‘Mystify: Michael Hutchence.’
The Australian Academy of Cinema and Television Arts (Aacta) has unveiled the first set of nominees for this year’s awards, announcing the five films that will compete for Best Documentary.
Two films detailing the racial vilification of former Sydney Swans captain and Australian of the Year Adam Goodes, Daniel Gordon’s The Australian Dream and Ian Darling’s The Final Quarter, will square off against other for the award.
Other nominees include Richard Lowenstein’s portrait of his late friend and Inxs frontman, Mystify: Michael Hutchence, which has made more than $1 million at the box office and screened at Tribeca and Hot Docs. Maya Newell’s In My Blood It Runs, which premiered in competition at Hot Docs, will also compete for the award, as will Janine Hosking’s portrait of concert pianist Geoffrey Tozer, The Eulogy.
‘The Australian Dream’.
A notable omission from the nominees...
The Australian Academy of Cinema and Television Arts (Aacta) has unveiled the first set of nominees for this year’s awards, announcing the five films that will compete for Best Documentary.
Two films detailing the racial vilification of former Sydney Swans captain and Australian of the Year Adam Goodes, Daniel Gordon’s The Australian Dream and Ian Darling’s The Final Quarter, will square off against other for the award.
Other nominees include Richard Lowenstein’s portrait of his late friend and Inxs frontman, Mystify: Michael Hutchence, which has made more than $1 million at the box office and screened at Tribeca and Hot Docs. Maya Newell’s In My Blood It Runs, which premiered in competition at Hot Docs, will also compete for the award, as will Janine Hosking’s portrait of concert pianist Geoffrey Tozer, The Eulogy.
‘The Australian Dream’.
A notable omission from the nominees...
- 8/21/2019
- by jkeast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The Great Gatsby dominated. Aacta.s technical and short films awards today, collecting gongs in all six craft categories for which it was nominated, plus the Aacta award for outstanding achievement in visual effects.
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
- 1/28/2014
- by Don Groves
- IF.com.au
Roger Savage; photo by Zorro Gamarnik
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
- 11/26/2012
- by Colin Delaney
- Encore Magazine
The Australian Sound Guild has announced the winners of.the 2012 Assg Awards.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
- 11/25/2012
- by Emily Blatchford
- IF.com.au
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