IndieWire reached out to this year’s nominees for Outstanding Cinematography for a Single-Camera Series (One Hour), Single-Camera Series (Half-Hour), and Limited Series or Movie, and asked them which cameras and lenses they used — but even more important: Why were these the right tools to create the look of their series? The nominees answers are below, organized by Emmy category and in alphabetical order by series title.
Outstanding Cinematography for a Single-Camera Series (Half-Hour)
“Grown-ish”
Nominated Episode: “Know Yourself”
Format: ProRes Log-c
Camera: Arri Minis
Lens: Leica SummiLux-c’s
Mark Doering-Powell: “Grown-ish” follows Zoey (Yara Shahidi) navigating her college years with a new group of friends. We learn their hopes, dreams, and challenges along the way, while exploring serious topics that one encounters in life and school. The strength of this series is our characters tackling these hard conversations, head on. We frame this in what we call our “aspirational” look,...
Outstanding Cinematography for a Single-Camera Series (Half-Hour)
“Grown-ish”
Nominated Episode: “Know Yourself”
Format: ProRes Log-c
Camera: Arri Minis
Lens: Leica SummiLux-c’s
Mark Doering-Powell: “Grown-ish” follows Zoey (Yara Shahidi) navigating her college years with a new group of friends. We learn their hopes, dreams, and challenges along the way, while exploring serious topics that one encounters in life and school. The strength of this series is our characters tackling these hard conversations, head on. We frame this in what we call our “aspirational” look,...
- 8/18/2021
- by Chris O'Falt
- Indiewire
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