by...
- 9/5/2023
- by Anna Marie de la Fuente and John Hopewell
- Variety Film + TV
Driving into Spanish-language movies and series, Amazon Studios is hoping to repeat the success of “Argentina, 1985” with big Spanish period production “Hildegart,” starring Najwa Nimri and Alba Planas (“Skam España”), which wrapped production Aug. 19 in Madrid.
“Hildegart” has shot in the Spanish capital filming seven weeks and some days at historical heritage sites such as Spain’s Congress, Madrid’s Puerta del Sol central square, and its Atheneum.
Directed by Paula Ortiz, “Hildegart” is a fact-based tale of the extraordinary and tragic life of Spain’s Hildegart Rodríguez, born in 1914, a child prodigy raised by her mother to be a model for future women, who gave conferences on feminism and sexuality from the age of 11, writing on prostitution, contraception and eugenics – her monograph “Profilaxis anticoncepcional” sold 8,000 copies in one week just in Madrid – and accompanied H.G. Wells when he made a visit to Spain.
Sensing that she was losing control of her daughter – who,...
“Hildegart” has shot in the Spanish capital filming seven weeks and some days at historical heritage sites such as Spain’s Congress, Madrid’s Puerta del Sol central square, and its Atheneum.
Directed by Paula Ortiz, “Hildegart” is a fact-based tale of the extraordinary and tragic life of Spain’s Hildegart Rodríguez, born in 1914, a child prodigy raised by her mother to be a model for future women, who gave conferences on feminism and sexuality from the age of 11, writing on prostitution, contraception and eugenics – her monograph “Profilaxis anticoncepcional” sold 8,000 copies in one week just in Madrid – and accompanied H.G. Wells when he made a visit to Spain.
Sensing that she was losing control of her daughter – who,...
- 8/23/2023
- by Pablo Sandoval
- Variety Film + TV
Updated: Ron Leshem, creator of the original Israeli “Euphoria” and an exec producer on its U.S. version, has been added to Iberseries & Platino Industria’s conference strand – signalling a larger paradigm pivot at one of the biggest film-tv events in the Spanish-speaking world as it expands to encompass an ever more globalized international TV scene.
Fresh off a huge hit on Israel’s Reshet 13 for Series Mania buzz title “Red Skies,” at Iberseries, Leshem, who co-created “Valley of Tears” and “No Man’s Land,” joins some of the most influential voices on the Spanish-speaking film-tv and beyond such as former Netflix exec Erik Barmack at Wild Sheep Content, Ran Tellem at The Mediapro Studio and Axel Kuschevatzky at Infinity Hill. Wild Sheep has a production alliance with Tms.
At Netflix, Barmack oversaw Netflix’s first-ever push into fully foreign-language content beginning with Mexico’s “Club of Crows” and Brazil’s...
Fresh off a huge hit on Israel’s Reshet 13 for Series Mania buzz title “Red Skies,” at Iberseries, Leshem, who co-created “Valley of Tears” and “No Man’s Land,” joins some of the most influential voices on the Spanish-speaking film-tv and beyond such as former Netflix exec Erik Barmack at Wild Sheep Content, Ran Tellem at The Mediapro Studio and Axel Kuschevatzky at Infinity Hill. Wild Sheep has a production alliance with Tms.
At Netflix, Barmack oversaw Netflix’s first-ever push into fully foreign-language content beginning with Mexico’s “Club of Crows” and Brazil’s...
- 7/25/2023
- by John Hopewell
- Variety Film + TV
Oscar winner Fernando Trueba (“Belle Epoque”), “The Secret Life of Words” director Isabel Coixet and “Veneno” writer-director-producers Javier Ambrossi and Javier Calvo feature among talent behind Spanish titles at September’s San Sebastian Film Festival, the highest profile film event in the Spanish-speaking world.
Coixet will compete for the first time in San Sebastian’s main competition with “Un Amor,” a probing village-set tale of emotional dependence starring Laia Costa (“Lullaby”) and “Money Heist’s” Hovik Keuchkerian.
Fernando Trueba and Javier Mariscal will present as a special screening animated feature “They Shot the Piano Player,” a joyful and finally devastating portrait of the life and fate of pianist Francisco Tenorio Jr. narrated by Jeff Goldblum.
Ambrossi and Calvo – popularly known as Los Javis – will world premiere “La Mesías,” the most awaited Spanish series of the year, a big-scale, period-hopping Movistar Plus+ original, chronicling the devastating effect of a childhood education,...
Coixet will compete for the first time in San Sebastian’s main competition with “Un Amor,” a probing village-set tale of emotional dependence starring Laia Costa (“Lullaby”) and “Money Heist’s” Hovik Keuchkerian.
Fernando Trueba and Javier Mariscal will present as a special screening animated feature “They Shot the Piano Player,” a joyful and finally devastating portrait of the life and fate of pianist Francisco Tenorio Jr. narrated by Jeff Goldblum.
Ambrossi and Calvo – popularly known as Los Javis – will world premiere “La Mesías,” the most awaited Spanish series of the year, a big-scale, period-hopping Movistar Plus+ original, chronicling the devastating effect of a childhood education,...
- 7/14/2023
- by John Hopewell
- Variety Film + TV
Creatura, the debut feature from Spanish director Elena Martín Gimeno, has won the Europa Cinemas Label prize for best European film in the 2023 Cannes Directors’ Fortnight section. The drama, about a seemingly perfect couple who can’t manage to have sex anymore, explores themes of repression and female sexual desire.
Gimeno co-wrote the screenplay for Creatura with Clara Roquet and stars in the film alongside Clàudia Dalmau, Clàudia Borràs, Oriol Pla, Alex Brendemühl, Clara Segura, Marc Cartanyà and Carla Linares.
The European Cinemas jury called Creatura a “well-written and impressive portrayal of a woman as she tries to come to terms with her sexuality and intimacy while reflecting on her childhood and teenage experiences. This is a subject that has been covered before, but each character is so multi-layered and believable that the film is easy to relate to — both the female and the male characters. There are challenging moments but there is humor,...
Gimeno co-wrote the screenplay for Creatura with Clara Roquet and stars in the film alongside Clàudia Dalmau, Clàudia Borràs, Oriol Pla, Alex Brendemühl, Clara Segura, Marc Cartanyà and Carla Linares.
The European Cinemas jury called Creatura a “well-written and impressive portrayal of a woman as she tries to come to terms with her sexuality and intimacy while reflecting on her childhood and teenage experiences. This is a subject that has been covered before, but each character is so multi-layered and believable that the film is easy to relate to — both the female and the male characters. There are challenging moments but there is humor,...
- 5/25/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
“Creatura,” the feature debut of Elena Martín, exploring female sexual desire and repression, has won this year’s 20th Europa Cinemas Cannes Label for best European Film at the 2022 Cannes Directors’ Fortnight.
Announced Thursday by Europa Cinemas, ahead of the closing ceremony this afternoon, the prize is one of two at Directors’ Fortnight, and awarded by one of the sidebar’s partners, given the section is non-competitive.
A second partner plaudit, the Sacd Prize, handed out by France’s Writers’ Guild, will be announced simultaneously to the Europa Cinemas Label.
“Creature” hit Cannes will multiple tailwinds. Like last year’s Berlin Golden Bear winner “Alcarràs,” it’s made by an emerging woman director associated by the so-called Catalan New Wave of helmers and producers making films twinning a strong sense of place and universal issues.
The second feature from 2021 Málaga best director Martín (“Júlia ist”) and a “Veneno” writer and “Perfect Life” director,...
Announced Thursday by Europa Cinemas, ahead of the closing ceremony this afternoon, the prize is one of two at Directors’ Fortnight, and awarded by one of the sidebar’s partners, given the section is non-competitive.
A second partner plaudit, the Sacd Prize, handed out by France’s Writers’ Guild, will be announced simultaneously to the Europa Cinemas Label.
“Creature” hit Cannes will multiple tailwinds. Like last year’s Berlin Golden Bear winner “Alcarràs,” it’s made by an emerging woman director associated by the so-called Catalan New Wave of helmers and producers making films twinning a strong sense of place and universal issues.
The second feature from 2021 Málaga best director Martín (“Júlia ist”) and a “Veneno” writer and “Perfect Life” director,...
- 5/25/2023
- by John Hopewell
- Variety Film + TV
Updated with Sacd prize details: Spanish director Elena Martín Gimeno’s Creatura won the Europa Cinemas prize as Best European Film, while Pierre Caton’s Le Prince scooped the Sacd for best French film at Directors’ Fortnight on Thursday.
The prizes were announced ahead of the evening closing ceremony for the non-competitive parallel Directors Fortnight section.
The Europa Cinema label and Sacd prizes are the key collateral prizes awarded to films world premiering in the section.
Under the Europa Cinema prize, the release of Creatura will receive the support of cinemas belonging to the independent exhibitor network representing 3,060 screens in 38 countries. The jury consists of four exhibitor members of the network.
Creatura revolves around a seemingly perfect couple who no longer manage to have sex, prompting one partner to probe her past and her sexual sexual awakening, from adolescence back to early childhood.
French writers guild Sacd’s prize is...
The prizes were announced ahead of the evening closing ceremony for the non-competitive parallel Directors Fortnight section.
The Europa Cinema label and Sacd prizes are the key collateral prizes awarded to films world premiering in the section.
Under the Europa Cinema prize, the release of Creatura will receive the support of cinemas belonging to the independent exhibitor network representing 3,060 screens in 38 countries. The jury consists of four exhibitor members of the network.
Creatura revolves around a seemingly perfect couple who no longer manage to have sex, prompting one partner to probe her past and her sexual sexual awakening, from adolescence back to early childhood.
French writers guild Sacd’s prize is...
- 5/25/2023
- by Melanie Goodfellow
- Deadline Film + TV
Spain’s status as Cannes’ Marché du Film’s Country of Honor is a “milestone,” says María Peña, CEO of Icex Spain Trade & Investment.
But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale and France’s Cesars.
Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.
Last year, Spain scooped up a Berlin Golden Bear (“Alcarràs”) and an Oscar (Alberto Mielgo’s “The Windshield Wiper”).
Spain is on a roll. That cuts multiple ways, however, explaining both the Country of Honor designation, and the country’s presence at large at Cannes this year. Seven takeaways about Spain:
Talent, Large Talent
Victor Erice, Pedro Almodóvar, Alberto Mielgo, Rodrigo Blaas — Cannes...
But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale and France’s Cesars.
Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.
Last year, Spain scooped up a Berlin Golden Bear (“Alcarràs”) and an Oscar (Alberto Mielgo’s “The Windshield Wiper”).
Spain is on a roll. That cuts multiple ways, however, explaining both the Country of Honor designation, and the country’s presence at large at Cannes this year. Seven takeaways about Spain:
Talent, Large Talent
Victor Erice, Pedro Almodóvar, Alberto Mielgo, Rodrigo Blaas — Cannes...
- 5/19/2023
- by John Hopewell
- Variety Film + TV
The other day Variety provided an update on Amazon’s Prime Video film items in the works for the Spanish market and one project that sticks out (and would probably receive a festival premiere – perhaps a future San Sebastian berth) is Hildegart. Paula Ortiz is directing from a screenplay co-written by the prolific Clara Roquet (Libertad) and Eduard Sola. No players have been cast yet, but the lead and supporting mother role will be a big deal. Hildegart will be produced by Elástica Films María Zamora and Avalon’s Stefan Schmitz. Here is the wiki entry and synopsis:
A precocious and prolific writer in Spain’s 1930s, raised by her mother to become a model of future women, friend of H.G.…...
A precocious and prolific writer in Spain’s 1930s, raised by her mother to become a model of future women, friend of H.G.…...
- 4/27/2023
- by Eric Lavallée
- IONCINEMA.com
Prime Video is reviving classic Spanish talent gala format Operación Triunfo and has unveiled its latest slate of scripted shows, films and doc series from the nation along with a local version of Takeshi’s Castle.
The 12th season Operación Triunfo, which is filmed in front of a live audience, will stream on the SVoD in Spain and Latin America later this year.
A major ratings hit and cultural phenomenon, the first 11 seasons aired on Spanish public broadcaster Rtve and ran between 2001 and 2020.
The musical talent show follows a series of aspiring contestants as they enter a musical academy to train and display singing and artistic skills. Each week, in a live gala, they compete on stage.
“Operación Triunfo has entertained fans for over 22 years and brought joy to millions of viewers. We are thrilled and honored to bring back this beloved show to fans not only in Spain but also across Latin America,...
The 12th season Operación Triunfo, which is filmed in front of a live audience, will stream on the SVoD in Spain and Latin America later this year.
A major ratings hit and cultural phenomenon, the first 11 seasons aired on Spanish public broadcaster Rtve and ran between 2001 and 2020.
The musical talent show follows a series of aspiring contestants as they enter a musical academy to train and display singing and artistic skills. Each week, in a live gala, they compete on stage.
“Operación Triunfo has entertained fans for over 22 years and brought joy to millions of viewers. We are thrilled and honored to bring back this beloved show to fans not only in Spain but also across Latin America,...
- 4/25/2023
- by Jesse Whittock
- Deadline Film + TV
Variety has been given exclusive access to Mubi’s newly cut trailer for writer-director Carla Simón’s “Alcarrás,” Spain’s Oscar entry, which is scheduled to open on Jan. 6 at the Lincoln Center and Quad Cinema in New York.
The 2022 Berlin Golden Bear winner was picked up by Mubi earlier in the year and is also opening in the U.K. on the same date.
Produced by Maria Zamora, Stefan Schmitz and Tono Folguera, Simon’s follow up to “Summer 1993,” which itself won Berlin’s 2017 best first feature award.
It tells the story of a hard-working peach-farming family in Lleida, Catalonia, in rural north east Spain, whose livelihood and way of life are condemned to oblivion when an old verbal Spanish Civil War pact on the land rental is ignored and they are faced with eviction.
Inspired in atmosphere and setting by the experience of writer-director Carla Simón’s own grandparents and uncle and aunt,...
The 2022 Berlin Golden Bear winner was picked up by Mubi earlier in the year and is also opening in the U.K. on the same date.
Produced by Maria Zamora, Stefan Schmitz and Tono Folguera, Simon’s follow up to “Summer 1993,” which itself won Berlin’s 2017 best first feature award.
It tells the story of a hard-working peach-farming family in Lleida, Catalonia, in rural north east Spain, whose livelihood and way of life are condemned to oblivion when an old verbal Spanish Civil War pact on the land rental is ignored and they are faced with eviction.
Inspired in atmosphere and setting by the experience of writer-director Carla Simón’s own grandparents and uncle and aunt,...
- 12/12/2022
- by Douglas Wilson
- Variety Film + TV
Ruben Östlund’s latest satire, Triangle of Sadness, dominated the European Film Awards with four wins, including Best Film, the evening’s top prize.
Östlund also picked up the Best Screenplay and Best Director Awards for his work on the film, and Zlatko Burić nabbed Best Actor for his leading role.
The film, which picked up this year’s Palme d’Or, follows Carl (Harris Dickinson) and Yaya (Charlbi Dean), a celebrity model couple who are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain (Woody Harrelson). What first appeared Instagrammable ends catastrophically, leaving the survivors stranded on a desert island and fighting to stay alive.
In other top prizes, Vicky Krieps won the Best Actress award for the well-received period drama Corsage, and the Javier Bardem starrer, The Good Boss, won Best Comedy.
The awards ceremony, overseen by the European Film Academy, took place...
Östlund also picked up the Best Screenplay and Best Director Awards for his work on the film, and Zlatko Burić nabbed Best Actor for his leading role.
The film, which picked up this year’s Palme d’Or, follows Carl (Harris Dickinson) and Yaya (Charlbi Dean), a celebrity model couple who are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain (Woody Harrelson). What first appeared Instagrammable ends catastrophically, leaving the survivors stranded on a desert island and fighting to stay alive.
In other top prizes, Vicky Krieps won the Best Actress award for the well-received period drama Corsage, and the Javier Bardem starrer, The Good Boss, won Best Comedy.
The awards ceremony, overseen by the European Film Academy, took place...
- 12/10/2022
- by Zac Ntim
- Deadline Film + TV
Click here to read the full article.
The five best film nominees for this year’s European Film Awards give a feel for the breadth and diversity of the 2022 lineup, one of the most impressive ever for the event. To illustrate: An intimate drama of two pre-pubescent boys turns deeply tragic in Lukas Dhont’s Close; Ali Abbasi’s Iran-set crime thriller Holy Spider centers on a serial killer and the female journalist trying to catch him; Marie Kreutzer’s Corsage is a period portrait of an Austrian empress struggling for emancipation and against ideals of femininity; the Catalan-set Alcarràs from Carla Simón spotlights a family of peach farmers on their final summer harvest; and Ruben Östlund’s Triangle of Sadness rollicks as a capitalist satire with a set piece of impressive projectile vomiting. Alongside Dhont, Kreutzer, Abbasi and Östlund, best director nominees include the venerable 84-year-old Polish auteur Jerzy Skolimowski...
The five best film nominees for this year’s European Film Awards give a feel for the breadth and diversity of the 2022 lineup, one of the most impressive ever for the event. To illustrate: An intimate drama of two pre-pubescent boys turns deeply tragic in Lukas Dhont’s Close; Ali Abbasi’s Iran-set crime thriller Holy Spider centers on a serial killer and the female journalist trying to catch him; Marie Kreutzer’s Corsage is a period portrait of an Austrian empress struggling for emancipation and against ideals of femininity; the Catalan-set Alcarràs from Carla Simón spotlights a family of peach farmers on their final summer harvest; and Ruben Östlund’s Triangle of Sadness rollicks as a capitalist satire with a set piece of impressive projectile vomiting. Alongside Dhont, Kreutzer, Abbasi and Östlund, best director nominees include the venerable 84-year-old Polish auteur Jerzy Skolimowski...
- 12/9/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
UTA has signed Spanish filmmaker Carla Simón — whose acclaimed second feature “Alcarràs” is Spain’s entry for the best international feature at the 2023 Academy Awards — for representation in all areas.
“Alcarràs,” which Simón wrote and directed, focuses on the life of a family of peach farmers in a small Catalonian village, which was inspired by her adoptive mother’s family. The film premiered at the 2022 Berlin Film Festival — where it won the prestigious Golden Bear, becoming the first Catalan-language film to receive the honor — and has screened at nearly 100 international film festivals, including the New York Film Festival.
Produced by Maria Zamora, Stefan Schmitz and Tono Filguera and co-produced by Giovanni Pompili, “Alcarràs” is the second in a planned trilogy of films. Simón made her feature directorial debut in 2017 with “Summer 1993” — an autobiographical film, which won the best first film award at Berlinale and served as Spain’s best international...
“Alcarràs,” which Simón wrote and directed, focuses on the life of a family of peach farmers in a small Catalonian village, which was inspired by her adoptive mother’s family. The film premiered at the 2022 Berlin Film Festival — where it won the prestigious Golden Bear, becoming the first Catalan-language film to receive the honor — and has screened at nearly 100 international film festivals, including the New York Film Festival.
Produced by Maria Zamora, Stefan Schmitz and Tono Filguera and co-produced by Giovanni Pompili, “Alcarràs” is the second in a planned trilogy of films. Simón made her feature directorial debut in 2017 with “Summer 1993” — an autobiographical film, which won the best first film award at Berlinale and served as Spain’s best international...
- 12/6/2022
- by Angelique Jackson
- Variety Film + TV
The 35th European Film Awards have officially unveiled this year’s nominations.
Lukas Dhont’s queer coming-of-age drama “Close,” Ali Abbasi’s serial-killer thriller “Holy Spider,” and Ruben Östlund’s Palme d’Or-winning “Triangle of Sadness” lead the 2022 nominations, with each film garnering nods in top categories: Best European Film, Best Director, and Screenwriter.
Marie Kreutzer’s “Corsage” lands three nominations, including Best Actress for Vicky Krieps. “Alcarràs” has two nominations, while Venice Golden Lion winner “Saint Omer” picked up one nod for Best European Director for Alice Diop.
The European Film Academy hosts the award ceremony on December 10 in the Icelandic capital of Reykjavík.
German director Margarethe von Trotta will be honored with the European Lifetime Achievement award, and Palestinian filmmaker Elia Suleiman is set to be celebrated with the European Achievement in World Cinema Award. Italian director Marco Bellocchio will receive the Award for European Innovative Storytelling for the limited series “Exterior Night.
Lukas Dhont’s queer coming-of-age drama “Close,” Ali Abbasi’s serial-killer thriller “Holy Spider,” and Ruben Östlund’s Palme d’Or-winning “Triangle of Sadness” lead the 2022 nominations, with each film garnering nods in top categories: Best European Film, Best Director, and Screenwriter.
Marie Kreutzer’s “Corsage” lands three nominations, including Best Actress for Vicky Krieps. “Alcarràs” has two nominations, while Venice Golden Lion winner “Saint Omer” picked up one nod for Best European Director for Alice Diop.
The European Film Academy hosts the award ceremony on December 10 in the Icelandic capital of Reykjavík.
German director Margarethe von Trotta will be honored with the European Lifetime Achievement award, and Palestinian filmmaker Elia Suleiman is set to be celebrated with the European Achievement in World Cinema Award. Italian director Marco Bellocchio will receive the Award for European Innovative Storytelling for the limited series “Exterior Night.
- 11/8/2022
- by Samantha Bergeson
- Indiewire
“Triangle of Sadness,” directed by Ruben Östlund, and “Holy Spider,” directed by Ali Abbasi, lead the European Film Awards nominations in major categories, alongside “Close,” directed by Lukas Dhont.
“Triangle of Sadness,” “Holy Spider,” “Alcarràs,” “Close” and “Corsage” vie for best European film.
Those contesting for best director are Dhont for “Close,” Marie Kreutzer for “Corsage,” Jerzy Skolimowski for “Eo,” Abbasi for “Holy Spider,” Alice Diop for “Saint Omer” and Östlund for “Triangle of Sadness.”
Nominated for European Screenwriter are “Alcarràs” scribes Carla Simón and Arnau Vilaró, Kenneth Branagh for “Belfast,” Dhont and Angelo Tijssens for “Close,” Abbasi and Afshin Kamran Bahrami for “Holy Spider,” and Östlund for “Triangle of Sadness.”
European Actress nominees are Vicky Krieps in “Corsage,” Zar Amir Ebrahimi in “Holy Spider,” Léa Seydoux in “One Fine Morning,” Penélope Cruz for “Parallel Mothers” and Meltem Kaptan in “Rabiye Kurnaz Vs.
“Triangle of Sadness,” “Holy Spider,” “Alcarràs,” “Close” and “Corsage” vie for best European film.
Those contesting for best director are Dhont for “Close,” Marie Kreutzer for “Corsage,” Jerzy Skolimowski for “Eo,” Abbasi for “Holy Spider,” Alice Diop for “Saint Omer” and Östlund for “Triangle of Sadness.”
Nominated for European Screenwriter are “Alcarràs” scribes Carla Simón and Arnau Vilaró, Kenneth Branagh for “Belfast,” Dhont and Angelo Tijssens for “Close,” Abbasi and Afshin Kamran Bahrami for “Holy Spider,” and Östlund for “Triangle of Sadness.”
European Actress nominees are Vicky Krieps in “Corsage,” Zar Amir Ebrahimi in “Holy Spider,” Léa Seydoux in “One Fine Morning,” Penélope Cruz for “Parallel Mothers” and Meltem Kaptan in “Rabiye Kurnaz Vs.
- 11/8/2022
- by Leo Barraclough
- Variety Film + TV
Click here to read the full article.
Lukas Dhont’s Belgian coming-of-age drama Close, Ali Abbasi’s Persian-language crime thriller Holy Spider and Swedish director Ruben Östlund’s satirical black comedy Triangle of Sadness, which won the Palme d’Or at Cannes, are topping the nominations for the 2022 European Film Awards (EFAs), unveiled Tuesday.
Each of the acclaimed titles, which also happen to be Oscar contenders for the 2023 Academy Awards in the best international feature category, received Efa nominations for best European film, best director, best screenwriter and an acting category apiece.
Also in the running for the Efa for best European film are Alcarràs from Spain’s Carla Simón and Austrian director Marie Kreutzer’s period drama Corsage.
The European honors are often viewed as a bellwether for the Oscars. Although last year’s Efa’s weren’t a particularly strong Oscars predictor, Joachim Trier’s The Worst Person in the World...
Lukas Dhont’s Belgian coming-of-age drama Close, Ali Abbasi’s Persian-language crime thriller Holy Spider and Swedish director Ruben Östlund’s satirical black comedy Triangle of Sadness, which won the Palme d’Or at Cannes, are topping the nominations for the 2022 European Film Awards (EFAs), unveiled Tuesday.
Each of the acclaimed titles, which also happen to be Oscar contenders for the 2023 Academy Awards in the best international feature category, received Efa nominations for best European film, best director, best screenwriter and an acting category apiece.
Also in the running for the Efa for best European film are Alcarràs from Spain’s Carla Simón and Austrian director Marie Kreutzer’s period drama Corsage.
The European honors are often viewed as a bellwether for the Oscars. Although last year’s Efa’s weren’t a particularly strong Oscars predictor, Joachim Trier’s The Worst Person in the World...
- 11/8/2022
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Belgian filmmaker Lukas Dhont’s Close, Danish director Ali Abbasi’s Holy Spider and Swedish director Ruben Ôstlund’s Triangle Of Sadness lead the nominations for the 35th European Film Awards, which were unveiled today.
The films have each made it into four categories including best European Film, Best Director and Screenwriter.
All three films debuted at Cannes this year, where Triangle Of Sadness clinched the Palme d’Or; Close, the Grand Prize (in ex-aequo with Claire Denis’s Stars At Noon); and Holy Spider, best actress for Zar Amir-Ebrahimi.
Close and Holy Spider are also the entries for their respective countries of Belgium and Denmark in the Academy Awards Best International Film category this year.
Further hot contenders include Austrian director Marie Kreutzer’s Corsage, with three nominations, including best actress for Vicky Krieps, and Berlinale Berlinale Golden Lion Alcarràs with two nominations. Venice 2022 Grand Jury and best first...
The films have each made it into four categories including best European Film, Best Director and Screenwriter.
All three films debuted at Cannes this year, where Triangle Of Sadness clinched the Palme d’Or; Close, the Grand Prize (in ex-aequo with Claire Denis’s Stars At Noon); and Holy Spider, best actress for Zar Amir-Ebrahimi.
Close and Holy Spider are also the entries for their respective countries of Belgium and Denmark in the Academy Awards Best International Film category this year.
Further hot contenders include Austrian director Marie Kreutzer’s Corsage, with three nominations, including best actress for Vicky Krieps, and Berlinale Berlinale Golden Lion Alcarràs with two nominations. Venice 2022 Grand Jury and best first...
- 11/8/2022
- by Melanie Goodfellow
- Deadline Film + TV
The British Independent Film Awards (BIFAs) have revealed the nomination longlists for Best Feature Documentary and Best International Independent Film categories. In addition, BIFA’s Raindance Discovery Award longlist has also been unveiled.
Of the 15 films longlisted for Best Feature Documentary, eight are directed by women. The 17 films longlisted for Best International Independent Film have already won top prizes from this year’s premier international festivals.
The final five nominations in each category will be announced in early November and winners will be revealed at the 25th annual BIFA ceremony on Dec. 4.
Best International Independent Film Sponsored By Champagne Taittinger
“Alcarràs” – Carla Simón, María Zamora, Stefan Schmitz, Tono Folguera, Sergi Moreno
“All The Beauty And The Bloodshed” – Laura Poitras, Howard Gertler, Nan Goldin, Yoni Golijov, John S. Lyons
“Argentina, 1985” – Santiago Mitre, Mariano Llinás, Axel Kuschevatzky, Federico Posternak, Agustina Llambi Campbell, Ricardo Darín, Santiago Carabante, Chino Darín, Victoria Alonso
“Broker” – Kore-eda Hirokazu,...
Of the 15 films longlisted for Best Feature Documentary, eight are directed by women. The 17 films longlisted for Best International Independent Film have already won top prizes from this year’s premier international festivals.
The final five nominations in each category will be announced in early November and winners will be revealed at the 25th annual BIFA ceremony on Dec. 4.
Best International Independent Film Sponsored By Champagne Taittinger
“Alcarràs” – Carla Simón, María Zamora, Stefan Schmitz, Tono Folguera, Sergi Moreno
“All The Beauty And The Bloodshed” – Laura Poitras, Howard Gertler, Nan Goldin, Yoni Golijov, John S. Lyons
“Argentina, 1985” – Santiago Mitre, Mariano Llinás, Axel Kuschevatzky, Federico Posternak, Agustina Llambi Campbell, Ricardo Darín, Santiago Carabante, Chino Darín, Victoria Alonso
“Broker” – Kore-eda Hirokazu,...
- 10/21/2022
- by Naman Ramachandran
- Variety Film + TV
They came, they saw 10 higher-end Spanish movie pitches and maybe they were conquered. Just turning up, however, was maybe the most important factor.
Never in the history of the San Sebastian Festival have so many high-powered U.S. execs descended on the Spanish resort as for the two days of the first Creative Investors Conference, taking place over Sept. 19-20 and co-organized by CAA Media Finance.
At the Conference, investors debated with a level of candour above run-of-the-mill seminars, the state and future of the movie business across a total eight panels, moderated with verve by consultant Wendy Mitchell.
Since these are many of the guys running or making the running in the international part of that business, it was well worth noting some of their takeaways:
Europe’s Big Hope: Platforms Really Embracing Cinema
In the U.S., the platforms already buy big when it comes to movies. Think Sundance.
Never in the history of the San Sebastian Festival have so many high-powered U.S. execs descended on the Spanish resort as for the two days of the first Creative Investors Conference, taking place over Sept. 19-20 and co-organized by CAA Media Finance.
At the Conference, investors debated with a level of candour above run-of-the-mill seminars, the state and future of the movie business across a total eight panels, moderated with verve by consultant Wendy Mitchell.
Since these are many of the guys running or making the running in the international part of that business, it was well worth noting some of their takeaways:
Europe’s Big Hope: Platforms Really Embracing Cinema
In the U.S., the platforms already buy big when it comes to movies. Think Sundance.
- 9/21/2022
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Every country chooses one film to submit to the Oscar race for the Best International Feature category, and many of them make obvious selections, but Spain’s process can be especially unpredictable. While many countries rely on a small committee to make the decision, Spain’s selection stems from a voting process by the 1,500 members of its Academy of Cinematic Arts and Sciences. That has yielded the occasional preference for a commercial title over more celebrated possibilities, such as last year’s decision to submit the Javier Bardem corporate comedy “The Good Boss” over Pedro Almodóvar’s acclaimed “Parallel Mothers,” which still managed to secure a Best Actress nomination for Penelope Cruz.
This time, the Spanish Academy went in a more ambitious direction. Many expected the movie industry satire “Official Competition,” which stars Antonio Banderas as a pompous actor and Cruz as his director, to take the spot. Instead, Spain has selected “Alcarrás,...
This time, the Spanish Academy went in a more ambitious direction. Many expected the movie industry satire “Official Competition,” which stars Antonio Banderas as a pompous actor and Cruz as his director, to take the spot. Instead, Spain has selected “Alcarrás,...
- 9/14/2022
- by Eric Kohn
- Indiewire
One of the biggest challenges facing independent production around the world is how, coming out of pandemic, streaming finance and state funding can be made to mesh in new regulatory terms.
Nowhere currently is this issue proving more fraught than in Spain, as it attempts to transpose into national law Europe’s celebrated Audiovisual Media Services Directive, which can oblige global streamers to invest in a country’s national production, as has happened in France and will be case in Spain.
Currently, Spain’s draft law requires networks and local and global platforms to plow 5 of annual revenues into European titles, 3.5 off that in works from independent Spanish producers, of which 2 are accounted for by movies and 1.5 by films.
Loud alarm bells rang, however, when its industry bodies discovered a last-minute change to Spain’s draft General Audiovisual Communication Law, now in consideration in Spain’s Congress, which affects the definition of an independent producer.
Nowhere currently is this issue proving more fraught than in Spain, as it attempts to transpose into national law Europe’s celebrated Audiovisual Media Services Directive, which can oblige global streamers to invest in a country’s national production, as has happened in France and will be case in Spain.
Currently, Spain’s draft law requires networks and local and global platforms to plow 5 of annual revenues into European titles, 3.5 off that in works from independent Spanish producers, of which 2 are accounted for by movies and 1.5 by films.
Loud alarm bells rang, however, when its industry bodies discovered a last-minute change to Spain’s draft General Audiovisual Communication Law, now in consideration in Spain’s Congress, which affects the definition of an independent producer.
- 5/23/2022
- by John Hopewell
- Variety Film + TV
María Zamora is the Spanish producer of Carla Simón’s Golden Bear winner ’Alcarras’.
María Zamora, the Spanish producer of Carla Simón’s Golden Bear winner Alcarràs, has acquired the novel Miss Marte and is developing the screenplay as a TV series.
It will be a collaboration between Zamora’s Elastica Films with Matriuska Producciones.
Eduard Solà has written the series bible and script for the pilot. Zamora is now talking to streamers for what is planned to be 30-minute episodes, each with a different character’s perspective.
Miss Marte is set in Galicia over 25 years from the early 1990s.
María Zamora, the Spanish producer of Carla Simón’s Golden Bear winner Alcarràs, has acquired the novel Miss Marte and is developing the screenplay as a TV series.
It will be a collaboration between Zamora’s Elastica Films with Matriuska Producciones.
Eduard Solà has written the series bible and script for the pilot. Zamora is now talking to streamers for what is planned to be 30-minute episodes, each with a different character’s perspective.
Miss Marte is set in Galicia over 25 years from the early 1990s.
- 5/19/2022
- by Elisabet Cabeza
- ScreenDaily
Spain’s Cannes presence this year offers testimony to its developing co-production scene, as well as economic concerns driving the search for international partners and the ambitions of a highly cosmopolitan generation of cineastes that is driving art cinema production in Spain.
Four Spanish features have made this year’s Cannes cut: Albert Serra’s competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; José Luis López Linares’ Cannes Classics title “Goya, Carriere and the Ghost of Buñuel”; and Directors’ Fortnight contender “El Agua,” by Elena López Riera.
All four are international co-productions. Also at Cannes, a Spanish Producers Network showcase, backed by Icex Trade and Investment and Icaa Film Institute, will highlight eight potential overseas co-production projects.
Spain’s burgeoning co-pro scene is one reaction to the challenges of its domestic market. Bowing April 29, Carla Simón’s Berlin Golden Bear winner “Alcarràs” has become an event movie, scoring...
Four Spanish features have made this year’s Cannes cut: Albert Serra’s competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; José Luis López Linares’ Cannes Classics title “Goya, Carriere and the Ghost of Buñuel”; and Directors’ Fortnight contender “El Agua,” by Elena López Riera.
All four are international co-productions. Also at Cannes, a Spanish Producers Network showcase, backed by Icex Trade and Investment and Icaa Film Institute, will highlight eight potential overseas co-production projects.
Spain’s burgeoning co-pro scene is one reaction to the challenges of its domestic market. Bowing April 29, Carla Simón’s Berlin Golden Bear winner “Alcarràs” has become an event movie, scoring...
- 5/19/2022
- by Emiliano De Pablos
- Variety Film + TV
Welcome to International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. This week, as the 75th edition of the Cannes Film Festival has just kicked off, we’re talking to Enrique Costa and María Zamora, co-founders of Spanish distribution and production banner Elastica Films. At just a year old, the company is already making waves in the independent sector. They tell us about the company’s first year, their love of cinema and how they build films that connect with audiences.
At last year’s pared-down Cannes Film Festival, Enrique Costa and María Zamora touched down on the Croisette having just launched their new Spanish distribution-production banner Elastica Films. The pandemic continued to wreak havoc on the theatrical business and that usual buzzy market feeling felt notably muted compared to previous years.
But that didn...
At last year’s pared-down Cannes Film Festival, Enrique Costa and María Zamora touched down on the Croisette having just launched their new Spanish distribution-production banner Elastica Films. The pandemic continued to wreak havoc on the theatrical business and that usual buzzy market feeling felt notably muted compared to previous years.
But that didn...
- 5/18/2022
- by Diana Lodderhose
- Deadline Film + TV
Global streaming service Mubi has snapped up Carla Simón’s Berlin Golden Bear winner “Alcarràs” for the U.S., U.K. and a raft of other markets.
Spanish director Simón’s “Alcarràs” premiered in Competition at the 2022 Berlinale, where it won the Golden Bear for best film. It was one of the last Competition titles to unspool at the festival — which took place in person after two years — but emerged as a hot favorite following its premiere, with unanimous critical adoration for Simón’s film, which features an ensemble of entirely non-professional actors.
Mubi — which is also a distributor and production company in its own right — has bought the film for North America, U.K., Ireland, Latin America, Turkey, South Asia (including India) and Southeast Asia (including Malaysia). The streamer will release the film theatrically this fall in the U.S. and U.K.
Following her breakthrough film “Summer 1993,...
Spanish director Simón’s “Alcarràs” premiered in Competition at the 2022 Berlinale, where it won the Golden Bear for best film. It was one of the last Competition titles to unspool at the festival — which took place in person after two years — but emerged as a hot favorite following its premiere, with unanimous critical adoration for Simón’s film, which features an ensemble of entirely non-professional actors.
Mubi — which is also a distributor and production company in its own right — has bought the film for North America, U.K., Ireland, Latin America, Turkey, South Asia (including India) and Southeast Asia (including Malaysia). The streamer will release the film theatrically this fall in the U.S. and U.K.
Following her breakthrough film “Summer 1993,...
- 4/6/2022
- by Manori Ravindran
- Variety Film + TV
The speakers are producer María Zamora, Maialen Beloki from San Sebastián film festival and Protagonist Pictures’ Marielle Membreno.
The next episode in our ScreenDaily Talks webinar series will take place September 9 at 10:00 BST / 11:00 Cest and will discuss how the international industry can work with the dynamic Spanish film sector.
Click here to register
The international demand for Spanish films and talent is making stars out of a new generation of directors and actors and ensuring Spain’s thriving indie producers are sought-after creative partners.
Last month Screen launched our inaugural Spain Stars of Tomorrow, in partnership with Filmin,...
The next episode in our ScreenDaily Talks webinar series will take place September 9 at 10:00 BST / 11:00 Cest and will discuss how the international industry can work with the dynamic Spanish film sector.
Click here to register
The international demand for Spanish films and talent is making stars out of a new generation of directors and actors and ensuring Spain’s thriving indie producers are sought-after creative partners.
Last month Screen launched our inaugural Spain Stars of Tomorrow, in partnership with Filmin,...
- 9/1/2021
- by Screen staff
- ScreenDaily
San Sebastian — Paris-based MK2 has boarded “Alcarràs,” the second feature film of Catalan auteur Carla Simón (“Summer 1993”), a leading member of a bright new generation of lauded and laurelled Catalan women directors including Neus Ballús, Belén Funes, Meritxell Colell, among others.
Currently in development, “Alcarràs” will be produced by Madrid-based production-distribution outfit Avalon– the Spanish distributors of Ruben Östlund’s “The Square,” Robin Campillo’s “120 Beats Per Minute,” and producers of “Summer 1993″ and Carlos Marques-Marcet’s “The Days to Come,” at this year’s San Sebastian Festival in its Made in Spain showcase.
Simón’s autobiographical debut “Summer 1993” snagged the Best First Film Award and the Generation Kplus Grand Prix at Berlin in 2017. The feature was Spain’s 2018 Oscars race entry, nominated for the Efa Discovery Award and won three Goyas including best new director. Carla Simón also received the Women in Motion Emerging Talent Award in Cannes in 2018.
Inspired by her own adoptive family,...
Currently in development, “Alcarràs” will be produced by Madrid-based production-distribution outfit Avalon– the Spanish distributors of Ruben Östlund’s “The Square,” Robin Campillo’s “120 Beats Per Minute,” and producers of “Summer 1993″ and Carlos Marques-Marcet’s “The Days to Come,” at this year’s San Sebastian Festival in its Made in Spain showcase.
Simón’s autobiographical debut “Summer 1993” snagged the Best First Film Award and the Generation Kplus Grand Prix at Berlin in 2017. The feature was Spain’s 2018 Oscars race entry, nominated for the Efa Discovery Award and won three Goyas including best new director. Carla Simón also received the Women in Motion Emerging Talent Award in Cannes in 2018.
Inspired by her own adoptive family,...
- 9/25/2019
- by Emilio Mayorga
- Variety Film + TV
Summer 1993 — Catalonia, Spain
So cathartic was Summer 1993 that my personal psyche will be marked by it forever. Why this story, about a six year old girl who quietly and slowly comes to terms with the death of her mother and how the process, invisible to anyone watching, culminates in a sudden crescendo of emotion moved me to tears, is what you must find out on your own.
No one knows the emotions of another person unless communication, self-knowledge and compassion work in favor of knowing. Yes tears and laughter mean a lot but without tears and laughter, there are thousands of feelings not communicated which result in actions whose meaning is unknown. And for children who have no words for their feelings or why they act as they do, adults can only surmise and intuit if they are able.
A child of six has no way of knowing death; children are fearless,...
So cathartic was Summer 1993 that my personal psyche will be marked by it forever. Why this story, about a six year old girl who quietly and slowly comes to terms with the death of her mother and how the process, invisible to anyone watching, culminates in a sudden crescendo of emotion moved me to tears, is what you must find out on your own.
No one knows the emotions of another person unless communication, self-knowledge and compassion work in favor of knowing. Yes tears and laughter mean a lot but without tears and laughter, there are thousands of feelings not communicated which result in actions whose meaning is unknown. And for children who have no words for their feelings or why they act as they do, adults can only surmise and intuit if they are able.
A child of six has no way of knowing death; children are fearless,...
- 12/5/2017
- by Sydney Levine
- Sydney's Buzz
Film and festival executives offered insights into how to make projects stand out, gain traction at festivals and achieve box office success.
The Bam Talks at the Bogota Audiovisual Market (Bam) this week covered a variety of topics, from how to ‘transmediatize’ your film to choosing the right festival. Screen sifted through the sessions for the gems.
How to gain international success with a Latin American co-production project (panel moderated by Screen International)
Yanick Letourneau, owner-producer at Canada’s Peripheria
“Have a very clear strategy from the start about how you’re going to put your project together, including everything from story and financing to distribution methods – always bearing in mind who your target audience is.
“Attend as many co-production forums and markets as possible, even if you only have a concept. It will give you a clearer picture of where you need to go with the project and is invaluable in terms of feedback from sales...
The Bam Talks at the Bogota Audiovisual Market (Bam) this week covered a variety of topics, from how to ‘transmediatize’ your film to choosing the right festival. Screen sifted through the sessions for the gems.
How to gain international success with a Latin American co-production project (panel moderated by Screen International)
Yanick Letourneau, owner-producer at Canada’s Peripheria
“Have a very clear strategy from the start about how you’re going to put your project together, including everything from story and financing to distribution methods – always bearing in mind who your target audience is.
“Attend as many co-production forums and markets as possible, even if you only have a concept. It will give you a clearer picture of where you need to go with the project and is invaluable in terms of feedback from sales...
- 7/15/2015
- by chrisevans78@hotmail.co.uk (Chris Evans)
- ScreenDaily
European Film Promotion has special programs highlighting talent in Berlin (Shooting Stars), a Producer Lab in Toronto, 10 Directors to Watch at Karlovy Vary, European Directors at Busan and a great networking party at Afm. For 14 years Efp has hosted Producers on the Move in Cannes. This year 29 producers from 29 different European countries will take part in the event from 18 to 21 May, 2013. The Republic of Kosovo* and Montenegro will both be represented for the first time this year with a producer. These are the producers who set the ball rolling on projects, forge coalitions and conjure up a film out of an idea. Film producers are increasingly looking past their national borders. In order to facilitate an exchange with similarly ambitious colleagues from other European countries and showcase their range of achievements, European Film Promotion (Efp) offers a platform for networking to carefully selected producers. 12 of the 29 producers are women ♀.
Looking back at the 2012 edition of Producers on the Move, almost all of the producers are still in contact with one another to follow up on ideas. 17 from last year's 25 participants (68%) are already working on 15 co-productions.
The group of former participants includes such internationally known and award-winning producers as Ada Solomon from Romania (Child's Pose), Bettina Brokemper from Germany (Bal), Louise Vesth from Denmark (Melancholia) and Siniša Juričić from Croatia (Sofia’s Last Ambulance).
Scheduled during the Cannes International Film Festival, the program provides its participants with an additional visibility they get at this melting pot for filmmakers, sales agents, financiers and the international media. Producers On The Move's schedule with pitching sessions, one-on-one speed-dating meetings and various opportunities to build up business relationships and to exchange knowledge enables the selected filmmakers to return home with advanced film projects and, sometimes, with a co-production deal. At the Producers' Lunch, they can, moreover, get in contact with participants from previous years.
The participants have already realized joint European film projects which were noticed on the international radar, but they still are on their way to becoming international players. Many of them produced feature films as well as documentaries, and some are additionally active in the field of animation films.
For the fourth time, Efp will be cooperating for Producers On The Move with the pan-European co-production fund Eurimages.
The following producers were selected by Efp member organizations from their respective countries:
Belgium
Anton Iffland Stettner, Need Productions
i.e. Home by Ursula Meier ♀
selected by Wallonie Bruxelles Image
Bulgaria
Konstantin Bojanov, Argentum Lux Films
i.e. Avé by Konstantin Bojanov
selected by the Bulgarian National Film Centre
Croatia
Zdenka Gold, ♀ Spiritus Movens Production
i.e. A Stranger by Bobo Jelčić
selected by the Croatian Audiovisual Centre
Czech Republic
Viktor Tauš, Fog’n’Desire Films
i.e. House by Zuzana Liová
selected by the Czech Film Center
Denmark
Mikael Chr. Rieks, Nordisk Film Production
i.e. A Funny Man by Martin Zandvliet
selected by The Danish Film Institute
Estonia
Kiur Aarma, Traumfabrik
i.e. Disco & Atomic War by Jaak Kilmi & Kiur Aarma
selected by Baltic Films
Finland
Jussi Rantamäki, Aamu Filmcompany
i.e. The Painting Sellers by Juho Kuosmanen
selected by the Finnish Film Foundation
France
Mathieu Robinet, Révérence
i.e. Love is in the Air by Alexandre Castagnetti
selected by Unifrance films
Georgia
Zaza Rusadze, Zazarfilm
i.e. A Fold in my Blanket by Zaza Rusadze
selected by the Georgian National Film Center
Germany
Jochen Laube, teamWorx Ludwigsburg
i.e. Five Years by Stefan Schaller
selected by German Films
Greece
Giorgos Karnavas, Heretic
i.e. Boy Eating The Bird’s Food by Ektoras Lygizos
selected by the Greek Film Centre
Hungary
Andrea Taschler, ♀ Mirage Film Studio
i.e. Bibliothèque Pascal by Szabolcs Hajdu
selected by Magyar Filmunió / Hungarian National Film Fund
Iceland
Thorkell Hardarson, Markell Productions
i.e. Feathered Cocaine by Thorkell Hardarson & Örn Marinó Arnarson
selected by the Icelandic Fim Centre
Ireland
Conor Barry, Sp Films
i.e. Love Eternal by Brendan Muldowney
selected by the Irish Film Board
Italy
Viola Prestieri, Buena Onda
i.e. The Great Beauty by Paolo Sorrentino ♀
selected by Istituto Luce Cinecittà
Republic of Kosovo*
Valon Jakupaj, Gegnia Film
i.e. Adventures of Santa Clause by Valon Jakupaj
selected by the Kosova Cinematography Center
Luxembourg
Gilles Chanial, Red Lion
i.e. Le goût des myrtilles by Thomas de Thier
selected by Film Fund Luxembourg
Fyr of Macedonia
Labina Mitevska, ♀ Sisters and Brother Mitevski Production
i.e. The Woman Who Brushed Off Her Tears by Teona Mitevska ♀
selected by Macedonian Film Fund
Montenegro
Sehad Čekić, Cut-Up Production
i.e. The Ascent by Neminja Becanovic
selected by the Ministry of Culture of Montenegro
The Netherlands
Marleen Slot, ♀ Viking Film
i.e. Zurich by Sacha Polak ♀
selected by Eye International / Netherlands
Norway
Hans-Jørgen Osnes, Motlys
i.e. Oslo, August 31st by Joachim Trier
selected by the Norwegian Film Institute
Poland
Agnieszka Kurzydło, ♀ MD 4
i.e. In The Name Of by Małgośka Szumowska ♀
selected by the Polish Film Institute
Portugal
João Matos, Terratreme filmes
i.e. Lacrau by João Vladimiro
selected by Ica I.P. / Portugal
Romania
Anca Puiu, ♀ Mandragora
i.e. Rocker by Marian Crisan ♀
selected by the Romanian Film Promotion
Slovak Republic
Mira Fornay, ♀ Mirafox
i.e. My Dog Killer by Mira Fornay ♀
selected by Slovak Film Institute
Spain
María Zamora, ♀ Avalon P.C.
i.e. Todos están muertos by Beatriz Sanchis ♀
selected by Icaa / Spain
Sweden
Erika Wasserman, ♀ Idyll
i.e. Avalon by Axel Petersén
selected by the Swedish Film Institute
Switzerland
Joëlle Bertossa, ♀ Close Up Film
i.e. Body by Halima Ouardiri ♀
selected by Swiss Films
United Kingdom
Andrea Cornwell, ♀ Lobo Films Ltd
i.e. The Last Days On Mars by Ruairi Robinson ♀
selected by the British Council...
Looking back at the 2012 edition of Producers on the Move, almost all of the producers are still in contact with one another to follow up on ideas. 17 from last year's 25 participants (68%) are already working on 15 co-productions.
The group of former participants includes such internationally known and award-winning producers as Ada Solomon from Romania (Child's Pose), Bettina Brokemper from Germany (Bal), Louise Vesth from Denmark (Melancholia) and Siniša Juričić from Croatia (Sofia’s Last Ambulance).
Scheduled during the Cannes International Film Festival, the program provides its participants with an additional visibility they get at this melting pot for filmmakers, sales agents, financiers and the international media. Producers On The Move's schedule with pitching sessions, one-on-one speed-dating meetings and various opportunities to build up business relationships and to exchange knowledge enables the selected filmmakers to return home with advanced film projects and, sometimes, with a co-production deal. At the Producers' Lunch, they can, moreover, get in contact with participants from previous years.
The participants have already realized joint European film projects which were noticed on the international radar, but they still are on their way to becoming international players. Many of them produced feature films as well as documentaries, and some are additionally active in the field of animation films.
For the fourth time, Efp will be cooperating for Producers On The Move with the pan-European co-production fund Eurimages.
The following producers were selected by Efp member organizations from their respective countries:
Belgium
Anton Iffland Stettner, Need Productions
i.e. Home by Ursula Meier ♀
selected by Wallonie Bruxelles Image
Bulgaria
Konstantin Bojanov, Argentum Lux Films
i.e. Avé by Konstantin Bojanov
selected by the Bulgarian National Film Centre
Croatia
Zdenka Gold, ♀ Spiritus Movens Production
i.e. A Stranger by Bobo Jelčić
selected by the Croatian Audiovisual Centre
Czech Republic
Viktor Tauš, Fog’n’Desire Films
i.e. House by Zuzana Liová
selected by the Czech Film Center
Denmark
Mikael Chr. Rieks, Nordisk Film Production
i.e. A Funny Man by Martin Zandvliet
selected by The Danish Film Institute
Estonia
Kiur Aarma, Traumfabrik
i.e. Disco & Atomic War by Jaak Kilmi & Kiur Aarma
selected by Baltic Films
Finland
Jussi Rantamäki, Aamu Filmcompany
i.e. The Painting Sellers by Juho Kuosmanen
selected by the Finnish Film Foundation
France
Mathieu Robinet, Révérence
i.e. Love is in the Air by Alexandre Castagnetti
selected by Unifrance films
Georgia
Zaza Rusadze, Zazarfilm
i.e. A Fold in my Blanket by Zaza Rusadze
selected by the Georgian National Film Center
Germany
Jochen Laube, teamWorx Ludwigsburg
i.e. Five Years by Stefan Schaller
selected by German Films
Greece
Giorgos Karnavas, Heretic
i.e. Boy Eating The Bird’s Food by Ektoras Lygizos
selected by the Greek Film Centre
Hungary
Andrea Taschler, ♀ Mirage Film Studio
i.e. Bibliothèque Pascal by Szabolcs Hajdu
selected by Magyar Filmunió / Hungarian National Film Fund
Iceland
Thorkell Hardarson, Markell Productions
i.e. Feathered Cocaine by Thorkell Hardarson & Örn Marinó Arnarson
selected by the Icelandic Fim Centre
Ireland
Conor Barry, Sp Films
i.e. Love Eternal by Brendan Muldowney
selected by the Irish Film Board
Italy
Viola Prestieri, Buena Onda
i.e. The Great Beauty by Paolo Sorrentino ♀
selected by Istituto Luce Cinecittà
Republic of Kosovo*
Valon Jakupaj, Gegnia Film
i.e. Adventures of Santa Clause by Valon Jakupaj
selected by the Kosova Cinematography Center
Luxembourg
Gilles Chanial, Red Lion
i.e. Le goût des myrtilles by Thomas de Thier
selected by Film Fund Luxembourg
Fyr of Macedonia
Labina Mitevska, ♀ Sisters and Brother Mitevski Production
i.e. The Woman Who Brushed Off Her Tears by Teona Mitevska ♀
selected by Macedonian Film Fund
Montenegro
Sehad Čekić, Cut-Up Production
i.e. The Ascent by Neminja Becanovic
selected by the Ministry of Culture of Montenegro
The Netherlands
Marleen Slot, ♀ Viking Film
i.e. Zurich by Sacha Polak ♀
selected by Eye International / Netherlands
Norway
Hans-Jørgen Osnes, Motlys
i.e. Oslo, August 31st by Joachim Trier
selected by the Norwegian Film Institute
Poland
Agnieszka Kurzydło, ♀ MD 4
i.e. In The Name Of by Małgośka Szumowska ♀
selected by the Polish Film Institute
Portugal
João Matos, Terratreme filmes
i.e. Lacrau by João Vladimiro
selected by Ica I.P. / Portugal
Romania
Anca Puiu, ♀ Mandragora
i.e. Rocker by Marian Crisan ♀
selected by the Romanian Film Promotion
Slovak Republic
Mira Fornay, ♀ Mirafox
i.e. My Dog Killer by Mira Fornay ♀
selected by Slovak Film Institute
Spain
María Zamora, ♀ Avalon P.C.
i.e. Todos están muertos by Beatriz Sanchis ♀
selected by Icaa / Spain
Sweden
Erika Wasserman, ♀ Idyll
i.e. Avalon by Axel Petersén
selected by the Swedish Film Institute
Switzerland
Joëlle Bertossa, ♀ Close Up Film
i.e. Body by Halima Ouardiri ♀
selected by Swiss Films
United Kingdom
Andrea Cornwell, ♀ Lobo Films Ltd
i.e. The Last Days On Mars by Ruairi Robinson ♀
selected by the British Council...
- 4/26/2013
- by Sydney Levine
- Sydney's Buzz
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