The Film Society of Lincoln Center has announced the complete lineup for the Projections section of the 54th New York Film Festival. Heading into its third year, the annual celebration will take place October 7 through October 9 and include 44 films in 11 programs with 10 world premieres, five North American premieres and 13 U.S. premieres.
The slate features “experimental narratives, avant-garde poetics, crossovers into documentary and ethnographic realms, and contemporary art practices,” per the festival’s press release. The Projections section will bring together a diverse offering of short, medium, and feature-length work by some of today’s most vital and groundbreaking visual artists.
Read More: Nyff Reveals Main Slate of 2016 Titles, Including ‘Manchester By the Sea,’ ‘Paterson’ and ‘Personal Shopper’
Among the films which will be highlighted is Eduardo Williams’s “The Human Surge,” winner of the top prize in Locarno’s 2016 Filmmakers of the Present section and called “the most ambitious...
The slate features “experimental narratives, avant-garde poetics, crossovers into documentary and ethnographic realms, and contemporary art practices,” per the festival’s press release. The Projections section will bring together a diverse offering of short, medium, and feature-length work by some of today’s most vital and groundbreaking visual artists.
Read More: Nyff Reveals Main Slate of 2016 Titles, Including ‘Manchester By the Sea,’ ‘Paterson’ and ‘Personal Shopper’
Among the films which will be highlighted is Eduardo Williams’s “The Human Surge,” winner of the top prize in Locarno’s 2016 Filmmakers of the Present section and called “the most ambitious...
- 8/17/2016
- by Liz Calvario
- Indiewire
As with their Convergence section, the New York Film Festival offers an expanded view of the current cinema with yet another installment in their Projections series, a showcase of recent developments in and classic examples of experimental work from around the globe. These are hard to pin down as fitting particular types, and the only qualifier I can give is that whatever I manage to see from Projections stands as some of the most fascinating, enriching work I encounter at Nyff every given year.
I’m particularly excited about a few things here: two new Nathaniel Dorsky shorts, for one thing, and The Human Surge, a Locarno title and recent Tiff selection that we (positively!) assessed as being “pretty much a film that, by nature, is unlovable.” But that’s a very small pack that stands out, not least of which is because they have individual program slots. Read a...
I’m particularly excited about a few things here: two new Nathaniel Dorsky shorts, for one thing, and The Human Surge, a Locarno title and recent Tiff selection that we (positively!) assessed as being “pretty much a film that, by nature, is unlovable.” But that’s a very small pack that stands out, not least of which is because they have individual program slots. Read a...
- 8/17/2016
- by Nick Newman
- The Film Stage
Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
- 9/4/2013
- ScreenDaily
Glasgow Film Festival today announced its most ambitious programme yet: bookended by two very different romantic comedies, kicking off on Valentine’s Day and ending on the night of the 85th Academy Awards. With 368 screenings, panel discussions, live performances and special events, this is the most extensive Glasgow Film Festival programme to date. There are also a record number of UK premieres amongst this year’s films
Opening Gala: Populaire **UK Premiere**
On Valentine’s Day, movie lovers will walk down the red carpet for the UK premiere of sparkling French romantic comedy Populaire, starring Déborah François, Roman Duris and The Artist’s B?rénice Bejo. With the retro appeal of Mad Men and the glossy allure of a Doris Day/Rock Hudson tussle, this gorgeous, candy-coated romance between the fastest typist in the world and her handsome, commitment-phobic boss will melt hearts (and inspire wardrobes).
Thursday 14 February (19.30 & 20.15)
Closing Gala:...
Opening Gala: Populaire **UK Premiere**
On Valentine’s Day, movie lovers will walk down the red carpet for the UK premiere of sparkling French romantic comedy Populaire, starring Déborah François, Roman Duris and The Artist’s B?rénice Bejo. With the retro appeal of Mad Men and the glossy allure of a Doris Day/Rock Hudson tussle, this gorgeous, candy-coated romance between the fastest typist in the world and her handsome, commitment-phobic boss will melt hearts (and inspire wardrobes).
Thursday 14 February (19.30 & 20.15)
Closing Gala:...
- 1/17/2013
- by Phil
- Nerdly
Sundance Film Festival kicks off out in Park City today, bringing some of the year’s most anticipated independent films to the big screen. Following shortly after will be the Berlinale next month, and SXSW in March, which has just debuted a very promising initial line-up. And now the first big film festival on our shores, the Glasgow Film Festival, has announced its line-up, and it is absolutely exceptional.
Opening the events on Valentine’s Day next month will be Régis Roinsard’s Populaire, starring Romain Duris, Déborah François, and Bérénice Bejo, getting its UK premiere.
And closing the festival will be Joss Whedon’s Much Ado About Nothing, the great writer-director’s contemporary adaptation of the classic Shakespeare play. Similarly seeing its UK premiere, the film stars an ensemble that will please all Whedon fans, led by Amy Acker and Alexis Denisof, with fine support from Fran Kranz, Clark Gregg,...
Opening the events on Valentine’s Day next month will be Régis Roinsard’s Populaire, starring Romain Duris, Déborah François, and Bérénice Bejo, getting its UK premiere.
And closing the festival will be Joss Whedon’s Much Ado About Nothing, the great writer-director’s contemporary adaptation of the classic Shakespeare play. Similarly seeing its UK premiere, the film stars an ensemble that will please all Whedon fans, led by Amy Acker and Alexis Denisof, with fine support from Fran Kranz, Clark Gregg,...
- 1/17/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
Tonight marks the end of the 3rd annual Migrating Forms experimental media festival in NYC at the Anthology Film Archives. Films run all afternoon and evening, concluding with the meta-documentary You Are All Captains directed by Oliver Laxe. If you’re in NYC today, go check it out!
Richard Brody gave a glowing review of the film for the New Yorker, as did Lexie Delaney for VoxTalk.
The full lineup of films screening at Migrating Forms today is below. If you check out some films today, why don’t you come back here and leave a comment below about what you saw!
May 29
1:30 p.m.: “Group Program 8″
A Movie, dir. Jennifer Proctor
Coming Attractions, dir. Peter Tscherkassky
Despair, dir. Stephen Sutcliffe
Misty Suite, dir. James Richards
These Hammers Don’t Hurt Us, dir. Michael Robinson
3:15 p.m.: “Group Program 9 ”
Brune Renault, dir. Neil Beloufa
Rosalinda, dir.
Richard Brody gave a glowing review of the film for the New Yorker, as did Lexie Delaney for VoxTalk.
The full lineup of films screening at Migrating Forms today is below. If you check out some films today, why don’t you come back here and leave a comment below about what you saw!
May 29
1:30 p.m.: “Group Program 8″
A Movie, dir. Jennifer Proctor
Coming Attractions, dir. Peter Tscherkassky
Despair, dir. Stephen Sutcliffe
Misty Suite, dir. James Richards
These Hammers Don’t Hurt Us, dir. Michael Robinson
3:15 p.m.: “Group Program 9 ”
Brune Renault, dir. Neil Beloufa
Rosalinda, dir.
- 5/29/2011
- by Mike Everleth
- Underground Film Journal
The 3rd annual Migrating Forms is set to run on May 20-29 at the Anthology Film Archives with yet another stunning lineup of current and classic experimental and avant-garde films and videos.
New work includes the U.S. premiere of Melanie Gilligan’s experimental sci-fi feature Popular Unrest for the fest’s Opening Night event. Then, throughout the fest, will be Jacqueline Goss‘ meteorology meditation The Observers, Liu Jiayin’s two-part family drama Oxhide and Oxhide II, Madison Brookshire’s light processing experimentation Color Series, Oliver Laxe’s meta-documentary You Are All Captains for the Closing Night event, and more.
New short works in the group programs include films and videos by Adele Horne, Andrew Lampert, Kevin Jerome Everson, Shana Moulton, Fern Silva, Olga Chernysheva, Dani Leventhal and more.
Classic retrospectives include Brazilian films by Glauber Rocha and French films written by Georges Perec. Electric Arts Intermix presents little-seen personal videos by L.
New work includes the U.S. premiere of Melanie Gilligan’s experimental sci-fi feature Popular Unrest for the fest’s Opening Night event. Then, throughout the fest, will be Jacqueline Goss‘ meteorology meditation The Observers, Liu Jiayin’s two-part family drama Oxhide and Oxhide II, Madison Brookshire’s light processing experimentation Color Series, Oliver Laxe’s meta-documentary You Are All Captains for the Closing Night event, and more.
New short works in the group programs include films and videos by Adele Horne, Andrew Lampert, Kevin Jerome Everson, Shana Moulton, Fern Silva, Olga Chernysheva, Dani Leventhal and more.
Classic retrospectives include Brazilian films by Glauber Rocha and French films written by Georges Perec. Electric Arts Intermix presents little-seen personal videos by L.
- 5/10/2011
- by Mike Everleth
- Underground Film Journal
Migrating Forms has just revealed the full program for its third edition, running May 20 through 29 at Anthology Film Archives in New York. And it's pretty impressive, so we're going to go the quickest route here and reproduce the release below the jump.
Special Events
Georges Perec Double Bill
Serie Noire Dir Alain Corneau (1979)
Georges Perec wrote dialogue made up almost entirely of cliches and aphorisms for this adaptation of Jim Thompson's A Hell of a Woman. "The only Thompson adaptation to truly express the author's deeply personal darkness." - Moving Image Source
Un homme qui dort (The Man Who Slept) Dir. Georges Perec and Bernard Queysanne (1974)
Adapted from Georges Perec's novel of the same name. Structured as a filmic sestina, Perec and Queysanne reimagine the framework of the novel while maintaining much of the original narration (read by Shelly Duvall in the English version!).
The Art of the...
Special Events
Georges Perec Double Bill
Serie Noire Dir Alain Corneau (1979)
Georges Perec wrote dialogue made up almost entirely of cliches and aphorisms for this adaptation of Jim Thompson's A Hell of a Woman. "The only Thompson adaptation to truly express the author's deeply personal darkness." - Moving Image Source
Un homme qui dort (The Man Who Slept) Dir. Georges Perec and Bernard Queysanne (1974)
Adapted from Georges Perec's novel of the same name. Structured as a filmic sestina, Perec and Queysanne reimagine the framework of the novel while maintaining much of the original narration (read by Shelly Duvall in the English version!).
The Art of the...
- 5/9/2011
- MUBI
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