Swiss documentary film festival Visions du Réel has unveiled its VdR-Industry selection, which includes 27 projects in different stages of production.
The works will be invited to participate in three key forums – VdR-Pitching, VdR-Work in Progress and VdR-Rough Cut Lab – that run as part of the fest’s industry activities in Nyon from April 10-14.
Those who cannot make it to the festival will be able to participate online but organizers are focusing strongly on the in-person event.
“We can’t wait to finally welcome back project holders and industry representatives to the shores of Lake Geneva. We feel strengthened by the lessons we have learned from the digital and hybrid editions of the last two years. In fact, they have opened up new possibilities in terms of activities format and allowed us to widen the range of professionals participating in VdR–Industry,” said Madeline Robert, head of industry and artistic advisor of Visions du Réel,...
The works will be invited to participate in three key forums – VdR-Pitching, VdR-Work in Progress and VdR-Rough Cut Lab – that run as part of the fest’s industry activities in Nyon from April 10-14.
Those who cannot make it to the festival will be able to participate online but organizers are focusing strongly on the in-person event.
“We can’t wait to finally welcome back project holders and industry representatives to the shores of Lake Geneva. We feel strengthened by the lessons we have learned from the digital and hybrid editions of the last two years. In fact, they have opened up new possibilities in terms of activities format and allowed us to widen the range of professionals participating in VdR–Industry,” said Madeline Robert, head of industry and artistic advisor of Visions du Réel,...
- 3/11/2022
- by Lise Pedersen
- Variety Film + TV
Line-up for the virtual event includes awards contenders Boys State, Collective and The Mole Agent.
New York City’s Film at Lincoln Center (Flc) and The Museum of Modern Art have announced that this year’s New Directors/New Films (Nd/Nf) programme, originally scheduled for March, will take place as a virtual event running from December 9-20.
Twenty-four features and 10 shorts, selected as standouts from the international festival circuit, will be made available to viewers across the US in the Flc Virtual Cinema.
From the Rotterdam festival come films including Zheng Lu Xinyuan’s debut feature The Cloud In...
New York City’s Film at Lincoln Center (Flc) and The Museum of Modern Art have announced that this year’s New Directors/New Films (Nd/Nf) programme, originally scheduled for March, will take place as a virtual event running from December 9-20.
Twenty-four features and 10 shorts, selected as standouts from the international festival circuit, will be made available to viewers across the US in the Flc Virtual Cinema.
From the Rotterdam festival come films including Zheng Lu Xinyuan’s debut feature The Cloud In...
- 11/12/2020
- by John Hazelton
- ScreenDaily
16 international titles competed in the fourth edition unfolding in Egyptian Red Sea resort.
Bosnian director Jasmila Žbanic’s drama Quo Vadis, Aida? has scooped the top prize at the fourth edition of the El Gouna Film Festival (October 23-31), its $50,000 Golden Star for best narrative film.
The feature, which revisits the events leading up to the 1995 Srebrenica massacre, world premiered in competition in Venice and has since been selected as Bosnian’s entry for the best international category at the 2021 Oscars.
Jasna Duricic also won the El Gouna Star for best actress for her performance in the film as a...
Bosnian director Jasmila Žbanic’s drama Quo Vadis, Aida? has scooped the top prize at the fourth edition of the El Gouna Film Festival (October 23-31), its $50,000 Golden Star for best narrative film.
The feature, which revisits the events leading up to the 1995 Srebrenica massacre, world premiered in competition in Venice and has since been selected as Bosnian’s entry for the best international category at the 2021 Oscars.
Jasna Duricic also won the El Gouna Star for best actress for her performance in the film as a...
- 11/2/2020
- by Melanie Goodfellow
- ScreenDaily
Jasmila Žbanic’s “Quo Vadis, Aida?” won the El Gouna Star for best narrative film at the El Gouna Film Festival, carrying a $50,000 prize. The film’s star, Jasna Duricic, also took home the best actress award, for her startling eponymous turn. Based on a true story, the 1995-set drama tells the story of a Un translator attempting to save the lives of her husband and son after the Army of Republic Srpska takes over the city of Srebrenica.
Other winners announced by jury president Peter Webber at the striking new open-air Festival Plaza included Ali Suliman as best actor for his turn as a Palestinian trying to reunite with his family in Ameen Nayfeh’s “200 Meters,” a film which also won the Cinema for Humanity Audience Award. Hilal Baydarov’s “In Between Dying” won the Netpac Award for best Asian film.
Other big winners on the night included...
Other winners announced by jury president Peter Webber at the striking new open-air Festival Plaza included Ali Suliman as best actor for his turn as a Palestinian trying to reunite with his family in Ameen Nayfeh’s “200 Meters,” a film which also won the Cinema for Humanity Audience Award. Hilal Baydarov’s “In Between Dying” won the Netpac Award for best Asian film.
Other big winners on the night included...
- 10/31/2020
- by Kaleem Aftab
- Variety Film + TV
12 features and four shorts selected for the international line-up.
Egypt’s El Gouna Film Festival (Gff) has signalled that it is pushing on with plans for a physical event this autumn amid the ongoing Covid-19 pandemic and announced the line-up of 12 international features due to play at its fourth edition running October 23 to 31.
A number of the selections will physically world premiere at the Autumn festivals, including Thomas Vinterberg’s Cannes 2020 label title Another Round (Toronto), and Venice Giornate Degli Autori titles Oasis and The Whaler Boy.
A number of Berlinale 2020 titles are in the mix including Special Silver Bear winner Delete History,...
Egypt’s El Gouna Film Festival (Gff) has signalled that it is pushing on with plans for a physical event this autumn amid the ongoing Covid-19 pandemic and announced the line-up of 12 international features due to play at its fourth edition running October 23 to 31.
A number of the selections will physically world premiere at the Autumn festivals, including Thomas Vinterberg’s Cannes 2020 label title Another Round (Toronto), and Venice Giornate Degli Autori titles Oasis and The Whaler Boy.
A number of Berlinale 2020 titles are in the mix including Special Silver Bear winner Delete History,...
- 8/11/2020
- by 1100388¦Melanie Goodfellow¦69¦
- ScreenDaily
Deep in the heart of the mountainous kingdom of Lesotho, the arrival of new settlers has upset the balance of power. These economic migrants from China have called old laws and gods into question, and in the uncertainty over what new way of life will emerge, only one rule holds true: eat or be eaten.
“Days of Cannibalism” is the feature debut of documentary filmmaker Teboho Edkins. Produced by France’s KinoElektron, South Africa’s Day Zero Film, and the Netherlands’ Keplerfilm, it world premiered in the Panorama section of the Berlin Film Festival. World sales are being handled by Indie Sales.
Edkins was drawn to his subject around a decade ago, as China’s growing investment in Africa was prompting skepticism about what many commentators saw as a new era of colonialism on the continent. The director, who grew up partly in Lesotho, soon befriended a Chinese man who...
“Days of Cannibalism” is the feature debut of documentary filmmaker Teboho Edkins. Produced by France’s KinoElektron, South Africa’s Day Zero Film, and the Netherlands’ Keplerfilm, it world premiered in the Panorama section of the Berlin Film Festival. World sales are being handled by Indie Sales.
Edkins was drawn to his subject around a decade ago, as China’s growing investment in Africa was prompting skepticism about what many commentators saw as a new era of colonialism on the continent. The director, who grew up partly in Lesotho, soon befriended a Chinese man who...
- 3/6/2020
- by Christopher Vourlias
- Variety Film + TV
The 70th edition of the Berlin International Film Festival is now in the books. The jury, featuring Jeremy Irons, Bérénice Bejo, Bettina Brokemper, Annemarie Jacir, Kenneth Lonergan, Luca Marinelli, and Kleber Mendonça Filho, shared their award winners–and now here’s a look at what we admired the most during the festival.
Featuring a fair bit of cross-over, check out our favorites below and return for more coverage (including reviews and interviews). Also, be sure to follow us on Twitter for updates as these films get distribution and release dates.
Dau. Natasha
It is no use of hyperbole to suggest that Dau. Natasha already looks like one of the most provocative art films ever made. The first strictly theatrical feature to be released from Ilya Khrzhanovsky’s gargantuan, unprecedented Dau project (12 other films were shown at an immersive exhibition in Paris last year), it offers the viewer a kind of...
Featuring a fair bit of cross-over, check out our favorites below and return for more coverage (including reviews and interviews). Also, be sure to follow us on Twitter for updates as these films get distribution and release dates.
Dau. Natasha
It is no use of hyperbole to suggest that Dau. Natasha already looks like one of the most provocative art films ever made. The first strictly theatrical feature to be released from Ilya Khrzhanovsky’s gargantuan, unprecedented Dau project (12 other films were shown at an immersive exhibition in Paris last year), it offers the viewer a kind of...
- 3/5/2020
- by The Film Stage
- The Film Stage
The section will also showcase the world premiere of Srdan Golubović’s Father
The Berlin International Film Festival (Feb 20-Mar 1) has completed the line-up of its Panorama strand with a further 15 world premieres.
The newly announced titles take the Panorama total to 35, after a first wave of features for the strand were announced last month.
They include the world premiere of Bassam Tariq’s Mogul Mowgli (previously titlted Mughal Mowgli), which stars Riz Ahmed as a UK rapper on the verge of international stardom when a crippling illness strikes him down, and he is forced to move back in with his family.
The Berlin International Film Festival (Feb 20-Mar 1) has completed the line-up of its Panorama strand with a further 15 world premieres.
The newly announced titles take the Panorama total to 35, after a first wave of features for the strand were announced last month.
They include the world premiere of Bassam Tariq’s Mogul Mowgli (previously titlted Mughal Mowgli), which stars Riz Ahmed as a UK rapper on the verge of international stardom when a crippling illness strikes him down, and he is forced to move back in with his family.
- 1/21/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Eurimages prize goes to ’Stillborn’.
International Film Festival Rotterdam (Iffr) held the awards ceremony for its Pro industry section on Wednesday January 30, with Days Of Cannibalism and Lotus Position winning the inaugural Dutch post-production awards of €50,000 each to be spent in the Netherlands.
The new awards, launched in November last year and delivered with an additional €5,000 each in kind, are a collaboration between the Hubert Bals Fund, the Netherlands Film Fund and the Netherlands post-production Alliance.
Jury members programmer Sandro Fiorin, filmmaker Gurvinder Singh and head of industry at TorinoFilmLab Jane Williams described Teboho Edkins’ Days Of Cannibalism as a ‘smart,...
International Film Festival Rotterdam (Iffr) held the awards ceremony for its Pro industry section on Wednesday January 30, with Days Of Cannibalism and Lotus Position winning the inaugural Dutch post-production awards of €50,000 each to be spent in the Netherlands.
The new awards, launched in November last year and delivered with an additional €5,000 each in kind, are a collaboration between the Hubert Bals Fund, the Netherlands Film Fund and the Netherlands post-production Alliance.
Jury members programmer Sandro Fiorin, filmmaker Gurvinder Singh and head of industry at TorinoFilmLab Jane Williams described Teboho Edkins’ Days Of Cannibalism as a ‘smart,...
- 1/31/2019
- by Ben Dalton
- ScreenDaily
The Gaze of the Sea, School Life, Stars of Gaomeigu also winners at Swiss fetsival.
Ziad Kalthoum’s second feature documentary Taste of Cement was awarded the Chf 20,000 Sesterce d’Or for the Best Feature-Length Film in the International Competition at the 48th edition of Visions du Réel in Switzerland’s Nyon.
According to the jury of filmmakers Joelle Bertosa, Lluis Minarro and Sergio Oksman, the film about Syrian construction workers building a skyscraper in Beirut uses expressed “the human capacity to create beauty, but also to destroy everything”.
The production by Germany’s Basis Berlin Filmproduktion with partners from Lebanon, Syria, UAE and Qatar is being handled internationally by the Canadian sales company Syndicado who had acquired the film ahead of its world premiere in Nyon.
The feature film in the International Competition went to Mexican filmmaker Jose Álvarez’s The Gaze of the Sea, about a journey to mourn the deaths of a group of fishermen...
Ziad Kalthoum’s second feature documentary Taste of Cement was awarded the Chf 20,000 Sesterce d’Or for the Best Feature-Length Film in the International Competition at the 48th edition of Visions du Réel in Switzerland’s Nyon.
According to the jury of filmmakers Joelle Bertosa, Lluis Minarro and Sergio Oksman, the film about Syrian construction workers building a skyscraper in Beirut uses expressed “the human capacity to create beauty, but also to destroy everything”.
The production by Germany’s Basis Berlin Filmproduktion with partners from Lebanon, Syria, UAE and Qatar is being handled internationally by the Canadian sales company Syndicado who had acquired the film ahead of its world premiere in Nyon.
The feature film in the International Competition went to Mexican filmmaker Jose Álvarez’s The Gaze of the Sea, about a journey to mourn the deaths of a group of fishermen...
- 5/2/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
It's a seemingly intriguing (at least based on available info) feature project I'm learning about today, which my research tells me was actually 1 of 15 projects selected for the 9th edition of the Cannes L’Atelier’s in 2013 - an initiative whose goal is to provide directors and their producers the opportunity to meet potential international producing and financing partners during the Cannes Film Festival. So it's already on its journey towards completion - a journey that it started 2 years ago (at least). Titled "Days of Cannibalism," the South African-produced film comes from writer/director Teboho Edkins - a project in which Edkins plans to combine a...
- 4/23/2015
- by Tambay A. Obenson
- ShadowAndAct
Since 1988 transmediale has been one of Europe’s premiere events for showcasing transmedia and technology for art and narrative and nonfiction storytelling. Director Kristoffer Gansing (who spoke with Filmmaker last year) and his team continue to assemble cutting-edge films, installations, performances, workshops, and other events, turning the House of World Cultures in Berlin into a hub for all things new media. It ran from January 28 through February 1, and I spoke with a number of artists who presented video-based pieces at the festival. Teboho Edkins (on the right, above) is an American-born filmmaker who grew up in Lesotho, South Africa, Germany, and France. His work blends […]...
- 2/20/2015
- by Randy Astle
- Filmmaker Magazine-Director Interviews
Since 1988 transmediale has been one of Europe’s premiere events for showcasing transmedia and technology for art and narrative and nonfiction storytelling. Director Kristoffer Gansing (who spoke with Filmmaker last year) and his team continue to assemble cutting-edge films, installations, performances, workshops, and other events, turning the House of World Cultures in Berlin into a hub for all things new media. It ran from January 28 through February 1, and I spoke with a number of artists who presented video-based pieces at the festival. Teboho Edkins (on the right, above) is an American-born filmmaker who grew up in Lesotho, South Africa, Germany, and France. His work blends […]...
- 2/20/2015
- by Randy Astle
- Filmmaker Magazine - Blog
In December, we saw the first 13 features slated to screen in the Berlinale's Generation programs aimed at younger viewers. Today, the festival's completed those lineups: "In total, 65 short and full-length films from 35 countries were selected for the Generation Kplus and Generation 14plus competitions." Featuring new work by Andrey Zaytsev, Lamberto Sanfelice, Teboho Edkins, Marielle Heller, Sergio Mazza, Yosef Baraki, Andrew Droz Palermo, Sam de Jong, Daigo Matsui, Kongdej Jaturanrasmee, Ask Hasselbalch, Li Ruijun, Ana V. Bojórquez and Lucía Carreras, Yury Feting and more. » - David Hudson...
- 1/14/2015
- Fandor: Keyframe
In December, we saw the first 13 features slated to screen in the Berlinale's Generation programs aimed at younger viewers. Today, the festival's completed those lineups: "In total, 65 short and full-length films from 35 countries were selected for the Generation Kplus and Generation 14plus competitions." Featuring new work by Andrey Zaytsev, Lamberto Sanfelice, Teboho Edkins, Marielle Heller, Sergio Mazza, Yosef Baraki, Andrew Droz Palermo, Sam de Jong, Daigo Matsui, Kongdej Jaturanrasmee, Ask Hasselbalch, Li Ruijun, Ana V. Bojórquez and Lucía Carreras, Yury Feting and more. » - David Hudson...
- 1/14/2015
- Keyframe
I Am Not a Witch and The Train of Salt and Sugar both pick up two prizes each at the Locarno Film Festival’s co-production lab.
Grants have been awarded today at the Locarno Film Festival’s Open Doors Co-production Lab (Aug 9-12), this year dedicated mainly to the English and Portuguese-speaking countries of Sub-Saharan Africa.
The winner of the Open Doors Grant of CHF20,000 ($22,000) was I Am Not a Witch, the debut feature of writer-director Rungano Nyoni, from Zambian production company Icreatefilms co-produced with France’s Clandestine Films.
The drama, told from the point of view of a nine-year-old girl at a ‘witch refugee camp’ in Zambia, also won the Prix Arte International prize of €6,000 ($8,000).
“I wanted to tell a story around a talented child who is ostracised and whose talent isn’t fully realised,” Nyoni told Screen of the project’s origins.
“It coincided with a separate story I was looking into about witch camps. They...
Grants have been awarded today at the Locarno Film Festival’s Open Doors Co-production Lab (Aug 9-12), this year dedicated mainly to the English and Portuguese-speaking countries of Sub-Saharan Africa.
The winner of the Open Doors Grant of CHF20,000 ($22,000) was I Am Not a Witch, the debut feature of writer-director Rungano Nyoni, from Zambian production company Icreatefilms co-produced with France’s Clandestine Films.
The drama, told from the point of view of a nine-year-old girl at a ‘witch refugee camp’ in Zambia, also won the Prix Arte International prize of €6,000 ($8,000).
“I wanted to tell a story around a talented child who is ostracised and whose talent isn’t fully realised,” Nyoni told Screen of the project’s origins.
“It coincided with a separate story I was looking into about witch camps. They...
- 8/12/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Jane Campion, President of the Jury for Shorts and also the Cinefondation's 15 shorts by new filmmakers coming from Asia, Latin America, Africa, the Middle East, Turkey, India, Greece, Italy and France. The ninth edition of the Atelier de la Cinéfondation Cannes Festival will run parallel to the Competition screenings and can be seen in the Riviera between 15 and 26 May 2013.
Mexican Jorge Hernandez Aldana and his film The heirs and Chilean Attalah Niles and his film King along with the other participants will be presented to potential partners, sales companies and producers who might be interested in entering into co-productions with them.
Born in Caracas, cinematically formed in the Polish school in Lodz, and settled professionally in Mexico, Jorge Hernandez Aldana was the director of The Night Buffalo written by Guillermo Arriaga and starring Diego Luna, Liz Gallardo and Irene Azuela. Heirs has initial support from Lucia Films, producer of Mexican Michel Franco, and the main characters are a group of teenagers and their families in the city of Monterrey during the first half of the 90s. The boys are in search of the keys to achieve the American dream on Mexican soil. It is a portrait, comedic and serious, of an era that will not return, a story about the meaning of friendship and the need to belong, to what happens to a group of teenagers from good families while spending the summer on a skateboard, while waiting for a future of wealth, success and power.
King, by Chilean-American Niles Atallah ( Lucia ), deals Orélie Tounens Antoine, a lawyer who in 1860 took over a Mapuche territory, Araucania, make a kingdom where he would be the king, and his ministers and citizins Indians to maintain independence from Chile. According to its makers, the film, with a budget of half a million euros, penetrates the mind and offers a multifaceted portrait of an ambitious dreamer in a hallucinatory and surreal style.
Two projects from Asia are among the 15 new works selected to take part in this year's Atelier, part of the Cannes Film Festival's Cinefondation.
From China, it has selected Ciao Ciao by Song Chuan. From India, Chenu and film-maker Manjeet Singh will participate. Details of the projects will be disclosed at the beginning of April.
The remaining projects are approved for Atelier Sworn Virgin by Italian Laura Bispuri ♀ , Stage Fright by Greek director Yorgos Zois; Memories of the Wind by Turkish Ozcan Alper, Je ne suis pas un salaud by French Emmanuel Finkiel; Road Kill by Japanese Yuichi Hibi; Days of Cannibalism by Teboho Edkins Joscha (South Africa); Lamb by Yared Zeleke (Ethiopia), Out / In the Streets by Jasmina Metwaly ♀ and Philip Rizk (Egypt); Chenu by Manjeet Singh ( India), Ciao Ciao , Song Chuan (China), Me, Myself and Murdoch by Alabdallah Yahya (Jordan / Palestine), and Holy Airby Shady Srour, and The House on End Stree by Amir Manor, both Israelis .
The Atelier was created in 2005 within the Cannes Film Festival in order to give impetus to the movies and to create a new generation of filmmakers, helping them to complete the financing for his films. During the past eight years, 126 projects have been through the workshop, of which 83 have been completed and 29 are performing currently in preproduction.
Mexican Jorge Hernandez Aldana and his film The heirs and Chilean Attalah Niles and his film King along with the other participants will be presented to potential partners, sales companies and producers who might be interested in entering into co-productions with them.
Born in Caracas, cinematically formed in the Polish school in Lodz, and settled professionally in Mexico, Jorge Hernandez Aldana was the director of The Night Buffalo written by Guillermo Arriaga and starring Diego Luna, Liz Gallardo and Irene Azuela. Heirs has initial support from Lucia Films, producer of Mexican Michel Franco, and the main characters are a group of teenagers and their families in the city of Monterrey during the first half of the 90s. The boys are in search of the keys to achieve the American dream on Mexican soil. It is a portrait, comedic and serious, of an era that will not return, a story about the meaning of friendship and the need to belong, to what happens to a group of teenagers from good families while spending the summer on a skateboard, while waiting for a future of wealth, success and power.
King, by Chilean-American Niles Atallah ( Lucia ), deals Orélie Tounens Antoine, a lawyer who in 1860 took over a Mapuche territory, Araucania, make a kingdom where he would be the king, and his ministers and citizins Indians to maintain independence from Chile. According to its makers, the film, with a budget of half a million euros, penetrates the mind and offers a multifaceted portrait of an ambitious dreamer in a hallucinatory and surreal style.
Two projects from Asia are among the 15 new works selected to take part in this year's Atelier, part of the Cannes Film Festival's Cinefondation.
From China, it has selected Ciao Ciao by Song Chuan. From India, Chenu and film-maker Manjeet Singh will participate. Details of the projects will be disclosed at the beginning of April.
The remaining projects are approved for Atelier Sworn Virgin by Italian Laura Bispuri ♀ , Stage Fright by Greek director Yorgos Zois; Memories of the Wind by Turkish Ozcan Alper, Je ne suis pas un salaud by French Emmanuel Finkiel; Road Kill by Japanese Yuichi Hibi; Days of Cannibalism by Teboho Edkins Joscha (South Africa); Lamb by Yared Zeleke (Ethiopia), Out / In the Streets by Jasmina Metwaly ♀ and Philip Rizk (Egypt); Chenu by Manjeet Singh ( India), Ciao Ciao , Song Chuan (China), Me, Myself and Murdoch by Alabdallah Yahya (Jordan / Palestine), and Holy Airby Shady Srour, and The House on End Stree by Amir Manor, both Israelis .
The Atelier was created in 2005 within the Cannes Film Festival in order to give impetus to the movies and to create a new generation of filmmakers, helping them to complete the financing for his films. During the past eight years, 126 projects have been through the workshop, of which 83 have been completed and 29 are performing currently in preproduction.
- 3/28/2013
- by Sydney Levine
- Sydney's Buzz
One of 15 projects selected for the 9th edition of the Cannes L’Atelier’s, announced this morning - an initiative whose goal is to provide directors and their producers the opportunity to meet potential international producing and financing partners during the Cannes Film Festival... Days of Cannibalism by South African filmmaker Teboho Edkins - a project in which Edkins plans to combine a mix of fiction and documentary-style filmmaking to tell the Days of Cannibalism story, which will focus on the "increasingly more important trade relations between China and African countries," a topic that's been addressed by a number of films we've covered on this blog - most...
- 3/4/2013
- by Tambay A. Obenson
- ShadowAndAct
Boost! is a cooperation between the Hubert Bals Fund, Iffr's CineMart, Binger Filmlab and Nfdc of India and supported by Media Mundus. Yearly five projects selected for Hubert Bals Fund Script and Project Development support are offered the opportunity to further develop their project at Binger Filmlab as part of the Binger On Demand programme. At Binger Filmlab, the filmmakers are offered coaching based on the specific needs of the project and filmmaker. Strange but True by Michel Lipkes (Mexico) and Days of Cannibalism by Teboho Edkins (South Africa) are the final two Hbf supported projects that will receive a special coaching trajectory from the Binger Filmlab.
Strange but True tells the love story of two young trash collectors working under the despotic direction of Mr.Clean. Tragedy ensues when they find a corpse of a wealthy man and Mr. Clean takes terrible decisions.
Days of Cannibalism is a three-part feature film in three parts, stylistically a Western, set in contemporary Africa. It is a film about man-eat-man, from the business of globalised trade in China, to a band of smugglers in Lesotho to the violence of a cattle raid deep in the high mountains.
Selected earlier this year were:
Silver Shadow by Pablo Stoll (Uruguay/Argentina)
The Load by Ognjen Glavonic (Serbia)
The Fourth Direction by Gurvinder Singh (India)
Their first coaching sessions already took place in Berlin, Amsterdam and Mumbai. All Boost! projects will be presented at CineMart during the International Film Festival Rotterdam, where they will be offered special pitching and project development sessions prior to taking one-to-one meetings at the co-production market.
Boost!-project taking part in Rotterdam Lab 2013:
- The Fourth Direction / Gurvinder Singh / India
Check out Boost! on the Web
Additional Binger Filmlab News:
Eurimages is supporting Land. by writer/director Jan-Willem van Ewijk with Eur 230.000! Current Lab participant Meikeminne Clinckspoor has won 7 prices in the Cinekid Festival edition of the 48 hour project with Gewoon Ongewoon. Milo, by Berend and Roel Boorsma, has taken another prize: MovieSquad Best International Children’s Movie at the Cinekid Festival. Miro Bilbrough's Being Venice developed in the 2006 Writers Lab, had it's international premiere at The International Film Festival Mannheim-Heidelberg. Writers and Creative Producers Lab participants Arno Dierickx & Joram Willink have received support from the Netherlands Film Fund for their current lab project The Circle. Raf Reyntjes also received support for Paradise Trips from the Netherlands Film Fund. Parts of a Family by Diego Gutierrez Coppe, developed in the Binger Doc Lab, premiered at the Morelia Iff in Mexico. Niles Atallah and Lucie Kalmar have been granted a Production Award of Eur 70.000 at the Torino Film Lab Meeting Event for Rey.
Strange but True tells the love story of two young trash collectors working under the despotic direction of Mr.Clean. Tragedy ensues when they find a corpse of a wealthy man and Mr. Clean takes terrible decisions.
Days of Cannibalism is a three-part feature film in three parts, stylistically a Western, set in contemporary Africa. It is a film about man-eat-man, from the business of globalised trade in China, to a band of smugglers in Lesotho to the violence of a cattle raid deep in the high mountains.
Selected earlier this year were:
Silver Shadow by Pablo Stoll (Uruguay/Argentina)
The Load by Ognjen Glavonic (Serbia)
The Fourth Direction by Gurvinder Singh (India)
Their first coaching sessions already took place in Berlin, Amsterdam and Mumbai. All Boost! projects will be presented at CineMart during the International Film Festival Rotterdam, where they will be offered special pitching and project development sessions prior to taking one-to-one meetings at the co-production market.
Boost!-project taking part in Rotterdam Lab 2013:
- The Fourth Direction / Gurvinder Singh / India
Check out Boost! on the Web
Additional Binger Filmlab News:
Eurimages is supporting Land. by writer/director Jan-Willem van Ewijk with Eur 230.000! Current Lab participant Meikeminne Clinckspoor has won 7 prices in the Cinekid Festival edition of the 48 hour project with Gewoon Ongewoon. Milo, by Berend and Roel Boorsma, has taken another prize: MovieSquad Best International Children’s Movie at the Cinekid Festival. Miro Bilbrough's Being Venice developed in the 2006 Writers Lab, had it's international premiere at The International Film Festival Mannheim-Heidelberg. Writers and Creative Producers Lab participants Arno Dierickx & Joram Willink have received support from the Netherlands Film Fund for their current lab project The Circle. Raf Reyntjes also received support for Paradise Trips from the Netherlands Film Fund. Parts of a Family by Diego Gutierrez Coppe, developed in the Binger Doc Lab, premiered at the Morelia Iff in Mexico. Niles Atallah and Lucie Kalmar have been granted a Production Award of Eur 70.000 at the Torino Film Lab Meeting Event for Rey.
- 12/13/2012
- by Sydney Levine
- Sydney's Buzz
A first look into what’s ahead from some of our favorite auteurs, 2013′s CineMart (held during the Int. Film Festival Rotterdam) boosts an impressive selection of projects from the likes of Argentina’s Lucrecia Martel (The Headless Woman) who’ll be lensing Zama – the adaptation of a period piece about Don Diego de Zama, a 17th-century official for the Spanish crown based in Asuncion del Paraguay, who awaits his transfer to the city of Buenos Aires. We’ve got Greece’s Yorgos Lanthimos from Dogtooth and Alps fame, who the last time we spoke to mentioned how he was looking to break into English language film territory and we think The Lobster might be that first foray. Among the other Cannes Film Festival introduced filmmakers who’ll be seeking coin in Rotterdam we have Michael Rowe (Leap Year) who brings Rest Home, Alice Rohrwacher (Corpo celeste) who tackles Le Meraviglie,...
- 12/12/2012
- by Eric Lavallee
- IONCINEMA.com
The Hubert Bals Fund of the International Film Festival Rotterdam (Iffr) has selected twenty-five film projects that receive grants for script development, digital production, postproduction, distribution or workshops. In its Fall 2012 selection round, the Fund gave 330,000 Euro to projects from seventeen Asian, Eastern European, Latin-American and African countries. (See full list below)
From many strong applications for workshop initiatives, the Hubert Bals Fund chose to support the Naas Training Workshop (Egypt), the Digital Cinema Workshops Series (Morocco) and Cinema Land (Vietnam). The Naas workshop offers a training and networking program for art house and cine club managers in the Mena region. In Morocco, the Workshop Series aims to increase digital filming skills among young film professionals. Cinema Land offers filmmaking talents expertise and training in the Central-Vietnamese cities of Danang and Hue, where there are no such facilities as yet.
In the distribution category, the Hubert Bals Fund supports the plan to screen acclaimed director Riri Riza’s Atambua 39° Celsius (pictured top) during open air screenings – the region has no cinemas - within the Indonesian province of East Nusa Tenggara, where the film was shot.
Atambua 39° Celsius received Hubert Bals Fund support for digital production earlier this year, recently premiered in competition at the Tokyo Iff and will see its European premiere during Iffr 2013. The film offers a sensitive portrait of refugees from East Timor and of their scattered families.
One of the eleven projects selected in the script development category is Tarde para morir joven (Late To Die Young), second feature film project by Chilean filmmaker Dominga Sotomayor. Her very successful début feature film De jueves a domingo (Thursday Till Sunday), also supported in script stage by the Hubert Bals Fund, won a Hivos Tiger Award in Rotterdam and subsequently screened in many film festivals worldwide. Tarde para morir joven tells about members of an isolated community that see their existence threatened by a forest fire.
Also selected for script development support is Teboho Edkins, a promising new talent from South Africa, who prepares his first feature length film Days of Cannibalism. Edkins previously made The Gangster Project, a 55-minute documentary/fiction hybrid that was selected for Fid Marseille and Iffr 2012. In Days of Cannibalism, Edkins again uses a clever mix of documentary and fictional elements to focus on the expanding trade relations between China and the African continent.
Milagros Mumenthaler, Golden Leopard-winner for her Hubert Bals Fund-supported first feature film Abrir puertas y ventanas (Back to Stay), has been granted digital production support for Pozo de aire (Air Pocket). This second film, backed again by the ‘Abrir’-team in Argentina and Switzerland, is a more low budget and experimental take on female lead characters and the notion of absence.
When finished in time, the films receiving postproduction grants are expected to screen at the 2013 International Film Festival Rotterdam. One of these is Yang Tidak Dibicarakan Ketika Membicarakan Cinta (What They Don’t Talk About When They Talk About Love), second feature film project by Mouly Surya, one the most promising female directors in Indonesia. Her film is a both sensitive and sensual examination of the dynamics among a group of teenagers played by visually and aurally impaired actors.
The harvest of newly finished Hubert Bals Fund-supported films will be screened during the next International Film Festival Rotterdam (23 January – 3 February 2013). The next application deadline for Hubert Bals Fund support is 1 March 2013. All information about the Fund may be found here.
The line up of the Iffr’s Hubert Bals Fund Fall 2013 Selection Round in full:
Post-production & final-financing
Noche (Night) / Leonardo Brzezicki / Argentina
O Rio nos pretence (Rio Belongs to Us) / Ricardo Pretti / Brazil
O Uivo da Gaita (The Harmonica’s Howl) / Bruno Safadi / Brazil
On Mother’s Head / Kusuma Widjaja Putu / Indonesia
Yang Tidak Dibicarakan Ketika Membicarakan Cinta (What They Don’t Talk About When They Talk About Love) / Mouly Surya / Indonesia
Larzanandeye Charbi (Fat Shaker) / Mohammad Shirvani / Iran
Something Necessary / Judy Kibinge / Kenya
Penumbra / Eduardo Villanueva / Mexico
Digital Production
A Corner of Heaven / Zhang Miaoyan / China
Pozo de aire (Air Pocket) / Milagros Mumenthaler / Argentina
Script and project development
Otra madre (Another Mother) / Mariano Luque / Argentina
Tabija / Igor Drljaca / Bosnia and Herzegovina
Elon Rabin Não Acredita na Morte (Elon Rabin Doesn’t Believe in Death) / Ricardo Alves Jr. / Brazil
Tarde para morir joven (Late To Die Young) / Dominga Sotomayor / Chile
Oscuro animal (Obscure Animal) / Felipe Guerrero / Colombia
Court / Chaitanya Tamhane / India
The Room on a Tree / Amit Dutta / India
Extraño pero verdadero (Strange But True) / Michel Lipkes / Mexico
Tempestad (Tempestuous) / John Torres / Philippines
Days of Cannibalism / Teboho Edkins / South Africa
Rüzgarli Bir Güne Agit (Requiem for a Windy Day) / Özcan Alper / Turkey
Distribution
Atambua 39° Celsius / Riri Riza / Indonesia
Workshops
Naas Training Workshop / Egypt
Digital Cinema Workshop Series / Morocco
Cinema Land / Vietnam
Profile of the Hubert Bals Fund
The Hubert Bals Fund (Hbf), along with the CineMart, is part of the International Film Festival Rotterdam (Iffr). The 42nd Iffr will take place January 23 – February 3, 2013. Year-round news on Iffr, Hbf and CineMart can be found on www.filmfestivalrotterdam.com.
The Hubert Bals Fund is designed to bring remarkable or urgent feature films and feature-length creative documentaries by innovative and talented filmmakers from developing countries closer to completion. The Hubert Bals Fund provides grants that often turn out to play a crucial role in enabling these filmmakers to realize their projects. Although the Fund looks closely at the financial aspects of a project, the decisive factors remain its content and artistic value. Since the Fund started in 1989, hundreds of projects from independent filmmakers in Africa, Asia, Latin America, the Middle East and parts of Eastern Europe have received support. Approximately 80% of these projects have been realized or are currently in production. Every year, the Iffr screens completed films supported by the Fund.
The Hubert Bals Fund is supported by the Dutch Ministry of Foreign Affairs, Media Mundus, Dutch non-governmental development organization Hivos Culture Foundation, the Doen Foundation and the Dioraphte Foundation and Lions Club Rotterdam: L’Esprit du Temps.
Grants and selection rounds
Annually, the Hubert Bals Fund is able to make individual grants of up to Euro 10,000 for script and project development, Euro 20,000 for digital production, Euro 30,000 for post-production, Euro 15,000 towards distribution costs in the country of origin or Euro 10,000 for special projects such as workshops. Selection rounds take place twice a year and have application deadlines on March 1 and August 1.
Hubert Bals Fund-supported films in Iffr and on DVD/VOD
Most of the films supported by the Hubert Bals Fund throughout the year are screened during the International Film Festival Rotterdam in attendance of the filmmaker. Subsequently, part of the Hbf-supported films is released by the Iffr on DVD or VOD, available on www.filmfestivalrotterdam.com (VOD for viewers in the Benelux only).
From many strong applications for workshop initiatives, the Hubert Bals Fund chose to support the Naas Training Workshop (Egypt), the Digital Cinema Workshops Series (Morocco) and Cinema Land (Vietnam). The Naas workshop offers a training and networking program for art house and cine club managers in the Mena region. In Morocco, the Workshop Series aims to increase digital filming skills among young film professionals. Cinema Land offers filmmaking talents expertise and training in the Central-Vietnamese cities of Danang and Hue, where there are no such facilities as yet.
In the distribution category, the Hubert Bals Fund supports the plan to screen acclaimed director Riri Riza’s Atambua 39° Celsius (pictured top) during open air screenings – the region has no cinemas - within the Indonesian province of East Nusa Tenggara, where the film was shot.
Atambua 39° Celsius received Hubert Bals Fund support for digital production earlier this year, recently premiered in competition at the Tokyo Iff and will see its European premiere during Iffr 2013. The film offers a sensitive portrait of refugees from East Timor and of their scattered families.
One of the eleven projects selected in the script development category is Tarde para morir joven (Late To Die Young), second feature film project by Chilean filmmaker Dominga Sotomayor. Her very successful début feature film De jueves a domingo (Thursday Till Sunday), also supported in script stage by the Hubert Bals Fund, won a Hivos Tiger Award in Rotterdam and subsequently screened in many film festivals worldwide. Tarde para morir joven tells about members of an isolated community that see their existence threatened by a forest fire.
Also selected for script development support is Teboho Edkins, a promising new talent from South Africa, who prepares his first feature length film Days of Cannibalism. Edkins previously made The Gangster Project, a 55-minute documentary/fiction hybrid that was selected for Fid Marseille and Iffr 2012. In Days of Cannibalism, Edkins again uses a clever mix of documentary and fictional elements to focus on the expanding trade relations between China and the African continent.
Milagros Mumenthaler, Golden Leopard-winner for her Hubert Bals Fund-supported first feature film Abrir puertas y ventanas (Back to Stay), has been granted digital production support for Pozo de aire (Air Pocket). This second film, backed again by the ‘Abrir’-team in Argentina and Switzerland, is a more low budget and experimental take on female lead characters and the notion of absence.
When finished in time, the films receiving postproduction grants are expected to screen at the 2013 International Film Festival Rotterdam. One of these is Yang Tidak Dibicarakan Ketika Membicarakan Cinta (What They Don’t Talk About When They Talk About Love), second feature film project by Mouly Surya, one the most promising female directors in Indonesia. Her film is a both sensitive and sensual examination of the dynamics among a group of teenagers played by visually and aurally impaired actors.
The harvest of newly finished Hubert Bals Fund-supported films will be screened during the next International Film Festival Rotterdam (23 January – 3 February 2013). The next application deadline for Hubert Bals Fund support is 1 March 2013. All information about the Fund may be found here.
The line up of the Iffr’s Hubert Bals Fund Fall 2013 Selection Round in full:
Post-production & final-financing
Noche (Night) / Leonardo Brzezicki / Argentina
O Rio nos pretence (Rio Belongs to Us) / Ricardo Pretti / Brazil
O Uivo da Gaita (The Harmonica’s Howl) / Bruno Safadi / Brazil
On Mother’s Head / Kusuma Widjaja Putu / Indonesia
Yang Tidak Dibicarakan Ketika Membicarakan Cinta (What They Don’t Talk About When They Talk About Love) / Mouly Surya / Indonesia
Larzanandeye Charbi (Fat Shaker) / Mohammad Shirvani / Iran
Something Necessary / Judy Kibinge / Kenya
Penumbra / Eduardo Villanueva / Mexico
Digital Production
A Corner of Heaven / Zhang Miaoyan / China
Pozo de aire (Air Pocket) / Milagros Mumenthaler / Argentina
Script and project development
Otra madre (Another Mother) / Mariano Luque / Argentina
Tabija / Igor Drljaca / Bosnia and Herzegovina
Elon Rabin Não Acredita na Morte (Elon Rabin Doesn’t Believe in Death) / Ricardo Alves Jr. / Brazil
Tarde para morir joven (Late To Die Young) / Dominga Sotomayor / Chile
Oscuro animal (Obscure Animal) / Felipe Guerrero / Colombia
Court / Chaitanya Tamhane / India
The Room on a Tree / Amit Dutta / India
Extraño pero verdadero (Strange But True) / Michel Lipkes / Mexico
Tempestad (Tempestuous) / John Torres / Philippines
Days of Cannibalism / Teboho Edkins / South Africa
Rüzgarli Bir Güne Agit (Requiem for a Windy Day) / Özcan Alper / Turkey
Distribution
Atambua 39° Celsius / Riri Riza / Indonesia
Workshops
Naas Training Workshop / Egypt
Digital Cinema Workshop Series / Morocco
Cinema Land / Vietnam
Profile of the Hubert Bals Fund
The Hubert Bals Fund (Hbf), along with the CineMart, is part of the International Film Festival Rotterdam (Iffr). The 42nd Iffr will take place January 23 – February 3, 2013. Year-round news on Iffr, Hbf and CineMart can be found on www.filmfestivalrotterdam.com.
The Hubert Bals Fund is designed to bring remarkable or urgent feature films and feature-length creative documentaries by innovative and talented filmmakers from developing countries closer to completion. The Hubert Bals Fund provides grants that often turn out to play a crucial role in enabling these filmmakers to realize their projects. Although the Fund looks closely at the financial aspects of a project, the decisive factors remain its content and artistic value. Since the Fund started in 1989, hundreds of projects from independent filmmakers in Africa, Asia, Latin America, the Middle East and parts of Eastern Europe have received support. Approximately 80% of these projects have been realized or are currently in production. Every year, the Iffr screens completed films supported by the Fund.
The Hubert Bals Fund is supported by the Dutch Ministry of Foreign Affairs, Media Mundus, Dutch non-governmental development organization Hivos Culture Foundation, the Doen Foundation and the Dioraphte Foundation and Lions Club Rotterdam: L’Esprit du Temps.
Grants and selection rounds
Annually, the Hubert Bals Fund is able to make individual grants of up to Euro 10,000 for script and project development, Euro 20,000 for digital production, Euro 30,000 for post-production, Euro 15,000 towards distribution costs in the country of origin or Euro 10,000 for special projects such as workshops. Selection rounds take place twice a year and have application deadlines on March 1 and August 1.
Hubert Bals Fund-supported films in Iffr and on DVD/VOD
Most of the films supported by the Hubert Bals Fund throughout the year are screened during the International Film Festival Rotterdam in attendance of the filmmaker. Subsequently, part of the Hbf-supported films is released by the Iffr on DVD or VOD, available on www.filmfestivalrotterdam.com (VOD for viewers in the Benelux only).
- 12/11/2012
- by Sydney Levine
- Sydney's Buzz
The International Film Festival Rotterdam (Iffr) has announced the complete list of Boost programme of CineMart 2013. New projects by Michel Lipkes (Mexico) and Teboho Edkins (South Africa) have been added to those by Pablo Stoll (Uruguay), Ognjen Glavonic (Serbia) and Gurvinder Singh (India) selected earlier this year. The Boost! progarmme is organized by Hubert Bals Fund, CineMart, Binger Filmlab and Nfdc of India supported by Media Mundus. Yearly five projects Read More...
- 12/1/2012
- Bollywood Trade
Selected from a record 399 entries, 25 new film projects will receive grants from Rotterdam's Iffr fund for script development, digital production, post-production, distribution or workshops. Among the lucky 25 selected is Days of Cannibalism by the South African filmmaker Teboho Edkins, which will be supported for script development. I couldn't find a proper synopsis for it, but it's said that, in the project, Edkins plans to combine a mix of fiction and documentary-style filmmaking to tell the Days of Cannibalism story, which will focus on the "increasingly more important trade relations between China and African countries," a topic...
- 11/30/2012
- by Courtney
- ShadowAndAct
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