In his new book One Last Song, journalist Mike Ayers asks an array of artists an intriguing, but rarely considered question from the endless realm of pop music hypotheticals: If you could choose the last song you’d hear before you died, what would it be? The book, out October 13th via Abrams Image, uses that question as a launching pad for Ayers’ conversations about life and death with musicians like Wayne Coyne, Killer Mike, Wanda Jackson, Phoebe Bridgers, Matt Berninger, Stephen Malkmus and Angel Olsen. In the excerpt below,...
- 9/10/2020
- by Rolling Stone
- Rollingstone.com
Jimmy Cobb, a jazz drummer and the last surviving member of the ensemble sextet of Miles Davis’ iconic album, Kind of Blue, died Sunday lung cancer at his home in Manhattan. He was 91. His wife, Eleana Tee Cobb, made the announcement on Facebook.
The 1959 albumKind of Blue is considered one of the greatest jazz records of all time. At the time of its release, the album was met with rave reviews from critics, widespread radio play and often is regarded as the best-selling jazz album in history, It was certified quintuple-platinum last year. Kind of Blue also was honored as a national treasure by the U.S. House of Representatives.
He worked on several other Davis albums including Sketches of Spain, Someday My Prince Will Come, Miles Davis at Carnegie Hall, and The Complete Blackhawk.
Notable Hollywood & Entertainment Industry Deaths In 2020: Photo Gallery
Born in Washington, D.C. in...
The 1959 albumKind of Blue is considered one of the greatest jazz records of all time. At the time of its release, the album was met with rave reviews from critics, widespread radio play and often is regarded as the best-selling jazz album in history, It was certified quintuple-platinum last year. Kind of Blue also was honored as a national treasure by the U.S. House of Representatives.
He worked on several other Davis albums including Sketches of Spain, Someday My Prince Will Come, Miles Davis at Carnegie Hall, and The Complete Blackhawk.
Notable Hollywood & Entertainment Industry Deaths In 2020: Photo Gallery
Born in Washington, D.C. in...
- 5/25/2020
- by Amanda N'Duka
- Deadline Film + TV
Jazz drummer Jimmy Cobb, best known for backing Miles Davis on a string of iconic records, including 1959’s Kind of Blue, has died from lung cancer at age 91, NPR reports.
Cobb, born in Washington D.C. in 1929, began his touring career with saxophonist Earl Bostic in 1950. This led to a cascading series of gigs with vocalist Dinah Washington, pianist Wynton Kelly, and saxophonist Cannonball Adderley.
His most famous work arrived at the end of that decade: Along with Davis’ modal, melodic masterpiece Kind of Blue — which Rolling Stone named the...
Cobb, born in Washington D.C. in 1929, began his touring career with saxophonist Earl Bostic in 1950. This led to a cascading series of gigs with vocalist Dinah Washington, pianist Wynton Kelly, and saxophonist Cannonball Adderley.
His most famous work arrived at the end of that decade: Along with Davis’ modal, melodic masterpiece Kind of Blue — which Rolling Stone named the...
- 5/25/2020
- by Ryan Reed and Hank Shteamer
- Rollingstone.com
Michael Caine's early films defined the look of an era, but with scores by John Barry, Quincy Jones and Sonny Rollins they also defined its soundrack
There is a kind of music in Michael Caine's voice: deceptively flat, barely inflected, emitting just the tiniest glints of detached insolence and laconic menace as it maps the area between the pre-war docklands community of Rotherhithe, his birthplace, and Elephant and Castle, where his family was rehoused in a prefab built on bomb-damaged land not far from the location of Shakespeare's theatres. Few people alive know more about the actor's craft than Caine, none is more gifted in the art of underplaying, and that voice is integral to his virtuosity.
But there is music of a more conventional kind in the films that made him famous – when the former Maurice Micklewhite rather unexpectedly became the model of a new kind of English leading man,...
There is a kind of music in Michael Caine's voice: deceptively flat, barely inflected, emitting just the tiniest glints of detached insolence and laconic menace as it maps the area between the pre-war docklands community of Rotherhithe, his birthplace, and Elephant and Castle, where his family was rehoused in a prefab built on bomb-damaged land not far from the location of Shakespeare's theatres. Few people alive know more about the actor's craft than Caine, none is more gifted in the art of underplaying, and that voice is integral to his virtuosity.
But there is music of a more conventional kind in the films that made him famous – when the former Maurice Micklewhite rather unexpectedly became the model of a new kind of English leading man,...
- 1/31/2014
- by Richard Williams
- The Guardian - Film News
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