Films about the ecological stakes of contemporary life often center the results of unfettered human consumption. By showing the abuses suffered by the environment, they function as both an urgent warning and a desperate plea. Claude Barras takes a different route in Savages (Sauvages), his incisive and edifying animated feature about an 11-year-old girl trying to protect her land and people from encroaching deforestation.
Premiering at Cannes, Savages focuses on elemental beauty and the dignity of community-driven preservation. It is the latest film from the Swiss director whose last film My Life as a Zucchini premiered at Cannes in 2016 and went on to critical acclaim and an Oscar nomination. As in that movie, Barras does not condescend to or patronize his youngest audience members. Savages, written by Barras and Catherine Paillé in collaboration with Morgan Navarro and Nancy Huston, is uncompromising in its messaging, deceptively spare in its instruction and absolutely gorgeous to look at.
Premiering at Cannes, Savages focuses on elemental beauty and the dignity of community-driven preservation. It is the latest film from the Swiss director whose last film My Life as a Zucchini premiered at Cannes in 2016 and went on to critical acclaim and an Oscar nomination. As in that movie, Barras does not condescend to or patronize his youngest audience members. Savages, written by Barras and Catherine Paillé in collaboration with Morgan Navarro and Nancy Huston, is uncompromising in its messaging, deceptively spare in its instruction and absolutely gorgeous to look at.
- 5/19/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
French crime films of the 1950s and ’60s often centered on professional criminals who followed codes of honor that put them on a more-or-less level moral playing field with the detectives tracking them down. Whether it was Jean Gabin’s aging gangster Max in Jacques Becker’s Touchez Pas au Grisbi or Alain Delon’s steely eyed assassin Jef in Jean-Pierre Melville’s Le Samouraï, these men had a sophistication and moral grounding that minimized the violence and chaos they caused. They were dangerous, even deadly, but only when they needed to be and in a way the cops could wrap their heads’ around.
Fun City Editions’s new Blu-ray set, Seeing Red: 3 French Vigilante Thrillers, consists of a trio of films that play like French twists on the hyper-violent Italian poliziotteschi crime films that reached the height of their popularity in the ’70s. In Jean-Claude Missiaen’s Shot Pattern,...
Fun City Editions’s new Blu-ray set, Seeing Red: 3 French Vigilante Thrillers, consists of a trio of films that play like French twists on the hyper-violent Italian poliziotteschi crime films that reached the height of their popularity in the ’70s. In Jean-Claude Missiaen’s Shot Pattern,...
- 5/14/2024
- by Derek Smith
- Slant Magazine
Have you ever thought about what it would be like to see Koba from the “Planet of the Apes” reboot film series in other movies? Neither had we here at IndieWire. That was until last week when @jbromovies posted this tweet to X, formerly known as Twitter.
Koba should be in every movie
— joe bro (@jbromovies) May 9, 2024
Little did @jbromovies know what they were in for as what followed was an avalanche of photoshopped masterpieces that embed “Apes” character Koba into every piece of cinema imaginable. From “Challengers” to “The Lion King,” there are literally too many gems to choose from, but IndieWire has put together a collection of the eight best, each featuring a possible arc for how Koba could be inserted into the plot of the film.
Has anyone done 12 Angry Men yet? https://t.co/SyaxVtD8LX pic.twitter.com/9KYSQfatwu
— bread boy (@MarxistSmart) May 11, 2024 “12 Angry Men...
Koba should be in every movie
— joe bro (@jbromovies) May 9, 2024
Little did @jbromovies know what they were in for as what followed was an avalanche of photoshopped masterpieces that embed “Apes” character Koba into every piece of cinema imaginable. From “Challengers” to “The Lion King,” there are literally too many gems to choose from, but IndieWire has put together a collection of the eight best, each featuring a possible arc for how Koba could be inserted into the plot of the film.
Has anyone done 12 Angry Men yet? https://t.co/SyaxVtD8LX pic.twitter.com/9KYSQfatwu
— bread boy (@MarxistSmart) May 11, 2024 “12 Angry Men...
- 5/14/2024
- by Harrison Richlin
- Indiewire
Vertical has unleashed a brand new U.S. trailer for the historical drama ‘Jeanne du Barry’ starring Johnny Depp.
The French-language film, set in the 18th century, tells the story of Jeanne Bécu (Maïwenn), the daughter of an impoverished seamstress who rose through the Court of King Louis Xv (played by Depp) and became his last official mistress.
Jeanne Vaubernier, a young working-class woman hungry for culture and pleasure, uses her intelligence and allure to climb the rungs of the social ladder one by one. She becomes the favourite of King Louis Xv who, unaware of her status as a courtesan, regains through her his appetite for life. They fall madly in love. Against all propriety and etiquette, Jeanne moves to Versailles, where her arrival scandalizes the court.
Directed by French actress and filmmaker Maïwenn (whose films include “DNA” and “My King”), the movie also stars Benjamin Lavernhe, Melvil Poupaud,...
The French-language film, set in the 18th century, tells the story of Jeanne Bécu (Maïwenn), the daughter of an impoverished seamstress who rose through the Court of King Louis Xv (played by Depp) and became his last official mistress.
Jeanne Vaubernier, a young working-class woman hungry for culture and pleasure, uses her intelligence and allure to climb the rungs of the social ladder one by one. She becomes the favourite of King Louis Xv who, unaware of her status as a courtesan, regains through her his appetite for life. They fall madly in love. Against all propriety and etiquette, Jeanne moves to Versailles, where her arrival scandalizes the court.
Directed by French actress and filmmaker Maïwenn (whose films include “DNA” and “My King”), the movie also stars Benjamin Lavernhe, Melvil Poupaud,...
- 4/4/2024
- by Zehra Phelan
- HeyUGuys.co.uk
"You're in danger, Madame." Vertical has unveiled an official US trailer for Maïwenn's Jeanne du Barry, which is finally getting a theatrical release in he US one full year after it premiered at the 2023 Cannes Film Festival last May. It already opened in France the same week as its Cannes premiere, but hasn't shown up in the US until now. In this film, Jeanne Vaubernier, a young working-class woman hungry for culture and pleasure, uses her intelligence and her allure to climb the rungs of the social ladder one by one. She becomes the favorite of King Louis Xv who, unaware of her status as courtesan, regains through her his appetite for life. They fall madly in love. Against all propriety and etiquette, Jeanne moves to Versailles, where her arrival scandalizes the court... The film also stars Maïwenn as Jeanne, plus Johnny Depp as King Louis Xv, along with Benjamin Lavernhe,...
- 4/2/2024
- by Alex Billington
- firstshowing.net
Fathom Events and Vertical Entertainment have released the official trailer for Jeanne du Barry, the period drama written, directed, and produced by Maïwenn and starring herself and Johnny Depp.
Jeanne du Barry follows Jeanne Vaubernier (Maïwenn), a working-class woman determined to climb the social ladder. She uses her charms to escape her impoverished life.
Her lover, the Comte du Barry (Melvil Poupaud), wishes to present her to King Louis Xv and orchestrates a meeting through the influential Duke of Richelieu (Pierre Richard).
The encounter goes far beyond his expectations, for it was love at first sight for the King and Jeanne. Through this ravishing courtesan, the king rediscovers his appetite for life and feels he can no longer live without her. Making Jeanne his last official mistress, scandal erupts as no one at Court will accept a girl from the streets into their rarified world.
The French-language film was written by Maïwenn,...
Jeanne du Barry follows Jeanne Vaubernier (Maïwenn), a working-class woman determined to climb the social ladder. She uses her charms to escape her impoverished life.
Her lover, the Comte du Barry (Melvil Poupaud), wishes to present her to King Louis Xv and orchestrates a meeting through the influential Duke of Richelieu (Pierre Richard).
The encounter goes far beyond his expectations, for it was love at first sight for the King and Jeanne. Through this ravishing courtesan, the king rediscovers his appetite for life and feels he can no longer live without her. Making Jeanne his last official mistress, scandal erupts as no one at Court will accept a girl from the streets into their rarified world.
The French-language film was written by Maïwenn,...
- 4/2/2024
- by Mirko Parlevliet
- Vital Thrills
Fluff your powdered wig and fill your snuffbox because a trailer for French filmmaker Maïwenn’s Jeanne Du Barry is here to give you a front-row seat to one of history’s most notorious scandals. The lavish footage depicts Johnny Depp as Louis Xv and Maïwenn Besco as Jeanne Vaubernier, a woman willing to give a gloved middle finger to tradition to rise through society’s ranks. Decadent, scandalous, and filled with more drama than a season of Bridgerton, today’s Jeanne Du Barry trailer highlights Depp’s first significant feature since his public court battle with his ex-wife Amber Heard.
Here’s the official synopsis for Jeanne Du Barry:
“Jeanne du Barry follows Jeanne Vaubernier (Maïwenn), a working-class woman determined to climb the social ladder, using her charms to escape her impoverished life. Her lover, the Comte du Barry (Melvil Poupaud), wishes to present her to King Louis Xv...
Here’s the official synopsis for Jeanne Du Barry:
“Jeanne du Barry follows Jeanne Vaubernier (Maïwenn), a working-class woman determined to climb the social ladder, using her charms to escape her impoverished life. Her lover, the Comte du Barry (Melvil Poupaud), wishes to present her to King Louis Xv...
- 4/2/2024
- by Steve Seigh
- JoBlo.com
Johnny Depp is back on the big screen with “Jeanne du Barry.”
Helmed by co-writer/director/producer/star Maïwenn, the 18th-century-set drama follows the ill-fated romance between King Louis Xv (Depp) and Jeanne Vaubernier (Maïwenn), a working-class woman determined to climb the social ladder. Jeanne’s lover, the Comte du Barry (Melvil Poupaud), presents her to King Louis Xv (Depp) through the influential Duke of Richelieu (Pierre Richard). The meeting turns into an affair, and Jeanne becomes the King’s last official mistress. Scandal erupts as no one at Court will accept a girl from the streets into their rarified world.
Benjamin Lavernhe and Pascal Greggory also star, with Pauline Pollmann portraying Marie-Antoinette in the feature that opened the 2023 Cannes Film Festival.
“Jeanne du Barry” was also written by Teddy Lussi-Modeste and Nicolas Livecchi. The film is produced by Pascal Caucheteux and Grégoire Sorlat.
The feature was acquired by Vertical...
Helmed by co-writer/director/producer/star Maïwenn, the 18th-century-set drama follows the ill-fated romance between King Louis Xv (Depp) and Jeanne Vaubernier (Maïwenn), a working-class woman determined to climb the social ladder. Jeanne’s lover, the Comte du Barry (Melvil Poupaud), presents her to King Louis Xv (Depp) through the influential Duke of Richelieu (Pierre Richard). The meeting turns into an affair, and Jeanne becomes the King’s last official mistress. Scandal erupts as no one at Court will accept a girl from the streets into their rarified world.
Benjamin Lavernhe and Pascal Greggory also star, with Pauline Pollmann portraying Marie-Antoinette in the feature that opened the 2023 Cannes Film Festival.
“Jeanne du Barry” was also written by Teddy Lussi-Modeste and Nicolas Livecchi. The film is produced by Pascal Caucheteux and Grégoire Sorlat.
The feature was acquired by Vertical...
- 4/2/2024
- by Samantha Bergeson
- Indiewire
Berlinale competition director Bruno Dumont is lining up his next film Red Rocks, a Romeo and Juliet-style love story set one summer on the French Riviera, to shoot later this year, with Luxbox handling sales
The film is being produced by Tessalit Productions with Italy’s Nightswim, Belgium’s Novak Prod and Portugal’s Rosa Filmes.
Red Rocks is about the rivalry between two gangs of kids, a blend of locals and summer visitors, who compete in the perilous game of cliff jumping.
“The setting – the shattered, reddish and picturesque of the rocky coast of the South of France,...
The film is being produced by Tessalit Productions with Italy’s Nightswim, Belgium’s Novak Prod and Portugal’s Rosa Filmes.
Red Rocks is about the rivalry between two gangs of kids, a blend of locals and summer visitors, who compete in the perilous game of cliff jumping.
“The setting – the shattered, reddish and picturesque of the rocky coast of the South of France,...
- 2/12/2024
- ScreenDaily
On its face, Criterion’s Chantal Akerman Masterpieces, 1968–1978 is an essential set for offering key early works, some more obscure than others, from the career of one of the great film artists. But the pleasures here run deeper. Akerman used each of her initial films as a springboard to the next, and watching them in chronological order sees her consolidating and complicating her aesthetic and thematic preoccupations with each successive project.
Consider Akerman’s first film, 1968’s Saute ma ville. Akerman made this 13-minute short at the age of 18, and its debt to the antic energy and seriocomic political inclinations of the French New Wave makes it an outlier in a body of work fixated on structuralism and more meditative atmospheres. Yet in the film’s depiction of a young woman (Akerman herself) trashing her apartment emerges an outlandish expression of what will become a more somberly explored theme in upcoming shorts,...
Consider Akerman’s first film, 1968’s Saute ma ville. Akerman made this 13-minute short at the age of 18, and its debt to the antic energy and seriocomic political inclinations of the French New Wave makes it an outlier in a body of work fixated on structuralism and more meditative atmospheres. Yet in the film’s depiction of a young woman (Akerman herself) trashing her apartment emerges an outlandish expression of what will become a more somberly explored theme in upcoming shorts,...
- 1/26/2024
- by Jake Cole
- Slant Magazine
Ed Ames, whose long career included hit recordings, TV stardom and Broadway roles, died May 21 in Los Angeles at 95. No cause was given.
Ames began his career in the 1950s as part of the singing Ames Brothers quartet, joining with his brothers Vic, Joe and Gene. The group had a hit with “Rag Mop” in 1950, and totaled 49 chart hits before ending their association in 1963. The group also had a syndicated TV program, The Ames Brothers Show.
Ames also branched off into a solo career, hitting the charts with “My Cup Runneth Over,” “Who Will Answer?” and “Try to Remember.”
Ames switched gears and did stage tours in the off-Broadway shows The Crucible and The Fantasticks, and then scored a starring role on Broadway in Carnival! He later starred with Kirk Douglas, Gene Wilder, and William Daniels in the Broadway production of One Flew Over the Cuckoo’s Nest.
Ed Ames and Darby Hinton in ‘Daniel Boone,...
Ames began his career in the 1950s as part of the singing Ames Brothers quartet, joining with his brothers Vic, Joe and Gene. The group had a hit with “Rag Mop” in 1950, and totaled 49 chart hits before ending their association in 1963. The group also had a syndicated TV program, The Ames Brothers Show.
Ames also branched off into a solo career, hitting the charts with “My Cup Runneth Over,” “Who Will Answer?” and “Try to Remember.”
Ames switched gears and did stage tours in the off-Broadway shows The Crucible and The Fantasticks, and then scored a starring role on Broadway in Carnival! He later starred with Kirk Douglas, Gene Wilder, and William Daniels in the Broadway production of One Flew Over the Cuckoo’s Nest.
Ed Ames and Darby Hinton in ‘Daniel Boone,...
- 5/26/2023
- by Bruce Haring
- Deadline Film + TV
Ed Ames, a member of the Ames Brothers singing quartet who starred in TV series “Daniel Boone” in the 1960s, died Sunday at his home in Los Angeles. He was 95.
Ed Ames and his brothers Vic, Joe and Gene had a hit with their version of “Rag Mop” in 1950. As a solo artist, he had hits with “Who Will Answer?,” “My Cup Runneth Over” and “Try to Remember.” In the 1950s, they had a syndicated TV program, “The Ames Brothers Show,” and 49 songs that charted before they broke up in 1963.
He then launched an acting career, which included off-Broadway performances in “The Crucible” and “The Fantasticks,” as well as a starring role on Broadway in “Carnival!” He starred with Kirk Douglas, Gene Wilder and William Daniels in the Broadway production of “One Flew Over the Cuckoo’s Nest.”
Although his background was Russian Jewish, Ames was cast several times as a Native American,...
Ed Ames and his brothers Vic, Joe and Gene had a hit with their version of “Rag Mop” in 1950. As a solo artist, he had hits with “Who Will Answer?,” “My Cup Runneth Over” and “Try to Remember.” In the 1950s, they had a syndicated TV program, “The Ames Brothers Show,” and 49 songs that charted before they broke up in 1963.
He then launched an acting career, which included off-Broadway performances in “The Crucible” and “The Fantasticks,” as well as a starring role on Broadway in “Carnival!” He starred with Kirk Douglas, Gene Wilder and William Daniels in the Broadway production of “One Flew Over the Cuckoo’s Nest.”
Although his background was Russian Jewish, Ames was cast several times as a Native American,...
- 5/26/2023
- by Pat Saperstein
- Variety Film + TV
“The impertinence!” scream the courtiers of Louis Xv when his newly recruited mistress, Countess Jeanne du Barry, has the audacity to look him in the eye. It is just the latest in a long line of taboo-breaking outrages that surround the affair between the king and the commoner: She doesn’t have a title! She turns her back on him! She dresses like a man! For this reason alone, it’s easy to see why Maïwenn, one of France’s more controversial directors, saw fit to topline herself with Johnny Depp in a film that’s entirely about class and status and whose leading characters are bent on committing reputational suicide.
Jeanne du Barry also flexes the specifically French cultural views surrounding the topic of sexual impropriety. While the Cannes Film Festival continues to appear to be wilfully deaf to the topic of cancel culture, Maïwenn’s latest feature — which...
Jeanne du Barry also flexes the specifically French cultural views surrounding the topic of sexual impropriety. While the Cannes Film Festival continues to appear to be wilfully deaf to the topic of cancel culture, Maïwenn’s latest feature — which...
- 5/16/2023
- by Damon Wise
- Deadline Film + TV
The films of Maïwenn, like Maïwenn herself, tend to be divisive.
When they’re good, such as in the writer-director-actress’ breakthrough second feature, Polisse, they’re filled with hotblooded ensemble performances that channel the kinetic energy of John Cassavetes. When they’re not, such as in her last effort, DNA, they feel like overblown arthouse selfies where Maïwenn is the only star.
Either way, they hardly leave you indifferent, which is why the director’s biggest project yet, a $22.4 million biopic of the legendary 18th century French courtesan Jeanne du Barry, can seem so surprising. Sumptuously made and with enough jaw-dropping costumes — several of them courtesy of Chanel, one of the film’s sponsors — to warrant a separate runway show, Maïwenn’s lavish feature is also, well, kind of bland.
It has a great setting, with many scenes shot in and around the real Palace of Versailles, and a great setup,...
When they’re good, such as in the writer-director-actress’ breakthrough second feature, Polisse, they’re filled with hotblooded ensemble performances that channel the kinetic energy of John Cassavetes. When they’re not, such as in her last effort, DNA, they feel like overblown arthouse selfies where Maïwenn is the only star.
Either way, they hardly leave you indifferent, which is why the director’s biggest project yet, a $22.4 million biopic of the legendary 18th century French courtesan Jeanne du Barry, can seem so surprising. Sumptuously made and with enough jaw-dropping costumes — several of them courtesy of Chanel, one of the film’s sponsors — to warrant a separate runway show, Maïwenn’s lavish feature is also, well, kind of bland.
It has a great setting, with many scenes shot in and around the real Palace of Versailles, and a great setup,...
- 5/16/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Twice a month Joe Lipsett will dissect a new Amityville Horror film to explore how the “franchise” has evolved in increasingly ludicrous directions. This is “The Amityville IP.”
With Amityville Vanishing Point unavailable to stream or buy in Canada, I’ve had to leap frog over it and go directly to 2016’s The Amityville Legacy (aka Amityville Toybox).
Co-written and co-directed by Dustin Ferguson and Mike Johnson (file away the former: he’ll return several times in the future), the 15th Amityville film is another low-budget, independent effort. All of the characters have the same first name as the actor playing them, and the performances are often amateurish. Namely the film’s visual aesthetic is flat and the audio quality is poor, particularly in early scenes set in cars. The plot recycles the events of both the original and the remake, with a father who goes mad and kills his family,...
With Amityville Vanishing Point unavailable to stream or buy in Canada, I’ve had to leap frog over it and go directly to 2016’s The Amityville Legacy (aka Amityville Toybox).
Co-written and co-directed by Dustin Ferguson and Mike Johnson (file away the former: he’ll return several times in the future), the 15th Amityville film is another low-budget, independent effort. All of the characters have the same first name as the actor playing them, and the performances are often amateurish. Namely the film’s visual aesthetic is flat and the audio quality is poor, particularly in early scenes set in cars. The plot recycles the events of both the original and the remake, with a father who goes mad and kills his family,...
- 5/9/2023
- by Joe Lipsett
- bloody-disgusting.com
Stars: Jeffrey Donovan, Tilly Keeper, Richard Fleeshman, Penelope Mitchell, Richard Brake | Written by Paul Leyden, Andrew Klein | Directed by Paul Leyden
R.I.P.D. 2: Rise of the Damned may be the most unexpected sequel in recent memory, and in a year that’s seen Eraser: Reborn and Blade of the 47 Ronin that’s saying a lot. The 2013 original was a Men in Black style action comedy that featured Ryan Reynolds as a ghostly cop protecting the living from undead threats. It was also an expensive flop, the kind studios want to forget, not make sequels, or in this case, prequels, to.
Set in 1876, R.I.P.D. 2: Rise of the Damned is the story of Sheriff Roy Pulsipher, played by Jeff Bridges in the original and Jeffrey Donovan this time around. Here he’s meeting his daughter Charlotte and her fiance Angus at the train station when a robbery occurs and he’s killed in a shootout.
R.I.P.D. 2: Rise of the Damned may be the most unexpected sequel in recent memory, and in a year that’s seen Eraser: Reborn and Blade of the 47 Ronin that’s saying a lot. The 2013 original was a Men in Black style action comedy that featured Ryan Reynolds as a ghostly cop protecting the living from undead threats. It was also an expensive flop, the kind studios want to forget, not make sequels, or in this case, prequels, to.
Set in 1876, R.I.P.D. 2: Rise of the Damned is the story of Sheriff Roy Pulsipher, played by Jeff Bridges in the original and Jeffrey Donovan this time around. Here he’s meeting his daughter Charlotte and her fiance Angus at the train station when a robbery occurs and he’s killed in a shootout.
- 5/9/2023
- by Jim Morazzini
- Nerdly
Aftersun – Charlotte Wells
Alma viva – Cristèle Alves Meira [Review]
Imagine – Ali Behrad
La jauría – Andrés Ramírez Pulido [Review]
Love According to Dalva – Emmanuelle Nicot
Nos cérémonies – Simon Rieth [Review]
The Woodcutter Story – Mikko Myllylahti [Review]
Special Screenings
Tout le monde aime Jeanne – Céline Devaux [Review]
Next Sohee – July Jung
Sons of Ramses – Clément Cogitore [Review]
When You Finish Saving the World – Jesse Eisenberg [Sundance Review]…...
Alma viva – Cristèle Alves Meira [Review]
Imagine – Ali Behrad
La jauría – Andrés Ramírez Pulido [Review]
Love According to Dalva – Emmanuelle Nicot
Nos cérémonies – Simon Rieth [Review]
The Woodcutter Story – Mikko Myllylahti [Review]
Special Screenings
Tout le monde aime Jeanne – Céline Devaux [Review]
Next Sohee – July Jung
Sons of Ramses – Clément Cogitore [Review]
When You Finish Saving the World – Jesse Eisenberg [Sundance Review]…...
- 6/13/2022
- by Eric Lavallée
- IONCINEMA.com
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