Exclusive: Former NBCUniversal executive John Pollak and actor, producer, and activist Wilmer Valderrama have launched Allied Management Group, which focuses on partnering with, collaborating, and representing new and existing Latino voices across traditional and digital media. Pollak and Valderrama are co-founders and co-owners of L.A.-based Amg.
After two decades in the entertainment business as both a global distribution head and producer, Pollak will oversee day-to-day operations.
Clients include Dhana Media, the company led by producers Mari Urdaneta and Liliana Moyano who are behind Amazon’s scripted series Maradona: Blessed Dream and Univision’s The Jenni Rivera Story, Tuti Loor, showrunner of CNN’s Searching for Mexico with Eva Longoria, and L Word writer Maria Renee Prudencio.
Valderrama is the latest actor to make the move into management; last year, Kenan Thompson launched Artists for Artists and formed a joint venture with McKeon/Myones Entertainment.
“Latino talent has traditionally...
After two decades in the entertainment business as both a global distribution head and producer, Pollak will oversee day-to-day operations.
Clients include Dhana Media, the company led by producers Mari Urdaneta and Liliana Moyano who are behind Amazon’s scripted series Maradona: Blessed Dream and Univision’s The Jenni Rivera Story, Tuti Loor, showrunner of CNN’s Searching for Mexico with Eva Longoria, and L Word writer Maria Renee Prudencio.
Valderrama is the latest actor to make the move into management; last year, Kenan Thompson launched Artists for Artists and formed a joint venture with McKeon/Myones Entertainment.
“Latino talent has traditionally...
- 7/6/2022
- by Rosy Cordero
- Deadline Film + TV
Morelia Film Festival’s (Ficm) Impulso sidebar for pix in progress will run Sunday through Tuesday this coming week, having become one of the territories most important launchpads for Latin American feature films in post-production.
Many of the participating films in recent editions have gone on to find festival success the world around.
Last year, Hari Sama’s “This is Not Berlin” was the talk of the day, and since being finished has made major impacts at Sundance, Tribeca and Malaga. From 2017, Andres Kaiser’s cabin in the woods thriller “Feral” went on to win awards at Los Cabos and participate in several major genre fests across Europe and North America. 2016 hosted Joshua Gil’s “Sanctorum” which closed Venice Critics’ Week this year.
Other standout participants include, but are not limited to: “The Chaotic Life of Nada Kadi’c” from Marta Hernaiz (Berlinale 2018); “Devil’s Freedom” from Everardo González (Berlinale...
Many of the participating films in recent editions have gone on to find festival success the world around.
Last year, Hari Sama’s “This is Not Berlin” was the talk of the day, and since being finished has made major impacts at Sundance, Tribeca and Malaga. From 2017, Andres Kaiser’s cabin in the woods thriller “Feral” went on to win awards at Los Cabos and participate in several major genre fests across Europe and North America. 2016 hosted Joshua Gil’s “Sanctorum” which closed Venice Critics’ Week this year.
Other standout participants include, but are not limited to: “The Chaotic Life of Nada Kadi’c” from Marta Hernaiz (Berlinale 2018); “Devil’s Freedom” from Everardo González (Berlinale...
- 10/18/2019
- by Jamie Lang
- Variety Film + TV
Careyes, Mexico, a strip of bohemian, palm tree-laden paradise perched along a remote strip of the Pacific coast, is the sort of place creative types dream about, with balmy ocean breezes, bright blue skies and a network of surrounding villages lined with cobblestone walkways and the sound of tropical birds chirping overhead. Arte Careyes, a film and arts festival designed to blend in with the area’s emphasis on nature, ecotourism and a laid-back Latin American vibe, kicks off its 9th year March 20-24, luring a crowd of some 250 filmmakers, photographers and musicians with a desire to slow things down and luxuriate in the town’s unique mystical and awe-inspiring qualities.
“Arte Careyes is a celebration of Mexico and that is always what has been for us the most important thing,” says fest founder Fillipo Brignone, whose father, Italian banker Gian Franco Brignone, spotted Careyes while flying overhead in 1968 and...
“Arte Careyes is a celebration of Mexico and that is always what has been for us the most important thing,” says fest founder Fillipo Brignone, whose father, Italian banker Gian Franco Brignone, spotted Careyes while flying overhead in 1968 and...
- 3/20/2019
- by Malina Saval
- Variety Film + TV
Kicking off its 5th year, the Careyes Creation Lab, an offshoot of the Arte Careyes Film Festival, is set to run March 18-22, providing an immersive workshop experience in which a select group of rising Mexican filmmakers are guided by renowned mentors in exercises designed to hone and shape their craft.
This year’s mentors, Oscar-nominated director Jean-Marc Vallee (“Dallas Buyers Club”) and Emmy-winning director Joan Darling (“The Mary Tyler Moore Show”), will tutor a slate of participants including directors Joaquín del Paso (“Maquinaria Panamericana”), Marcelo Tobar (“Oso Polar”) and Cristina Gallego (“Birds of Passage”) and actors Hoze Meléndez, Verónica Toussaint, Osvaldo Benavides and Johanna Murillo. All directors have films screening in Arte Careyes, which dovetails with the lab, taking place March 20-24. Past mentors of the lab have included John Cooper, Jim Stark, Darling and Pavel Pawlikowski.
Taking place in a private home in Careyes, Mexico, the lab is...
This year’s mentors, Oscar-nominated director Jean-Marc Vallee (“Dallas Buyers Club”) and Emmy-winning director Joan Darling (“The Mary Tyler Moore Show”), will tutor a slate of participants including directors Joaquín del Paso (“Maquinaria Panamericana”), Marcelo Tobar (“Oso Polar”) and Cristina Gallego (“Birds of Passage”) and actors Hoze Meléndez, Verónica Toussaint, Osvaldo Benavides and Johanna Murillo. All directors have films screening in Arte Careyes, which dovetails with the lab, taking place March 20-24. Past mentors of the lab have included John Cooper, Jim Stark, Darling and Pavel Pawlikowski.
Taking place in a private home in Careyes, Mexico, the lab is...
- 2/28/2019
- by Malina Saval
- Variety Film + TV
Morelia, Mexico — Mexican helmer-scribe Marcelo Tobar is teaming up for the third time with producer Elsa Reyes of Zensky Cine to make his most ambitious film to date. Contrary to his earlier features, which cost roughly $150,000 each to make, Tobar’s latest film, “Los Idealistas,” boasts a $1 million budget.
Zensky Cine produced and distributed Tobar’s 2017 hit “Polar Bear,” the first Mexican movie to be shot entirely on an iPhone and winner of last year’s Best Mexican Feature at Morelia, and his earlier 2014 film, “Asteroid.”
“It was a challenge to raise the financing for “Los Idealistas” but after several attempts, we were finally able to tap Mexico’s film incentives,” said Reyes, who added that Cinepolis Distribution has shown interest in releasing the film.
“It’s the first comedy I direct,” said Tobar, adding: “What greater challenge after ‘Polar Bear’ than to make a comedy for the general public...
Zensky Cine produced and distributed Tobar’s 2017 hit “Polar Bear,” the first Mexican movie to be shot entirely on an iPhone and winner of last year’s Best Mexican Feature at Morelia, and his earlier 2014 film, “Asteroid.”
“It was a challenge to raise the financing for “Los Idealistas” but after several attempts, we were finally able to tap Mexico’s film incentives,” said Reyes, who added that Cinepolis Distribution has shown interest in releasing the film.
“It’s the first comedy I direct,” said Tobar, adding: “What greater challenge after ‘Polar Bear’ than to make a comedy for the general public...
- 10/24/2018
- by Anna Marie de la Fuente
- Variety Film + TV
When Sean Baker’s breakout indie “Tangerine” arrived in 2015, its ambitious production caught a lot of attention from the film community due to the originality of its production — it was shot exclusively on a trio of iPhone 5s. The movie was not the first to use the smart phone as its primary camera, but it was the most recognized in a burgeoning field of filmmakers using phones as their primary means of production. The trend hasn’t slowed down.
This week sees the release of Steven Soderbergh’s first foray into iPhone filmmaking, with the psychological thriller “Unsane.” The movie joins a growing list of films — shorts, features, projects actually financed by Apple, and those made specifically because of the frugality of the equipment — shot on the smart phone. (And that’s to say nothing of projects only partially shot on iPhones; soon enough, Netflix viewers will get to check...
This week sees the release of Steven Soderbergh’s first foray into iPhone filmmaking, with the psychological thriller “Unsane.” The movie joins a growing list of films — shorts, features, projects actually financed by Apple, and those made specifically because of the frugality of the equipment — shot on the smart phone. (And that’s to say nothing of projects only partially shot on iPhones; soon enough, Netflix viewers will get to check...
- 3/21/2018
- by Kate Erbland
- Indiewire
The winners have been announced in the second edition of the fund to support projects in development and post-production through collaboration with Labodigita.
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valadez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valadez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
- 11/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The winners have been announced in the second edition of the fund to support projects in development and post-production through collaboration with Labodigita.
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valádez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and
I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
The seven projects in development stage that will receive $5,000 each are:
Shadow Collector (Coleccionistas De Sombras) by director and producer Viviana García Besné;
Tribeca Film Institute project Our Darkest Days (Los Días Más Oscuros De Nosotras) by director Astrid Rondero and producer Fernanda Valádez;
Confusion (Entrevero) by director Max Zunino and producer Laura Imperiale;
Man For Man (Hombre Por Hombre) by director Marcelo Tobar and producer Elsa Reyes;
Sea And Earth Eyes (Ojos De Mar Y Tierra) by director José Álvarez and producer Julio Chavezmontes;
Seven Hours (Siete Horas) by director Chema Rodríguez and producers Francisco Vargas and Chema Rodríguez; and
I’m No Longer Here (Ya No Estoy Aquí) by director Fernando Frías and producers Gerry Kim and Mayuran Tiruchelvam.
The jury comprised Rise And Shine World Sales acquisitions manager Diana Karklin, Tribeca...
- 11/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Top brass at the festival, set to run from September 24-October 8, have announced the selections in Focus Mexico.
The films are as follows:
Focus Mexico
The Obscure Spring (Las Oscuras Primaveras)
Ernesto Contreras
Manuela Jankovic’s War (La Guerra De Manuela Jankovic)
Diana Cardozo
González
Christian Díaz Pardo
Asteroide
Marcelo Tobar
The Absent (Los Ausentes)
Nicolás Pereda
Cumbres
Gabriel Nuncio
We Are Mari Pepa (Somos Mari Pepa)
Samuel Kishi
The Well (Manto Acuífero)
Michael Rowe
Güeros
Alonso Ruizpalacios
Cantinflas
Sebastian del Amo
Los Angeles
Damian John Harper
The Amazing Catfish (Los Insólitos Peces Gato)
Claudia Sainte-Luce
The Empty Hours (Las Horas Muertas)
Aaron Fernandez.
Panorama section
Words With Gods (Palabras Con Dioses)
Guillermo Arriaga, Héctor Babenco, Warwick Thornton, Mira Nair, Hideo Nakata, Amos Gitai, Álex de la Iglesia, Emir Kusturica, Bahman Ghobadi
Short Plays
Daniel Gruener, Carlos Reygadas, Fernando Eimbcke, Felipe Gómez, Alejandro Valle, Karim Aïnouz, Marcelo Gomes, Pablo Fendrik, Pablo Stoll, [link...
The films are as follows:
Focus Mexico
The Obscure Spring (Las Oscuras Primaveras)
Ernesto Contreras
Manuela Jankovic’s War (La Guerra De Manuela Jankovic)
Diana Cardozo
González
Christian Díaz Pardo
Asteroide
Marcelo Tobar
The Absent (Los Ausentes)
Nicolás Pereda
Cumbres
Gabriel Nuncio
We Are Mari Pepa (Somos Mari Pepa)
Samuel Kishi
The Well (Manto Acuífero)
Michael Rowe
Güeros
Alonso Ruizpalacios
Cantinflas
Sebastian del Amo
Los Angeles
Damian John Harper
The Amazing Catfish (Los Insólitos Peces Gato)
Claudia Sainte-Luce
The Empty Hours (Las Horas Muertas)
Aaron Fernandez.
Panorama section
Words With Gods (Palabras Con Dioses)
Guillermo Arriaga, Héctor Babenco, Warwick Thornton, Mira Nair, Hideo Nakata, Amos Gitai, Álex de la Iglesia, Emir Kusturica, Bahman Ghobadi
Short Plays
Daniel Gruener, Carlos Reygadas, Fernando Eimbcke, Felipe Gómez, Alejandro Valle, Karim Aïnouz, Marcelo Gomes, Pablo Fendrik, Pablo Stoll, [link...
- 9/14/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Top brass at the 31st Miami International Film Festival (Miff) announced the full slate on January 28, which comprises 93 features and 28 shorts. The festival is set to run from March 7-16.
John Turturro will receive the career achievement award and the world premiere of Rob The Mob will screen as the Awards Night Gala, while the North American premiere of Michael Radford’s Elsa & Fred remake opens the festival.
Knight Competition entries include the world premieres of Marcelo Tobar’s Asteroid (Asteroide, Mexico) and Jorge Duran’s Memories Of The Desert (Romance Policial, Brazil).
Among the Knight Documentary Competition selection is Joe Berlinger’s Whitey: United States Of America v James J Bulger (pictured) and the North American premiere of Marianne Lamour’s The Art Rush (France).
Four entries compete for a total of $10,000 in the Lexus Ibero-American Opera Prima Competition for first-time feature filmmakers emerging from Spain, Portugal and Latin America.
The films are:...
John Turturro will receive the career achievement award and the world premiere of Rob The Mob will screen as the Awards Night Gala, while the North American premiere of Michael Radford’s Elsa & Fred remake opens the festival.
Knight Competition entries include the world premieres of Marcelo Tobar’s Asteroid (Asteroide, Mexico) and Jorge Duran’s Memories Of The Desert (Romance Policial, Brazil).
Among the Knight Documentary Competition selection is Joe Berlinger’s Whitey: United States Of America v James J Bulger (pictured) and the North American premiere of Marianne Lamour’s The Art Rush (France).
Four entries compete for a total of $10,000 in the Lexus Ibero-American Opera Prima Competition for first-time feature filmmakers emerging from Spain, Portugal and Latin America.
The films are:...
- 1/28/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
One clear winner who got a score of 14 (out of 22), Nr27 from Germany. Congratulations! You get a $25 gift card from Amazon.com. Send an email to claim your prize. The...
- 12/4/2009
- by Sasha Stone
- AwardsDaily.com
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