Exclusive: Netflix and the National Association of Latino Independent Producers are reteaming for another cycle of their Latino Len: Narrative Short Film Incubator for Women of Color, with submissions open as of today.
This year, Netflix and Nalip will once again support five filmmakers who identify as women of color, with selected participants receiving a $25,000 grant to produce a short film, along with support from executives at Nalip and Netflix throughout the development of their films and various networking opportunities through Nalip’s industry events.
The Latino Lens incubator, bolstering the work of women filmmakers of color, launched last year, with Eileen Álvarez, Caroline Guo, Eunice Levis and Angelita Mendoza being the artists selected for the inaugural cohort, whose works were screened at both the 2021 Latino Media Fest and the Nalip Diverse Women in Media Forum.
“We created this program to build equity and provide access to historically underrepresented communities...
This year, Netflix and Nalip will once again support five filmmakers who identify as women of color, with selected participants receiving a $25,000 grant to produce a short film, along with support from executives at Nalip and Netflix throughout the development of their films and various networking opportunities through Nalip’s industry events.
The Latino Lens incubator, bolstering the work of women filmmakers of color, launched last year, with Eileen Álvarez, Caroline Guo, Eunice Levis and Angelita Mendoza being the artists selected for the inaugural cohort, whose works were screened at both the 2021 Latino Media Fest and the Nalip Diverse Women in Media Forum.
“We created this program to build equity and provide access to historically underrepresented communities...
- 3/7/2022
- by Matt Grobar
- Deadline Film + TV
For its second year at Fantasia, the theme running across the curation for the shorts programme Born Of Woman has moved away from the cerebral physical fetishes, and queer emotional landscapes of last year, towards the nature of haunting. The highlights were the quieter, more introspective entries that focused on mood and precise cinematography from some impressive new cinematic voices. First and foremost was Mexico's The Last Light (pictured above), which, coincidentally or not, meticulously recreates the tone of the prologue from Don't Look Now. No small feat that, considering Nicolas Roeg's film has one of the greatest opening scenes in the history of film. Angela Mendoza shows the contrast between grieving parents and an innocent girl who are dealing with a child's murder in a rural settlement. The...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 7/23/2017
- Screen Anarchy
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