The Jeonju International Film Festival, South Korea’s second most important generalist film festival, on Tuesday announced “The Major Tones” and “Time to Be Strong” as the Grand Prix winners of its two competition sections. The festival continues until Friday.
Directed by Argentina’s Ingrid Pokropek, “The Major Tones” is a mystery film about a youngster with a metal plate in her arm which begins to receive peculiar messages in Morse Code. It premiered at the Mar del Plata festival and also played in Berlin’s Generation KPlus section. In Jeonju it won the international section.
The Korean section was dominated by “Time to Be Strong,” the sophomore effort of director Namkoong Sun. In addition to the Korean competition’s Grand Prix, it also shared the best actor award and picked up the Watch award from a local streamer.
The film follows three former K-pop idol singers whose careers have...
Directed by Argentina’s Ingrid Pokropek, “The Major Tones” is a mystery film about a youngster with a metal plate in her arm which begins to receive peculiar messages in Morse Code. It premiered at the Mar del Plata festival and also played in Berlin’s Generation KPlus section. In Jeonju it won the international section.
The Korean section was dominated by “Time to Be Strong,” the sophomore effort of director Namkoong Sun. In addition to the Korean competition’s Grand Prix, it also shared the best actor award and picked up the Watch award from a local streamer.
The film follows three former K-pop idol singers whose careers have...
- 5/8/2024
- by Patrick Frater
- Variety Film + TV
New York-based Argentinian director Matiás Piñeiro’s work is without a doubt, a celebration of intertextuality. After continuously exploring the female roles in Shakespeare’s comedies from 2011’s Rosalinda up until 2020’s Isabella, he was drawn to a text which seemed impenetrable, admitting he had no clue how to film a poetic dialogue. In order to collect the shots for the adaptation-film-collage that would become You Burn Me, the filmmaker traveled between New York and San Sebastian, which gave him the possibility to “develop the material, watch it and think […]
The post A Film To Read: Matiás Piñeiro, Tomas Paula Marques and Gabi Saidón on You Burn Me first appeared on Filmmaker Magazine.
The post A Film To Read: Matiás Piñeiro, Tomas Paula Marques and Gabi Saidón on You Burn Me first appeared on Filmmaker Magazine.
- 4/25/2024
- by Savina Petkova
- Filmmaker Magazine - Blog
New York-based Argentinian director Matiás Piñeiro’s work is without a doubt, a celebration of intertextuality. After continuously exploring the female roles in Shakespeare’s comedies from 2011’s Rosalinda up until 2020’s Isabella, he was drawn to a text which seemed impenetrable, admitting he had no clue how to film a poetic dialogue. In order to collect the shots for the adaptation-film-collage that would become You Burn Me, the filmmaker traveled between New York and San Sebastian, which gave him the possibility to “develop the material, watch it and think […]
The post A Film To Read: Matiás Piñeiro, Tomas Paula Marques and Gabi Saidón on You Burn Me first appeared on Filmmaker Magazine.
The post A Film To Read: Matiás Piñeiro, Tomas Paula Marques and Gabi Saidón on You Burn Me first appeared on Filmmaker Magazine.
- 4/25/2024
- by Savina Petkova
- Filmmaker Magazine-Director Interviews
Cinema Guild has acquired North American distribution rights for “You Burn Me” (aka “Tú me abrasas”), directed by Argentina’s Matías Piñeiro.
The film had its world premiere at the Berlinale in February in the festival’s Encounters section. It won a special mention from the jury at Paris’s Cinéma du réel in March.
Cinema Guild will release the film in theaters following its currently unspecified North American festival premiere later this year. The company has also acquired rights to three earlies films by Piñeiro – “The Stolen Man” from 2007; “They All Lie” from 2009; and “Rosalinda” which will be released on home video and digital alongside “You Burn Me.”
An adaptation of “Sea Foam,” a chapter in Cesare Pavese’s Dialogues with Leucò, Piñeiro’s latest is an intimate and expansive meditation on death and desire. It is also a challenging exploration of the possibilities of adapting text to film.
The film had its world premiere at the Berlinale in February in the festival’s Encounters section. It won a special mention from the jury at Paris’s Cinéma du réel in March.
Cinema Guild will release the film in theaters following its currently unspecified North American festival premiere later this year. The company has also acquired rights to three earlies films by Piñeiro – “The Stolen Man” from 2007; “They All Lie” from 2009; and “Rosalinda” which will be released on home video and digital alongside “You Burn Me.”
An adaptation of “Sea Foam,” a chapter in Cesare Pavese’s Dialogues with Leucò, Piñeiro’s latest is an intimate and expansive meditation on death and desire. It is also a challenging exploration of the possibilities of adapting text to film.
- 4/22/2024
- by Patrick Frater
- Variety Film + TV
Argentinian filmmakers are uniting under the banner Cine Argentino Unido to gather in Berlin on Tuesday to raise awareness of the unfolding public funding crisis in the country.
National film and TV institute Incaa, which funds most of the country’s local productions, has been unable to allocate money since Nicolas Batlle resigned as head last December in protest over the election of far-right president Javier Milei.
Milei has promised a programme of deep cuts to help fix the country’s ravaged economy and the industry fears cultural funding is high up his list.
“The far-right government is attempting to...
National film and TV institute Incaa, which funds most of the country’s local productions, has been unable to allocate money since Nicolas Batlle resigned as head last December in protest over the election of far-right president Javier Milei.
Milei has promised a programme of deep cuts to help fix the country’s ravaged economy and the industry fears cultural funding is high up his list.
“The far-right government is attempting to...
- 2/18/2024
- ScreenDaily
It may not match last year’s sheer quantity in competition strands, but Spain still boasts a high quality presence at the Berlinale. Following, highlights the festival and EFM:
“Every You Every Me,” (Michael Fetter Nathansky)
A factory worker strives to reconnect with her distant husband, exploring the rediscovery of love within the complexities of relationships. From Contando Films, Studio Zentral, Network Movie and Nephilim, a German-Spanish production.
“Cura Sana,” (Lucía G. Romero)
Produced by Escac Films, this Generation 14plus premiere delves into sisters’ lives shaped by ancestral violence, exploring deep familial bonds and lasting impact of abuse.
“Deprisa, Deprisa,” (Carlos Saura)
A classic: Set to a memorable flamenco-pop score, four young Madrid delinquents pull robberies, snort heroin, steal cars the film capturing the raw energy youth and their vague, but visceral sense of ‘liberty.’ A restoration of a seminal work.
“The Human Hibernation,” (Anna Cornudella)
A sci-fi exploration of siblings undergoing hibernation,...
“Every You Every Me,” (Michael Fetter Nathansky)
A factory worker strives to reconnect with her distant husband, exploring the rediscovery of love within the complexities of relationships. From Contando Films, Studio Zentral, Network Movie and Nephilim, a German-Spanish production.
“Cura Sana,” (Lucía G. Romero)
Produced by Escac Films, this Generation 14plus premiere delves into sisters’ lives shaped by ancestral violence, exploring deep familial bonds and lasting impact of abuse.
“Deprisa, Deprisa,” (Carlos Saura)
A classic: Set to a memorable flamenco-pop score, four young Madrid delinquents pull robberies, snort heroin, steal cars the film capturing the raw energy youth and their vague, but visceral sense of ‘liberty.’ A restoration of a seminal work.
“The Human Hibernation,” (Anna Cornudella)
A sci-fi exploration of siblings undergoing hibernation,...
- 2/16/2024
- by Callum McLennan
- Variety Film + TV
Cine Argentino Unido, the new coalition group representing Argentinian film organisations, has called for a show of solidarity in Berlin amid an arts funding crisis in the South American country.
On Thursday the group issued a statement in which it hailed Argentina’s artistic presence in the Berlinale this year.
“What should be a source of pride for our entire industry, however, comes in a context of alarm and emergency for the cinema and culture of our country,” the statement said, in reference to firebrand president Javier Milei’s efforts to course-correct a stricken economy buckling under hyperinflation, huge debt,...
On Thursday the group issued a statement in which it hailed Argentina’s artistic presence in the Berlinale this year.
“What should be a source of pride for our entire industry, however, comes in a context of alarm and emergency for the cinema and culture of our country,” the statement said, in reference to firebrand president Javier Milei’s efforts to course-correct a stricken economy buckling under hyperinflation, huge debt,...
- 2/15/2024
- ScreenDaily
A Different Man.The Berlinale have begun to announce the first few titles selected for the 74th edition of their festival, set to take place from February 15 through 21, 2024. This page will be updated as further sections are announced.COMPETITIONAnother End (Piero Messina)Architecton (Victor Kossakovsky)Black Tea (Abderrahmane Sissako)La Cocina (Alonso Ruiz Palacios) Dahomey (Mati Diop)A Different Man (Aaron Schimberg)The Empire (Bruno Dumont)Gloria! (Margherita Vicario)Suspended Time (Olivier Assayas)From Hilde, With Love (Andreas Dresen)My Favourite CakeLangue Etrangère (Claire Berger)Small Things Like These (Tim Mielants)Who Do I Belong To (Meryam Joobeur)Pepe (Nelson Carlos De Los Santos Arias)Shambhala (Min Bahadur Bham)Sterben (Matthias Glasner)Small Things Like These (Tim Mielants)A Traveler’s Needs (Hong Sang-soo)Sleep With Your Eyes Open. ENCOUNTERSArcadia (Yorgos Zois)Cidade; Campo (Juliana Rojas)Demba (Mamadou Dia)Direct ActionSleep With Your Eyes Open (Nele Wohlatz)The Fable (Raam Reddy...
- 1/23/2024
- MUBI
Berlinale co-directors Carlo Chatrian and Mariette Rissenbeek are going out with a bang in their final year, with a lineup unveiled today featuring the latest works by Olivier Assayas, Bruno Dumont, Mati Diop, Hong Sang-soo, Abderrahmane Sissako, Jane Schoenbrun, Alonso Ruizpalacios, Matias Pineiro, Travis Wilkerson, Kazik Radwanski, Annie Baker, and more.
When the co-directors were asked by Screen Daily about their departure, Chatrian said, “It’s quite simple. Mariette and I had a mandate of five years. It is true that at the beginning I said that I was willing to go on because there was a shared will with the [German] Ministry [of Culture] to go on. But then the people who have the responsibility to see the future of the Berlinale thought this structure of two leaders was not the right one and I don’t consider myself able to run the festival alone. And that was the decision of the Ministry.
When the co-directors were asked by Screen Daily about their departure, Chatrian said, “It’s quite simple. Mariette and I had a mandate of five years. It is true that at the beginning I said that I was willing to go on because there was a shared will with the [German] Ministry [of Culture] to go on. But then the people who have the responsibility to see the future of the Berlinale thought this structure of two leaders was not the right one and I don’t consider myself able to run the festival alone. And that was the decision of the Ministry.
- 1/22/2024
- by Jordan Raup
- The Film Stage
The 74th Berlin International Film Festival has revealed the 20 titles selected for its official Competition as well as its competitive Encounters strand.
Scroll down for full list
New films from Claire Burger, Olivier Assayas, Hong Sangsoo, Bruno Dumont, Abderrahmane Sissako and Mati Diop are among those selected for the Competition lineup, with stars including Rooney Mara, Gael Garcia Bernal, Sebastian Stan and Cillian Murphy, who leads the festival’s opening film Small Things Like These.
Festival heads Carlo Chatrian and Mariette Rissenbeek unveiled the selections at the House of World Cultures in Berlin today (January 22).
The 2024 Berlinale will run February...
Scroll down for full list
New films from Claire Burger, Olivier Assayas, Hong Sangsoo, Bruno Dumont, Abderrahmane Sissako and Mati Diop are among those selected for the Competition lineup, with stars including Rooney Mara, Gael Garcia Bernal, Sebastian Stan and Cillian Murphy, who leads the festival’s opening film Small Things Like These.
Festival heads Carlo Chatrian and Mariette Rissenbeek unveiled the selections at the House of World Cultures in Berlin today (January 22).
The 2024 Berlinale will run February...
- 1/22/2024
- ScreenDaily
The Competition line-up for the 74th Berlin International Film Festival will be announced today at a press conference at 11am Cet (10am GMT).
Scroll down for line-up
Co-directors Carlo Chatrian and Mariette Rissenbeek will reveal the titles for the Competition and Encounters sections at the House of World Cultures in Berlin.
The announcement will also be live-streamed on the festival’s homepage and social channels. Watch it live above.
Screen will update this page with the Competition titles as they are announced. Refresh the page for latest updates.
As previously announced, the festival will open with the world premiere of...
Scroll down for line-up
Co-directors Carlo Chatrian and Mariette Rissenbeek will reveal the titles for the Competition and Encounters sections at the House of World Cultures in Berlin.
The announcement will also be live-streamed on the festival’s homepage and social channels. Watch it live above.
Screen will update this page with the Competition titles as they are announced. Refresh the page for latest updates.
As previously announced, the festival will open with the world premiere of...
- 1/22/2024
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.The Deep Blue Sea.REMEMBERINGTerence Davies has died, aged 77. Michael Koresky, who wrote a monograph on Davies in 2014, penned a beautiful Sight & Sound obituary, in which he wrote that “no one made movies like Davies, who precisely sculpted out of a subjective past, creating films that glided on waves of contemplation and observation, inviting viewers to join him in the burnished darkness of a past about which he felt complex, contradictory feelings.” Last year, Dan Schindel wrote for Notebook about the role of poetry in Benediction (2022), and in 2012, Michael Guillen interviewed Davies about The Deep Blue Sea (2011). "The problem with film is that it's always in the eternal present,” says Davies. “But it's closest, I think, to music. You don't have to be a musician to follow a symphonic argument. If you love the music,...
- 10/11/2023
- MUBI
You’re plenty absolved for not knowing the deal. It’s been 30 years since Martín Rejtman’s debut feature (Rapado), almost 10 from his last (Two Shots Fired), and nearly everything he’s made is only accessible through darkweb torrent networks I wouldn’t name here for fear of losing membership. In recent years, still, a small-even-by-small’s-standards cult has emerged, a just-enough status for this master of incident, image, and interactions––hilarious as in funny-ha-ha, not the dread “arthouse humor.” If there’s anything to account for a non-pareil comedic director falling so out-of-step with means of exposure, consider what the landscapes––financing, exhibition, distribution––roundly not-great for just about anybody would do to a sui generis Argentinian.
A near-decade’s absence hasn’t futzed with skill: La Práctica continues Rejtman’s reign as Argentina’s purveyor of mirthful chuckles, his characteristically patient and absurdity-spotted lens now trained on the...
A near-decade’s absence hasn’t futzed with skill: La Práctica continues Rejtman’s reign as Argentina’s purveyor of mirthful chuckles, his characteristically patient and absurdity-spotted lens now trained on the...
- 9/29/2023
- by Nick Newman
- The Film Stage
Shrooms.This year’s edition of TIFF Wavelengths opened with an unannounced extra. It was a 1967 film called Standard Time, an eight-minute series of circular pans around an apartment. The camera speeds up and slows down; it pans right, then left, then right again. Later, the film describes a truncated arc, showing one small section of the flat. Then, the camera pans up and down. Living beings can be glimpsed along the way, most notably a cat perched in a window, artist Joyce Wieland, and a surprise visitor at the end. But they are given the same relative attention as the objects in the space: a TV, a stereo, a cooktop, a blender, and a hutch full of china. Which is to say that all things in the field of the camera’s vision are abstracted, turned into pure painterly velocity.Of course, Standard Time is by Michael Snow, a...
- 9/12/2023
- MUBI
Underscoring a renaissance on Spain’s genre scene, a duo of titles – Daniel Calparsoro’s “All the Names of God” and Carlota Pereda’s “The Chapel” – lead the lineup of the second Spanish Screenings on Tour, which unspools at Rome’s Mia forum, taking place Oct. 9-13.
A platform of market premieres, projects, pics in post and potential remake titles, the Spanish Screenings also underscore the ever stronger emergence in Spain of open arthouse titles – Isaki Lacuesta’s “Saturn Return,” Arantxa Echeverría “Chinas,” Benito Zambrano’s “Jumping the Fence” and Gerardo Herrero’s “Under Therapy,” which was one of the best-selling titles at March’s Malaga Spanish Screenings.
With titles in Next from Spain set to present trailers, Spanish Screenings on Tour will also position a bevy of anticipated feature debuts, at different stages of production, from Spain’s seemingly bottomless well of new talent, such as Jaume Claret Muxart.
A platform of market premieres, projects, pics in post and potential remake titles, the Spanish Screenings also underscore the ever stronger emergence in Spain of open arthouse titles – Isaki Lacuesta’s “Saturn Return,” Arantxa Echeverría “Chinas,” Benito Zambrano’s “Jumping the Fence” and Gerardo Herrero’s “Under Therapy,” which was one of the best-selling titles at March’s Malaga Spanish Screenings.
With titles in Next from Spain set to present trailers, Spanish Screenings on Tour will also position a bevy of anticipated feature debuts, at different stages of production, from Spain’s seemingly bottomless well of new talent, such as Jaume Claret Muxart.
- 9/11/2023
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
Martin Scorsese, Radu Jude, Joanna Hogg, Claire Denis, Bertrand Bonello, M. Night Shyamalan, Kristen Stewart, Hamaguchi Ryusuke and Margarethe von Trotta are among the international filmmakers and talents who have signed an open letter in support of Carlo Chatrian whose mandate as artistic director of the Berlinale will come to an end next year. The number of signatories has now exceeded 400 names and keeps growing.
As we reported last week, Chatrian had been expected to stay on beyond 2024, and was surprised to learn that the German body which oversees the festival, Kulturveranstaltungen des Bundes in Berlin (Kbb), announced that it would no extend his contract. The org had previously said it would abandon the model of having an executive director and an artistic director and return instead to having a single director, following the next edition. The festival’s executive director Mariëtte Rissenbeek will also be leaving her post after the next edition.
As we reported last week, Chatrian had been expected to stay on beyond 2024, and was surprised to learn that the German body which oversees the festival, Kulturveranstaltungen des Bundes in Berlin (Kbb), announced that it would no extend his contract. The org had previously said it would abandon the model of having an executive director and an artistic director and return instead to having a single director, following the next edition. The festival’s executive director Mariëtte Rissenbeek will also be leaving her post after the next edition.
- 9/6/2023
- by Elsa Keslassy and Naman Ramachandran
- Variety Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Annihilation (Alex Garland)
More terrifying than any creature Hollywood could dream up is the unraveling of one’s mind—the steady loss of a consciousness as defined by the memories, motivations, and knowledge built up from decades of experience and reflection. With Annihilation, Alex Garland’s beautiful, frightening follow-up to Ex Machina, he portrays this paralyzing sensation with a sense of vivid imagination, and also delivers a cadre of horrifying creatures to boot. – Jordan R. (full review)
Where to Stream: Netflix
Barbarian (Zach Cregger)
The kind of horror film that resembles the experience of traveling down the dark recesses of one’s nightmares, Barbarian is also quite funny to boot. While its thin characterization and merely surface-level thrills hold it back from...
Annihilation (Alex Garland)
More terrifying than any creature Hollywood could dream up is the unraveling of one’s mind—the steady loss of a consciousness as defined by the memories, motivations, and knowledge built up from decades of experience and reflection. With Annihilation, Alex Garland’s beautiful, frightening follow-up to Ex Machina, he portrays this paralyzing sensation with a sense of vivid imagination, and also delivers a cadre of horrifying creatures to boot. – Jordan R. (full review)
Where to Stream: Netflix
Barbarian (Zach Cregger)
The kind of horror film that resembles the experience of traveling down the dark recesses of one’s nightmares, Barbarian is also quite funny to boot. While its thin characterization and merely surface-level thrills hold it back from...
- 6/30/2023
- by Jordan Raup
- The Film Stage
Perched on the shores of lake Revine, in North East Italy, Lago Film Fest has cemented itself as a go-to event for short film enthusiasts around the world. Now at its nineteenth edition, each July Lff brings together filmmakers and film lovers for a nine-day cornucopia of over 170 shorts screening in open-air cinemas set up around the lake. But the crowning jewel may well be A Shape of Film to Come, a series of thought-provoking and candid conversations that run parallel to the festival, and invite some of its most distinguished guests to speak about their craft. Just last year, Alexandre Koberidze, Kiro Russo, Mitra Farahani, and Matías Piñeiro traveled to Lff to talk about their cinephilia, their filmographies, and how they see the medium evolving in the not so distant future.
In a wide-ranging chat with Kiro Russo, the Bolivian filmmaker behind such marvels as, most recently, El Gran...
In a wide-ranging chat with Kiro Russo, the Bolivian filmmaker behind such marvels as, most recently, El Gran...
- 4/27/2023
- by Leonardo Goi
- The Film Stage
Mubi Podcast: Encuentros returns this week with a new episode.The fifth episode features:Laura Paredes, an Argentine actress, recognized in the theater scene for being part of Piel de Lava, one of the most outstanding groups inside and outside her country for its strong experimental approach. Paredes has worked in film with Argentine directors such as Martín Rejtman, Santiago Mitre, and Matías Piñeiro. She has starred in Laura Citarella's two feature films: Ostende (2011) and Trenque Lauquen (2022), the latter of which premiered at the most recent edition of the Venice Film Festival. The second guest is Manuela Martelli, a Chilean actress and director whose career began with outstanding performances in films in her country directed by Andrés Wood and Gonzalo Justiniano. Since then, she has appeared in films by renowned Latin American directors such as Sebastián Lelio, Martín Rejtman, and Alicia Scherson, as well as in projects in Italy,...
- 12/21/2022
- MUBI
A Flower in the Mouth.There is a common thread between two otherwise disparate premieres in the Forum section of this year’s Berlin International Film Festival—Eric Baudelaire’s A Flower in the Mouth, shot in France and the Netherlands, and Dane Komljen’s Afterwater, shot in Germany. Both films benefited from the direct involvement of the Jeonju Cinema Project: an extraordinary funding and development initiative undertaken in partnership with the South Korean city’s local government and the programming team of its annual film festival. Together, these two works mark out something like a gesture of intention for the project. Baudelaire’s film is a rich, single-setting response to the demands of microbudget filmmaking and pandemic strictures both, particularly in its second half, which transposes a 1922 Luigi Pirandello play to an all-night café in Paris. Meanwhile, Komjlen’s film is a more ephemeral vision overall, composed largely...
- 7/6/2022
- MUBI
The May 2022 lineup at Mubi here in the United States has been unveiled, most notably featuring a Cannes Takeover timed with the 75th edition of the festival. At long last, Arnaud Desplechin’s Philip Roth adaptation Deception will arrive stateside alongside Karim Ainouz’s documentary Mariner of the Mountains. Reaching further back into the festival’s history, Ruben Östlund’s Force Majeure and The Square, David Lynch’s Mulholland Drive, Gaspar Noé’s Irreversible, and Andrea Arnold’s Fish Tank will also come to the service.
Their Franz Rogowski series will also continue with Great Freedom and Love Steaks, while works from Ryusuke Hamaguchi, Gia Coppola, Joachim Trier, Jeff Nichols, Satyajit Ray, Takashi Miike, and more will also arrive.
Check out the lineup below and get 30 days free here.
5/1/2022 | Everybody Street | Cheryl Dunn
5/2/2022 | Love Steaks | Jakob Lass
5/3/2022 | Our Lady of the Nile | Atiq Rahimi
5/4/2022 | Time Piece | Jim Henson
5/5/2022 | R100 | Hitoshi Matsumoto...
Their Franz Rogowski series will also continue with Great Freedom and Love Steaks, while works from Ryusuke Hamaguchi, Gia Coppola, Joachim Trier, Jeff Nichols, Satyajit Ray, Takashi Miike, and more will also arrive.
Check out the lineup below and get 30 days free here.
5/1/2022 | Everybody Street | Cheryl Dunn
5/2/2022 | Love Steaks | Jakob Lass
5/3/2022 | Our Lady of the Nile | Atiq Rahimi
5/4/2022 | Time Piece | Jim Henson
5/5/2022 | R100 | Hitoshi Matsumoto...
- 4/28/2022
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
After Yang (kogonada)
Following his serenely stunning drama Columbus, video-essayist-turned-director kogonada headed to the future with After Yang. The gorgeous, moving drama about what makes up a family premiered at last year’s Cannes (where our own Rory O’Connor was mixed) and after a few tweaks recently landed at Sundance, where it received quite a rapturous response. Starring Colin Farrell, Jodie Turner-Smith, Malea Emma Tjandrawidjaja, Justin H. Min, Sarita Choudhury, Haley Lu Richardson, and Clifton Collins Jr., it follows Farrell as Jake, a father who attempts to repair the malfunction Yang, an android that was a companion to his young daughter. In his second feature, kogonada perfectly depicts quite a seemingly realistic near-future while still retaining the peaceful artistic sensibilities of his debut.
After Yang (kogonada)
Following his serenely stunning drama Columbus, video-essayist-turned-director kogonada headed to the future with After Yang. The gorgeous, moving drama about what makes up a family premiered at last year’s Cannes (where our own Rory O’Connor was mixed) and after a few tweaks recently landed at Sundance, where it received quite a rapturous response. Starring Colin Farrell, Jodie Turner-Smith, Malea Emma Tjandrawidjaja, Justin H. Min, Sarita Choudhury, Haley Lu Richardson, and Clifton Collins Jr., it follows Farrell as Jake, a father who attempts to repair the malfunction Yang, an android that was a companion to his young daughter. In his second feature, kogonada perfectly depicts quite a seemingly realistic near-future while still retaining the peaceful artistic sensibilities of his debut.
- 3/4/2022
- by Jordan Raup
- The Film Stage
Next month’s Mubi lineup for the U.S. has been unveiled, with a major highlight being their recent release Lingui, The Sacred Bonds and more films from director Mahamat-Saleh Haroun (read our recent chat with him). Matías Piñeiro’s Isabella and Kazik Radwanski’s Anne at 13,000 Ft., two of last year’s highlights, will also arrive.
Two recent Cannes premieres, the Adèle Exarchopoulos-led Zero Fucks Given and Peter Tscherkassky’s Train Again will also finally come to the U.S. courtesy of Mubi. In terms of older highlights, Kathryn Bigelow’s Near Dark, Hong Sang-soo’s The Power of the Kangwon Province, Jafar Panahi’s Crimson Gold, Jean Renoir’s Grand Illusion, and more will arrive.
Check out the lineup below and get 30 days free here.
March 1 | The Willmar 8 | Lee Grant | Down and Out in America: Lee Grant’s Documentaries
March 2 | Train Again | Peter Tscherkassky | Brief Encounters
March...
Two recent Cannes premieres, the Adèle Exarchopoulos-led Zero Fucks Given and Peter Tscherkassky’s Train Again will also finally come to the U.S. courtesy of Mubi. In terms of older highlights, Kathryn Bigelow’s Near Dark, Hong Sang-soo’s The Power of the Kangwon Province, Jafar Panahi’s Crimson Gold, Jean Renoir’s Grand Illusion, and more will arrive.
Check out the lineup below and get 30 days free here.
March 1 | The Willmar 8 | Lee Grant | Down and Out in America: Lee Grant’s Documentaries
March 2 | Train Again | Peter Tscherkassky | Brief Encounters
March...
- 2/18/2022
- by Leonard Pearce
- The Film Stage
Cinema Guild has acquired U.S. distribution rights to Payal Kapadia’s “A Night of Knowing Nothing,” which won the Golden Eye award for best documentary at Cannes.
Kapadia’s debut film, “A Night of Knowing Nothing” world premiered at Cannes’ Directors Fortnight. It also won the Amplify Voices Award at Toronto, as well as the Emerging Cinematic Vision Award at Camden fest; and also played at the New York Film Festival.
The documentary is set in contemporary India, at the local film and television institute, where a student writes love letters to her estranged lover. The doc also delivers a snapshot of the drastic changes taking place within the school and across the country as young people take the streets to protest against discrimination.
Represented in international markets by Square Eyes, “A Night of Knowing Nothing” mixes reality with fiction and includes archival footage of student protests to draw...
Kapadia’s debut film, “A Night of Knowing Nothing” world premiered at Cannes’ Directors Fortnight. It also won the Amplify Voices Award at Toronto, as well as the Emerging Cinematic Vision Award at Camden fest; and also played at the New York Film Festival.
The documentary is set in contemporary India, at the local film and television institute, where a student writes love letters to her estranged lover. The doc also delivers a snapshot of the drastic changes taking place within the school and across the country as young people take the streets to protest against discrimination.
Represented in international markets by Square Eyes, “A Night of Knowing Nothing” mixes reality with fiction and includes archival footage of student protests to draw...
- 10/18/2021
- by Elsa Keslassy
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Sonny Chiba in Kill Bill: Volume 1 (2003). Sonny Chiba, the prolific and singular actor, martial artist and choreographer, has died at the age of 82.New York Film Festival has unveiled its Currents section, featuring a strong slate that includes Artavazd Peleshian, Ted Fendt, Shengze Zhu, Christopher Harris, Shireen Seno, Matías Piñeiro and more. NYFF will also be screening seven programs dedicated to the centenary of the late film programmer and festival co-founder Amos Vogel. The retrospective includes works by Glauber Rocher, Oskar Fischinger, and Dušan Makavejev. The Berwick Film & Media Arts Festival has announced its lineup. This year's Focus program will showcase the works of Cambodian production company Anti-Archive, Nguyễn Trinh Thí, Rajee Samarasinghe, and Sps Community Media. Organized by Arsenal – Institute for Film and Video Art, Archival Assembly #1 will take place from...
- 8/25/2021
- MUBI
Ricky D’Ambrose’s “The Cathedral” is set to bow at the Venice Film Festival.
Starring Monica Barbaro and Brian D’Arcy James, the film was selected for the Biennale College Cinema 2020-2021 program, the development workshop created by the Venice Biennale for emerging filmmakers to produce micro-budget feature-length films.
Semi-autobiographical in scope, the film focuses on Jesse, the only child of Richard (D’Arcy James) and Lydia (Barbaro) Damrosch. It is an only child’s meditative, impressionistic account of an American family’s rise and fall over two decades.
The film is produced by Graham Swon (Matías Piñeiro’s “Hermia & Helena”), Ted Fendt (“Classical Periods”) and D’Ambrose’s Ravenser Odd. The film is executive produced by David Lowery.
James is best known for his portrayal of Matt Carroll in Tom McCarthy’s 2016 Academy Award-winning film “Spotlight.” He is represented by Gersh, Thruline Entertainment and attorney Amy Nickin.
Barbaro is represented by UTA,...
Starring Monica Barbaro and Brian D’Arcy James, the film was selected for the Biennale College Cinema 2020-2021 program, the development workshop created by the Venice Biennale for emerging filmmakers to produce micro-budget feature-length films.
Semi-autobiographical in scope, the film focuses on Jesse, the only child of Richard (D’Arcy James) and Lydia (Barbaro) Damrosch. It is an only child’s meditative, impressionistic account of an American family’s rise and fall over two decades.
The film is produced by Graham Swon (Matías Piñeiro’s “Hermia & Helena”), Ted Fendt (“Classical Periods”) and D’Ambrose’s Ravenser Odd. The film is executive produced by David Lowery.
James is best known for his portrayal of Matt Carroll in Tom McCarthy’s 2016 Academy Award-winning film “Spotlight.” He is represented by Gersh, Thruline Entertainment and attorney Amy Nickin.
Barbaro is represented by UTA,...
- 8/20/2021
- by Jazz Tangcay
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSChameleon StreetThe New York Film Festival has announced an excellent selection for its Revivals section. The roster includes restorations of Mira Nair's Mississippi Masala, John Carpenter's Assault on Precinct 13, Sarah Maldoror's Sambizanga, Wendell B. Harris Jr.'s Chameleon Street, and Michael Powell's Bluebeard's Castle. The 2021 Locarno Film Festival has come to an end, with Indonesian filmmaker Edwin's Vengeance Is Mine, All Others Pay Cash winning the Golden Leopard. For a full list of this year's award winners, read here. Recommended VIEWINGAhead of premiere, a trailer for the latest Spike Lee joint: the four-part documentary series NYC Epicenters: 9/11 → 2021 ½. The series, which captures twenty years of New York City history from the perspective of its citizens, will premiere on HBO Max August 22. Cinema Guild has released a trailer for Matías Piñeiro's Isabella.
- 8/18/2021
- MUBI
"Our doubts are treacherous." NYC's Cinema Guild has debuted the official US trailer for an Argentinian film titled Isabella, opening in NYC in a few weeks. The title is a reference to one of the characters from Shakespeare's comedy "Measure for Measure". This premiered at last year's Berlin Film Festival, and it also stopped by the IndieLisboa and New York Film Festivals. This very vibrant, experimental film is about an actress – Mariel – who wants to play Isabella in Shakespeare's "Measure for Measure". Luciana, who is also an actress, helps her rehearse the part. But during the audition, Mariel realizes that Luciana is trying out for the very same role. "The latest in Matías Piñeiro's series of films inspired by the women of Shakespeare's comedies is his most structurally daring and visually stunning work to date... Isabella is a film about the ongoing battle between doubt and ambition that never...
- 8/16/2021
- by Alex Billington
- firstshowing.net
Joel Coen and Steven Spielberg aren’t the only filmmakers drawing from William Shakespeare as of late. Matías Piñeiro, who has playfully done so for much of his career, beautifully expands his filmography with Isabella, which arrives this month following stops at Berlinale and NYFF. Ahead of a theatrical release on August 27 at NYC’s Film at Lincoln Center and on September 3 at LA’s Laemmle Royal, we’re pleased to debut the exclusive trailer and poster, courtesy Cinema Guild.
In the film, Mariel (María Villar) longs to play the role of Isabella in a local theater troupe’s production of Shakespeare’s Measure for Measure, but money problems prevent her from preparing for the audition. She thinks of asking her brother for financial help, but is worried about being too direct. Her solution is to ask her brother’s girlfriend, Luciana (Agustina Muñoz), also an actress and a more self-assured one,...
In the film, Mariel (María Villar) longs to play the role of Isabella in a local theater troupe’s production of Shakespeare’s Measure for Measure, but money problems prevent her from preparing for the audition. She thinks of asking her brother for financial help, but is worried about being too direct. Her solution is to ask her brother’s girlfriend, Luciana (Agustina Muñoz), also an actress and a more self-assured one,...
- 8/16/2021
- by Jordan Raup
- The Film Stage
High-flying Spanish outfit Filmika Galaika has boarded Gabriel AzorÃn’s poetic, time-blending “Last Night I Conquered the City of Thebesâ€.(“Anoche conquisté Tebasâ€.), a buzz title at the Locarno Festival Match Me forum.
A networking platform for up-and-coming producers, and a few who have pretty much arrived, Match Me runs on-site at Switzerland’s Locarno Festival over Aug. 6-8.
Based out of A Coruña, Filmika Galaika’s “They Carry Death,â€. framing two stories, both set in 1492 and directed by Helena Girón and Samuel M. Delgado, has just been selected for Venice Critics’ Week. “Sycorax,â€. from Lois Patiño and MatÃas Piñeiro, won a Cannes Directors’ Fortnight berth.
Filmika Galaika joins Spain’s Dvein Films and Portugal’s Primeira Idade as a producer partner on the feature which will be presented in Locarno by Dvein’s Carlos Pardo Ros.
Written by AzorÃn and Spanish playwright and theater director Celso Giménez, “Last Night...
A networking platform for up-and-coming producers, and a few who have pretty much arrived, Match Me runs on-site at Switzerland’s Locarno Festival over Aug. 6-8.
Based out of A Coruña, Filmika Galaika’s “They Carry Death,â€. framing two stories, both set in 1492 and directed by Helena Girón and Samuel M. Delgado, has just been selected for Venice Critics’ Week. “Sycorax,â€. from Lois Patiño and MatÃas Piñeiro, won a Cannes Directors’ Fortnight berth.
Filmika Galaika joins Spain’s Dvein Films and Portugal’s Primeira Idade as a producer partner on the feature which will be presented in Locarno by Dvein’s Carlos Pardo Ros.
Written by AzorÃn and Spanish playwright and theater director Celso Giménez, “Last Night...
- 8/6/2021
- by John Hopewell
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Julia Ducournau at the 2021 Cannes Film Festival. (Photo by Stephane Cardinale / Getty Images)Cannes has come to a close with the Palme d'Or win of Titane, making Julia Ducournau only the second woman to win the prize in the festival's history. Check out the rest of this year's winners here. Following Cannes, we're looking ahead to fall festival season: San Sebastian's lineup includes the latest by Lucile Hadzihalilovic and Terence Davies; and Locarno has added films by Charlotte Colbert and Russian Gleb Panfilov to its now-complete roster. The Museum of the Moving Image's First Look Fest has also announced its full program, which will showcase films by Claire Simon, Lina Rodriguez, James Benning, and more, as well as the world premiere of Ken Jacob's 3D film, Double Wow. The much-anticipated lineup for this...
- 7/21/2021
- MUBI
The lineup for the 2021 Directors' Fortnight (Quinzaine des Réalisateurs) at Cannes has been announced. See also the full lineups of the Official Selection and Critics’ Week.Our MenFEATURE Films A Chiara (Jonas Carpignano): The story of 15-year-old Chiara whose close-knit family falls apart after her father abandons them in Calabria. Chiara starts to investigate to understand why her father disappeared and as she gets closer to the truth, she is forced to decide what kind of future she wants for herself.Ali & Ava (Clio Barnard): Both lonely for different reasons, Ali and Ava meet through their shared affection for Sofia—the child of Ali’s Slovakian tenants, whom Ava teaches. Over a lunar month, sparks fly and a deep connection begins to grow.Between Two Worlds (Emmanuel Carrère)The Braves (Anaïs Volpé)A Brighter Tomorrow (Yassine Qnia)Clara Sola (Nathalie Álvarez Mesen)The Employer and the Employee (Manuel...
- 6/9/2021
- MUBI
The lineup for the Cannes Directors Fortnight was revealed on Tuesday, featuring new films by Clio Barnard, Joanna Hogg and Alice Rohrwacher. Of the 24 films selected for the lineup, exactly half have at least one woman director.
The 12 of 24 films in the Cannes Directors Fortnight, which is the independent arm of the Cannes Film Festival kicking off next month, dwarfs the number of female directors in the Cannes main competition lineup, in which only four of the 24 selected movies were directed by women. However, some of the movies for the Directors Fortnight feature women as co-directors, so 12 of 29 of the total directors are women.
The Directors Fortnight will host a special screening of Hogg’s “The Souvenir Part 1,” as “Part 2” will be playing in competition. Other notable films include “A Night of Knowing Nothing,” the first feature by actress Payal Kapadia, and “Hit the Road,” another debut feature by Panah Panahi,...
The 12 of 24 films in the Cannes Directors Fortnight, which is the independent arm of the Cannes Film Festival kicking off next month, dwarfs the number of female directors in the Cannes main competition lineup, in which only four of the 24 selected movies were directed by women. However, some of the movies for the Directors Fortnight feature women as co-directors, so 12 of 29 of the total directors are women.
The Directors Fortnight will host a special screening of Hogg’s “The Souvenir Part 1,” as “Part 2” will be playing in competition. Other notable films include “A Night of Knowing Nothing,” the first feature by actress Payal Kapadia, and “Hit the Road,” another debut feature by Panah Panahi,...
- 6/8/2021
- by Brian Welk
- The Wrap
Names such as Miguel Gomes, Pietro Marcello, Alice Rohrwacher, Matías Piñeiro, Eddie Alcazar and even a Panahi in Jafar Panahi’s son, Panah Panahi are some of the eye-brow raisers in Directors’ Fortnight topper Paolo Moretti selections for the 2021 line-up but some of the more anticipated items are Joanna Hogg’s The Souvenir Part II, Clio Barnard’s Ali & Ava, Radu Muntean‘s Intregalde and Jonas Carpignano’s A Chiara. The 53rd edition will open with a Nomadland type experience in Emmanuel Carrère’s Between Two Worlds which stars Juliette Binoche exploring pockets of the U.S.…...
- 6/8/2021
- by Eric Lavallée
- IONCINEMA.com
A full picture of the Cannes Film Festival is now coming into focus with the unveiling of the Directors’ Fortnight lineup. Following the Official Selection and the Critics’ Week lineups, this sidebar features Joanna Hogg’s highly-anticipated sequel The Souvenir Part II, as well as new films by Miguel Gomes, Jonas Carpignano, Clio Barnard, Pietro Marcello, Alice Rohrwacher, Matías Piñeiro, and more.
See below.
Features
A Chiara (Jonas Carpignano)
Ali & Ava (Clio Barnard)
Between Two Worlds (Emmanuel Carrère)
The Braves (Anaïs Volpé)
A Brighter Tomorrow (Yassine Qnia)
Clara Sola (Nathalie Álvarez Mesen)
The Employer and the Employee (Manuel Nieto)
Europa (Haider Rashid)
Futura
Întregalde (Radu Muntean)
The Hill where Lionesses Roar (Luàna Bajrami)
Hit the Road (Panah Panahi)
Magnetic Beats (Vincent Cardona)
Medusa (Anita Rocha da Silveira)
Murina (Antoneta Alamat Kusijanović)
Neptune Frost
A Night of Knowing Nothing (Payal Kapadia)
Our Men (Rachel Lang)
Returning to Reims (Fragments) (Jean-Gabriel Périot...
See below.
Features
A Chiara (Jonas Carpignano)
Ali & Ava (Clio Barnard)
Between Two Worlds (Emmanuel Carrère)
The Braves (Anaïs Volpé)
A Brighter Tomorrow (Yassine Qnia)
Clara Sola (Nathalie Álvarez Mesen)
The Employer and the Employee (Manuel Nieto)
Europa (Haider Rashid)
Futura
Întregalde (Radu Muntean)
The Hill where Lionesses Roar (Luàna Bajrami)
Hit the Road (Panah Panahi)
Magnetic Beats (Vincent Cardona)
Medusa (Anita Rocha da Silveira)
Murina (Antoneta Alamat Kusijanović)
Neptune Frost
A Night of Knowing Nothing (Payal Kapadia)
Our Men (Rachel Lang)
Returning to Reims (Fragments) (Jean-Gabriel Périot...
- 6/8/2021
- by Jordan Raup
- The Film Stage
The Directors’ Fortnight parallel section of the Cannes Film Festival has unveiled its lineup for the 2021 edition which runs from July 7-17. Scroll down for the full list.
Fortnight chief Paolo Moretti, who took over the reins in 2019, presented the roster from the Forum des Images in Paris, saying, “After a very painful year for everyone, we are happy to present a selection of discovery.” Out of 24 features, 22 filmmakers are showing their films for first time at Cannes. Half of the films this year are directed or co-directed by women including Clio Barnard’s Ali & Ava; documentary Futura from Alice Rohrwacher, Pietro Marcello and Francesco Munzi; and Joanna Hogg’s The Souvenir: Part II with Tilda Swinton and Richard Ayoade.
There are eight debut features in the lineup, including Jadde Khaki (Hit the Road), the first film from Jafar Panahi’s son Panah Panahi, and Antoneta Alamat Kusijanović’s Murina...
Fortnight chief Paolo Moretti, who took over the reins in 2019, presented the roster from the Forum des Images in Paris, saying, “After a very painful year for everyone, we are happy to present a selection of discovery.” Out of 24 features, 22 filmmakers are showing their films for first time at Cannes. Half of the films this year are directed or co-directed by women including Clio Barnard’s Ali & Ava; documentary Futura from Alice Rohrwacher, Pietro Marcello and Francesco Munzi; and Joanna Hogg’s The Souvenir: Part II with Tilda Swinton and Richard Ayoade.
There are eight debut features in the lineup, including Jadde Khaki (Hit the Road), the first film from Jafar Panahi’s son Panah Panahi, and Antoneta Alamat Kusijanović’s Murina...
- 6/8/2021
- by Nancy Tartaglione
- Deadline Film + TV
Lois Patiño's Red Moon Tide is exclusively showing on Mubi starting April 20, 2021 in the series The New Auteurs.It's already been almost a year and a half since the premiere of Red Moon Tide at the Berlinale Forum in 2020. It was a completely different world then, and also so different for the way we experience films and for the film festivals. Our film had five screenings in Berlin in theatres with sold out crowds. Imagine now. Theatres of 300 people completely full! What a dream!For contemplative films like this one, where the duration and size of the image has a crucial value, as we are exploring how much truth we can find in Bachelard´s sentence: “the immobility irradiates,” the experience of the theatre was very important. Even if nowadays, thanks to platforms like Mubi, we are learning a new and more patient behavior with the images at home,...
- 4/20/2021
- MUBI
Cinema Guild has acquired North American rights to Ramon Zürcher and Silvan Zürcher’s “The Girl and the Spider,” which world premiered at the Berlinale in the Encounters section, and won best director.
“The Girl and the Spider” was co-written and directed by Ramon Zürcher, and written and produced by Silvan Zürcher. It marks the Swiss brothers’ follow-up to their critically acclaimed feature debut “The Strange Little Cat,” which won the Fipresci prize at Berlin in 2013.
Like “The Strange Little Cat,” “The Girl and the Spider” explores human togetherness, the need for closeness and the pain of separation through the story of two roommates. The film revolves around Lisa (Liliane Amuat), who is moving out of the apartment she shared with Mara (Henriette Confurius), and is set within the two apartments, the one Lisa and Mara shared and the new one Lisa is moving into.
“We had high hopes for...
“The Girl and the Spider” was co-written and directed by Ramon Zürcher, and written and produced by Silvan Zürcher. It marks the Swiss brothers’ follow-up to their critically acclaimed feature debut “The Strange Little Cat,” which won the Fipresci prize at Berlin in 2013.
Like “The Strange Little Cat,” “The Girl and the Spider” explores human togetherness, the need for closeness and the pain of separation through the story of two roommates. The film revolves around Lisa (Liliane Amuat), who is moving out of the apartment she shared with Mara (Henriette Confurius), and is set within the two apartments, the one Lisa and Mara shared and the new one Lisa is moving into.
“We had high hopes for...
- 3/22/2021
- by Elsa Keslassy
- Variety Film + TV
When Jane Fonda opened that envelope and called Bong Joon-ho and his team to the stage, we really should have known. The Oscars were not supposed to get it right, it was too perfect. From a moment like that there was nowhere to go but down, way down.
The rest of 2020 turned out to be quite a historic dumpster fire. As much as you think you’ve gotten used to it by now, the bleak news updates, the sight of cities on lockdown or trainfuls of masked passengers still strike me as dizzyingly surreal sometimes. Like waking up inside an elaborate Terry Gilliam production.
As with most other cultural sites, cinemas were first in line to be shuttered for being non-essential. From an epidemiological perspective it’s hard to argue against this. In every other regard, however, film proved even more essential in a pandemic. How else do you see the world beyond the confinement,...
The rest of 2020 turned out to be quite a historic dumpster fire. As much as you think you’ve gotten used to it by now, the bleak news updates, the sight of cities on lockdown or trainfuls of masked passengers still strike me as dizzyingly surreal sometimes. Like waking up inside an elaborate Terry Gilliam production.
As with most other cultural sites, cinemas were first in line to be shuttered for being non-essential. From an epidemiological perspective it’s hard to argue against this. In every other regard, however, film proved even more essential in a pandemic. How else do you see the world beyond the confinement,...
- 1/3/2021
- by Zhuo-Ning Su
- The Film Stage
Exclusive: Cinema Guild has acquired all U.S. distribution rights to the Lynne Sachs-directed documentary Film About a Father Who, which made its world premiere in January as the opening night film at the Slamdance Film Festival. The film is set to open at New York’s Museum of the Moving Image on January 15, 2021, alongside a retrospective of Sachs’ work. It will also be available in virtual cinemas across the country.
Over a period of 35 years between 1984 and 2019, filmmaker Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings.
“We’ve long been fans of Lynne Sachs’ films and are very excited to work with her on Film About a Father Who,...
Over a period of 35 years between 1984 and 2019, filmmaker Sachs shot 8 and 16mm film, videotape and digital images of her father, Ira Sachs Sr., a bon vivant and pioneering businessman from Park City, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings.
“We’ve long been fans of Lynne Sachs’ films and are very excited to work with her on Film About a Father Who,...
- 12/3/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Spain’s Luis López Carrasco picked up the Best International Film prize for his documentary “The Year of the Discovery” (“El año del descubrimiento”) on Sunday at Argentina’s Mar del Plata, the only Latin American film fest granted a Category A status by producers assn. Fiapf, placing it in the same league as Cannes, Venice, San Sebastian and Locarno, among others.
Given the restraints imposed by the pandemic, the festival hosted an online edition and offered free access to all Argentine residents.
Carrasco’s sophomore feature follows his debut film “El Futuro,” which premiered at Locarno and collected numerous awards on the festival circuit. “The Year of the Discovery” portrays the flipside of 1992 Spain, which celebrated hosting the Olympics Games in Barcelona and the World Expo in Seville while in Murcia, south-east Spain, enraged workers from the naval, mining and chemical sectors where companies were shut down, battled alongside students against the police,...
Given the restraints imposed by the pandemic, the festival hosted an online edition and offered free access to all Argentine residents.
Carrasco’s sophomore feature follows his debut film “El Futuro,” which premiered at Locarno and collected numerous awards on the festival circuit. “The Year of the Discovery” portrays the flipside of 1992 Spain, which celebrated hosting the Olympics Games in Barcelona and the World Expo in Seville while in Murcia, south-east Spain, enraged workers from the naval, mining and chemical sectors where companies were shut down, battled alongside students against the police,...
- 11/30/2020
- by Anna Marie de la Fuente
- Variety Film + TV
Mexican distributor Salón De Belleza has picked up Lois Patiño’s second feature, “Red Moon Tide” (“Lúa Vermella”), from the film’s Italy-based sales agent, Lights On.
Lights On’s Flavio Armone said that the company is also in talks with distributors in France, Germany and Colombia for theatrical rights and Mubi for SVOD.
Felipe Lage, the film’s executive producer and the cofounder of new Galician cinema champion Zeitun Films added that he hoped that the Mexican deal would be the first of many.
“Lights On is a young sales agency with which we already collaborated on a short film. As they were planning to move ahead into feature film sales, it was only natural that we worked together again,” he said.
“Needless to say this year has been very complicated, but with Lights On we feel we are in good hands. A distribution deal was secure for México – with more to follow,...
Lights On’s Flavio Armone said that the company is also in talks with distributors in France, Germany and Colombia for theatrical rights and Mubi for SVOD.
Felipe Lage, the film’s executive producer and the cofounder of new Galician cinema champion Zeitun Films added that he hoped that the Mexican deal would be the first of many.
“Lights On is a young sales agency with which we already collaborated on a short film. As they were planning to move ahead into feature film sales, it was only natural that we worked together again,” he said.
“Needless to say this year has been very complicated, but with Lights On we feel we are in good hands. A distribution deal was secure for México – with more to follow,...
- 11/18/2020
- by Ann-Marie Corvin and Emilio Mayorga
- Variety Film + TV
Cinema Guild Acquires Berlinale & New York Film Festival Docu ‘Swimming Out Till The Sea Turns Blue’
Exclusive: Cinema Guild has picked up U.S. distribution rights to Jia Zhangke’s documentary Swimming Out Till the Sea Turns Blue. The Chinese film premiered at the Berlin Film Festival in February and made its U.S. premiere at the New York Film Festival earlier this fall. Cinema Guild is eyeing a release for early next year.
Zhangke delivers here a vital document of a changing Chinese society, interviewing three prominent authors—Jia Pingwa, Yu Hua and Liang Hong—born in the 1950s, 1960s and 1970s, respectively, and all from the same Shanxi province where the filmmaker also grew up. In their stories, the dire circumstances they faced in their rural villages and small towns are recounted, and the substantial political effort undertaken to address it, from the social revolution of the 1950s through the unrest of the late 1980s.
“We...
Zhangke delivers here a vital document of a changing Chinese society, interviewing three prominent authors—Jia Pingwa, Yu Hua and Liang Hong—born in the 1950s, 1960s and 1970s, respectively, and all from the same Shanxi province where the filmmaker also grew up. In their stories, the dire circumstances they faced in their rural villages and small towns are recounted, and the substantial political effort undertaken to address it, from the social revolution of the 1950s through the unrest of the late 1980s.
“We...
- 11/10/2020
- by Anthony D'Alessandro
- Deadline Film + TV
Time (dir. Garrett Bradley)Top Picksdoug DIBBERN1. Time (Garrett Bradley)2. Days (Tsai Ming-liang)3. Gunda (Viktor Kossakovsky)4. The Woman Who Ran (Hong Sang-Soo)5. The Disciple (Chaitanya Tamhane)6. The Salt of Tears (Philippe Garrel)7. Red, White and Blue (Steve McQueen)8. The Calming (Song Fang)9. Night of Kings (Philippe Lacôte)10. Malmkrog (Cristi Puiu)Daniel KASMAN1. Figure Minus Fact (Mary Helena Clark)2. Her Socialist Smile (John Gianvito)3. Untitled Sequence Of Gaps (Vika Kirchenbauer)4. Labor of Love (Sylvia Schedelbauer)5. Beginning (Dea Kulumbegashvili)6. The Disciple (Chaitanya Tamhane)7. Red, White and Blue (Steve McQueen)8. Isabella (Matías Piñeiro)9. The Calming (Song Fang)10. Humongous! (Aya Kawazoe)Michael SICINSKI1. Figure Minus Fact (Mary Helena Clark)2. Lovers Rock (Steve McQueen)3. Her Socialist Smile (John Gianvito)4. The Inheritance (Ephraim Asili)5. Apiyemiyeki? (Ana Vaz)6. The Human Voice (Pedro Almodóvar)7. Time (Garrett Bradley)8. Isabella (Matías Piñeiro)9. The Last City (Heinz Emigholz)10. Trust Study #1 (Shobun Baile)Correpondences#1 Daniel Kasman introduces the 2020 festival and reviews Lovers...
- 10/14/2020
- MUBI
All the world’s a stage, but many of its players are riddled with self-doubt in Matías Piñeiro‘s surreal exploration of female identity through the works of William Shakespeare. Isabella is the Argentinian director’s latest post-modern spin on Shakespeare, following two women who are imperfect reflections of each other as they audition for the part of […]
The post ‘Isabella’ Review: The Women Take the Stage in a Surreal Shakespeare Riff [NYFF] appeared first on /Film.
The post ‘Isabella’ Review: The Women Take the Stage in a Surreal Shakespeare Riff [NYFF] appeared first on /Film.
- 10/8/2020
- by Hoai-Tran Bui
- Slash Film
Given the complicated situation with film festivals this year, there were obviously a lot of films from 2020 that might have potentially fallen through the cracks. They might have premiered at Rotterdam or Berlin, only to vanish without a trace. Or they could have simply remained on their maker’s hard drive, waiting for next year’s round of submissions, when they’d be competing with a new spate of other films. In light of this, the New York Film Festival is providing a public service with its rather swollen Currents lineup. Without inclusion in this year’s NYFF, many of these films would not receive another high profile screening, and this has consequences for future programming slots, distribution, as well as simply getting seen by viewers like you. Going forward, it’s unlikely that the Currents section will be so sprawling. After all, selectivity is NYFF’s brand.Having said that,...
- 10/7/2020
- MUBI
by Sean Donovan
Taiwanese auteur Tsai Ming-liang’s brand has reached a point where any objections to his style seem of limited use or value. At this point in his career, Tsai is going to do what Tsai is always wont to do- which is make films composed of far less shots overall than most filmmakers working today, some stretching as long as 10 minutes, studies in slow repetition and urbane melancholy, sometimes touching on queer themes but just grazing them (Tsai himself is gay). When a filmmaker’s brand is so immediately recognizable it’s sometimes met with impatience and boredom by audiences, as if wondering ‘when are they gonna just get over this already?’ ‘How many lengthy shots of people doing housework is too many?’ Matías Piñeiro’s latest entry in the New York Film Festival, Isabella, received notices of exactly this kind from many critics, wondering what the...
Taiwanese auteur Tsai Ming-liang’s brand has reached a point where any objections to his style seem of limited use or value. At this point in his career, Tsai is going to do what Tsai is always wont to do- which is make films composed of far less shots overall than most filmmakers working today, some stretching as long as 10 minutes, studies in slow repetition and urbane melancholy, sometimes touching on queer themes but just grazing them (Tsai himself is gay). When a filmmaker’s brand is so immediately recognizable it’s sometimes met with impatience and boredom by audiences, as if wondering ‘when are they gonna just get over this already?’ ‘How many lengthy shots of people doing housework is too many?’ Matías Piñeiro’s latest entry in the New York Film Festival, Isabella, received notices of exactly this kind from many critics, wondering what the...
- 10/3/2020
- by Sean Donovan
- FilmExperience
by Sean Donovan
As part of their series of drive-in events, the New York Film Festival programmed Matías Piñeiro’s latest Shakespeare-influenced drama Isabella alongside Pedro Almodóvar and Tilda Swinton’s delicious queer treasure The Human Voice (previously unpacked by Nathaniel). In some ways this choice makes sense: both films relish in vivid expressions of color, the kind of experiences you would want to have in as close to a theatrical environment as we can get right now. But in terms of intensity and impact the films could not be more different, Human Voice’s sledgehammer playfulness is a misplaced introduction to Piñeiro’s foggy and ultimately disappointing drama.
Isabella is named after the main character of Shakespeare’s Measure for Measure, one of the bard’s ‘problem plays’ positioned awkwardly between comedy and drama. Isabella displays no proclivities towards the comedic, but it may have internalized the problem play...
As part of their series of drive-in events, the New York Film Festival programmed Matías Piñeiro’s latest Shakespeare-influenced drama Isabella alongside Pedro Almodóvar and Tilda Swinton’s delicious queer treasure The Human Voice (previously unpacked by Nathaniel). In some ways this choice makes sense: both films relish in vivid expressions of color, the kind of experiences you would want to have in as close to a theatrical environment as we can get right now. But in terms of intensity and impact the films could not be more different, Human Voice’s sledgehammer playfulness is a misplaced introduction to Piñeiro’s foggy and ultimately disappointing drama.
Isabella is named after the main character of Shakespeare’s Measure for Measure, one of the bard’s ‘problem plays’ positioned awkwardly between comedy and drama. Isabella displays no proclivities towards the comedic, but it may have internalized the problem play...
- 10/2/2020
- by Sean Donovan
- FilmExperience
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Corpus Christi (Jan Komasa)
This is exactly what director Jan Komasa and writer Mateusz Pacewicz do with their lead character Daniel (Bartosz Bielenia) in Corpus Christi. Based in part on real events, this twenty-year-old is about to be released from his detention center on parole. He’ll go to a reclusive town to work at a sawmill and maybe even build a decent life if he stays clean, but the potential he holds removed from the mark of “ex-con” is rendered moot. Despite finding God during his imprisonment and showing a desire to pursue the vocation, Polish law forbid former criminals from wearing the cloth. The one thing that...
Corpus Christi (Jan Komasa)
This is exactly what director Jan Komasa and writer Mateusz Pacewicz do with their lead character Daniel (Bartosz Bielenia) in Corpus Christi. Based in part on real events, this twenty-year-old is about to be released from his detention center on parole. He’ll go to a reclusive town to work at a sawmill and maybe even build a decent life if he stays clean, but the potential he holds removed from the mark of “ex-con” is rendered moot. Despite finding God during his imprisonment and showing a desire to pursue the vocation, Polish law forbid former criminals from wearing the cloth. The one thing that...
- 9/25/2020
- by Jordan Raup
- The Film Stage
For those unfamiliar with Matías Piñeiro’s beguiling series of post-modern Shakespeare riffs, “Isabella” probably isn’t the best place to start. Another sensual and freeform meditation on the subjectivity of the Bard’s women and the actresses who play them, the Argentinian filmmaker’s latest isn’t any more abstract than its predecessors “Viola,” “Hermia & Helena,” and “The Princess of France” (though it certainly isn’t any more accessible), but its inviting lushness and color are offset by a sense of finality, as if Piñeiro is reaching the end of a decade-long infatuation and looking for the strength to pull the ripcord.
His movies stubbornly resist the word “about” in all but the most abstract meaning of the word, but “Isabella” all but announces itself as a tale of uncertainty; an interest that it borrows from the Shakespearean “comedy” that possesses Piñeiro’s contemporary Argentinian women like a wandering spirit.
His movies stubbornly resist the word “about” in all but the most abstract meaning of the word, but “Isabella” all but announces itself as a tale of uncertainty; an interest that it borrows from the Shakespearean “comedy” that possesses Piñeiro’s contemporary Argentinian women like a wandering spirit.
- 9/24/2020
- by David Ehrlich
- Indiewire
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