Klára Tasovská’s film follows the story of Czechoslovak photographer Libuše Jarcovjáková
Vienna-based sales agent Square Eyes has boarded Klára Tasovská’s feature documentary I’m Not Everything I Want to Be ahead of its world premiere in Berlinale’s Panorama strand.
The film follows the story of Libuše Jarcovjáková, a rebellious Czechoslovak photographer, whose openly personal body of work was only recently discovered by the international photographic community. Earlier this year the film received the Works in Progress Post-Production Development Award at the Karlovy Vary International Film Festival.
Jarcovjáková’s story begins in Prague in the late 1960’s and early 1970’s,...
Vienna-based sales agent Square Eyes has boarded Klára Tasovská’s feature documentary I’m Not Everything I Want to Be ahead of its world premiere in Berlinale’s Panorama strand.
The film follows the story of Libuše Jarcovjáková, a rebellious Czechoslovak photographer, whose openly personal body of work was only recently discovered by the international photographic community. Earlier this year the film received the Works in Progress Post-Production Development Award at the Karlovy Vary International Film Festival.
Jarcovjáková’s story begins in Prague in the late 1960’s and early 1970’s,...
- 12/15/2023
- by Tim Dams
- ScreenDaily
Sundance Institute has announced the 23 projects selected as grantees for this year’s Sundance Institute Documentary Fund and will provide unrestricted grant funding amounting to a little over $1m.
Projects from this cycle are in various stages: six are in development, 14 in production, and three in post-production.
The Fund prioritises supporting and empowering historically marginalised voices, often helping artists living and working in regions that lack a robust infrastructure of support for independent film, regions of conflict, and countries where freedom of expression is under threat.
Projects and filmmakers includr Looking At Ourselves directed by Oscar and Emmy-nominated filmmaker Lourdes Portillo,...
Projects from this cycle are in various stages: six are in development, 14 in production, and three in post-production.
The Fund prioritises supporting and empowering historically marginalised voices, often helping artists living and working in regions that lack a robust infrastructure of support for independent film, regions of conflict, and countries where freedom of expression is under threat.
Projects and filmmakers includr Looking At Ourselves directed by Oscar and Emmy-nominated filmmaker Lourdes Portillo,...
- 8/21/2023
- by Jeremy Kay
- ScreenDaily
Sundance Institute’s Documentary Fund will be supporting 23 selected independent documentary film projects this year through grants totaling over $1 million. This initiative has previously funded notable films including Oscar-nominated features “Crip Camp: A Disability Revolution,” “Minding the Gap” and “The Edge of Democracy.”
In addition to shrinking budgets for commissioned docuseries and one-offs, there has been a dramatic decline in distribution deals for indie docs, making the Sundance Institute grant vital to the nonfiction community. Especially to those filmmakers in the docu space working on social issue documentaries.
This year, the documentaries awarded grants explore a large breadth subject matters from around the world, telling stories about Indigenous People and Native Americans, transgender youth, secrets of a family’s lineage, people with disabilities and an untitled feature about Uvalde, Texas. Of the 23 films, six are in development, 14 are in production and three are in post-production.
“The stories and themes explored...
In addition to shrinking budgets for commissioned docuseries and one-offs, there has been a dramatic decline in distribution deals for indie docs, making the Sundance Institute grant vital to the nonfiction community. Especially to those filmmakers in the docu space working on social issue documentaries.
This year, the documentaries awarded grants explore a large breadth subject matters from around the world, telling stories about Indigenous People and Native Americans, transgender youth, secrets of a family’s lineage, people with disabilities and an untitled feature about Uvalde, Texas. Of the 23 films, six are in development, 14 are in production and three are in post-production.
“The stories and themes explored...
- 8/21/2023
- by Sophia Scorziello
- Variety Film + TV
The Sundance Institute has named the 2023 grantees of its Documentary Fund, supporting the work of nonfiction filmmakers from around the globe, with 23 projects being selected for unrestricted grant funding totaling just over $1M.
Six of the selected projects are in development, with 14 in production and three currently in post. Notable filmmakers recognized as part of the group include Oscar and Emmy nominee Lourdes Portillo (with Looking at Ourselves), artist and filmmaker Amy Jenkins (with Adam’s Apple), and Anayansi Prado (with Untitled Uvalde Documentary). Also represented are such sophomore filmmakers coming off strong debuts as Reid Davenport (I Didn’t See You There) with Life After, Sky Hopinka with Powwow People, and Tali Yankelevich (My Darling Supermarket) with Girl-Tubers.
Sundance Institute’s Documentary Fund prioritizes supporting and empowering historically marginalized voices and providing a platform for integral stories to be amplified. Many of the...
Six of the selected projects are in development, with 14 in production and three currently in post. Notable filmmakers recognized as part of the group include Oscar and Emmy nominee Lourdes Portillo (with Looking at Ourselves), artist and filmmaker Amy Jenkins (with Adam’s Apple), and Anayansi Prado (with Untitled Uvalde Documentary). Also represented are such sophomore filmmakers coming off strong debuts as Reid Davenport (I Didn’t See You There) with Life After, Sky Hopinka with Powwow People, and Tali Yankelevich (My Darling Supermarket) with Girl-Tubers.
Sundance Institute’s Documentary Fund prioritizes supporting and empowering historically marginalized voices and providing a platform for integral stories to be amplified. Many of the...
- 8/21/2023
- by Matt Grobar
- Deadline Film + TV
The 2023 Sundance Institute Documentary Fund has officially unveiled its grantees. The non-profit announced the 2023 recipients of over $1 million in unrestricted grant support for 23 projects from non-fiction filmmakers across the world. Six winning projects are in development, 14 in production, and three in post-production.
Per the announcement, the Documentary Fund prioritizes supporting and empowering historically marginalized voices and providing a platform for integral stories to be amplified. It is committed to elevating global voices and celebrating the rich diversity of filmmaking traditions around the world. Many of the international projects supported with this round of funding reflect a priority of supporting artists living and working in regions that lack a robust infrastructure of support for independent film, regions of conflict, and countries where freedom of expression is under threat.
Grants are made possible by the Open Society Foundations, the John D. and Catherine T. MacArthur Foundation, Gucci, and the Kendeda Fund.
Oscar-...
Per the announcement, the Documentary Fund prioritizes supporting and empowering historically marginalized voices and providing a platform for integral stories to be amplified. It is committed to elevating global voices and celebrating the rich diversity of filmmaking traditions around the world. Many of the international projects supported with this round of funding reflect a priority of supporting artists living and working in regions that lack a robust infrastructure of support for independent film, regions of conflict, and countries where freedom of expression is under threat.
Grants are made possible by the Open Society Foundations, the John D. and Catherine T. MacArthur Foundation, Gucci, and the Kendeda Fund.
Oscar-...
- 8/21/2023
- by Samantha Bergeson
- Indiewire
Maksym Nakonechnyini is co-directing ‘The Days I Would Like To Forget’ which won a prize at Visions du Reel.
Leading Ukrainian filmmaker Maksym Nakonechnyini, whose Butterfly Vision premiered in Un Certain Regard at Cannes last year, has revealed further details of his ambitious Ukraine war documentary, The Days I Would Like To Forget, which won one of the main industry awards at April’s Visions Du Reel.
The documentary is being co-directed as a collective project by Nakonechnyini, Alina Gorlovka, Simon Mozgovyi and Yelizaveta Smit and is being made through Tabor, the Kyiv-based production company run by a group of young artists and filmmakers.
Leading Ukrainian filmmaker Maksym Nakonechnyini, whose Butterfly Vision premiered in Un Certain Regard at Cannes last year, has revealed further details of his ambitious Ukraine war documentary, The Days I Would Like To Forget, which won one of the main industry awards at April’s Visions Du Reel.
The documentary is being co-directed as a collective project by Nakonechnyini, Alina Gorlovka, Simon Mozgovyi and Yelizaveta Smit and is being made through Tabor, the Kyiv-based production company run by a group of young artists and filmmakers.
- 5/3/2023
- by Geoffrey Macnab
- ScreenDaily
31 doc projects took part in VdR-Industry.
Visions du Réel has unveiled the winning documentary projects that took part in its annual industry programme.
Headed for the first time by Sophie Bourdon, VdR-Industry hosted 1,600 professionals from nearly 80 countries, a similar number to the record 2022 edition. The programme comprised 31 documentary projects from 32 countries.
Scroll down for full list of winners
The vision sud est Jury award, worth Chf 10,000 in cash, for the best project from the South or from Eastern Europe (excluding EU members) went to The Days I Would Like to Forget, an observational doc about the Russia and Ukraine conflict,...
Visions du Réel has unveiled the winning documentary projects that took part in its annual industry programme.
Headed for the first time by Sophie Bourdon, VdR-Industry hosted 1,600 professionals from nearly 80 countries, a similar number to the record 2022 edition. The programme comprised 31 documentary projects from 32 countries.
Scroll down for full list of winners
The vision sud est Jury award, worth Chf 10,000 in cash, for the best project from the South or from Eastern Europe (excluding EU members) went to The Days I Would Like to Forget, an observational doc about the Russia and Ukraine conflict,...
- 4/28/2023
- by Tim Dams
- ScreenDaily
“The Days I Would Like to Forget” by Ukrainian film collective Tabor, which picked up the top industry award at international documentary festival Visions du Réel, is a trilogy project that examines the consequences of war.
It is directed by Alina Gorlova, Maksym Nakonechnyi, Simon Mozgovyi and Yelizaveta Smith, who have been working together and documenting the war in their country for close to a decade.
The project is divided into three 70-minute chapters: “Human & War,” which examines the impact of war on everyday life, “Death & Life,” which focuses on the perception of death during the Russian-Ukrainian war, and “Space & Time,” which investigates the link between the war in Ukraine and other parts of the world.
Gorlova, who was in Nyon to pick up the award together with producer Eugene Rachkovsky, told Variety how all four directors started filming the war in the immediate aftermath of the full-scale invasion of Ukraine by Russia on Feb.
It is directed by Alina Gorlova, Maksym Nakonechnyi, Simon Mozgovyi and Yelizaveta Smith, who have been working together and documenting the war in their country for close to a decade.
The project is divided into three 70-minute chapters: “Human & War,” which examines the impact of war on everyday life, “Death & Life,” which focuses on the perception of death during the Russian-Ukrainian war, and “Space & Time,” which investigates the link between the war in Ukraine and other parts of the world.
Gorlova, who was in Nyon to pick up the award together with producer Eugene Rachkovsky, told Variety how all four directors started filming the war in the immediate aftermath of the full-scale invasion of Ukraine by Russia on Feb.
- 4/28/2023
- by Lise Pedersen
- Variety Film + TV
A group of Ukrainian filmmakers have won the top industry award at Swiss international documentary film festival Visions du Réel with their project “The Days I Would Like to Forget,” divided into three chapters, each of which will explore a different phenomenon of war.
Filmmakers Alina Gorlova, Maksym Nakonechnyi, Simon Mozgovyi and Yelizaveta Smith of independent Ukrainian production company Tabor were awarded the Vision du Sud Est prize, handed out to the best project from the South or Eastern Europe.
Running alongside Visions du Réel, the festival’s industry event brought together some 1,600 professionals from nearly 80 countries, in line with last year’s record numbers.
A total of 31 projects were presented in the key forums – VdR–Pitching, VdR–Work in Progress (Wip) and VdR–Rough Cut Lab, alongside the VdR–Development Lab – that run April 24 through April 27 in Nyon, Switzerland.
Representing her colleague filmmakers who are shooting in Ukraine, Gorlova...
Filmmakers Alina Gorlova, Maksym Nakonechnyi, Simon Mozgovyi and Yelizaveta Smith of independent Ukrainian production company Tabor were awarded the Vision du Sud Est prize, handed out to the best project from the South or Eastern Europe.
Running alongside Visions du Réel, the festival’s industry event brought together some 1,600 professionals from nearly 80 countries, in line with last year’s record numbers.
A total of 31 projects were presented in the key forums – VdR–Pitching, VdR–Work in Progress (Wip) and VdR–Rough Cut Lab, alongside the VdR–Development Lab – that run April 24 through April 27 in Nyon, Switzerland.
Representing her colleague filmmakers who are shooting in Ukraine, Gorlova...
- 4/26/2023
- by Lise Pedersen
- Variety Film + TV
Edition runs April 23-27.
Swiss documentary festival Visions du Réel has unveiled the industry projects to be pitched and presented at its 2023 edition, taking place April 23-27.
This year’s selection includes Latvian filmmaker Laila Pakalnina whose new project Cat On My Mind will participate in VdR-Pitching. Pakalnina’s Ausma (2015) and In The Mirror (2020) played in competition at the Blak Nights Tallinn International Film festival while her shorts have screened at Berlin and Cannes.
Also participating in VdR-Pitching is Italy-us filmmaker Mo Scarpelli with her new project Faith about two young girls who live together in an abandoned classroom. Her...
Swiss documentary festival Visions du Réel has unveiled the industry projects to be pitched and presented at its 2023 edition, taking place April 23-27.
This year’s selection includes Latvian filmmaker Laila Pakalnina whose new project Cat On My Mind will participate in VdR-Pitching. Pakalnina’s Ausma (2015) and In The Mirror (2020) played in competition at the Blak Nights Tallinn International Film festival while her shorts have screened at Berlin and Cannes.
Also participating in VdR-Pitching is Italy-us filmmaker Mo Scarpelli with her new project Faith about two young girls who live together in an abandoned classroom. Her...
- 3/10/2023
- by Ellie Calnan
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.