Based on Pit Agarmen’s novel (a form in which this story doubtlessly worked better), Dominique Rocher’s feature debut “The Night Eats the World” focuses on an isolated guy’s boredom and loneliness after an outbreak of the flesh-eating undead leaves him trapped in a Parisian apartment building. The very definition of a well-made movie that nonetheless really needn’t have been made at all, Rocher’s entry into the canon will attract a few zombie completists, but provide little fun for the average genre buff and underwhelming reward for art-house audiences.
At the start, Sam shows up at his ex-girlfriend’s door, a grudging errand — evidently it was not a happy parting — made more unpleasant by the discovery that she and her new boyfriend are hosting a crowded party. Wanting only to retrieve some personal possessions she’d accidentally taken with her, he retreats to a back office room and locks the door.
At the start, Sam shows up at his ex-girlfriend’s door, a grudging errand — evidently it was not a happy parting — made more unpleasant by the discovery that she and her new boyfriend are hosting a crowded party. Wanting only to retrieve some personal possessions she’d accidentally taken with her, he retreats to a back office room and locks the door.
- 4/22/2018
- by Dennis Harvey
- Variety Film + TV
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