The Academy’s 90th Sci-Tech Awards Saturday at the Beverly Wilshire (hosted by Sir Patrick Stewart) was dominated by the integral animation and visual effects software that powers the industry’s CG characters, simulations, and compositing. Digital Domain, DreamWorks, Industrial Light & Magic, Pixar, and Rhythm & Hues were among the 10 standout honorees.
In addition, visual effects technologist Jonathan Erland received the Gordon E. Sawyer Award (an Oscar statuette) for his technological contributions. Erland worked at Ilm as a model builder for “Star Wars” in 1977 and later moved over to Apogee to work on “Star Trek: The Motion Picture.” He eventually became director of R&D for Apogee, where he received patents for a reverse blue-screen traveling matte process, the Blue-Max flux projector, and a method for making front projection screens.
Erland also played a key role in establishing a separate visual effects Academy branch in 1995. He received the Academy’s John A.
In addition, visual effects technologist Jonathan Erland received the Gordon E. Sawyer Award (an Oscar statuette) for his technological contributions. Erland worked at Ilm as a model builder for “Star Wars” in 1977 and later moved over to Apogee to work on “Star Trek: The Motion Picture.” He eventually became director of R&D for Apogee, where he received patents for a reverse blue-screen traveling matte process, the Blue-Max flux projector, and a method for making front projection screens.
Erland also played a key role in establishing a separate visual effects Academy branch in 1995. He received the Academy’s John A.
- 2/11/2018
- by Bill Desowitz
- Indiewire
“The Jungle Book” is on its way to VFX Oscar gold after getting five Ves nods Tuesday night at the Beverly Hilton. “Rogue One,” the “Star Wars” standalone, however, came away empty-handed after receiving seven nominations.
Innovative Disney hybrid “The Jungle Book” won for outstanding feature, King Louie’s animated performance, virtual cinematography, effects simulations, and compositing.
Laika’s Oscar-nominated “Kubo and the Two Strings” earned VFX animation props, “Deepwater Horizon” took supporting VFX and model work for Industrial Light & Magic, and “Game of Thrones: Battle of the Bastards” continued its TV dominance.
Disney’s “Moana” grabbed two animation awards (created environment and simulations), Pixar won for Hank’s animated performance, and Marvel’s “Doctor Strange” won for its New York City environment
The Ves Visionary Award went to Victoria Alonso, producer and Marvel Studios Evp of physical production. Five-time Oscar winner Ken Ralston (“Return of the Jedi” and “Who Framed Roger Rabbit?...
Innovative Disney hybrid “The Jungle Book” won for outstanding feature, King Louie’s animated performance, virtual cinematography, effects simulations, and compositing.
Laika’s Oscar-nominated “Kubo and the Two Strings” earned VFX animation props, “Deepwater Horizon” took supporting VFX and model work for Industrial Light & Magic, and “Game of Thrones: Battle of the Bastards” continued its TV dominance.
Disney’s “Moana” grabbed two animation awards (created environment and simulations), Pixar won for Hank’s animated performance, and Marvel’s “Doctor Strange” won for its New York City environment
The Ves Visionary Award went to Victoria Alonso, producer and Marvel Studios Evp of physical production. Five-time Oscar winner Ken Ralston (“Return of the Jedi” and “Who Framed Roger Rabbit?...
- 2/8/2017
- by Bill Desowitz
- Indiewire
The Incredible Hulk starring Edward Norton, Liv Tyler and Tim Roth comes to DVD and Blu-Ray October 21 from Universal Home Entertainment.
{sidebar id=1}To celebrate the release, the IESB was invited to visit the people behind all those amazing effects in the film at Giant Studios and Rhythm & Hues. First up was time spent at Rhythm & Hues where we spoke with Visual Effects Supervisors Betsey Paterson and Kurt Williams and Matt Derksen a character-rigging supervisor.
With the incredible technology available to people in their homes these days, films not only need to look good on film on screen, but also digitally on high resolution screens at home, especially if Blu-Ray is involved!
But don't fear with this newly rebooted Hulk franchise, the big green guy looks amazing 100% of the time!
Incredible Hulk Visual Effects Supervisor Kurt Williams commented that, ....people are becoming more and more sensitive to Read more...
{sidebar id=1}To celebrate the release, the IESB was invited to visit the people behind all those amazing effects in the film at Giant Studios and Rhythm & Hues. First up was time spent at Rhythm & Hues where we spoke with Visual Effects Supervisors Betsey Paterson and Kurt Williams and Matt Derksen a character-rigging supervisor.
With the incredible technology available to people in their homes these days, films not only need to look good on film on screen, but also digitally on high resolution screens at home, especially if Blu-Ray is involved!
But don't fear with this newly rebooted Hulk franchise, the big green guy looks amazing 100% of the time!
Incredible Hulk Visual Effects Supervisor Kurt Williams commented that, ....people are becoming more and more sensitive to Read more...
- 10/20/2008
- by Robert Sanchez <robert@iesb.net>
- IESB.net
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