One of the less public-facing key talents at the most publicly scrutinized animation studio in the world, cinematographer Atsushi Okui joined Studio Ghibli in 1993 and has worked on nearly every film from legendary director Hayao Miyazaki since, among them Princess Mononoke, Spirited Away, and his first feature in a decade, The Boy and the Heron.
With that film now in wide North American release from Gkids, we caught up with Okui to gain insight into the particulars of his job title, the process of working with iconic directors, and whether Miyazaki’s reputation for technophobia might be (a little) overblown.
With thanks to interpreter Nao Amisaki.
The Film Stage: You’ve been a director of photography at Studio Ghibli for over 30 years, during which time your title has evolved into “digital imaging director.” For those less-familiar with the animation process, could you explain what a Dp does in animation, and...
With that film now in wide North American release from Gkids, we caught up with Okui to gain insight into the particulars of his job title, the process of working with iconic directors, and whether Miyazaki’s reputation for technophobia might be (a little) overblown.
With thanks to interpreter Nao Amisaki.
The Film Stage: You’ve been a director of photography at Studio Ghibli for over 30 years, during which time your title has evolved into “digital imaging director.” For those less-familiar with the animation process, could you explain what a Dp does in animation, and...
- 12/12/2023
- by Eli Friedberg
- The Film Stage
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