We had a code word, Cobala. I only had to mutter it and the imposing gates of his Chembur bungalow, that kept visitors at bay, creaked open and allowed me in. Khursheed, his driver-cum-Man Friday, would escort me upstairs to the bedroom-turned-living room that was Dadamoni domain. These visits couldn’t have stretched to more than half-a-dozen but each time, a new side to Ashok Kumar’s multi-faceted personality was revealed to me. On one occasion, I learnt about the artist who liked to paint in the nude. Another interview turned into an impromptu playback session with Anup Kumar and he singing some ...
- 12/19/2009
- Hindustan Times - Cinema
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