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“Risk…can be the catalyst that propels you forward” is a quote from Robert Redford that lives on the Sundance Institute website, a fitting message from the festival founder that has a forty-plus year history cultivating the careers of many first time filmmakers. Quentin Tarantino, Robert Rodriguez, David O. Russell, Paul Thomas Anderson, Ryan Coogler, Ava DuVernay, Chloé Zhao, Cathy Yan, and Wes Anderson all made a name during the Park City event.
For the 2024 installation the tradition of directors premiering their debut project continues with over 90 films and episodic titles being showcased for the 40th edition of the Sundance Film Festival. Among them are eight titles whose editing teams looked to Adobe Creative Cloud apps to craft their stories. From an uncertain teen trying to fit in, a grandma on an action-packed revenge quest,...
“Risk…can be the catalyst that propels you forward” is a quote from Robert Redford that lives on the Sundance Institute website, a fitting message from the festival founder that has a forty-plus year history cultivating the careers of many first time filmmakers. Quentin Tarantino, Robert Rodriguez, David O. Russell, Paul Thomas Anderson, Ryan Coogler, Ava DuVernay, Chloé Zhao, Cathy Yan, and Wes Anderson all made a name during the Park City event.
For the 2024 installation the tradition of directors premiering their debut project continues with over 90 films and episodic titles being showcased for the 40th edition of the Sundance Film Festival. Among them are eight titles whose editing teams looked to Adobe Creative Cloud apps to craft their stories. From an uncertain teen trying to fit in, a grandma on an action-packed revenge quest,...
- 1/21/2024
- by IndieWire Staff
- Indiewire
Anybody who’s suffered through the experience of being a 13-year-old probably knew a boy who acted like Chris Wang (Izaac Wang). A braces-faced edgelord fresh out of middle school, Chris spends the summer of 2008 before freshman year tossing around casually sexist and homophobic jokes with his friends, surfing the web on his bulky PC, and generally acting like a self-destructive brat towards everyone around him. He’s horrifically unappreciative of his mother Chungsing (a wonderful Joan Chen) who’s left to look after her kids while her husband works in Taiwan, an outright demon to his college-bound older sister Vivian (Shirley Chen), and quick to push away and ignore his friends. But his bark doesn’t translate to any real bite; like many kids his age, all that bluster belies a sweet, extremely insecure heart.
Chris Wang is the main character of “Dìdi,” the debut feature of Fremont, California-born filmmaker Sean Wang.
Chris Wang is the main character of “Dìdi,” the debut feature of Fremont, California-born filmmaker Sean Wang.
- 1/20/2024
- by Wilson Chapman
- Indiewire
In the U.S. Dramatic Competition film Didi, the feature debut of writer-director Sean Wang, a Taiwanese American boy learns to skate handle the emotions of adolescent longing in the summer before high school. Set in 2008, the film is replete with period signifiers familiar to any child of the era, including MySpace friend rankings, Aim messaging, and Windows Xp. In her discussion of Didi below, editor Arielle Zakowski, whose most recent credit is the 2023 computer screen film Missing, explains the importance of test screenings and how she brought the film’s period setting to life and contrasted the excitement of the […]
The post “We Knew It Was Going to Be a Bit of a Sprint”: Editor Arielle Zakowski on Didi first appeared on Filmmaker Magazine.
The post “We Knew It Was Going to Be a Bit of a Sprint”: Editor Arielle Zakowski on Didi first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
In the U.S. Dramatic Competition film Didi, the feature debut of writer-director Sean Wang, a Taiwanese American boy learns to skate handle the emotions of adolescent longing in the summer before high school. Set in 2008, the film is replete with period signifiers familiar to any child of the era, including MySpace friend rankings, Aim messaging, and Windows Xp. In her discussion of Didi below, editor Arielle Zakowski, whose most recent credit is the 2023 computer screen film Missing, explains the importance of test screenings and how she brought the film’s period setting to life and contrasted the excitement of the […]
The post “We Knew It Was Going to Be a Bit of a Sprint”: Editor Arielle Zakowski on Didi first appeared on Filmmaker Magazine.
The post “We Knew It Was Going to Be a Bit of a Sprint”: Editor Arielle Zakowski on Didi first appeared on Filmmaker Magazine.
- 1/19/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
2018’s sleeper hit, Searching, showed you could create an effective edge-of-your-seat mystery thriller told exclusively through the use of the screens that dominate our daily lives in this century. It starred John Cho as a father whose 16-year-old daughter disappears, leading him to use all the tools of the internet to try and trace her steps in order to find her. Its follow-up, Missing, actually improves on that idea with a different story and set of characters, taking it several leaps further in creating a corker of a suspense picture that looks like what a filmmaking master such as Hitchcock might have made had he been an It genius too.
Watching Searching, which was directed and cowritten (with Sev Ohanian) by Aneesh Chaganty, I kept thinking how the real stars of the piece were the film editors who had to put together a puzzle of images in order to create a coherent story.
Watching Searching, which was directed and cowritten (with Sev Ohanian) by Aneesh Chaganty, I kept thinking how the real stars of the piece were the film editors who had to put together a puzzle of images in order to create a coherent story.
- 1/20/2023
- by Pete Hammond
- Deadline Film + TV
When the computer-screen thriller “Searching” came out in 2018, starring John Cho as a widower dad navigating an unfamiliar online world to find his vanished daughter, you could sense a gimmick had matured from the novelty silliness of the 2014 movie that kicked it all off, the chatroom freakout “Unfriended.”
“Searching” director–co-writer Aneesh Chaganty understood that the freshness of a screens-only visual language would quickly wear out its welcome without a well-plotted script and solid performances to anchor it. (Cho even landed a Spirit Awards nomination for his finely turned portrayal.)
Now the genre’s so-far gold standard has a worthy sequel, which is more stand-alone follow-up than continuation. You don’t need to have seen “Searching” to enjoy “Missing” — and enjoyable it is, serpentine, sly and nail-biting in equal measures — but the earlier movie’s fanbase will certainly recognize what online-savvy Los Angeles high-schooler June (Storm Reid) is watching on...
“Searching” director–co-writer Aneesh Chaganty understood that the freshness of a screens-only visual language would quickly wear out its welcome without a well-plotted script and solid performances to anchor it. (Cho even landed a Spirit Awards nomination for his finely turned portrayal.)
Now the genre’s so-far gold standard has a worthy sequel, which is more stand-alone follow-up than continuation. You don’t need to have seen “Searching” to enjoy “Missing” — and enjoyable it is, serpentine, sly and nail-biting in equal measures — but the earlier movie’s fanbase will certainly recognize what online-savvy Los Angeles high-schooler June (Storm Reid) is watching on...
- 1/19/2023
- by Robert Abele
- The Wrap
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