Last Halloween (my birthday, as it happens), I loaded up my Bolex to shoot some 16mm black-and-white images of a children’s costume parade in my Brooklyn neighborhood. I was thinking of Helen Levitt’s 1948 masterpiece, In the Street. Levitt (and her co-cinematographers James Agee and Janis Loeb) used a small camera to surreptitiously record images (mostly of children) in Spanish Harlem. The film is a poetic time capsule — observational vignettes that become more than the sum of their parts. The Bolex looks pretty big these days compared to digital cameras, so I wasn’t hiding anything from anybody. As I […]...
- 8/16/2016
- by Mark Street
- Filmmaker Magazine - Blog
Get your beret and warm up the espresso! Some of the most famous deep-dish art film is here -- in HD -- starting with attempts to translate various art 'isms' to the screen, to graphics-oriented abstractions, to 'city symphonies' to the dream visions of Maya Deren and beyond. The careful remasters reproduce proper projection speeds and original music. Masterworks of American Avant-Garde Experimental Film 1920-1970 Blu-ray + DVD Flicker Alley 1920-1970 / B&W and Color / 1:33 full frame / 418 min. / Street Date October 6, 2015 / 59.95 With films by James Agee, Kenneth Anger, Bruce Baillie, Stan Brakhage, James Broughton, Rudolph Burckhardt, Mary Ellen Bute, Joseph Cornell, Jim Davis, Maya Deren, Marcel Duchamp, Emien Etting, Oksar Fischinger, Robert Florey, Amy Greenfield, A. Hackenschmied, Alexander Hammid, Hillary Harris, Hy Hirsh, Ian Hugo, Lawrence Janiac, Lawrence Jordan, Owen Land, Francis Lee, Fernand Léger, Helen Levitt, Jan Leyda, Janice Loeb, Jonas Mekas, Marie Menken, Dudley Murphy, Ted Nemeth, Bernard O'Brien,...
- 10/6/2015
- by Glenn Erickson
- Trailers from Hell
First the history, then the list:
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Of course, a typical museum hangs its collections of artwork on the wall for visitors to walk up to and study. However, a film museum needs special considerations on how — and what, of course — to present its collection to the public.
Thus, for this film museum, first a film selection committee was formed that included James Broughton, Ken Kelman, Peter Kubelka, Jonas Mekas and P. Adams Sitney, plus, for a time, Stan Brakhage. This committee met over the course of several months to decide exactly what films would be collected and how they would be shown. The final selection of films would come to be called the The Essential Cinema Repertory.
The Essential Cinema Collection that the committee came up with consisted of about 330 films.
- 5/3/2010
- by Mike Everleth
- Underground Film Journal
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