“When history is what it should be, it is an elaboration of cinema.” —Ortega y Gasset
“The key for me is finding some rhythm of the film, not so much in the plot from a traditional sense but, rather, from its internal rhythm.” —Matías Piñeiro
1
There are works of art that affect in bulk, all at once; these are the aesthetic experiences that unify, that impose boundaries on the license of eye and ear. Other works of art achieve a dissociated and dissociating stylistic program; these are the works that cannot be experienced or understood as feats of synthesis, or as products of a single point of view.
While much of the art of the past century might be described as an effort toward a radical disaffiliation of elements—word and image, depth and surface, form and content—awareness of a quarrelsome relationship between two presumably incompatible ways of making...
“The key for me is finding some rhythm of the film, not so much in the plot from a traditional sense but, rather, from its internal rhythm.” —Matías Piñeiro
1
There are works of art that affect in bulk, all at once; these are the aesthetic experiences that unify, that impose boundaries on the license of eye and ear. Other works of art achieve a dissociated and dissociating stylistic program; these are the works that cannot be experienced or understood as feats of synthesis, or as products of a single point of view.
While much of the art of the past century might be described as an effort toward a radical disaffiliation of elements—word and image, depth and surface, form and content—awareness of a quarrelsome relationship between two presumably incompatible ways of making...
- 8/20/2012
- MUBI
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