Sometimes it’s like they read your mind—or just notice upcoming releases as you do. Whatever the case, I’m thrilled that the release of Terence Davies’ Benediction played (I assume!) some part in a full retro on the Criterion Channel this June, sad as I know that package will make me and anybody else who comes within ten feet of it. It’s among a handful of career retrospectives: they’ve also set a 12-film Judy Garland series populated by Berkeley and Minnelli, ten from Ulrike Ottinger, and four by Billy Wilder. But maybe their most adventurous idea in some time is a huge microbudget collection ranging from Ulmer’s Detour to Joel Potrykus’ Buzzard, fellow success stories—Nolan, Linklater, Jarmusch, Jia Zhangke—spread about.
Criterion Editions continue with Bertrand Tavernier’s Round Midnight, Double Indemnity, and Seconds, while Chameleon Street, Karen Dalton: In My Own Time,...
Criterion Editions continue with Bertrand Tavernier’s Round Midnight, Double Indemnity, and Seconds, while Chameleon Street, Karen Dalton: In My Own Time,...
- 5/19/2022
- by Nick Newman
- The Film Stage
Filmmakers Richard Peete and Robert Yapkowitz were deep in Missouri, working in the prop department for Debra Granik’s Winter’s Bone, when they both became consumed with the legendary 1960s-era folk singer Karen Dalton. The artist, who died of AIDS in 1993, only 55 years old, was famously described by admirer and peer Bob Dylan as someone who “sang like Billie Holiday and played guitar like Jimmy Reed.” Her hallowed status on the Greenwich Village scene that launched Dylan and many others never elevated her to mainstream success. Drug addiction and emotional turmoil took a heavy toll, yet Dalton left behind […]
The post “We Set Out To Make a Documentary in Six Months, Get the Music Out There, Play at Sundance and It Ends Up Taking Us Six Years”: Directors Richard Peete and Robert Yapkowitz on Karen Dalton: In My Own Time first appeared on Filmmaker Magazine.
The post “We Set Out To Make a Documentary in Six Months, Get the Music Out There, Play at Sundance and It Ends Up Taking Us Six Years”: Directors Richard Peete and Robert Yapkowitz on Karen Dalton: In My Own Time first appeared on Filmmaker Magazine.
- 10/4/2021
- by Steve Dollar
- Filmmaker Magazine-Director Interviews
Grappling with questions about “folk authenticity” and the relationship between artistry and commercial success, Richard Peete and Robert Yapkowitz’s excellent new documentary, “Karen Dalton: In My Own Time,” excavates and reclaims Dalton’s narrative, shedding light on the ’60s folk singer life, and contextualizing her against the likes of Bob Dylan and Tim Hardin. Foregrounding her personal relationships— with band members and a string of boyfriends — “In My Own Time,” named after her second album, retraces Dalton’s life through a mix of archival footage, interviews, and diary entries read by singer/songwriter Angel Olson.
Continue reading ‘Karen Dalton: In My Own Time’ Is A Profound Work Of Archival Recovery [Review] at The Playlist.
Continue reading ‘Karen Dalton: In My Own Time’ Is A Profound Work Of Archival Recovery [Review] at The Playlist.
- 10/2/2021
- by Christian Gallichio
- The Playlist
Nick Cave, Vanessa Carlton, and more appear in the new trailer for Karen Dalton: In My Own Time, a new documentary on the folk singer out October 1st.
Directed by Richard Peete and Robert Yapkowitz, the trailer features archival footage of Dalton, from her upbringing in Oklahoma to her days New York City’s Greenwich Village folk scene, where she sang with Bob Dylan, Tim Hardin, and others. It chronicles her tumultuous life that ended with her death in 1993 from AIDS when she was just 55 years old — and the...
Directed by Richard Peete and Robert Yapkowitz, the trailer features archival footage of Dalton, from her upbringing in Oklahoma to her days New York City’s Greenwich Village folk scene, where she sang with Bob Dylan, Tim Hardin, and others. It chronicles her tumultuous life that ended with her death in 1993 from AIDS when she was just 55 years old — and the...
- 9/16/2021
- by Angie Martoccio
- Rollingstone.com
Exclusive: Greenwich Entertainment has acquired North American rights to Karen Dalton: In My Own Time, the feature documentary from Richard Peete and Robert Yapkowitz about the folk singer Karen Dalton, whose sphere in the 1960s Greenwich Village folk scene included Bob Dylan. Wim Wenders is executive producer of the pic, which had its world premiere at Doc NYC.
Greenwich is now eyeing a theatrical release later in 2021 for the film, which explores the music and troubled life of the artist, who died in 1993 at age 53 but whose influence has been cited by many. The docu, named after her second album, features interviews with the likes of Nick Cave, Vanessa Carlton and Lacy J. Dalton, who took her surname as tribute. Featured is voice-over from indie folk artist Angel Olsen and a score by Julia Holter, who along with interviews with loved ones color in the picture of the mysterious...
Greenwich is now eyeing a theatrical release later in 2021 for the film, which explores the music and troubled life of the artist, who died in 1993 at age 53 but whose influence has been cited by many. The docu, named after her second album, features interviews with the likes of Nick Cave, Vanessa Carlton and Lacy J. Dalton, who took her surname as tribute. Featured is voice-over from indie folk artist Angel Olsen and a score by Julia Holter, who along with interviews with loved ones color in the picture of the mysterious...
- 1/28/2021
- by Patrick Hipes
- Deadline Film + TV
Just One Film is a series that recommends individual films from festivals around the world—the movies you otherwise might have missed that deserve to be discovered.When American folk singer and guitarist Karen Dalton died in 1993 of an AIDS-related illness at age 55, there were few film recordings or other traces of her as an artist left behind. Her raw, idiosyncratic renditions quickly won admirers like Bob Dylan when she hit New York’s Greenwich Village scene in the ‘60s, but she had a disdain for ingratiating herself to starmakers keen to engineer her image for public consumption that contributed to her existence on the margins of mainstream fame. During her on-off engagement with the business she made only two studio albums, It's So Hard to Tell Who's Going to Love You the Best (1969) and In My Own Time (1971), but her cult influence (inspiring artists such as Nick Cave and Joanna Newsom) has only grown.
- 1/15/2021
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Michael Apted by Andrew H. Walker. Filmmaker Michael Apted, best known for an eclectic filmography that includes Coal Miner's Daughter, The World is Not Enough, and the Up documentary series, has died at 79. In his obituary, Peter Bradshaw writes that the Up series, Apted's epic masterpiece, "had an incalculable effect on [...] the thinking of the British progressive left – as it asked us to ruminate on the inescapability or otherwise of class, and what narratives were possible for working people."Recommended VIEWINGAbove: John Gianvito's Her Socialist Smile (2020). John Gianvito's Her Socialist Smile, one of the best films of 2020, is now playing at the National Gallery of the Arts' website. Read our review of the film by Michael Sicinski here.To commemorate avant-garde filmmaking titan Stan Brakhage's birthday on January 14, Re:voir will be...
- 1/13/2021
- MUBI
Robert Yapkowitz and Rich Peete’s In My Own Time: A Portrait Of Karen Dalton executive producer Wim Wenders on Nick Cave and Karen Dalton: “Just like Nick, Karen’s music had a profound effect on me.” Photo: Anne-Katrin Titze
Victor Kossakovsky’s Gunda, co-written with Ainara Vera, executive produced by Joaquin Phoenix, co-produced by Anita Rehoff Larsen from Sant & Usant with Joslyn Barnes and Susan Rockefeller of Louverture Films and a Main Slate selection of the 58th New York Film Festival; Petra Epperlein and Michael Tucker’s ever more timely The Meaning Of Hitler; Malia Scharf and Max Basch’s intimate portrait, Kenny Scharf: When Worlds Collide, produced with David Koh (featuring remembrances from Kenny of Keith Haring, Klaus Nomi, <a...
Victor Kossakovsky’s Gunda, co-written with Ainara Vera, executive produced by Joaquin Phoenix, co-produced by Anita Rehoff Larsen from Sant & Usant with Joslyn Barnes and Susan Rockefeller of Louverture Films and a Main Slate selection of the 58th New York Film Festival; Petra Epperlein and Michael Tucker’s ever more timely The Meaning Of Hitler; Malia Scharf and Max Basch’s intimate portrait, Kenny Scharf: When Worlds Collide, produced with David Koh (featuring remembrances from Kenny of Keith Haring, Klaus Nomi, <a...
- 11/15/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Calendar Girl director Christian D Bruun on The Met's Costume Institute: “The collective fashion history knowledge among Harold Koda, Nancy Chilton and Andrew Bolton was palpable.” Photo: Anne-Katrin Titze
Three 2020 Doc NYC highlights are portraits: Chris McKim’s hard-edged Wojnarowicz; Robert Yapkowitz and Rich Peete’s In My Own Time: A Portrait Of Karen Dalton; and Malia Scharf and Max Basch’s intimate Kenny Scharf: When Worlds Collide on Kenny Scharf’s universe, which included Keith Haring (who died from AIDS in 1993) and Jean-Michel Basquiat (a heroin overdose in 1988).
Christian D Bruun on Ruth Finley: “I was first introduced to Ruth by Kate DelPizzo, a producer on the film.”
A fourth portrait highlight is Christian D Bruun's Calendar Girl on Ruth Finley (who died in 2018 at the age of 98), the creator of the...
Three 2020 Doc NYC highlights are portraits: Chris McKim’s hard-edged Wojnarowicz; Robert Yapkowitz and Rich Peete’s In My Own Time: A Portrait Of Karen Dalton; and Malia Scharf and Max Basch’s intimate Kenny Scharf: When Worlds Collide on Kenny Scharf’s universe, which included Keith Haring (who died from AIDS in 1993) and Jean-Michel Basquiat (a heroin overdose in 1988).
Christian D Bruun on Ruth Finley: “I was first introduced to Ruth by Kate DelPizzo, a producer on the film.”
A fourth portrait highlight is Christian D Bruun's Calendar Girl on Ruth Finley (who died in 2018 at the age of 98), the creator of the...
- 11/12/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
When singer-guitarist Karen Dalton, whose ardent fans in the Greenwich Village folk scene included Bob Dylan, died in 1993 at 55, she had long been off the music-biz grid. And when, 20 years after her death, Robert Yapkowitz and Richard Peete embarked on a documentary project about her, their work was cut out for them: Dalton’s career was brief, her official output limited to two studio albums, and, given that she was averse to the star-making machinery of promotion, recorded interviews were believed to be nonexistent.
As excavators and storytellers, the directors have done an admirable job, not just ...
As excavators and storytellers, the directors have done an admirable job, not just ...
- 11/12/2020
- The Hollywood Reporter - Film + TV
When singer-guitarist Karen Dalton, whose ardent fans in the Greenwich Village folk scene included Bob Dylan, died in 1993 at 55, she had long been off the music-biz grid. And when, 20 years after her death, Robert Yapkowitz and Richard Peete embarked on a documentary project about her, their work was cut out for them: Dalton’s career was brief, her official output limited to two studio albums, and, given that she was averse to the star-making machinery of promotion, recorded interviews were believed to be nonexistent.
As excavators and storytellers, the directors have done an admirable job, not just ...
As excavators and storytellers, the directors have done an admirable job, not just ...
- 11/12/2020
- The Hollywood Reporter - Movie News
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