Christopher Abbott is returning to his indie roots and reuniting with his 2015 filmmaking collaborator Josh Mond for upcoming feature “It Doesn’t Matter.”
Abbott, who recently appeared in “Poor Things” and is set to lead Universal’s “Wolfman,” stars opposite Jay Will in the dramedy revolving around the redemptive relationship between a lost man from Staten Island and a young filmmaker.
“It Doesn’t Matter” premieres at the Acid programming section, run by France’s Association for the Diffusion of Independent Cinema (Acid) and takes place parallel to the Cannes Film Festival. “It Doesn’t Matter” is writer/director Mond’s first movie since his breakout Sundance 2015 directorial debut “James White,” which also starred Abbott.
In addition to directing, Mond previously produced Sean Durkin’s “Martha Marcy May Marlene” and Antonio Campos’ “Simon Killer.” “It Doesn’t Matter” is his sophomore film.
Mond teased “It Doesn’t Matter” to IndieWire in 2015, saying that while the...
Abbott, who recently appeared in “Poor Things” and is set to lead Universal’s “Wolfman,” stars opposite Jay Will in the dramedy revolving around the redemptive relationship between a lost man from Staten Island and a young filmmaker.
“It Doesn’t Matter” premieres at the Acid programming section, run by France’s Association for the Diffusion of Independent Cinema (Acid) and takes place parallel to the Cannes Film Festival. “It Doesn’t Matter” is writer/director Mond’s first movie since his breakout Sundance 2015 directorial debut “James White,” which also starred Abbott.
In addition to directing, Mond previously produced Sean Durkin’s “Martha Marcy May Marlene” and Antonio Campos’ “Simon Killer.” “It Doesn’t Matter” is his sophomore film.
Mond teased “It Doesn’t Matter” to IndieWire in 2015, saying that while the...
- 4/16/2024
- by Samantha Bergeson
- Indiewire
Following the main lineups for the 2024 Cannes Film Festival, a handful of sidebar slates have been unveiled, featuring Directors Fortnight, Critics Week, and Acid. Notable highlights include the Sundance favorite Good One (read our review here), Tyler Taormina’s Christmas Eve in Miller’s Point starring Michael Cera, the first film in over a decade from James White director Josh Mond, the Christopher Abbott-led It Doesn’t Matter, Eat the Night from Jessica Forever duo Caroline Poggi & Jonathan Vinel, Carson Lund’s Eephus, Patricia Mazuy’s Visting Hours, The Hyperboreans, a new film from The Wolf House directors Cristobal Leo & Joaquin Cocina, Matthew Rankin’s The Twentieth Century follow-up Universal Language, and more.
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
- 4/16/2024
- by Jordan Raup
- The Film Stage
France’s Association for the Diffusion of Independent Cinema (Acid) has unveiled the nine features it will showcase in its parallel Cannes section, running May 15-24. Acid focuses on films without French distributors and first features.
Comprising three documentaries and six fiction features, all the titles are world premieres.
The line-up includes Josh Mond’s It Doesn’t Matter starring Christopher Abbott and Jay Will. The US-French co-production follows the fortuitous relationship between an American man and a young filmmaker over the course of seven years. Mond’s debut feature James White premiered at Sundance in 2015 while his producing credits include Martha Marcy May Marlene.
Comprising three documentaries and six fiction features, all the titles are world premieres.
The line-up includes Josh Mond’s It Doesn’t Matter starring Christopher Abbott and Jay Will. The US-French co-production follows the fortuitous relationship between an American man and a young filmmaker over the course of seven years. Mond’s debut feature James White premiered at Sundance in 2015 while his producing credits include Martha Marcy May Marlene.
- 4/16/2024
- ScreenDaily
Cannes parallel section Acid, run by France’s Association for the Diffusion of Independent Cinema (Acid), has unveiled its 2024 line-up. (scroll down for full list)
This year’s selection world premieres nine features, three of which are documentaries.
They include It Doesn’t Matter, the second feature by U.S. producer and director Josh Mond, who made waves with his first movie James White at Sundance in 2015, and has since focused mainly on producing.
Christopher Abbott and Jay Will star in the drama revolving around the redemptive relationship between a lost man from Staten Island and a young filmmaker.
Launched in 1992, Acid previously showcased the early features of the likes of Oscar winner Justine Triet and Oscar-nominated director Kaouther Ben Hania as well as award winning filmmakers Radu Jude, Guy Maddin and Robert Guediguian.
Cannes 2023 Palme d’Or winner Triet’s first feature Age of Panic (La Bataille de Solférino...
This year’s selection world premieres nine features, three of which are documentaries.
They include It Doesn’t Matter, the second feature by U.S. producer and director Josh Mond, who made waves with his first movie James White at Sundance in 2015, and has since focused mainly on producing.
Christopher Abbott and Jay Will star in the drama revolving around the redemptive relationship between a lost man from Staten Island and a young filmmaker.
Launched in 1992, Acid previously showcased the early features of the likes of Oscar winner Justine Triet and Oscar-nominated director Kaouther Ben Hania as well as award winning filmmakers Radu Jude, Guy Maddin and Robert Guediguian.
Cannes 2023 Palme d’Or winner Triet’s first feature Age of Panic (La Bataille de Solférino...
- 4/16/2024
- by Melanie Goodfellow
- Deadline Film + TV
**Editor’s Note: This episode of Scene 2 Seen was taped before the July 14th start of the actor’s strike.
Hello and Welcome to the Scene 2 Seen Podcast I am your host Valerie Complex, Associate Editor at Deadline Hollywood. In this episode, I chat with French actor and screenwriter Salif Cissé.
Cissé began his acting and screenwriting career while still in high school, where he discovered his passion for the stage. He attended local conservatories before being admitted to the prestigious Conservatoire Nationale Supérieure d’Art Dramatique de Paris (National Academy of Dramatic Arts) in 2017.
During that time, he staged his first project, High Sign (Lewis John Carlino) at the Cartes Blanches Festival. From there he went on to be cast in 2019 by Guillaume Brac in his film, All Hands on Deck. Salif starred in his own original mini-series, Couronnes (Crowns), directed by Julien Carpentier and produced by Golden Network.
Hello and Welcome to the Scene 2 Seen Podcast I am your host Valerie Complex, Associate Editor at Deadline Hollywood. In this episode, I chat with French actor and screenwriter Salif Cissé.
Cissé began his acting and screenwriting career while still in high school, where he discovered his passion for the stage. He attended local conservatories before being admitted to the prestigious Conservatoire Nationale Supérieure d’Art Dramatique de Paris (National Academy of Dramatic Arts) in 2017.
During that time, he staged his first project, High Sign (Lewis John Carlino) at the Cartes Blanches Festival. From there he went on to be cast in 2019 by Guillaume Brac in his film, All Hands on Deck. Salif starred in his own original mini-series, Couronnes (Crowns), directed by Julien Carpentier and produced by Golden Network.
- 7/29/2023
- by Valerie Complex
- Deadline Film + TV
It’s February morning in Berlin. “I’m a little out of consciousness,” Christian Petzold explains, a tad frazzled but keen to talk––and Petzold likes to talk. His latest film Afire had premiered the night before and the party had slipped into the wee hours. “There’s Thomas, he was at the party till 6 a.m.,” Petzold explains as his leading man shuffles by, fresh from a round of junkets and looking just a little shellshocked.
That look is one that viewers will soon be familiar with when Afire is released this week. Taking place in a secluded house by the Baltic Sea, it shows Petzold at his most sultry and melodramatic. The drama stars Thomas Schubert as Leon, a writer struggling to follow up on the success of his first novel. He travels with a friend for a summer getaway but becomes infatuated with a woman who shares the house with them.
That look is one that viewers will soon be familiar with when Afire is released this week. Taking place in a secluded house by the Baltic Sea, it shows Petzold at his most sultry and melodramatic. The drama stars Thomas Schubert as Leon, a writer struggling to follow up on the success of his first novel. He travels with a friend for a summer getaway but becomes infatuated with a woman who shares the house with them.
- 7/11/2023
- by Rory O'Connor
- The Film Stage
12th edition of online festival showcases 30 French-language features and shorts on 70 VoD services.
David Dufresne’s documentary The Monopoly Of Violence has clinched the Grand Prix and the international press jury award at the 12th edition of Unifrance’s online festival MyFrenchFilmFestival.
The hard-hitting work, exploring police violence during the yellow vest protests, is produced Le Bureau and sold internationally by The Bureau Sales.
Running from January 14 to February 22, the festival is showcasing 30 French-language features and shorts on 70 VoD services worldwide. Past editions have registered in excess of 12 million views.
The international jury composed of Mexican-us music engineer Michelle Couttolenc and directors Joachim Lafosse,...
David Dufresne’s documentary The Monopoly Of Violence has clinched the Grand Prix and the international press jury award at the 12th edition of Unifrance’s online festival MyFrenchFilmFestival.
The hard-hitting work, exploring police violence during the yellow vest protests, is produced Le Bureau and sold internationally by The Bureau Sales.
Running from January 14 to February 22, the festival is showcasing 30 French-language features and shorts on 70 VoD services worldwide. Past editions have registered in excess of 12 million views.
The international jury composed of Mexican-us music engineer Michelle Couttolenc and directors Joachim Lafosse,...
- 2/11/2022
- by Melanie Goodfellow
- ScreenDaily
Running Jan. 14-Feb. 14, this year’s MyFrenchFilmFestival, an online fest organized by France’s film-tv promotional body UniFrance, will mark its 12th edition with a more diversified slate and a greater international push.
Showcasing festival gems, animated crowd-pleasers and outré genre fare – all subtitled in 15 languages – the 13 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
Though ranging in presentational style from horror-comedy to bittersweet drama, the 10 films in this year’s feature competition often share similar thematic through lines, with nearly half of them looking at youth struggles from one angle or another. While Ludovic and Zoran Boukherma’s werewolf thriller “Teddy” tackles late teen growing pains through a more genre prism, Kamir Aïnouz’s “Honey Cigar” does so as a semi-autobiographical coming-of-age tale; when exploring young adult malaise,...
Showcasing festival gems, animated crowd-pleasers and outré genre fare – all subtitled in 15 languages – the 13 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
Though ranging in presentational style from horror-comedy to bittersweet drama, the 10 films in this year’s feature competition often share similar thematic through lines, with nearly half of them looking at youth struggles from one angle or another. While Ludovic and Zoran Boukherma’s werewolf thriller “Teddy” tackles late teen growing pains through a more genre prism, Kamir Aïnouz’s “Honey Cigar” does so as a semi-autobiographical coming-of-age tale; when exploring young adult malaise,...
- 1/5/2022
- by Ben Croll
- Variety Film + TV
Established in the 1950s by André Bazin, Joseph-Marie Lo Duca, and Jacques Doniol-Valcroze, France’s Cahiers du cinéma has recently gone through major changes this year, with their staff quitting en masse to protest new ownership. The heralded magazine, however, has soldiered on and returned last year. They are now back with their favorite films of 2021.
Topping the list is Kelly Reichardt’s First Cow, a film that premiered in 2019, came out in the U.S. in 2020, and finally arrived in France this year. Over half the list features Cannes selections, including Leos Carax’s Annette, Apichatpong Weerasethakul’s Memoria, and Ryusuke Hamaguchi’s Memoria.
There’s also the requisite entry that hasn’t traveled far beyond France, Guillaume Brac’s À l’abordage aka All Hands on Deck, as well as my personal favorite 2022 U.S. release thus far: Silvan and Ramon Zürcher’s The Girl and the Spider.
See the full list below.
Topping the list is Kelly Reichardt’s First Cow, a film that premiered in 2019, came out in the U.S. in 2020, and finally arrived in France this year. Over half the list features Cannes selections, including Leos Carax’s Annette, Apichatpong Weerasethakul’s Memoria, and Ryusuke Hamaguchi’s Memoria.
There’s also the requisite entry that hasn’t traveled far beyond France, Guillaume Brac’s À l’abordage aka All Hands on Deck, as well as my personal favorite 2022 U.S. release thus far: Silvan and Ramon Zürcher’s The Girl and the Spider.
See the full list below.
- 11/29/2021
- by Jordan Raup
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Cinemateca Brasileira. (WikiCommons)A devastating fire hit the Cinemateca Brasileira on July 29 and has left significant damage to the longest-running cinema institution in Brazil. In response, the workers of Cinemateca Brasileira have shared a statement regarding the continual mistreatment of facilities and staff by the government: "Without workers archives can not be preserved!" After facing unexpected budget cuts, microcinema No Evil Eye Cinema has announced a fundraising call for action and is seeking grants, foundational support, and other funding opportunities to sustain their programming and educational programs. On the Score podcast last week, composer Carter Burwell stated that "[Ethan Coen] just didn’t want to make movies anymore," in response to a question about Joel Coen's The Tragedy of Macbeth. This may mean the Coens are done working as a directing duo,...
- 8/4/2021
- MUBI
A romantic surprise has unexpected consequences in a gentle comedy channelling Éric Rohmer crossed with Carry on Camping
Here is a terrifically fresh, funny and gentle film from director and co-writer Guillaume Brac, which takes quite seriously something that’s always getting dismissed or patronised in pop culture: the holiday romance. The French title is À L’Abordage!, more properly translated as “Attack!” and the film is about seizing the day, going on the offensive and fortune favouring the bold.
Newcomer Eric Nantchouang plays Félix, an easygoing young guy in Paris with a naturally smiley open face; he has a moment with Alma (Asma Messaoudene) and when she says she’s going on holiday with her parents and sister in the beautiful valley of Die in south-eastern France, Félix secretly resolves to go there himself and give her what he is confident will be a wonderful romantic surprise. But he...
Here is a terrifically fresh, funny and gentle film from director and co-writer Guillaume Brac, which takes quite seriously something that’s always getting dismissed or patronised in pop culture: the holiday romance. The French title is À L’Abordage!, more properly translated as “Attack!” and the film is about seizing the day, going on the offensive and fortune favouring the bold.
Newcomer Eric Nantchouang plays Félix, an easygoing young guy in Paris with a naturally smiley open face; he has a moment with Alma (Asma Messaoudene) and when she says she’s going on holiday with her parents and sister in the beautiful valley of Die in south-eastern France, Félix secretly resolves to go there himself and give her what he is confident will be a wonderful romantic surprise. But he...
- 8/4/2021
- by Peter Bradshaw
- The Guardian - Film News
Guillaume Brac's film All Hands on Deck is exclusively showing on Mubi in most countries in the series The New Auteurs, as well as the retrospective Summer Light: Films by Guillaume Brac.Just over a year ago, the director of the Cnsad (Conservatoire National Supérieur d’Art Dramatique—the Higher National Conservatoire for Dramatic Art), Claire Lasne-Darcueil, asked me to write a feature-length fiction film for a dozen young actors from the class of 2020. With one proviso: I had to shoot between summer and autumn 2019, so that the film would be finished by the time they graduated.I immediately saw this as an opportunity to paint the fictional portrait of a generation, just like Pascale Ferran did twenty-five years ago with L’âge des possibles, written for a class at the Théâtre National de Strasbourg. Or the filmmakers of two collections, Tous les garçons et les filles de leur âge and Les années lycée,...
- 8/3/2021
- MUBI
Closing out the summer, Mubi has unveiled their August 2021 lineup, kicking off most fittingly with Brett Story’s acclaimed recent documentary The Hottest August. Also among the lineup is Akira Kurosawa’s epic Ran, Fritz Lang’s hugely entertaining two-parter The Tiger of Eschnapur and The Indian Tomb. As his latest films arrive, Pablo Larraín’s The Club is also part of the lineup.
Xinyuan Zheng Lu’s Rotterdam winner The Cloud in Her Room is coming to Mubi in August, plus a “late film” special featuring Manoel de Olviera’s Gebo and the Shadow and The Last Sentence by Jan Troell. There will also be a canine double feature of Heddy Honigmann’s Buddy and Los Reyes by Bettina Perut and Ivan Osnovikoff.
See the lineup below and get 30 days of Mubi free here.
August 1 | The Hottest August | Brett Story
August 2 | Gebo and the Shadow | Manoel de Oliveria | Twilight...
Xinyuan Zheng Lu’s Rotterdam winner The Cloud in Her Room is coming to Mubi in August, plus a “late film” special featuring Manoel de Olviera’s Gebo and the Shadow and The Last Sentence by Jan Troell. There will also be a canine double feature of Heddy Honigmann’s Buddy and Los Reyes by Bettina Perut and Ivan Osnovikoff.
See the lineup below and get 30 days of Mubi free here.
August 1 | The Hottest August | Brett Story
August 2 | Gebo and the Shadow | Manoel de Oliveria | Twilight...
- 7/19/2021
- by Leonard Pearce
- The Film Stage
Whether a viewer in 1896 or 2020, cinema has always been a dynamic and variable experience. Cinema as an event—as a manifestation of a meeting point between the art of moving images and an audience, big or small—has never fit any one definition, and this last year, so severely disrupted by a global pandemic, has deeply underscored the versatility and resilience of our great love.Our viewing this year, like that of so many, has been strange: compromised, confrontational, escapist, euphoric, painful, revelatory—encompassing all of the reactions one can have to film. How we encountered our favorite movies and most meaningful cinematic experiences of the year was hardly new: A by-now-normal mix of festivals, theatres, various subscription and transactional streaming services, as well as private screener links and gems buried on over-stuffed hard drives. But for most of the year, the communal experience shrunk to living rooms and glowing screens.
- 12/23/2020
- MUBI
The 11th edition of the French festival will unspool 12 – 18 October, showcasing almost 65 feature films, with 35 of which set to enjoy their French premieres. Due to be opened and closed by two films awarded the Cannes Film Festival’s Official Selection label (The Origin of the World by Laurent Lafitte and French Tech by Bruno Podalydès), the 11th La Roche-sur-Yon International Film Festival will unfold between 12 – 18 October. Showcasing in the cinemas signed up to the Vendean event - whose artistic direction is now helmed by Charlotte Serrand – we find almost 65 feature films, 33 of which are scheduled to enjoy their French premieres and a further two are gearing up to be screened in world premieres. In terms of the international competition, the jury will have to choose between eight titles, including one world...
The American Film Institute has unveiled its lineup of 124 films, adding notable titles including the documentaries “Belushi,” “Citizen Penn” and “Hopper/Welles” and the Albert and Allen Hughes thriller “Dead Presidents.”
AFI Fest, which is going virtual this year without the usual glitzy Hollywood premieres at the Tcl Chinese Theatre, had announced previously that Rachel Brosnahan’s crime drama “I’m Your Woman” had been selected as its opening night title on Oct. 15. The festival also announced last month that it would close Oct. 22 with “My Psychedelic Love Story,” and host the world premieres of Kelly Oxford’s “Pink Skies Ahead” and Angel Kristi Williams’ “Really Love,” in addition to special presentations of Florian Zeller’s “The Father,” Werner Herzog and Clive Oppenheimer’s “Fireball” and Mira Nair’s “A Suitable Boy.”
“Belushi” is directed by R.J. Cutler and features interviews with John Belushi, Jim Belushi, Chevy Chase, Carrie Fisher, Dan Aykroyd and Penny Marshall.
AFI Fest, which is going virtual this year without the usual glitzy Hollywood premieres at the Tcl Chinese Theatre, had announced previously that Rachel Brosnahan’s crime drama “I’m Your Woman” had been selected as its opening night title on Oct. 15. The festival also announced last month that it would close Oct. 22 with “My Psychedelic Love Story,” and host the world premieres of Kelly Oxford’s “Pink Skies Ahead” and Angel Kristi Williams’ “Really Love,” in addition to special presentations of Florian Zeller’s “The Father,” Werner Herzog and Clive Oppenheimer’s “Fireball” and Mira Nair’s “A Suitable Boy.”
“Belushi” is directed by R.J. Cutler and features interviews with John Belushi, Jim Belushi, Chevy Chase, Carrie Fisher, Dan Aykroyd and Penny Marshall.
- 10/6/2020
- by Dave McNary
- Variety Film + TV
The American Film Institute (AFI) has today announced the full lineup of this year’s AFI Fest, including the World Cinema, New Auteurs, and Documentary sections. These titles, including buzzy festival features like “I Carry You with Me,” “Shadow in the Cloud,” “Jumbo,” “Farewell Amor,” “Wander Darkly,” “Tragic Jungle,” “Sound of Metal,” “Wolfwalkers,” “New Order,” and “Hopper/Welles,” join previously announced films, including Julia Hart’s “I’m Your Woman,” which will open the festival, and Errol Morris’ “My Psychedelic Love Story,” which will close it.
This year’s complete AFI Fest program includes 124 titles of which 53 percent are directed by women, 39 percent are directed by Bipoc, and 17 percent are directed by Lbgtq+.
“AFI Fest is committed to supporting diverse perspectives and new voices in cinema and this year is no different,” said Sarah Harris, Director of Programming, AFI Festivals, in an official statement. “While we wish we were able to be together in Hollywood,...
This year’s complete AFI Fest program includes 124 titles of which 53 percent are directed by women, 39 percent are directed by Bipoc, and 17 percent are directed by Lbgtq+.
“AFI Fest is committed to supporting diverse perspectives and new voices in cinema and this year is no different,” said Sarah Harris, Director of Programming, AFI Festivals, in an official statement. “While we wish we were able to be together in Hollywood,...
- 10/6/2020
- by Kate Erbland
- Indiewire
The 16th edition of Ateliers d’Angers welcomes seven young directors, their feature debut projects and a programme of masterclasses. 24 August will mark the beginning of the 16th Ateliers d’Angers, an event initiated and overseen by the organisers of the Angers Premiers Plans Festival. This year, the residency has selected seven young filmmakers in order to help them prepare their first fiction feature. Until 29 August, the residents will benefit from masterclasses delivered by French filmmakers Robin Campillo, Rachel Lang, Sébastien Lifshitz, cinematographer Claire Mathon, producer Marie-Ange Luciani (Les Films de Pierre) and sound engineer Raphaël Sohier. It is worth noting that the programme will also include five preview screenings (the last four in attendance of their respective directors): Undine from German director Christian Petzold, Sébastien Lifshitz’s Adolescentes, Guillaume Brac’s À l'abordage, Emmanuel Mouret’s Love Affair(s) and Charlène Favier’s Slalom. Among the filmmakers who...
The programmers behind the strand discuss bringing the line-up online as a result of the virus crisis.
“We’ve had to do the programme more than once,” says Mathilde Henrot of the highly unusual circumstances in which she and fellow programmer Alessandro Raja have put together Sarajevo Film Festival’s Kinoscope sidebar.
Until recently, Sarajevo was set to go ahead as a physical event with open-air screenings. But, just eight days before opening night amid a second spike of Covid-19 cases throughout the region, the festival moved entirely online with the exception of a few outdoor screenings in nearby Mostar.
“We’ve had to do the programme more than once,” says Mathilde Henrot of the highly unusual circumstances in which she and fellow programmer Alessandro Raja have put together Sarajevo Film Festival’s Kinoscope sidebar.
Until recently, Sarajevo was set to go ahead as a physical event with open-air screenings. But, just eight days before opening night amid a second spike of Covid-19 cases throughout the region, the festival moved entirely online with the exception of a few outdoor screenings in nearby Mostar.
- 8/18/2020
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
The programmers behind the strand discuss bringing the line-up online as a result of the virus crisis.
“We’ve had to do the programme more than once,” says Mathilde Henrot of the highly unusual circumstances in which she and fellow programmer Alessandro Raja have put together Sarajevo Film Festival’s Kinoscope sidebar.
Until recently, Sarajevo was set to go ahead as a physical event with open-air screenings. But, just eight days before opening night amid a second spike of Covid-19 cases throughout the region, the festival moved entirely online with the exception of a few outdoor screenings in nearby Mostar.
“We’ve had to do the programme more than once,” says Mathilde Henrot of the highly unusual circumstances in which she and fellow programmer Alessandro Raja have put together Sarajevo Film Festival’s Kinoscope sidebar.
Until recently, Sarajevo was set to go ahead as a physical event with open-air screenings. But, just eight days before opening night amid a second spike of Covid-19 cases throughout the region, the festival moved entirely online with the exception of a few outdoor screenings in nearby Mostar.
- 8/18/2020
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
Selection includes Sundance, Berlinale and Rotterdam award-winners.
The Sarajevo Film Festival (August 14-21) has revealed the 15 features selected for its Kinoscope strand, including award-winners from Sundance, the Berlinale and Rotterdam.
Scroll down for full lineup
Titles include South Korea’s The Woman Who Ran, which won the Silver Bear in Berlin for director Hong Sangsoo, and Shirley, starring Elisabeth Moss, which won the Auteur Filmmaking award at Sundance for director Josephine Decker.
Cannes 2020 label title Garagine, which proved one of the buzziest arthouse titles at the virtual Marche du Film, has also been selected as well as South Korea’s Beasts Clawing At Straws,...
The Sarajevo Film Festival (August 14-21) has revealed the 15 features selected for its Kinoscope strand, including award-winners from Sundance, the Berlinale and Rotterdam.
Scroll down for full lineup
Titles include South Korea’s The Woman Who Ran, which won the Silver Bear in Berlin for director Hong Sangsoo, and Shirley, starring Elisabeth Moss, which won the Auteur Filmmaking award at Sundance for director Josephine Decker.
Cannes 2020 label title Garagine, which proved one of the buzziest arthouse titles at the virtual Marche du Film, has also been selected as well as South Korea’s Beasts Clawing At Straws,...
- 8/3/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Guillaume Brac’s film walks away with the Grand Prize at the 34th edition of the Normandy festival dedicated to romantic cinema, the first public event to be held post Covid-19. The first public film gathering to be held in France since the end of nationwide lockdown, the 34th Cabourg Film Festival, Journées Romantiques will close tomorrow in the Norman city after three days of screenings in Normandy and Ciné Plage cinemas. The various juries, meanwhile, have already delivered their verdicts, with the panel in charge of the feature film competition, presided over by actor Benoît Magimel, awarding the 2020 Grand Prize to the hugely entertaining, intelligent and refreshing À l’abordage by Guillaume Brac. Unveiled in the Berlinale’s Panorama line-up, chiefly starring Éric Nantchouang, Salif Cissé, Édouard Sulpice and Asma Messaoudene, and co-written by the director in league with Catherine Paillé, the film tells of the impromptu holiday and pie-in-the-sky love.
Festival to screen 16 films at nearly 100 theatres across the Czech Republic.
The Karlovy Vary International Film Festival (Kviff) is to screen 16 films at 96 cinemas across the Czech Republic as an alternative to its annual event, which was cancelled due to the Covid-19 pandemic.
The selection, titled Kviff at Your Cinema, comprises features that have debuted at festivals since last autumn and include the European premieres of three titles: Zeina Durra’s Luxor, Fernanda Valadez’s Identifying Features, and Maite Alberdi’s The Mole Agent.
The films will screen from July 3-11, the original dates of the festival. Each of the...
The Karlovy Vary International Film Festival (Kviff) is to screen 16 films at 96 cinemas across the Czech Republic as an alternative to its annual event, which was cancelled due to the Covid-19 pandemic.
The selection, titled Kviff at Your Cinema, comprises features that have debuted at festivals since last autumn and include the European premieres of three titles: Zeina Durra’s Luxor, Fernanda Valadez’s Identifying Features, and Maite Alberdi’s The Mole Agent.
The films will screen from July 3-11, the original dates of the festival. Each of the...
- 5/26/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
, Guillaume Brac’s wise, witty “À l’abordage” is an optimistic portrait of gentle disappointment, the kind a youthful generation has to experience before growing up a little bit. It’s also a delightful showcase for the talents of its diverse, fresh-faced cast, whose own stories and experiences contributed to Brac and co-screenwriter Catherine Paillé’s loose-limbed narrative. That improvisational approach lends “À l’abordage” an amiably meandering rhythm while still bringing its breezy journey to a close with everyone in a subtly but profoundly different place to where they started.
The title, which translates somewhere between “All aboard!” and “Attack!”, was supposedly the battle-cry of French pirates when they drew up alongside an enemy ship. Not that there’s any bloodthirstiness here; instead the words conjure up a kids’ game of make-believe, as though these attractive, benignly muddled twentysomethings are play-acting their bravado as surely as kids sporting plastic eyepatches waving cardboard cutlasses around.
The title, which translates somewhere between “All aboard!” and “Attack!”, was supposedly the battle-cry of French pirates when they drew up alongside an enemy ship. Not that there’s any bloodthirstiness here; instead the words conjure up a kids’ game of make-believe, as though these attractive, benignly muddled twentysomethings are play-acting their bravado as surely as kids sporting plastic eyepatches waving cardboard cutlasses around.
- 3/24/2020
- by Jessica Kiang
- Variety Film + TV
The Party Films Sales, the newly launched Paris-based film company, is making its market debut at the Efm with several acquisitions, including Javier Polo’s “The Mystery of the Pink Flamingos” and Jim Rakete’s “Now.”
The company brings together the international sales units of two banners, Jour2Fête, a French distribution company, and Doc & Film Intl., a world sales company that was recently acquired by Jour2Fete following the exit of its CEO Daniela Elstner, who is now UniFrance’s managing director.
“The Mystery of the Pink Flamingos” and “Now” are being delivered in two different versions, a feature-length one aimed at theatrical distributors, and a 52-minute format for TV channels. Samuel Blanc, co-head of international sales at The Party Films Sales, said the company was interested in building bridges between film and TV through the acquisitions of movies that can be viewed in different formats.
“The Mystery of the...
The company brings together the international sales units of two banners, Jour2Fête, a French distribution company, and Doc & Film Intl., a world sales company that was recently acquired by Jour2Fete following the exit of its CEO Daniela Elstner, who is now UniFrance’s managing director.
“The Mystery of the Pink Flamingos” and “Now” are being delivered in two different versions, a feature-length one aimed at theatrical distributors, and a 52-minute format for TV channels. Samuel Blanc, co-head of international sales at The Party Films Sales, said the company was interested in building bridges between film and TV through the acquisitions of movies that can be viewed in different formats.
“The Mystery of the...
- 2/24/2020
- by Elsa Keslassy
- Variety Film + TV
Parent company Jour2Fête will retain existing name for French distribution activities.
Paris-based film company Jour2Fête is rebranding the merged sales operations of its recent acquisition Doc & Film International and in-house sales team under the banner of The Party Film Sales.
Jour2Fête’s French theatrical distribution business will continue to operate under its existing name.
Sarah Chazelle and Etienne Ollagnier’s Jour2Fête acquired Paris-based Doc & Film International last October, following the departure of its long-time CEO Daniela Elstner for French cinema agency Unifrance to take up the role of managing director.
Under the deal, the aim was to merge the existing staff,...
Paris-based film company Jour2Fête is rebranding the merged sales operations of its recent acquisition Doc & Film International and in-house sales team under the banner of The Party Film Sales.
Jour2Fête’s French theatrical distribution business will continue to operate under its existing name.
Sarah Chazelle and Etienne Ollagnier’s Jour2Fête acquired Paris-based Doc & Film International last October, following the departure of its long-time CEO Daniela Elstner for French cinema agency Unifrance to take up the role of managing director.
Under the deal, the aim was to merge the existing staff,...
- 2/5/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
The director’s new fiction film will have its world premiere in the Panorama section of the German festival. A Geko Films production sold by Jour2Fête. Revealed with the mid-length feature A World Without Women in 2011, followed by Tonnerre (a fiction feature debut unveiled in competition in Locarno in 2013 and nominated for the Louis Delluc prize for Best First Film in 2014), July Tales (out of competition in Locarno in 2017) and the documentary Treasure Island (in competition in Karlovy Vary in 2018), eclectic director Guillaume Brac returns with À l’abordage, a fiction film to be unveiled in the Panorama section of the 70th Berlinale (20 February - 1 March). A new work which saw the director cast young actors from the 2020 class of the National Academy of Dramatic Arts in Paris, more specifically Éric Nantchouang, Salif Cissé, Édouard Sulpice, Asma Messaoudene and Ana Blagojevič. Written by the...
Further additions to the section include a new documentary by Karim Aïnouz and the latest fiction films by Srdan Golubović, Andrea Štaka and Guillaume Brac. Joining the likes of the already-announced #MeToo drama The Assistant with Julia Garner and Matthew Macfadyen, and a new Stellan Skarsgård starrer, Hope, which have all found their way into the Berlinale’s Panorama (20 February-1 March 2020), new titles added to the section continue to widen the scope. They include Guillaume Brac’s À L'abordage, which will show the adventure born of one summer night in Paris; Surge, with Ben Whishaw as a young man living a life of unbearable monotony until one day he embarks on a trip through Central London; and Father, described by the festival as “a moving tale about inequality”, focusing on a man whose children are taken away by social services. Protagonists experiencing dramatic changes will also appear in Minyan, all.
The section will also showcase the world premiere of Srdan Golubović’s Father
The Berlin International Film Festival (Feb 20-Mar 1) has completed the line-up of its Panorama strand with a further 15 world premieres.
The newly announced titles take the Panorama total to 35, after a first wave of features for the strand were announced last month.
They include the world premiere of Bassam Tariq’s Mogul Mowgli (previously titlted Mughal Mowgli), which stars Riz Ahmed as a UK rapper on the verge of international stardom when a crippling illness strikes him down, and he is forced to move back in with his family.
The Berlin International Film Festival (Feb 20-Mar 1) has completed the line-up of its Panorama strand with a further 15 world premieres.
The newly announced titles take the Panorama total to 35, after a first wave of features for the strand were announced last month.
They include the world premiere of Bassam Tariq’s Mogul Mowgli (previously titlted Mughal Mowgli), which stars Riz Ahmed as a UK rapper on the verge of international stardom when a crippling illness strikes him down, and he is forced to move back in with his family.
- 1/21/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Legendary French film magazine Cahiers du Cinéma has released its official list of the 10 best films of 2018, and per usual it’s a surprising mix of American films and international favorites. The group chooses from films released over the last 12 months in France, which is why Paul Thomas Anderson’s “Phantom Thread” and Steven Spielberg’s “The Post” are included despite appearing on U.S. critics’ lists in 2017.
Topping the 2018 Cahiers du Cinéma top 10 is “The Wild Boys,” from writer-director Bertrand Mandico. The film is Mandico’s feature directorial debut and centers around five young boys — all played by women — who band together to overthrow their repressive captain aboard a haunted sailboat. Bruno Dumont’s four-part limited series “Coincoin and the Extra-Humans” landed in the number two position. Cahiers du Cinéma has blurred the line between film and television in the past, naming David Lynch’s “Twin Peaks: The Return...
Topping the 2018 Cahiers du Cinéma top 10 is “The Wild Boys,” from writer-director Bertrand Mandico. The film is Mandico’s feature directorial debut and centers around five young boys — all played by women — who band together to overthrow their repressive captain aboard a haunted sailboat. Bruno Dumont’s four-part limited series “Coincoin and the Extra-Humans” landed in the number two position. Cahiers du Cinéma has blurred the line between film and television in the past, naming David Lynch’s “Twin Peaks: The Return...
- 12/3/2018
- by Zack Sharf
- Indiewire
Established in the 1950s by André Bazin, Joseph-Marie Lo Duca, and Jacques Doniol-Valcroze, France’s Cahiers du cinéma has long been a bastion for quality film criticism. Year after year their rundown of the top films usually ignites a response, but their 2018 edition plays it a little more safe.
Their editors’ top 10 features a few films that got a release in the U.S. last year, but France this year as well as some awaiting a U.S. release. Topping the list is Bertrand Mandico’s gloriously trippy, gender fluid fantasy The Wild Boys, while Lee Chang-dong’s Burning and Lars von Trier’s The House That Jack Built also made the cut.
Check out the list below via their latest issue, also including links to coverage where available.
1. The Wild Boys (Bertrand Mandico)
2. Coincoin and the Extra-Humans (Bruno Dumont)
3. Phantom Thread (Paul Thomas Anderson)
4. Burning (Lee Chang-dong)
5. Paul Sanchez est revenu!
Their editors’ top 10 features a few films that got a release in the U.S. last year, but France this year as well as some awaiting a U.S. release. Topping the list is Bertrand Mandico’s gloriously trippy, gender fluid fantasy The Wild Boys, while Lee Chang-dong’s Burning and Lars von Trier’s The House That Jack Built also made the cut.
Check out the list below via their latest issue, also including links to coverage where available.
1. The Wild Boys (Bertrand Mandico)
2. Coincoin and the Extra-Humans (Bruno Dumont)
3. Phantom Thread (Paul Thomas Anderson)
4. Burning (Lee Chang-dong)
5. Paul Sanchez est revenu!
- 12/3/2018
- by Jordan Raup
- The Film Stage
Ben & Joshua Safdie's Good TimeThe lineup for the 2017 festival has been revealed, including new films by Wang Bing, Radu Jude, Raúl Ruiz and others, alongside retrospectives and tributes dedicated to Jean-Marie Straub, Jacques Tourneur and much more.Piazza GRANDEAmori che non sonno stare al mondo (Francesca Comencini, Italy)Atomic Blonde (David Leitch, USA)Chien (Samuel Benchetrit, France/Belgium)Demain et tous les autres jours (Noémie Lvovsky, France)Drei Zinnen (Jan Zabeil, Germany/Italy)Good Time (Ben & Joshua Safdie, USA)Gotthard - One Life, One Soul (Kevin Merz, Switzerland)I Walked with a Zombie (Jacques Tourneur, USA)Iceman (Felix Randau, Germany/Italy/Austria)Laissez bronzer les cadavres (Hélène Cattet & Bruno Forzani, Belgium/France)Lola Pater (Nadir Moknèche, France/Belgium)Sicilia! (Jean-Marie Straub & Danièle Huillet, Italy/France/Germany)Sparring (Samuel Jouy, France)The Big Sick (Michael Showalter, USA)The Song of Scorpions (Anup Singh, Switzerland/France/Singapore)What Happed to Monday (Tommy Wirkola,...
- 7/12/2017
- MUBI
Cannes has announced the full list of actors, filmmakers and other artists on jury duty at this year’s edition of the festival, with the likes of Barry Jenkins, Cristian Mungiu and Joachim Lafosse joining the already-announced jurors. That includes Uma Thurman, who’s serving as President of the Un Certain Regard section, as well as Athina Rachel Tsangari, Maren Ade, Pedro Almodóvar, Park Chan-wook, Jessica Chastain, Will Smith and Fan Binbing.
Monica Bellucci will serve as master of ceremonies for opening and closing night of the festival, which runs from May 17–28.
Read More: Cannes: ‘Dogtooth’ Made Yorgos Lanthimos One of the Most Exciting Filmmakers in the World, and He’s Just Getting Started
Un Certain Regard Jury
The Un Certain Regard Jury will award its prizes to the winners, chosen from its selection of 18 films, during the Closing Ceremony on Saturday, May, 27th in the Debussy Theatre. The opening film is Barbara,...
Monica Bellucci will serve as master of ceremonies for opening and closing night of the festival, which runs from May 17–28.
Read More: Cannes: ‘Dogtooth’ Made Yorgos Lanthimos One of the Most Exciting Filmmakers in the World, and He’s Just Getting Started
Un Certain Regard Jury
The Un Certain Regard Jury will award its prizes to the winners, chosen from its selection of 18 films, during the Closing Ceremony on Saturday, May, 27th in the Debussy Theatre. The opening film is Barbara,...
- 5/14/2017
- by Michael Nordine
- Indiewire
The Cannes Film festival was an exceptional edition for French films this year. A focus on the rising generation of French actors and directors that have been highlighted in Cannes and will most certainly be the stars of tomorrow was compiled by Unifrance chief Isabelle Giordano.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
They are a force to be reckoned with. Unifrance films is ready to bet that you will certainly hear about these ten talented people. They represent the French cinema of today and will soon be on the screens worldwide.
Emmanuelle Bercot
An actress and a director, Emmanuelle Bercot began by enrolling at the Cours Florent drama school and taking dancing lessons after her baccalaureate. She graduated from Femis in 1998, after winning the Prix du Jury at the Cannes Film Festival for her short film "Les Vacances," in 1997. After her first few roles in the films of Jean-François Richet and Michel Deville, her career as an actress took off when Claude Miller gave her one of the main roles in "La Classe de neige" (1998). The following year, she made the headlines with the medium-length film she directed called "La Puce," presented in the selection of Un Certain Regard at Cannes. This film tells of the love affair between a 35-year-old man and a 14-year-old girl, played by Isild Le Besco.
Her first feature-length film, "Clément" (2001), is about the life of a troubled woman who has one adventure after another with various men until she meets a 14-yearold boy. Her second film, "Backstage" (2004), continues to explore teenage angst through a relationship between a hit singer and a young obsessional fan. She earned her first critical and public acclaim with "On My Way" (2013), the third film written by the director for Catherine Deneuve, in which the star plays a woman who has decided to leave everything behind and hit the road in France.
She was indisputably the most talked about person during the Cannes Film Festival 2015, both as an actress and a director. Thierry Frémaux surprised everyone by announcing that "Standing Tall," Emmanuelle Bercot’s fourth feature-length film would open the 68th Cannes Film Festival. Emmanuelle Bercot says that she has rediscovered the social fiber of her beginnings with this tale of juvenile delinquency. After the enthusiastic and unanimous reception of her film, she won the Best Actress Award for her role as a woman under the influence of love in the film "Mon Roi" by Maïwenn, with whom she co-wrote the script for "Polisse," which won the Prix du Jury at the Cannes Film Festival in 2012
Thomas Bidegain
Thomas Bidegain may well be one of the best known French screenwriters in the profession today, but it took him ten years to achieve this status. His career path in film is anything but ordinary. He started out in the 1990s by distributing and producing independent American films: "Ice Storm" by Ang Lee and "Chasing Sleep" by Michael Walker. He came back to France and joined MK2 where he became director of distribution. In 1999, he returned to production for "Why Not." In 2007, he told the story of his attempt to stop smoking in "Arrêter de fumer tue," a personal diary that was turned into a documentary, then a book.
In the meantime, he began screenwriting and worked on several projects. In 2009, he wrote the screenplay for Jacques Audiard’s film, "A Prophet," alongside Nicolas Peufaillit and Abdel Raouf Dafri, which won the Grand Prix du Jury in 2009. He participated in Audiard’s next film, "Rust and Bone" and "Our Children" by Joachim Lafosse. He was also the co-writer for "Saint Laurent" by Bertrand Bonello. Winning a César for the best original script and a César for the best adaptation, he presented "Cowboys" at the Quinzaine des Réalisateurs in Cannes this year, his first film as a director. He is also co-writer of "Ni le ciel ni la terre" by Clément Cogitore, presented during the Semaine de la Critique, as well as co-writer of the script for Jacques Audiard’s latest film, "Dheepan," which won the Palme d’Or.
Louise Bourgoin
Louise Bourgoin attended the Ecole des Beaux Arts for five years, during which she began her career as a model. After she graduated from art school in 2004, she radically changed direction and became a presenter on cable TV. She was Miss Météo in Le Grand Journal on Canal + from 2006 to 2008. Her slot became essential viewing and attracted a wide audience, including the attention of the film industry.
She began her acting career in "The Girl from Monaco" by Anne Fontaine, and her performance earned her a César nomination for Most Promising Actress. This recognition led to a whole series of roles and launched her career in film. She headed the bill of several films in 2010 ("White as Snow" by Christophe Blanc, "Sweet Valentine" by Emma Luchini, and "Black Heaven" by Gilles Marchand). The same year, Luc Besson selected her for the leading role in "The Extraordinary Adventures of Adèle Blanc-Sec."
Since then, Louise Bourgoin has played in film after film, and has taken her first steps in the international scene with her part in the American film "The Love Punch" by Joel Hopkins. She attracted attention at the Cannes Film Festival this year with her unusual role in Laurent Larivière’s first film, "I Am a Soldier," presented at Un Certain Regard.
Anaïs Demoustier
Her passion for acting started at a very young age and rapidly pushed her to take drama classes. She auditioned, when still a teenager, and got her first role alongside Isabelle Huppert in "Time of the Wolf" by Michael Haneke. After this, her career was launched and she played in a series of films among which "L’Année suivante" by Isabelle Czajka, "Hellphone" by James Huth, "The Beautiful Person" by Christophe Honoré, "Sois sage" by Juliette Garcias, "Sweet Evil" by Olivier Coussemacq, "Dear Prudene" by Rebecca Zlotowski, "Snows of Kilimanjaro" by Robert Guédiguian, "Thérèse Desqueyroux" by Claude Miller, "Quai d’Orsay" by Bertrand Tavernier, "Paris Follies" by Marc Fitoussi, etc.
A filmography rich of 30 films for an actress who isn’t 30 years old yet. In 2014, the press talked about the blooming of Anaïs Demoustier because her face and poise became essential to cinema. Present in "Bird People" by Pascale Ferran, "Caprices" by Emmanuel Mouret, "À trois on y va" by Jérôme Bonnell and "The New Girlfriend" by François Ozon, she is Marguerite in the last Valérie Donzelli’s film, "Marguerite et Julien" screened in Official selection in Cannes.
Louis Garrel
The son of actress Brigitte Sy and the director Philippe Garrel, he began his career in film thanks to his father, who started filming him at the age of six in "Emergency Kisses," alongside his mother and his grandfather, Maurice Garrel. He went onto study drama at the Conservatoire National d’Art Dramatique. He made his real cinema debut in 2001 in the film "Ceci est mon corps" by Rodolphe Marconi. Two years later, he played opposite Michael Pitt and the future Bond girl, Eva Green, in "The Dreamers" by Bernardo Bertolucci.
He then starred in another of his father’s films, "Regular Lovers". His performance earned him the César for the Most Promising Actor in 2005. Since then, he has played alongside the greatest, such as Isabelle Huppert in "Ma mère" by Christophe Honoré. This marked the beginning of a long collaboration between the filmmaker and the actor. They worked together in the film "In Paris" with Romain Duris, then in 2007 in "Love Songs" with Ludivine Sagnier, in "The Beautiful Person" with Léa Seydoux, in "Making Plans" for Lena with Chiara Mostroianni and, finally, in " Beloved" with Catherine Deneuve. He also topped the bill with Valéria Bruni Tedeschi in "Actresses," whom he worked with again in 2013 in "A Castle in Italy."
In 2010, he directed a short film, "The Little Tailor," in which he directed Léa Seydoux. He performed once again in one of his father’s films, "A Burning Hot Summer," followed by "Jealousy." In 2014, he starred in Bertrand Bonello’s film "Saint Laurent," a role which led to another César nomination, but this time in the best supporting role category. His first feature-length film, "Two Friends," presented at a Certain Regard, was applauded by the critics. He also starred in "Mon Roi," Maïwenn’s fourth feature-length film, alongside Emmanuelle and Vincent Cassel, presented as part of the official selection.
Guillaume Gouix
After studying at the Conservatoire in Marseille and the Ecole Régionale d’Acteur de Cannes, Guillaume Gouix began his career in television. He played the male lead in "The Lion Cubs," by Claire Doyon, in 2003. Noted for his performance, especially the highly physical aspect of it and his intense gaze, he then played a series of supporting roles as a young hoodlum in "Les Mauvais joueurs" by Frédéric Balekdjian and in "Chacun sa nuit," by Jean-Marc Barr and Pascal Arnold. He featured in the 2007 war film "Intimate Enemies" by Florent Emilio Siri, thus confirming his taste for complex characters.
The following year, he was applauded for his performance in the film "Behind the Walls" by Christian Faure. In 2010, he starred in "22 Bullets" by Richard Berry and in 2011, he established his reputation with roles in "Nobody Else But You" by Gérald Hustache-Mathieu, "Et soudain, tout le monde me manque" by Jennifer Devoldere, and "Jimmy Rivière," Teddy Lussi-Modeste’s film debut.
He also appeared in "Midnight in Paris" by Woody Allen. He more recently starred in "Attila Marcel," by Sylvain Chomet, in which he played the lead role, in "French Women" by Audrey Dana, and "The Connection" by Cédric Jimenez with Jean Dujardin and Gilles Lelouche. He performed in three films presented at Cannes this year ("Les Anarchistes" by Elie Wajeman, which opened the Semaine de la Critique, "La Vie en grand" by Mathieu Vadepied, which closed the week, and in "Enragés" by Eric Hannezo, screened at the Cinéma de la Plage). He also directed his first short film "Alexis Ivanovitch, vous êtes mon héros" in 2011 and will soon start on a feature-length film, which is currently being written. He will be topping the bill in 2015 with "Braqueurs," a thriller by Julien Leclercq.
Ariane Labed
Born in Greece to French parents, Ariane Labed has always navigated between her two countries. She studied drama at the University of Provence and began her acting career treading the boards. After setting up a company combining dance and theater, Ariane Labed returned to live in Greece where she played at the National Theater of Athens. 2010 was the year of her first film, "Attenberg," directed by Athiná-Rachél Tsangári. "Alps" by Yorgos Lanthi-mos, the following year, confirmed the talent of this strangely charming actress. Two years later, she starred in "Before Midnight" by Richard Linklater where she played the role of Anna. The follow-up to "Before Sunrise" and "Before Sunset," this third part of the saga was a great success, making Labed known to a wider audience.
In 2014, she played a young sailor in "Fidelio, Alice’s Odyssey," who is torn between faithfulness and her desire to live her life. Winning the best actress award at the Locarno Film Festival and nominated for a César, the French actress gives a brilliant performance in Lucie Borleteau’s first feature-length film. She joined Yorgos Lanthimos in Cannes in 2015, where he won the Prix du Jury for his film "The Lobster."
Vincent Macaigne
Vincent Macaigne is the leading light in young French cinema. He joined the Conservatoire National Supérieur d’Art Dramatique in Paris in 1999, appearing on stage and assuming the role of director. His free adaptations of the great classics of literature and drama earned him public and critical acclaim. He directed "The Idiot" by Dostoïevski and presented "Au moins j’aurai laissé un beau cadavre in Avignon," inspired by Hamlet. He also rapidly made a name for himself in demanding art-house films. In 2001, he was seen for the first time in "Replay" by Catherine Corsini. In 2007, he starred in "On War" by Bertrand Bonello and in 2010, in "A Burning Hot Summer" by Philippe Garrel.
Since 2011, Vincent Macaigne’s presence in short, medium and full-length films has gradually increased. Faithful to his directors, he has starred in several of their films. As is the case with his friend Guillaume Brac, who directed him in "Le Naufragé," "Tonnerre" and "Un monde sans femmes." He was awarded the Grand Prix and the Prix Télérama at the Clermont-Ferrand International Short Film Festival, and the Prix Lutin for Best Actor in this film. Under the direction of Vincent Mariette, he played in "Les Lézards" then "Fool Circle." In 2013, we find the funny and touching thirty-something in "La fille du 14 juillet" by Antonin Peretjatko, "Age of Panic" by Justine Triet, and "2 Autumns, 3 Winters" by Sébastien Betbeder.
He was discovered by the general public at the 2013 Cannes Film Festival. Considered a figurehead of the revival of French cinema, Vincent has drawn the attention of the Cahiers du Cinéma, and even the British newspaper The Observer, which referred to him as the “new Gérard Depardieu”. In 2011, he directed "What We’ll Leave Behind," a very well-received medium-length film which won the Grand Prix at the Clermont-Ferrand Festival. He also starred in Mia Hansen-løve’s 2014 film "Eden." He plays one of the main roles in the actor Louis Garrel’s first feature-length film, "Two Friends," presented during the Semaine de la Critique. He also featured in his 2011 film, La Règle de trois.
Vimala Pons
From the Conservatoire National Supérieur d’Art Dramatique, where she attended drama classes even though she wanted to be a screenwriter, to circus tents, Vimala Pons is an acrobat in all senses of the word. The 29-year-old actress has established her physical and poetic presence in French art-house films. She began her career in film with Albert Dupontel in "Enfermés dehors" in 2006. She then starred in "Eden Log" by Franck Vestiel in 2007, then in "Granny’s Funeral" by Bruno Podalydès in 2012.
Since then, we have seen her cross France in a little blue dress in "La Fille du 14 juillet," (she plays the girl) by Antonin Peretjatko, and changing into a lioness in "Métamorphoses," by Christophe Honoré. The impetuous muse of French independent film, Vimala Pons played in "Vincent" by Thomas Salvador this year. The actress has made a name for herself in 2015, in particular with "Comme un avion" by Bruno Podalydès, "Je suis à vous tout de suite" by Baya Kasmi, "La vie très privée de Monsieur Sim" by Michel Leclerc, and "L’Ombre des femmes" by Philippe Garrel (presented at the Quinzaine des Réalisateurs this year in Cannes). She has also begun an international career, with a leading role in Paul Verhoeven’s latest film, "Elle."
Alice Winocour
The director Alice Winocour started out at Femis. After going into law, she returned to film and won three prizes for her short film "Kitchen: Prix TV5" for the best French-language short film, best international short film and the Silver Bear at the Festival of Nations (Ebensee). For "Magic Paris," she was awarded the jury prize at the St. Petersburg International Documentary, Short Film and Animated Film Festival.
She continued her career by writing the script for the film "Ordinary," by Vladimir Perisic. At the Cannes Film Festival 2012, Alice Winocour made a marked entry in the international arena with a film by a woman about women and the unchanging way of looking at them. In the film "Augustine," we are told the story of a professor and his patient, played by Vincent Lindon and Soko respectively. In 2015, she brought out her second feature-length film, "Maryland," which was screened in the Un Certain Regard section at the 68th Cannes Film Festival. She is also the co-writer of "Mustang," by Denis Gamze Ergüven, presented at the Quinzaine des Réalisateurs.
- 7/5/2015
- by Sydney Levine
- Sydney's Buzz
Multiplexes will be filled with superheroes this weekend as the new Avengers film touches down on almost 4,300 screens nationwide. A movie that big doesn't leave much room for anything else (even the Alamo Drafthouse isn't adding new titles this weekend at area locations aside from the Marvel sequel), although a few specialty releases are poised to breakthrough and we've got some recommended events for those of you who are not up for a comic-book blockbuster.
Austin Film Society is teaming up with the Premiers Plans Festival of Angers, France this weekend for a New French Cinema series of Texas premiere screenings at the Marchesa along with special guest filmmakers and programmers from the fest. This program is part of the Sister Cities initiative between Austin and Angers and begins tonight with Spartacus & Cassandra, an acclaimed documentary from director Ioanis Nuguet, who will be in attendance for a Q&A. This...
- 5/1/2015
- by Matt Shiverdecker
- Slackerwood
The shortlist for France’s Louis Delluc Prize, one of the country’s highest film honors, has been released with 14 films making the cut across two categories: Best Film and Best Debut Feature. Among the eight main movies, six hail from this year’s Cannes crop. Saint Laurent – which is France’s entry for the Foreign Language Oscar – by Bertrand Bonello; Olivier Assayas’ Juliette Binoche/Kristen Stewart-starrer Clouds Of Sils Maria; veteran Jean-Luc Godard’s 3D Goodbye To Language; Abderrahmane Sissako’s Timbuktu; Pascale Ferran’s Bird People, starring Josh Charles; and Claus Drexel’s Au Bord Du Monde will vie alongside Venice pics Trois Coeurs, by Benoît Jacquot, and Robin Campillo’s Eastern Boys. Godard, Ferran and Jacquot are all former Delluc laureates. The Debut Feature shortlist is made up of Thomas Cailley’s well-received Fortnight film Love At First Fight; Camera d’Or winner Party Girl; Virgil Vernier...
- 11/28/2014
- by Nancy Tartaglione
- Deadline
The 19th edition of Rendez-Vous with French Cinema, the Film Society of Lincoln Center and Unifrance Films' celebrated annual showcase of the best in contemporary French film, hits screens at The Film Society, the IFC Center and BAMcinématek in New York, March 6 - 16. It consists of 24 feature films making their New York, United States or North American premieres. The lineup includes new works from established masters like Bertrand Tavernier, Agnès Jaoui, François Ozon, and Jacques Doillon; critics' favorites Serge Bozon, Michel Gondry, and the Larrieu brothers. Alongside these known names are the key figures of what has been called France's next New Wave: a whole raft of emerging talents, including first- and second-time directors Ruben Alves, Sébastien Betbeder, Guillaume Brac, Thierry de Peretti,...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 3/4/2014
- Screen Anarchy
Diego Quemada-Diez scoops top prize; Nagraj Manjule wins jury award.Scroll down for full list of winners
Mexican film A Golden Dream (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, A Golden Dream (fka The Golden Cage)follows the journey of three young Guatemalans attempting to emigrate to the Us.
The film debuted at Cannes in May where it won the Talent award in the Un Certain Regard section. It recently won the Best International Feature Film at the Zurich Film Festival.
The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s [link...
Mexican film A Golden Dream (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, A Golden Dream (fka The Golden Cage)follows the journey of three young Guatemalans attempting to emigrate to the Us.
The film debuted at Cannes in May where it won the Talent award in the Un Certain Regard section. It recently won the Best International Feature Film at the Zurich Film Festival.
The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s [link...
- 10/25/2013
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
Diego Quemada-Diez scoops top prize; Nagraj Manjule wins jury award.Scroll down for full list of winners
Mexican film The Golden Cage (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, The Golden Cage follows the journey of three young Guatemalans attempting to emigrate to the Us.
The film debuted at Cannes in May where it won the Talent award in the Un Certain Regard section. It recently won the Best International Feature Film at the Zurich Film Festival.
The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s Ilo Ilo continued its successful festival...
Mexican film The Golden Cage (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, The Golden Cage follows the journey of three young Guatemalans attempting to emigrate to the Us.
The film debuted at Cannes in May where it won the Talent award in the Un Certain Regard section. It recently won the Best International Feature Film at the Zurich Film Festival.
The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s Ilo Ilo continued its successful festival...
- 10/25/2013
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
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Mexican film The Golden Cage (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, The Golden Cage follows the journey of three young Guatemalans attempting to emigrate to the Us. The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s Ilo Ilo continued its successful festival sweep by winning best director and best actress for Yann Yann Yeo. Best actor went to Vincent Macaigne for his role in Tonnerre, directed by France’s Guillaume Brac.
The jury also gave a special prize for “Best Work in Cinematography” to Australia-Laos-Thailand co-production The Rocket, directed by [link...
Mexican film The Golden Cage (La Jaula De Oro) scooped the top prize, the Golden Gateway Of India award, in the Mumbai Film Festival’s international competition for first features, while Nagraj Manjule’s Fandry was awarded the Jury Grand Prize.
Directed by Diego Quemada-Diez, who started his career as an assistant to Ken Loach, The Golden Cage follows the journey of three young Guatemalans attempting to emigrate to the Us. The only Indian film in competition, the Marathi-language Fandry revolves around an “untouchable” or Dalit boy and his love for a girl from a higher caste.
Anthony Chen’s Ilo Ilo continued its successful festival sweep by winning best director and best actress for Yann Yann Yeo. Best actor went to Vincent Macaigne for his role in Tonnerre, directed by France’s Guillaume Brac.
The jury also gave a special prize for “Best Work in Cinematography” to Australia-Laos-Thailand co-production The Rocket, directed by [link...
- 10/24/2013
- by lizshackleton@gmail.com (Liz Shackleton)
- ScreenDaily
The 15th Mumbai Film Festival (Mff) presented by Reliance Entertainment and organized by the Mumbai Academy of Moving Image (Mami) scheduled between 17th-24th October is all set to showcase the best of contemporary French cinema and welcome artists for the 6th edition of the Rendez-vous with French Cinema co-organized with The French Embassy in India, Institut Français en Inde and Unifrance films.
As part of the festival highlights, Costa Gavras will receive the Lifetime Achievement Award during the opening ceremony in the presence of His Excellency Mr François Richier, Ambassador of France to India who will grace us with his presence especially for this occasion. Among others, Nathalie Baye, jury member of the international section, Mahamat Saleh Haroun, director of the film “Grigris”, Guillaume Brac, director of the film “Tonnerre” (Competition) and Leos Carax, well known film maker who will be conducting a masters class.
The special section “Rendez-vous...
As part of the festival highlights, Costa Gavras will receive the Lifetime Achievement Award during the opening ceremony in the presence of His Excellency Mr François Richier, Ambassador of France to India who will grace us with his presence especially for this occasion. Among others, Nathalie Baye, jury member of the international section, Mahamat Saleh Haroun, director of the film “Grigris”, Guillaume Brac, director of the film “Tonnerre” (Competition) and Leos Carax, well known film maker who will be conducting a masters class.
The special section “Rendez-vous...
- 10/18/2013
- by Pooja Rao
- Bollyspice
Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
- 9/4/2013
- ScreenDaily
I have been invited to Locarno this year and am looking forward to going once more.
It is an amazing locale at the Swiss tip of Italy's Lago Maggiore. While the town sure looks old Italian to me people there tend to speak German.
Very charming. Their grand outdoor theater in a big piazza is rare in our film world and quite magnificent. I look forward to the films and seeing old friends.
Just announced the 20-film competition lineup features 18 world premieres and represents 16 countries, while the Piazza Grande selections run from big budget to art house films.
The Locarno Film Festival, in its first edition under the new artistic director Carlo Chatrian, on Wednesday revealed an eclectic and international lineup.
The 8,000-seat Piazza Grande, the largest silver screen in Europe and Locarno’s signature venue, this year illustrates the mixed genres Locarno traditionally features, with a lineup that includes Quentin Dupieux’s crime comedy Wrong Cops, with a cast that includes celebrity goth Marilyn Manson.
“I want the Piazza Grande selection to feature a sampling of what the festival has to offer in its various sections and tributes, and I think we made a big step in this direction,” said Chatrian, a veteran festival programmer and author who took over direction of the lakeside festival after the unexpected departure of Olivier Pere last year.
Mr. Morgan’s Last Love, a drama from Sandra Nettelbeck that stars Michael Cain as a retired professor who finds a connection with a young Parisian woman.
We’re the Millers, a comedy from Rawson Marshall Thurber with a cast that includes Jennifer Aniston and Ed Helms.
Also scheduled to screen in the picturesque Piazza Grande: 1981 classic Rich and Famous, part of the festival’s retrospective dedicated to director George Cukor (the film's star, Jacqueline Bisset, will be in Locarno to introduce the film)
Werner Herzog’s great Fitzcarraldo, the director’s 1982 biopic about Brian Sweeney Fitzgerald that will screen as part of the festival’s homage to Herzog, who will be honored with a lifetime achievement prize.
The Piazza Grande will also feature an Italian film -- La Variabile Umana (The Human Factor), the feature film debut from acclaimed documentary maker Bruno Oliviero -- for the first time in six years.
The festival previously announced that much-heralded blockbuster 2 Guns, from Baltasar Kormákur -- which stars Denzel Washington and Mark Wahlberg -- would open the festival August 7.
The competition lineup, which includes 18 world premieres and two international premieres, is nearly as varied as the selection showing in the Piazza Grande.
Among the highlights: E Agora? Lembra-me (What Now? Remind Me) from Portugal’s Joaquim Pinto, the director’s touching and vibrant telling of his battle with HIV.
Albert Serra's Historia de la Meva Mort (Story of My Death), which had been tabbed by the European press as a likely Cannes selection.
Real, the first film from Japan’s Kiyoshi Kurosawa in five years.
U Ri Sunhi (Our Sunhi) by South Kore's acclaimed Sangsoo Hong.
Sangue (Blood) from Italy’s Pippo Delbono, which explores Italy’s Red Brigade insurgency.
Short Term 12, a remake of a 2008 short (both directed by Destin Cretton), is the only U.S. film screening in competition.
“There’s an intriguing mix of young director and first time works with more experienced talent in the competition lineup,” Chatrian said. “I’m eager to see how the public will react to these films we’ve chosen.”
Piazza Grande selections:2 Guns by Baltasar Kormákur (United States)Vijay and I by Sam Garbarski (Belgium/Luxembourg/Germany)La Variabile Umana (The Human Factor) by Bruno Oliviero (Italy) Wrong Cops by Quentin Dupieux (United States)We’re the Millers by Rawson Marshall Thurber (United States)The Keeper of Lost Causes by Mikkel Nørgaard (Denmark/Germany/Sweden)Les Grandes Ondes (Longwave) by Lionel Baier (Switzerland/France/Portugal) Rich and Famous by George Cukor (United States)Gabrielle by Louise Archambault (Canada)L’Experience Blocher by Jean-Stéphane Bron (Switzerland/France)Gloria by Sebastián Lelio (Chile) Mr. Morgan’s Last Love by Sandra Nettelbeck (Germany/Belgium)Blue Ruin by Jeremy Saulnier (United States)About Time by Richard Curtis (United Kingdom)Fitzcarraldo by Werner Herzog (Germany/Peru) Sur le Chemin de l’École by Pascal Plisson (France) International competition lineup:Când se lasă seara peste Bucureşti sau metabolism (When Evening Falls on Bucharest or Metabolism) by Corneliu Porumboiu (Romania) E Agora? Lembra-me (What Now? Remind Me) by Joaquim Pinto (Portugal)Educacão Sentimental (Sentimental Education) by Júlio Bressane (Brazil)El Mudo by Daniel and Diego Vega (Peru/France/Mexico) Exhibition by Joanna Hogg (United Kingdom)Feuchtgebiete by David Wnendt (Germany)Gare du Nord by Claire Simon (France/Canada)Historia de la Meva Mort (Story of My Death) by Albert Serra (Spain/France) L’Étrange Couleur des Larmes de Ton Corps (The Strange Color of Your Body’s Tears) by Hélène Cattet and Bruno Forzani (Belgium/France/Luxembourg)Mary, Queen of Scots by Thomas Imbach (Switzerland/France) Pays Barbare by Yervant Gianikian and Angela Ricci Lucchi (France)Real by Kiyoshi Kurosawa (Japan)Sangue (Blood) by Pippo Delbono (Italy/Switzerland)Short Term 12 by Destin Cretton (United States) Shu Jia Zuo (A Time in Quchi) by Tso chi Chang (Taiwan)Tableau Noir (Black Board) by Yves Yersin (Switzerland)Tomogui (Backwater) by Shinji Aoyama (Japan)Tonnerre by Guillaume Brac (France) U Ri Sunhi (Our Sunhi) by Sangsoo Hong (South Korea)Une Autre Vie by Emmanuel Mouret (France)...
It is an amazing locale at the Swiss tip of Italy's Lago Maggiore. While the town sure looks old Italian to me people there tend to speak German.
Very charming. Their grand outdoor theater in a big piazza is rare in our film world and quite magnificent. I look forward to the films and seeing old friends.
Just announced the 20-film competition lineup features 18 world premieres and represents 16 countries, while the Piazza Grande selections run from big budget to art house films.
The Locarno Film Festival, in its first edition under the new artistic director Carlo Chatrian, on Wednesday revealed an eclectic and international lineup.
The 8,000-seat Piazza Grande, the largest silver screen in Europe and Locarno’s signature venue, this year illustrates the mixed genres Locarno traditionally features, with a lineup that includes Quentin Dupieux’s crime comedy Wrong Cops, with a cast that includes celebrity goth Marilyn Manson.
“I want the Piazza Grande selection to feature a sampling of what the festival has to offer in its various sections and tributes, and I think we made a big step in this direction,” said Chatrian, a veteran festival programmer and author who took over direction of the lakeside festival after the unexpected departure of Olivier Pere last year.
Mr. Morgan’s Last Love, a drama from Sandra Nettelbeck that stars Michael Cain as a retired professor who finds a connection with a young Parisian woman.
We’re the Millers, a comedy from Rawson Marshall Thurber with a cast that includes Jennifer Aniston and Ed Helms.
Also scheduled to screen in the picturesque Piazza Grande: 1981 classic Rich and Famous, part of the festival’s retrospective dedicated to director George Cukor (the film's star, Jacqueline Bisset, will be in Locarno to introduce the film)
Werner Herzog’s great Fitzcarraldo, the director’s 1982 biopic about Brian Sweeney Fitzgerald that will screen as part of the festival’s homage to Herzog, who will be honored with a lifetime achievement prize.
The Piazza Grande will also feature an Italian film -- La Variabile Umana (The Human Factor), the feature film debut from acclaimed documentary maker Bruno Oliviero -- for the first time in six years.
The festival previously announced that much-heralded blockbuster 2 Guns, from Baltasar Kormákur -- which stars Denzel Washington and Mark Wahlberg -- would open the festival August 7.
The competition lineup, which includes 18 world premieres and two international premieres, is nearly as varied as the selection showing in the Piazza Grande.
Among the highlights: E Agora? Lembra-me (What Now? Remind Me) from Portugal’s Joaquim Pinto, the director’s touching and vibrant telling of his battle with HIV.
Albert Serra's Historia de la Meva Mort (Story of My Death), which had been tabbed by the European press as a likely Cannes selection.
Real, the first film from Japan’s Kiyoshi Kurosawa in five years.
U Ri Sunhi (Our Sunhi) by South Kore's acclaimed Sangsoo Hong.
Sangue (Blood) from Italy’s Pippo Delbono, which explores Italy’s Red Brigade insurgency.
Short Term 12, a remake of a 2008 short (both directed by Destin Cretton), is the only U.S. film screening in competition.
“There’s an intriguing mix of young director and first time works with more experienced talent in the competition lineup,” Chatrian said. “I’m eager to see how the public will react to these films we’ve chosen.”
Piazza Grande selections:2 Guns by Baltasar Kormákur (United States)Vijay and I by Sam Garbarski (Belgium/Luxembourg/Germany)La Variabile Umana (The Human Factor) by Bruno Oliviero (Italy) Wrong Cops by Quentin Dupieux (United States)We’re the Millers by Rawson Marshall Thurber (United States)The Keeper of Lost Causes by Mikkel Nørgaard (Denmark/Germany/Sweden)Les Grandes Ondes (Longwave) by Lionel Baier (Switzerland/France/Portugal) Rich and Famous by George Cukor (United States)Gabrielle by Louise Archambault (Canada)L’Experience Blocher by Jean-Stéphane Bron (Switzerland/France)Gloria by Sebastián Lelio (Chile) Mr. Morgan’s Last Love by Sandra Nettelbeck (Germany/Belgium)Blue Ruin by Jeremy Saulnier (United States)About Time by Richard Curtis (United Kingdom)Fitzcarraldo by Werner Herzog (Germany/Peru) Sur le Chemin de l’École by Pascal Plisson (France) International competition lineup:Când se lasă seara peste Bucureşti sau metabolism (When Evening Falls on Bucharest or Metabolism) by Corneliu Porumboiu (Romania) E Agora? Lembra-me (What Now? Remind Me) by Joaquim Pinto (Portugal)Educacão Sentimental (Sentimental Education) by Júlio Bressane (Brazil)El Mudo by Daniel and Diego Vega (Peru/France/Mexico) Exhibition by Joanna Hogg (United Kingdom)Feuchtgebiete by David Wnendt (Germany)Gare du Nord by Claire Simon (France/Canada)Historia de la Meva Mort (Story of My Death) by Albert Serra (Spain/France) L’Étrange Couleur des Larmes de Ton Corps (The Strange Color of Your Body’s Tears) by Hélène Cattet and Bruno Forzani (Belgium/France/Luxembourg)Mary, Queen of Scots by Thomas Imbach (Switzerland/France) Pays Barbare by Yervant Gianikian and Angela Ricci Lucchi (France)Real by Kiyoshi Kurosawa (Japan)Sangue (Blood) by Pippo Delbono (Italy/Switzerland)Short Term 12 by Destin Cretton (United States) Shu Jia Zuo (A Time in Quchi) by Tso chi Chang (Taiwan)Tableau Noir (Black Board) by Yves Yersin (Switzerland)Tomogui (Backwater) by Shinji Aoyama (Japan)Tonnerre by Guillaume Brac (France) U Ri Sunhi (Our Sunhi) by Sangsoo Hong (South Korea)Une Autre Vie by Emmanuel Mouret (France)...
- 7/21/2013
- by Peter Belsito
- Sydney's Buzz
A total of 18 world premieres feature in the main Competition line-up of this year’s Locarno Film Festival.Scroll down for full lists
The programme for the 66th Locarno Film Festival has been unveiled and was compiled with “diversity” in mind, according to new artistic director Carlo Chatrian.
“The only categorical imperative was to work with diversity, take it to extremes,” said Chatrian.
“For years, the festival’s policy has been to position its mission of discovery within a programme that includes mainstream cinema, but only of the kind that, despite its high production values, is not just pure spectacle, the kind that doesn’t see entertainment and intelligence as incompatible.”
As previously announced, the Swiss festival will open at the open-air Piazza Grande on August 7 with the international premiere of 2 Guns, the action film starring Mark Wahlberg and Denzel Washington as cops, directed by Baltasar Kormakur (The Deep).
Other films to screen at the 8,000 seater venue include...
The programme for the 66th Locarno Film Festival has been unveiled and was compiled with “diversity” in mind, according to new artistic director Carlo Chatrian.
“The only categorical imperative was to work with diversity, take it to extremes,” said Chatrian.
“For years, the festival’s policy has been to position its mission of discovery within a programme that includes mainstream cinema, but only of the kind that, despite its high production values, is not just pure spectacle, the kind that doesn’t see entertainment and intelligence as incompatible.”
As previously announced, the Swiss festival will open at the open-air Piazza Grande on August 7 with the international premiere of 2 Guns, the action film starring Mark Wahlberg and Denzel Washington as cops, directed by Baltasar Kormakur (The Deep).
Other films to screen at the 8,000 seater venue include...
- 7/17/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Montreal’s Festival Du Nouveau Cinema (10.10 – 10.21) announced their line-up today for their 41st edition and among the smorgasbord of subtitle offerings dating back to this year’s Rotterdam, Berlin, Cannes, Locarno, Venice and Tiff editions, we’re knee-deep in avant-garde world cinema from the established auteurs Assayas, Vinterberg, Ozon, Sang-Soo, Joao Pedro Rodriguez, Larrain, Loach, Reygadas, Ghobadi, Mungiu and Miguel Gomes. Heavy on offerings from Quebec and France, the fest also manages to offer a stellar snapshot of the up-and-comers from all corners of the globe. Among the notable titles in the (Competition category) International Selection we’ve got Pablo Berger’s Blancanieves, Ursula Meier’s Sister, Brian M. Cassidy and Melanie Shatzky’s Francine (which received its theatrical release earlier this month) and Rodrigo Plá’s La Demora. Loaded in Cannes items, the Special Presentations is the fest’s A-list selections (see filmmakers named above) and the one pic...
- 9/25/2012
- by Eric Lavallee
- IONCINEMA.com
Bérénice Bejo as Peppy Miller in Michel Hazanavicius' The Artist The Artist, Michel Hazanavicius, A Separation: César Winners Pt.1 Best Actor Sami Bouajila, Omar m'a tuer / Omar Killed Me François Cluzet, Intouchables / Untouchable Jean Dujardin, The Artist Olivier Gourmet, L'exercice de l'État / The Minister Denis Podalydes, La conquête / The Conquest * Omar Sy, Intouchables / Untouchable Philippe Torreton, Présumé coupable / Guilty Best Actress Ariane Asquaride, Les neiges du Kilimanjaro / The Snows of Kilimanjaro * Bérénice Bejo, The Artist Leila Bekhti, La Source des femmes / The Source Valérie Donzelli, La guerre est déclarée / Declaration of War Marina Foïs, Polisse Marie Gilain, Toutes nos envies / All Our Desires Karin Viard, Polisse Best Supporting Actor * Michel Blanc, L'exercice de l'État / The Minister Nicolas Duvauchelle, Polisse Joey Starr, Polisse Bernard Lecoq, La conquête / The Conquest Frédéric Pierrot, Polisse Best Supporting Actress Zabou Breitman, L'exercice de l'État / The Minister Anne Le Ny, Intouchables / Untouchable Noémie Lvovsky, L'Apollonide,...
- 2/25/2012
- by Andre Soares
- Alt Film Guide
Bérénice Bejo, Malcolm McDowell, The Artist The Artist, Polisse, Intouchables: César Nominations Pt.1 Best Actor Sami Bouajila, Omar m'a tuer / Omar Killed Me François Cluzet, Intouchables / Untouchable Jean Dujardin, The Artist Olivier Gourmet, L'exercice de l'État / The Minister Denis Podalydes, La conquête / The Conquest Omar Sy, Intouchables / Untouchable Philippe Torreton, Présumé coupable / Guilty Best Actress Ariane Asquaride, Les neiges du Kilimanjaro / The Snows of Kilimanjaro Bérénice Bejo, The Artist Leila Bekhti, La Source des femmes / The Source Valérie Donzelli, La guerre est déclarée / Declaration of War Marina Foïs, Polisse Marie Gilain, Toutes nos envies / All Our Desires Karin Viard, Polisse Best Supporting Actor Michel Blanc, L'exercice de l'État / The Minister Nicolas Duvauchelle, Polisse Joey Starr, Polisse Bernard Lecoq, La conquête / The Conquest Frédéric Pierrot, Polisse Best Supporting Actress Zabou Breitman, L'exercice de l'État / The Minister Anne Le Ny, Intouchables / Untouchable Noémie Lvovsky, L'Apollonide, souvenirs de la maison close / House of Tolerance Carmen Maura,...
- 2/21/2012
- by Steve Montgomery
- Alt Film Guide
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